130 Résultats
Classification:
livres
livres
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of(...)
$45.00
(disponible sur commande)
Résumé:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of(...)
Titre:
Post-digital print: the mutation of publishing since 1894, 2nd edition
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico rereads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics.
Post-digital print: the mutation of publishing since 1894, 2nd edition
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
For more than a century now, avant-garde artists, activists and technologists have been anticipating the development of networked and electronic publishing. Although in hindsight the reports of the death of paper were greatly exaggerated, electronic publishing has now certainly become a reality. How will the analog and the digital coexist in the post-digital age of publishing? How will they transition, mix and cross over? In this book, Alessandro Ludovico rereads the history of the avant-garde arts as a prehistory of cutting through the so-called dichotomy between paper and electronics.
Classification:
livres
livres
Publication:
avril 2019
avril 2019
Classification:
livres
livres
Prix:
$70.00
(disponible en magasin)
Résumé:
In the spring of 1856, Henry David Thoreau immersed himself in the collection of sap and the production of maple sugar, recording his observations in his journal. This limited-edition letterpress book collects Thoreau's thoughts on maple sugaring and adds to them an afterword by the poet Peter Sanger and two illustrations by J.J. Steeves. This book was composed in(...)
$70.00
(disponible en magasin)
Résumé:
In the spring of 1856, Henry David Thoreau immersed himself in the collection of sap and the production of maple sugar, recording his observations in his journal. This limited-edition letterpress book collects Thoreau's thoughts on maple sugaring and adds to them an afterword by the poet Peter Sanger and two illustrations by J.J. Steeves. This book was composed in(...)
Titre:
Still deep and sweet: Henry David Thoreau on maple sugaring
Actions:
Prix:
$70.00
(disponible en magasin)
Résumé:
In the spring of 1856, Henry David Thoreau immersed himself in the collection of sap and the production of maple sugar, recording his observations in his journal. This limited-edition letterpress book collects Thoreau's thoughts on maple sugaring and adds to them an afterword by the poet Peter Sanger and two illustrations by J.J. Steeves. This book was composed in Linotype Fairfield, with Russell Maret's Baker capitals, and printed from the metal on a Vandercook proof press. J.J. Steeves's illustration was printed from a photopolymer plate. The regular edition was printed on Stella Text, a cotton sheet originally milled by Turners Falls Paper for Harold Kyle. They were sewn into a paper cover and enfolded in a decorative wrapper. All aspects of the production of this edition were undertaken by Andrew Steeves. Limited edition of 100 copies.
Still deep and sweet: Henry David Thoreau on maple sugaring
Actions:
Prix:
$70.00
(disponible en magasin)
Résumé:
In the spring of 1856, Henry David Thoreau immersed himself in the collection of sap and the production of maple sugar, recording his observations in his journal. This limited-edition letterpress book collects Thoreau's thoughts on maple sugaring and adds to them an afterword by the poet Peter Sanger and two illustrations by J.J. Steeves. This book was composed in Linotype Fairfield, with Russell Maret's Baker capitals, and printed from the metal on a Vandercook proof press. J.J. Steeves's illustration was printed from a photopolymer plate. The regular edition was printed on Stella Text, a cotton sheet originally milled by Turners Falls Paper for Harold Kyle. They were sewn into a paper cover and enfolded in a decorative wrapper. All aspects of the production of this edition were undertaken by Andrew Steeves. Limited edition of 100 copies.
Classification:
livres
livres
Publication:
février 2019
février 2019
Classification:
livres
livres
Prix:
$34.95
(disponible sur commande)
Résumé:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote(...)
$34.95
(disponible sur commande)
Résumé:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote(...)
Titre:
Freedom of the presses: Artists' books in the twenty-first century
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote contemporary artists’ books and publications. This restless energy is present in Freedom of the Presses, which brings together a provocative mix of humorous, intimate and scholarly writing in order to expand how we think about the concept, content, design, production and distribution of artists’ and activists’ publications today. Aimed at a global community of librarians, publishers and readers, it offers models of how to reimagine contemporary artists’ bookmaking as a socially engaged, political practice.
Freedom of the presses: Artists' books in the twenty-first century
Actions:
Prix:
$34.95
(disponible sur commande)
Résumé:
Far from being a staid survey of an art historical practice, “Freedom of the Presses” intervenes in an ongoing discussion about art and activism in the present day by considering the place of the art book in the 21st century. The publisher, Booklyn, has been involved in this conversation since 1999, when a group of six artists decided to band together to promote contemporary artists’ books and publications. This restless energy is present in Freedom of the Presses, which brings together a provocative mix of humorous, intimate and scholarly writing in order to expand how we think about the concept, content, design, production and distribution of artists’ and activists’ publications today. Aimed at a global community of librarians, publishers and readers, it offers models of how to reimagine contemporary artists’ bookmaking as a socially engaged, political practice.
