1920 Résultats
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livres
Titre:
A variation on powers of ten
A variation on powers of ten
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The interstellar rollercoaster ride of Charles and Ray Eames experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames IBM commissioned film s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the(...)
$46.95
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Résumé:
The interstellar rollercoaster ride of Charles and Ray Eames experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames IBM commissioned film s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the(...)
Publication:
janvier 2013
janvier 2013
Titre:
A variation on powers of ten
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The interstellar rollercoaster ride of Charles and Ray Eames experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames IBM commissioned film s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the magnitudes of ten compare today s practices with those of 1968 and discuss the changing land scapes of their respective fields.
A variation on powers of ten
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The interstellar rollercoaster ride of Charles and Ray Eames experimental 1968 film, The Powers of Ten, changed the way that the average American thought about science. In this project, the art and design collective Futurefarmers used the Eames IBM commissioned film s opening picnic scene as its inspiration and score. Researchers whose work relates to each one of the magnitudes of ten compare today s practices with those of 1968 and discuss the changing land scapes of their respective fields.
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livres
livres
Publication:
janvier 2013
janvier 2013
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livres
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$29.95
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Résumé:
This publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011.
$29.95
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Résumé:
This publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011.
Titre:
After Berkeley : Objectif exhibitions, 2010-2012
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This publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011.
After Berkeley : Objectif exhibitions, 2010-2012
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This publication is the second in a two-part series of interviews with artists who exhibited at Objectif Exhibitions, Antwerp, between 2010 and 2011.
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livres
livres
Publication:
mai 2013
mai 2013
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livres
livres
Titre:
William Kentridge: No, it is
William Kentridge: No, it is
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and(...)
$65.00
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Résumé:
No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and(...)
Titre:
William Kentridge: No, it is
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and calligraphic renderings of trees that verge on abstraction. As with the artist’s previous book works, all of the drawings are executed on the pages of antiquarian publications. Satisfyingly chunky at 560 pages, and limited to an edition of only 800 copies, No, It Is is the largest flipbook-style publication that Kentridge has yet undertaken.
William Kentridge: No, it is
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No, It Is contains 280 new drawings by William Kentridge (born 1955), selected from a series of approximately 500 drawings made over a three-month period toward the end of 2012. Combining a series of flipbook sequences, it includes self-portraits of the artist sitting down and standing up, contorting himself or dancing; text-based series; geometric blocks of color; and calligraphic renderings of trees that verge on abstraction. As with the artist’s previous book works, all of the drawings are executed on the pages of antiquarian publications. Satisfyingly chunky at 560 pages, and limited to an edition of only 800 copies, No, It Is is the largest flipbook-style publication that Kentridge has yet undertaken.
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livres
livres
Publication:
juin 2013
juin 2013
Classification:
livres
livres
Titre:
Saccage ce carnet
Saccage ce carnet
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$16.00
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Résumé:
Ce livre encourage les interventions innatendues.
$16.00
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Résumé:
Ce livre encourage les interventions innatendues.
Titre:
Saccage ce carnet
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$16.00
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Ce livre encourage les interventions innatendues.
Saccage ce carnet
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$16.00
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Résumé:
Ce livre encourage les interventions innatendues.
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livres
livres
Publication:
juin 2013
juin 2013
Classification:
livres
livres
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$54.95
(disponible en magasin)
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In 1957–58, after he moved to New York’s Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as “mostly done in an uncontrolled and intuitive dream mode.” Made from found, printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous. These collages are(...)
$54.95
(disponible en magasin)
Résumé:
In 1957–58, after he moved to New York’s Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as “mostly done in an uncontrolled and intuitive dream mode.” Made from found, printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous. These collages are(...)
Publication:
octobre 2013
octobre 2013
Titre:
Strange Eggs: poems and cutouts, 1956-1958
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In 1957–58, after he moved to New York’s Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as “mostly done in an uncontrolled and intuitive dream mode.” Made from found, printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous. These collages are characterized by self-contained forms, or "eggs," the artist made by melding cut fragments of photographic illustrations. While many of the pieces are unrecognizable, some original references are discernible: a piece of pie, the hind leg of a horse, the creased skin of a clenched fist, and the texture of concrete. These eighteen collages were first shown at the Menil Collection in 2012, and they are being published together for the first time, along with poems that the artist wrote at the same time based on found imagery from his walks around New York's Lower East Side. Anticipating second-generation New York School art-poetry collaborations by half a decade, Strange Eggs makes an important single-artist contribution to our understanding of the period.
Strange Eggs: poems and cutouts, 1956-1958
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$54.95
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In 1957–58, after he moved to New York’s Lower East Side, Claes Oldenburg (b. 1929) began making collages he has described as “mostly done in an uncontrolled and intuitive dream mode.” Made from found, printed imagery, the Strange Eggs are enigmatic, surrealistic, and vastly different from the Pop art of the 1960s for which he soon became famous. These collages are characterized by self-contained forms, or "eggs," the artist made by melding cut fragments of photographic illustrations. While many of the pieces are unrecognizable, some original references are discernible: a piece of pie, the hind leg of a horse, the creased skin of a clenched fist, and the texture of concrete. These eighteen collages were first shown at the Menil Collection in 2012, and they are being published together for the first time, along with poems that the artist wrote at the same time based on found imagery from his walks around New York's Lower East Side. Anticipating second-generation New York School art-poetry collaborations by half a decade, Strange Eggs makes an important single-artist contribution to our understanding of the period.
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livres
livres
Publication:
octobre 2013
octobre 2013
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livres
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$69.95
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new(...)
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new(...)
Titre:
Fernand Léger and the modern city
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes - including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amedee Ozenfant, Francis Picabia and Theo van Doesburg - in relation to Léger.
