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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of(...)
Reading Andy Warhol: author, illustrator, publisher
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From his student days onward, Andy Warhol(1928-1987) was fascinated by the medium of print. He designed covers for large publishing companies and made silkscreens and lithographs for the covers of poetry books written by author friends. In his own books he documented the film and photographic work done at his Factory. Warhol also blasted apart the usual genres of literature by having sound recordings transcribed and published. Including a complete bibliography, this volume is the first substantial presentation of Warhol's important innovations in printed books.
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In these pages, Nicholas Basbanes shows how paper has been civilization’s constant companion. It preserves our history and gives record to our very finest literary, cultural, and scientific accomplishments. Since its invention in China nearly two millennia ago, the technology of paper has spread throughout the inhabited world. Basbanes traces paper’s trail from the(...)
On paper : the everything of its two-thousand year history by a self-confessed bibliophiliac
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In these pages, Nicholas Basbanes shows how paper has been civilization’s constant companion. It preserves our history and gives record to our very finest literary, cultural, and scientific accomplishments. Since its invention in China nearly two millennia ago, the technology of paper has spread throughout the inhabited world. Basbanes traces paper’s trail from the earliest handmade sheets to the modern-day mills. Paper, yoked to politics, has played a crucial role in the unfolding of landmark events, from the American Revolution to Daniel Ellsberg’s Pentagon Papers to the aftermath of 9/11. Without paper, modern hygienic practice would be unimaginable; as currency, people will do almost anything to possess it; and, as a tool of expression, it is inextricable from human culture.
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Les dimensions sociales du livre d'artiste (ouvrage collectif édité par Anne Mœglin-Delcroix, avec un ensemble d'études et de témoignages de chercheurs, d'historiens, de bibliothécaires, d'éditeurs et d'artistes, ainsi que la réédition de deux textes historiques de Dick Higgins).
Le livre d'artiste: quels projets pour l'art?
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Les dimensions sociales du livre d'artiste (ouvrage collectif édité par Anne Mœglin-Delcroix, avec un ensemble d'études et de témoignages de chercheurs, d'historiens, de bibliothécaires, d'éditeurs et d'artistes, ainsi que la réédition de deux textes historiques de Dick Higgins).
The unbound book
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For centuries, the physical book has been the ideal reading machine. So as books are increasingly supplanted by digital, onscreen reading, it is only natural that we find ourselves wondering what will be lost in the transition. This collection, edited by scholars with expertise in electronic publishing and the digital humanities, focuses instead on what we might gain—how(...)
The unbound book
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For centuries, the physical book has been the ideal reading machine. So as books are increasingly supplanted by digital, onscreen reading, it is only natural that we find ourselves wondering what will be lost in the transition. This collection, edited by scholars with expertise in electronic publishing and the digital humanities, focuses instead on what we might gain—how screen technology might shape and improve the very activities for which we have always used paper.
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Between 2010 and 2013, editor Brigitte Schuster interviewed thirteen prominent Dutch book designers. Among the designers in focus are Karen Polder, Armand Mevis, Walter Nikkels, Hansje van Halem and Joost Grootens. The interviews offer a fascinating look into the world of book designers who belong to different generations, and whose work has been shaped by different(...)
Book designers from the Netherlands
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Between 2010 and 2013, editor Brigitte Schuster interviewed thirteen prominent Dutch book designers. Among the designers in focus are Karen Polder, Armand Mevis, Walter Nikkels, Hansje van Halem and Joost Grootens. The interviews offer a fascinating look into the world of book designers who belong to different generations, and whose work has been shaped by different experiences. An intimate view of the designing process and the individuals themselves emerges as the methodology and motivations of each is uncovered.
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Drawing attention to remarkable contemporary books by Swiss designers, printers and publishers, the competition for the most outstanding examples of book design in Switzerland has been held annually since 1943. The jury, which takes into account each book's overall concept, materials, graphic design and typography, with particular attention to innovation and originality,(...)
The most beautiful Swiss books 2011
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Drawing attention to remarkable contemporary books by Swiss designers, printers and publishers, the competition for the most outstanding examples of book design in Switzerland has been held annually since 1943. The jury, which takes into account each book's overall concept, materials, graphic design and typography, with particular attention to innovation and originality, awarded a total of 27 books published in 2011. Presented here is an overview of the awarded titles, plus a special focus on the winner of the Jan Tschichold Award, which honours excellence in the field of book design and was this year for the first time given to a printer, Erich Keiser of the Druckerei Odermatt.
The form of the book book
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss(...)
décembre 2012
The form of the book book
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A collection of essays, analyses and examples regarding the theory and production of bound volumes, this small but dense publication includes contributions by Catherine de Smet, James Goggin, Richard Hollis, Sarah Gottlieb, Armand Mevis and Chrissie Charlton, and ranges in topic from the Matta-Clark Complex and Le Corbusier as book designer to the Most Beautiful Swiss Books in retrospect, modern typographer Herbert Spencer and essential notes for designers.
$37.95
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Is print really dead, or is it going to die anytime soon? This book examines “a particular (and often puzzling) period in the history of print… as new digital technologies are rapidly transforming both the status and the role of printed materials.” The medium of print is without doubt under threat from new digital sources, yet the two are also finding a paradoxical(...)
Post-digital print : the mutation of publishing since 1894
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Is print really dead, or is it going to die anytime soon? This book examines “a particular (and often puzzling) period in the history of print… as new digital technologies are rapidly transforming both the status and the role of printed materials.” The medium of print is without doubt under threat from new digital sources, yet the two are also finding a paradoxical coexistence despite their shared characteristics and functional competition. In some ways, print is actually nowadays being revitalized rather than replaced, an intriguing prospect which is explored in depth in the pages of this book.
$49.95
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Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social(...)
Power to the people: the graphic design of the radical press and the rise of the counter-culture, 1964-1974
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Though we think of the 1960s and the early ‘70s as a time of radical social, cultural, and political upheaval, we tend to picture the action as happening on campuses and in the streets. Yet the rise of the underground newspaper was equally daring and original. Thanks to advances in cheap offset printing, groups involved in antiwar, civil rights, and other social liberation issues began to spread their messages through provocatively designed newspapers and broadsheets. Power to the People presents more than 700 full-color images and excerpts from these publications, many of which have not been seen since they were first published almost fifty years ago.
$72.00
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Featuring innovative printing and binding techniques as well as radical editorial and design concepts, this book explores the distinctiveness of design, materials, workmanship, and production methods — and pushes their limits.
Fully booked : ink on paper, design & concepts for new publications
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$72.00
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Featuring innovative printing and binding techniques as well as radical editorial and design concepts, this book explores the distinctiveness of design, materials, workmanship, and production methods — and pushes their limits.