Classification:
livres
livres
Publication:
janvier 2019
janvier 2019
Classification:
livres
livres
Prix:
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal(...)
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal(...)
Titre:
Touch me not: a most rare compendium of the whole magical art
Actions:
Prix:
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.” Hidden for decades within the Wellcome Library collection, ''Touch me not'' is published here as a full-color facsimile.
Touch me not: a most rare compendium of the whole magical art
Actions:
Prix:
$67.50
(disponible en magasin)
Résumé:
''Touch me not'' is an Austrian manuscript compendium of the black magical arts, completed c. 1795. Unique and otherworldly, it evokes a realm of visceral dark magic. As the co-editor of this volume Hereward Tilton notes, the manuscript “appears at first sight to be a ‘grimoire’ or magician’s manual intended for noviciates of black magic. Psychedelic drug use, animal sacrifice, sigillary body art, masturbation fantasy and the necromantic manipulation of gallows-corpses count among the transgressive procedures it depicts. With their aid hidden treasures are wrested from guardian spirits, and the black magician’s highest ambition—an infernal transfiguration and union with the Devil—can be fulfilled.” Hidden for decades within the Wellcome Library collection, ''Touch me not'' is published here as a full-color facsimile.
Classification:
livres
livres
Publication:
juillet 2019
juillet 2019
Classification:
livres
livres
Titre:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
$39.95
(disponible sur commande)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of(...)
Titre:
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
The politics of the joy of printing: Fredy and Lorraine Perlman, The Detroit Printing Co-op 1969-80
Actions:
Prix:
$39.95
(disponible sur commande)
Résumé:
In 1969, shortly after moving to Detroit with wife and partner Lorraine Nybakken, Fredy Perlman and a group of kindred spirits purchased a printing press from a Chicago dealer, transported it, in parts, back to Detroit in their cars and the Detroit Printing Co-op was born. Operating between 1969 and 1980 out of southwest Detroit, the Co-op was the site for the printing of the first English translation of Guy Debord’s "Society of the Spectacle" and journals like "Radical America," produced by the Students for a Democratic Society; books such as "The Political Thought of James Forman" printed by the League of Revolutionary Black Workers; and the occasional broadsheet, such as Judy Campbell’s stirring indictment, "Open letter from ‘white bitch’ to the black youths who beat up on me and my friend."F redy Perlman was not a printer or a designer by training, but was deeply engaged in the ideas, issues, processes and materiality of printing. While at the Detroit Printing Co-op, he radically rethought the possibilities of print by experimenting with overprinting, collage techniques, different kinds of papers and so on. Behind the calls to action and class consciousness written in his publications, there was an innate sense of the politics of design, experimentation and pride of craft.
Classification:
livres
livres
Publication:
novembre 2019
novembre 2019
Classification:
livres
livres
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a(...)
$33.95
(disponible sur commande)
Résumé:
Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a(...)
Titre:
The late age of print: everyday book culture from consumerism to control
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a rapidly digitizing world, books are anything but dead.
The late age of print: everyday book culture from consumerism to control
Actions:
Prix:
$33.95
(disponible sur commande)
Résumé:
Ted Striphas argues that, although the production and propagation of books have undoubtedly entered a new phase, printed works are still very much a part of our everyday lives. With examples from trade journals, news media, films, advertisements, and a host of other commercial and scholarly materials, Striphas tells a story of modern publishing that proves, even in a rapidly digitizing world, books are anything but dead.
Classification:
livres
livres
Publication:
mai 2009, New York
mai 2009, New York
Classification:
livres
livres
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
This book is published on the occasion of the exhibition: The Architectural Uncanny, Marlene MacMallum at Sir Wilfred Grenfell College Art Gallery, 8 February to 24 March 2007 and at the Dalhousie Art Gallery, 11 January to 2 March 2008.
$20.00
(disponible sur commande)
Résumé:
This book is published on the occasion of the exhibition: The Architectural Uncanny, Marlene MacMallum at Sir Wilfred Grenfell College Art Gallery, 8 February to 24 March 2007 and at the Dalhousie Art Gallery, 11 January to 2 March 2008.
Titre:
Marlene MacCallum: the architectural uncanny
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
This book is published on the occasion of the exhibition: The Architectural Uncanny, Marlene MacMallum at Sir Wilfred Grenfell College Art Gallery, 8 February to 24 March 2007 and at the Dalhousie Art Gallery, 11 January to 2 March 2008.
