1894 Résultats
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In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and(...)
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In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and(...)
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The afternoon interviews : Marcel Duchamp
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In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and made public, until now. The Afternoon Interviews, which includes an introductory interview with Tomkins reflecting on Duchamp as an artist, guide and friend, reintroduces the reader to key ideas of his artistic world and renews Duchamp as a vital model for a new generation of artists.
The afternoon interviews : Marcel Duchamp
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In 1964, Calvin Tomkins spent a number of afternoons interviewing Marcel Duchamp in his apartment on West 10th Street in New York. Casual yet insightful, Duchamp reveals himself as a man and an artist whose playful principles toward living freed him to make art that was as unpredictable, complex, and surprising as life itself. Those interviews have never been edited and made public, until now. The Afternoon Interviews, which includes an introductory interview with Tomkins reflecting on Duchamp as an artist, guide and friend, reintroduces the reader to key ideas of his artistic world and renews Duchamp as a vital model for a new generation of artists.
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Publication:
février 2013
février 2013
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Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further(...)
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Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further(...)
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Wait, later this will be nothing: editions by Dieter Roth
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Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further investigate Roth’s use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.
Wait, later this will be nothing: editions by Dieter Roth
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Published in conjunction with an exhibition at The Museum of Modern Art, and focusing on the prolific period between 1960 and 1972, this volume highlights examples of Roth’s most exciting and innovative books and graphics. An essay by curator Sarah Suzuki uses an extended investigation of “Snow” (1964–1969), a complex book-sculpture, as a touchstone from which to further investigate Roth’s use of language, iconography, technical innovations and relationships to other artists. A conservation essay offers two case studies that explore preservation issues and address larger concerns about the challenges of conserving contemporary art and organic materials.
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livres
Publication:
février 2013
février 2013
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This publication includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works. Kentridge’s distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts are all strongly in evidence throughout this book, which provides new insights into the working(...)
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This publication includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works. Kentridge’s distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts are all strongly in evidence throughout this book, which provides new insights into the working(...)
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février 2013
février 2013
Titre:
A universal archive: William Kentridge as printmaker
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This publication includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works. Kentridge’s distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist.
A universal archive: William Kentridge as printmaker
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This publication includes almost 100 prints from 1988 to the present, with a stress on experimental, collaborative and serial works. Kentridge’s distinctive use of light and shadow and silhouettes, his concern with memory and perspective, and his absorption in literary texts are all strongly in evidence throughout this book, which provides new insights into the working methods of this prolific artist.
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livres
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février 2013
février 2013
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William Kentridge’s recent work is situated on the border between art and science: by examining our perception and understanding of time, he reconsiders the creative process. A work in progress in the truest sense, The Refusal of Time continues and deepens the polymorphic, dreamlike, political and humanist body of work developed by Kentridge from his very earliest days as an artist.
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William Kentridge’s recent work is situated on the border between art and science: by examining our perception and understanding of time, he reconsiders the creative process. A work in progress in the truest sense, The Refusal of Time continues and deepens the polymorphic, dreamlike, political and humanist body of work developed by Kentridge from his very earliest days as an artist.
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février 2013
février 2013
Titre:
William Kentridge: the refusal of time
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William Kentridge’s recent work is situated on the border between art and science: by examining our perception and understanding of time, he reconsiders the creative process. A work in progress in the truest sense, The Refusal of Time continues and deepens the polymorphic, dreamlike, political and humanist body of work developed by Kentridge from his very earliest days as an artist.
William Kentridge: the refusal of time
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William Kentridge’s recent work is situated on the border between art and science: by examining our perception and understanding of time, he reconsiders the creative process. A work in progress in the truest sense, The Refusal of Time continues and deepens the polymorphic, dreamlike, political and humanist body of work developed by Kentridge from his very earliest days as an artist.
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livres
livres
Publication:
février 2013
février 2013
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livres
livres
Titre:
Hans Bellmer : the doll
Hans Bellmer : the doll
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German artist Hans Bellmer (1902–1975) was one of the most subversive artists associated with Surrealism, famous - notorious, even - for his erotic engravings, objects and photographs. Bellmer weaves a remarkably disparate set of concepts and intuitions - from fields as diverse as mathematics, morphology, optics and psychology - into a theory of eroticism that provides a(...)
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German artist Hans Bellmer (1902–1975) was one of the most subversive artists associated with Surrealism, famous - notorious, even - for his erotic engravings, objects and photographs. Bellmer weaves a remarkably disparate set of concepts and intuitions - from fields as diverse as mathematics, morphology, optics and psychology - into a theory of eroticism that provides a(...)
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Hans Bellmer : the doll
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German artist Hans Bellmer (1902–1975) was one of the most subversive artists associated with Surrealism, famous - notorious, even - for his erotic engravings, objects and photographs. Bellmer weaves a remarkably disparate set of concepts and intuitions - from fields as diverse as mathematics, morphology, optics and psychology - into a theory of eroticism that provides a totally unexpected rationale for his uncompromising art. His ideas are, in the words of poet Joë Bousquet, a “scandal to reason.” This English edition follows Bellmer’s original, the texts having been translated for the first time by Malcolm Green, who also provides an introduction from the final German version.
Hans Bellmer : the doll
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German artist Hans Bellmer (1902–1975) was one of the most subversive artists associated with Surrealism, famous - notorious, even - for his erotic engravings, objects and photographs. Bellmer weaves a remarkably disparate set of concepts and intuitions - from fields as diverse as mathematics, morphology, optics and psychology - into a theory of eroticism that provides a totally unexpected rationale for his uncompromising art. His ideas are, in the words of poet Joë Bousquet, a “scandal to reason.” This English edition follows Bellmer’s original, the texts having been translated for the first time by Malcolm Green, who also provides an introduction from the final German version.