Fernand Léger and the modern city
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With his landmark 1919 painting The City, Fernand Léger (1881-1955) inaugurated a vitally experimental decade during which he and others redefined the practice of painting in confrontation with the forms of cultural production that were central to urban life, ranging from graphic and advertising design to theatre, dance, film and architecture. This catalogue casts new light on the painting (reproducing all of its studies together for the first time), the avant-garde use of print media, and Léger's fascination with cinema and architecture, and contextualizes a network of international avant-gardes - including Blaise Cendrars, Le Corbusier, Jean Epstein, Piet Mondrian, Amedee Ozenfant, Francis Picabia and Theo van Doesburg - in relation to Léger.
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livres
livres
Publication:
novembre 2013
novembre 2013
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livres
livres
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$44.95
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Résumé:
In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. Throughout, certain continuities emerge : Hirschhorn’s commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the(...)
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Résumé:
In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. Throughout, certain continuities emerge : Hirschhorn’s commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the(...)
Publication:
septembre 2013
septembre 2013
Titre:
Critical laboratory : the writings of Thomas Hirschhorn
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In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. Throughout, certain continuities emerge : Hirschhorn’s commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist’s ideas and artistic strategies over the past two decades. Critical Laboratory also reproduces, in color, 33 Ausstellungen im öffentlichen Raum 1998–1989, an out-of-print catalog of Hirschhorn’s earliest works in public space.
Critical laboratory : the writings of Thomas Hirschhorn
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In these writings, Hirschhorn discusses the full range of his art, from works on paper to the massive Presence and Production projects in public spaces. Throughout, certain continuities emerge : Hirschhorn’s commitment to quotidian materials; the centrality of political and economic thinking in his work; and his commitment to art in the public sphere. Taken together, the texts serve to trace the artist’s ideas and artistic strategies over the past two decades. Critical Laboratory also reproduces, in color, 33 Ausstellungen im öffentlichen Raum 1998–1989, an out-of-print catalog of Hirschhorn’s earliest works in public space.
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livres
livres
Publication:
septembre 2013
septembre 2013
Classification:
livres
livres
Titre:
On and by Luc Tuymans
On and by Luc Tuymans
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$28.95
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Edited by the historian and publisher Peter Ruyffelaere and with anintroduction by critic and curator Adrian Searle, this volume collects Tuymans' writings on his own and others' images, from Van Eyck, Velázquez, and El Grecoto Edouard Manet, Giorgio Morandi, Hans-Jürgen Syberberg, Chris Marker, NeoRauch, Paul McCarthy, and Jeff Wall.
$28.95
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Résumé:
Edited by the historian and publisher Peter Ruyffelaere and with anintroduction by critic and curator Adrian Searle, this volume collects Tuymans' writings on his own and others' images, from Van Eyck, Velázquez, and El Grecoto Edouard Manet, Giorgio Morandi, Hans-Jürgen Syberberg, Chris Marker, NeoRauch, Paul McCarthy, and Jeff Wall.
Publication:
octobre 2013
octobre 2013
Titre:
On and by Luc Tuymans
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$28.95
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Résumé:
Edited by the historian and publisher Peter Ruyffelaere and with anintroduction by critic and curator Adrian Searle, this volume collects Tuymans' writings on his own and others' images, from Van Eyck, Velázquez, and El Grecoto Edouard Manet, Giorgio Morandi, Hans-Jürgen Syberberg, Chris Marker, NeoRauch, Paul McCarthy, and Jeff Wall.
On and by Luc Tuymans
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$28.95
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Résumé:
Edited by the historian and publisher Peter Ruyffelaere and with anintroduction by critic and curator Adrian Searle, this volume collects Tuymans' writings on his own and others' images, from Van Eyck, Velázquez, and El Grecoto Edouard Manet, Giorgio Morandi, Hans-Jürgen Syberberg, Chris Marker, NeoRauch, Paul McCarthy, and Jeff Wall.
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livres
livres
Publication:
octobre 2013
octobre 2013
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livres
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$85.00
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In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. This co-opting of names was the first in a series of substitutions that would become central to the(...)
$85.00
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Résumé:
In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. This co-opting of names was the first in a series of substitutions that would become central to the(...)
Titre:
Taryn Simon : birds of the West Indies
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In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. This co-opting of names was the first in a series of substitutions that would become central to the construction of the James Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon inventoried women, weapons and vehicles, constant elements in the films between 1962 and 2012. The contents of these categories function as essential accessories to the narrative’s myth of the seductive, powerful and invincible western male.
Taryn Simon : birds of the West Indies
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$85.00
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In 1936, an ornithologist called James Bond released the definitive taxonomy of birds found in the Caribbean, titled Birds of the West Indies. Ian Fleming, an active bird watcher living in Jamaica, subsequently appropriated the name for his novel’s lead character. This co-opting of names was the first in a series of substitutions that would become central to the construction of the James Bond narrative. In a meticulous and comprehensive dissection of the Bond films, artist Taryn Simon inventoried women, weapons and vehicles, constant elements in the films between 1962 and 2012. The contents of these categories function as essential accessories to the narrative’s myth of the seductive, powerful and invincible western male.
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livres
livres
Publication:
octobre 2013
octobre 2013
Classification:
livres
livres
Titre:
Christopher Wool
Christopher Wool
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$55.00
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At the heart of Christopher Wool’s creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today.
$55.00
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Résumé:
At the heart of Christopher Wool’s creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today.
Titre:
Christopher Wool
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$55.00
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At the heart of Christopher Wool’s creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today.
Christopher Wool
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$55.00
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At the heart of Christopher Wool’s creative project, which spans three decades of highly focused practice, is the question of how a picture can be conceived, realized and experienced today.
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livres
livres
Publication:
novembre 2013
novembre 2013
