131 Résultats
Classification:
livres
livres
Prix:
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal(...)
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal(...)
Titre:
Touch me not: a most rare compendium of the whole magical art
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$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.” Hidden for decades within the Wellcome Library collection, ''Touch me not'' is published here as a full-color facsimile.
Touch me not: a most rare compendium of the whole magical art
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Prix:
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.” Hidden for decades within the Wellcome Library collection, ''Touch me not'' is published here as a full-color facsimile.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Classification:
livres
livres
Titre:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
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In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
$39.95
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Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
Titre:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
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$39.95
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Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
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$39.95
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Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Classification:
livres
livres
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$48.95
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Résumé:
In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of(...)
$48.95
(disponible sur commande)
Résumé:
In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of(...)
Titre:
The lost books of Jane Austen
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$48.95
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In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. ''The lost books of Jane Austen'' is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers.
The lost books of Jane Austen
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$48.95
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Résumé:
In the nineteenth century, inexpensive editions of Jane Austen's novels targeted to Britain's working classes were sold at railway stations, traded for soap wrappers, and awarded as school prizes. At just pennies a copy, these reprints were some of the earliest mass-market paperbacks, with Austen's beloved stories squeezed into tight columns on thin, cheap paper. Few of these hard-lived bargain books survive, yet they made a substantial difference to Austen's early readership. These were the books bought and read by ordinary people. ''The lost books of Jane Austen'' is a unique history of these rare and forgotten Austen volumes. Such shoddy editions, Janine Barchas argues, were instrumental in bringing Austen's work and reputation before the general public. Only by examining them can we grasp the chaotic range of Austen's popular reach among working-class readers.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Classification:
livres
livres
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$47.50
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Résumé:
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In ''Mag Men,'' Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the(...)
$47.50
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Résumé:
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In ''Mag Men,'' Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the(...)
Publication:
novembre 2019
novembre 2019
Titre:
Mag Men: fifty years of making magazines
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$47.50
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Résumé:
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In ''Mag Men,'' Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. At a time when uncertainty continues to cloud the future of print journalism, ''Mag Men'' offers not only a personal history from two of its most innovative figures, but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.
Mag Men: fifty years of making magazines
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Prix:
$47.50
(disponible sur commande)
Résumé:
For more than fifty years, Walter Bernard and Milton Glaser have revolutionized the look of magazine journalism. In ''Mag Men,'' Bernard and Glaser recount their storied careers, offering insiders’ perspective on some of the most iconic design work of the twentieth century. The authors look back on and analyze some of their most important and compelling projects, from the creation of New York magazine to redesigns of such publications as Time, Fortune, Paris Match, and The Nation, explaining how their designs complemented a story and shaped the visual identity of a magazine. At a time when uncertainty continues to cloud the future of print journalism, ''Mag Men'' offers not only a personal history from two of its most innovative figures, but also a reminder and celebration of the visual impact and sense of style that only magazines can offer.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Classification:
livres
livres
Titre:
L'art du pliage
L'art du pliage
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$59.95
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Résumé:
Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
$59.95
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Résumé:
Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
Titre:
L'art du pliage
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$59.95
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Résumé:
Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
L'art du pliage
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$59.95
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Résumé:
Hedi Kyle, artiste renommée dans le monde du livre, montre pas à pas comment réaliser des livres et objets uniques et originaux, en utilisant la technique du pliage.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Classification:
livres
livres
Titre:
No-ISBN: On self-publishing
No-ISBN: On self-publishing
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$45.00
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Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists(...)
$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists(...)
Titre:
No-ISBN: On self-publishing
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$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists interspersed with texts on the international boom of artists’ books, written by active practitioners of self-publishing. This first, richly illustrated reader has been compiled by a team of editors uniting the areas of conceptual art, media theory, and cultural studies. It thus offers a navigational aid in the discovery of new, uncharted terrain.
No-ISBN: On self-publishing
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Prix:
$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists interspersed with texts on the international boom of artists’ books, written by active practitioners of self-publishing. This first, richly illustrated reader has been compiled by a team of editors uniting the areas of conceptual art, media theory, and cultural studies. It thus offers a navigational aid in the discovery of new, uncharted terrain.