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Publication:
mars 2013
mars 2013
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Adolf Wolfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wolfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled "A Psychiatric Patient as Artist," authored by his doctor--the first publication on an outsider artist--which won him the admiration of Andre Breton and Jean Dubuffet, and gave birth to the outsider phenomenon.
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Adolf Wolfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wolfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled "A Psychiatric Patient as Artist," authored by his doctor--the first publication on an outsider artist--which won him the admiration of Andre Breton and Jean Dubuffet, and gave birth to the outsider phenomenon.
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Adolf Wölfli: creator of the universe
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Adolf Wolfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wolfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled "A Psychiatric Patient as Artist," authored by his doctor--the first publication on an outsider artist--which won him the admiration of Andre Breton and Jean Dubuffet, and gave birth to the outsider phenomenon.
Adolf Wölfli: creator of the universe
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Adolf Wolfli is the original outsider artist. Before Darger, Rizzoli and Rodia, there was Wolfli: orphan, laborer, criminal, artist and the subject of a 1921 monograph titled "A Psychiatric Patient as Artist," authored by his doctor--the first publication on an outsider artist--which won him the admiration of Andre Breton and Jean Dubuffet, and gave birth to the outsider phenomenon.
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livres
Publication:
janvier 2013
janvier 2013
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its(...)
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its(...)
Titre:
Meret Oppenheim : retrospective
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its influence on later generations of artists and exploring her importance as a precursor of feminism.
Meret Oppenheim : retrospective
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Oppenheim's oeuvre, ranging freely across sculpture, painting, design and poetry, shows preoccupations not only with gender-inflected objects and gender roles, but also with Surrealism's enduring concerns - dream, myth, imagination, games. Published for the centenary of her birth, this generous retrospective illuminates Oppenheim's work in all genres, tracing its influence on later generations of artists and exploring her importance as a precursor of feminism.
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Publication:
janvier 2013
janvier 2013
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances,(...)
Titre:
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
Joseph Beuys: every man Is an artist
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Every Man Is an Artist investigates Joseph Beuys’ (1921–1986) voluminous output of multiples. For Beuys, multiples were a vehicle for communication, discussion and debate--a means for disseminating his philosophy beyond a collector audience and putting broader progressive ideas into circulation. While other artists focused on creating games or do-it-yourself performances, Beuys’ pieces generally function as didactic tokens of a larger spiritual agenda, such as a set of wooden boxes in which people may store their thoughts. With a wealth of reproductions (120 in color), this volume offers a concise overview of Beuys’ politicization of aesthetics and the distribution of art.
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livres
Publication:
janvier 2013
janvier 2013
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Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture. Published for Feldmann’s major 2012 exhibition at the Serpentine Galllery in London (which travels to Vienna and Hamburg), Catalogue compiles well-known images alongside new and unseen works, including selections from the artist’s private photo albums and reproductions of early book(...)
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Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture. Published for Feldmann’s major 2012 exhibition at the Serpentine Galllery in London (which travels to Vienna and Hamburg), Catalogue compiles well-known images alongside new and unseen works, including selections from the artist’s private photo albums and reproductions of early book(...)
Titre:
Hans-Peter Feldmann: catalogue
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Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture. Published for Feldmann’s major 2012 exhibition at the Serpentine Galllery in London (which travels to Vienna and Hamburg), Catalogue compiles well-known images alongside new and unseen works, including selections from the artist’s private photo albums and reproductions of early book works from the late 1960s on. Grids of seagulls and postcards share space with lighthearted photobooth snaps of people crossing their eyes and a variety of other visual gags. At once intimate and accessible, Catalogue includes a lengthy, playful interview with Hans Ulrich Obrist and Helena Tatay, in which Feldmann looks back over his career, discussing inspirational figures such as Marcel Broodthaers, Bruno Goller and Konrad Klapheck and his favorite books.
Hans-Peter Feldmann: catalogue
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Hans-Peter Feldmann (born 1941) is a virtuoso taxonomist of contemporary visual culture. Published for Feldmann’s major 2012 exhibition at the Serpentine Galllery in London (which travels to Vienna and Hamburg), Catalogue compiles well-known images alongside new and unseen works, including selections from the artist’s private photo albums and reproductions of early book works from the late 1960s on. Grids of seagulls and postcards share space with lighthearted photobooth snaps of people crossing their eyes and a variety of other visual gags. At once intimate and accessible, Catalogue includes a lengthy, playful interview with Hans Ulrich Obrist and Helena Tatay, in which Feldmann looks back over his career, discussing inspirational figures such as Marcel Broodthaers, Bruno Goller and Konrad Klapheck and his favorite books.
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livres
livres
Publication:
janvier 2013
janvier 2013
Classification:
livres
livres
Titre:
Gabriel Orozco: Asterisms
Gabriel Orozco: Asterisms
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Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while(...)
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Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while(...)
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Gabriel Orozco: Asterisms
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Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while invoking several of the artist’s recurrent motifs, including the effects of erosion, the poetry of the mundane, the relationship between the macro and the micro and the tension between nature and culture.
Gabriel Orozco: Asterisms
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Gabriel Orozco’s Asterisms is a two-part sculptural and photographic installation comprising thousands of items of detritus he gathered at two sites--a coastal wildlife reserve in Baja California, Mexico, and a playing field near his home in New York City. This volume highlights Orozco’s subtle practice of subjecting the world to personal, idiosyncratic systems while invoking several of the artist’s recurrent motifs, including the effects of erosion, the poetry of the mundane, the relationship between the macro and the micro and the tension between nature and culture.
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livres
livres
Publication:
janvier 2013
janvier 2013