Marlene MacCallum: the architectural uncanny
Actions:
Prix:
$20.00
(disponible sur commande)
Résumé:
This book is published on the occasion of the exhibition: The Architectural Uncanny, Marlene MacMallum at Sir Wilfred Grenfell College Art Gallery, 8 February to 24 March 2007 and at the Dalhousie Art Gallery, 11 January to 2 March 2008.
Classification:
livres
livres
Publication:
janvier 2008, Corner Brooks
janvier 2008, Corner Brooks
Classification:
livres
livres
Actions:
Prix:
$23.25
(disponible sur commande)
Résumé:
In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753–1828) harnessed this newfound interest by assembling(...)
$23.25
(disponible sur commande)
Résumé:
In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753–1828) harnessed this newfound interest by assembling(...)
Titre:
A general history of quadrupeds
Actions:
Prix:
$23.25
(disponible sur commande)
Résumé:
In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753–1828) harnessed this newfound interest by assembling the most comprehensive illustrated guide to nature of his day. "A General History of Quadrupeds", first published in 1790, showcases Bewick’s groundbreaking engraving techniques that allowed text and images to be published on the same page. From anteaters to zebras, armadillos to wolverines, this delightful volume features engravings of over four hundred animals alongside descriptions of their characteristics as scientifically understood at the time. Quadrupeds reaffirms Bewick’s place in history as an incomparable illustrator, one whose influence on natural history and book printing still endures today. With a new foreword by Yann Martel.
A general history of quadrupeds
Actions:
Prix:
$23.25
(disponible sur commande)
Résumé:
In the late eighteenth century, the British took greater interest than ever before in observing and recording all aspects of the natural world. Travelers and colonists returning from far-flung lands provided dazzling accounts of such exotic creatures as elephants, baboons, and kangaroos. The engraver Thomas Bewick (1753–1828) harnessed this newfound interest by assembling the most comprehensive illustrated guide to nature of his day. "A General History of Quadrupeds", first published in 1790, showcases Bewick’s groundbreaking engraving techniques that allowed text and images to be published on the same page. From anteaters to zebras, armadillos to wolverines, this delightful volume features engravings of over four hundred animals alongside descriptions of their characteristics as scientifically understood at the time. Quadrupeds reaffirms Bewick’s place in history as an incomparable illustrator, one whose influence on natural history and book printing still endures today. With a new foreword by Yann Martel.
Classification:
livres
livres
Publication:
mai 2009
mai 2009
Classification:
livres
livres
Titre:
No-ISBN: On self-publishing
No-ISBN: On self-publishing
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists(...)
$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists(...)
Titre:
No-ISBN: On self-publishing
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists interspersed with texts on the international boom of artists’ books, written by active practitioners of self-publishing. This first, richly illustrated reader has been compiled by a team of editors uniting the areas of conceptual art, media theory, and cultural studies. It thus offers a navigational aid in the discovery of new, uncharted terrain.
No-ISBN: On self-publishing
Actions:
Prix:
$45.00
(disponible sur commande)
Résumé:
A book about extraordinary books that deliberately withdraw from the international book trade; A register containing 1,800 recent publications printed on paper, circulating without an International Standard Book Number (ISBN). A catalogue of micro- and alternative fairs held on four continents, an outline of media history, and manifestos from current avant-garde artists interspersed with texts on the international boom of artists’ books, written by active practitioners of self-publishing. This first, richly illustrated reader has been compiled by a team of editors uniting the areas of conceptual art, media theory, and cultural studies. It thus offers a navigational aid in the discovery of new, uncharted terrain.
Classification:
livres
livres
Publication:
février 2016
février 2016
Classification:
livres
livres
Titre:
Threads talks series
Threads talks series
Actions:
Prix:
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material(...)
Titre:
Threads talks series
Actions:
Prix:
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Threads talks series
Actions:
Prix:
$29.95
(disponible en magasin)
Résumé:
THREADS, a series of talks devoted to the art of the book, includes poets, artists, and publishers. It explores and enriches relationships between various strands of book culture that are often approached in isolation: poetry and writing; visual and performing arts; collaboration; design; printing; independent publishing; literary history; critical theory; and material culture. The premise for the series was very similar to the kind of interdisciplinary approach to the book that has interested us all along. A book is never more successful than the relationship between its parts; the philosophical and material connections between writing, art, design, typography, translation, and distribution is more significant than excellence in any isolated area. The talks were originally recorded before a small studio audience, then made available to the public on PennSound, and are now collected here in written form for the first time. THREADS began in March 2009 and concluded in October 2012. There were twelve speakers: Alan Loney; Charles Alexander; Simon Cutts; Buzz Spector; Jerome Rothenberg; Cecilia Vicuna; Jen Bervin; Kathleen Walkup; Johanna Drucker; Keith Smith; Richard Minsky; and Emily McVarish."
Classification:
livres
livres
Publication:
mars 2016
mars 2016