Classification:
livres
livres
Publication:
février 2016
février 2016
Classification:
livres
livres
Titre:
Threads talks series
Threads talks series
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$29.95
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Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
Titre:
Threads talks series
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$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Threads talks series
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$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
Prix:
$54.00
(disponible sur commande)
Résumé:
In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection(...)
$54.00
(disponible sur commande)
Résumé:
In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection(...)
Titre:
Artists & others: the imaginative french book in the 21st century
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$54.00
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Résumé:
In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection of around 120 publications produced by more than 40 artists, printers, and publishers. Although these 21st-century books follow in the tradition of their classic predecessors, new aspects also emerge. Most notable is their international character, a result of the cooperation that is commonplace today.
Artists & others: the imaginative french book in the 21st century
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$54.00
(disponible sur commande)
Résumé:
In 1968, Dutch engineer Louis Koopman entrusted his collection of bibliophile and deluxe editions of French contemporary literature to the National Library of the Netherlands. The Koopman Collection has since grown to be the largest such collection in the Netherlands. This volume focuses on its most modern part, French artist’s books after 2000, and presents a selection of around 120 publications produced by more than 40 artists, printers, and publishers. Although these 21st-century books follow in the tradition of their classic predecessors, new aspects also emerge. Most notable is their international character, a result of the cooperation that is commonplace today.
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Classification:
livres
livres
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$37.95
(disponible sur commande)
Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing(...)
$37.95
(disponible sur commande)
Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing(...)
Titre:
Publishing as artistic practice
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$37.95
(disponible sur commande)
Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. The number and diversity of projects among the artists, writers, and publishers concerned with these matters show that it is time to move the question of publishing from the margin to the center of aesthetic and academic discourse.
Publishing as artistic practice
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Prix:
$37.95
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Résumé:
What does it mean to publish today? In the face of a changing media landscape, institutional upheavals, and discursive shifts in the legal, artistic, and political fields, concepts of ownership, authorship, work, accessibility, and publicity are being renegotiated. The field of publishing not only stands at the intersection of these developments but is also introducing new ruptures. How the traditional publishing framework has been cast adrift, and which opportunities are surfacing in its stead, is discussed here by artists, publishers, and scholars through the examination of recent publishing concepts emerging from the experimental literature and art scene, where publishing is often part of an encompassing artistic practice. The number and diversity of projects among the artists, writers, and publishers concerned with these matters show that it is time to move the question of publishing from the margin to the center of aesthetic and academic discourse.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Classification:
livres
livres
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$45.00
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Résumé:
This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop--Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others--with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus(...)
$45.00
(disponible sur commande)
Résumé:
This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop--Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others--with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus(...)
Publication:
septembre 2016
septembre 2016
Titre:
Shakespeare and company Paris: a history of the rag & bone shop of the heart
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$45.00
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Résumé:
This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop--Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others--with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus a foreword by the celebrated British novelist Jeanette Winterson and an epilogue by Sylvia Whitman, the daughter of the store’s founder, George Whitman. The book has been edited by Krista Halverson, director of the newly founded Shakespeare and Company publishing house.
Shakespeare and company Paris: a history of the rag & bone shop of the heart
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$45.00
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Résumé:
This first-ever history of the legendary bohemian bookstore in Paris interweaves essays and poetry from dozens of writers associated with the shop--Allen Ginsberg, Anaïs Nin, Ethan Hawke, Robert Stone and Jeanette Winterson, among others--with hundreds of never-before-seen archival pieces, including photographs of James Baldwin, William Burroughs and Langston Hughes, plus a foreword by the celebrated British novelist Jeanette Winterson and an epilogue by Sylvia Whitman, the daughter of the store’s founder, George Whitman. The book has been edited by Krista Halverson, director of the newly founded Shakespeare and Company publishing house.
Classification:
livres
livres
Publication:
septembre 2016
septembre 2016
