1894 Résultats
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Olga Prader's engraved epic reminds me, surprisingly, more of Sartre's vision of hell in ‘Huis Close’ than of Picasso's ‘Suite Vollard’, although the strictly formally paraphrase of the latter is as obvious as brilliant. Prader's four elementary archetypes are suffering a predictable and repetitive social intercourse, their positions are locked and no major change in the(...)
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Olga Prader's engraved epic reminds me, surprisingly, more of Sartre's vision of hell in ‘Huis Close’ than of Picasso's ‘Suite Vollard’, although the strictly formally paraphrase of the latter is as obvious as brilliant. Prader's four elementary archetypes are suffering a predictable and repetitive social intercourse, their positions are locked and no major change in the(...)
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Olga Prader: the five elements and Jessica Rabbit
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Olga Prader's engraved epic reminds me, surprisingly, more of Sartre's vision of hell in ‘Huis Close’ than of Picasso's ‘Suite Vollard’, although the strictly formally paraphrase of the latter is as obvious as brilliant. Prader's four elementary archetypes are suffering a predictable and repetitive social intercourse, their positions are locked and no major change in the sequence is likely to happen (even if it does). The drawings, however, contains an exuberant dynamics. Prader, unlike most generation peers, is more oriented towards a subjective, imagination driven expression than smart and trendy stylistics.If you love Picasso, you will love Prader even more!
Olga Prader: the five elements and Jessica Rabbit
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Olga Prader's engraved epic reminds me, surprisingly, more of Sartre's vision of hell in ‘Huis Close’ than of Picasso's ‘Suite Vollard’, although the strictly formally paraphrase of the latter is as obvious as brilliant. Prader's four elementary archetypes are suffering a predictable and repetitive social intercourse, their positions are locked and no major change in the sequence is likely to happen (even if it does). The drawings, however, contains an exuberant dynamics. Prader, unlike most generation peers, is more oriented towards a subjective, imagination driven expression than smart and trendy stylistics.If you love Picasso, you will love Prader even more!
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livres
Publication:
juillet 2009
juillet 2009
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Julien Langendorff (1982) lives and works in Paris, France. His work combines papercuts, mysterious installations, raw pen and ink drawings with esoteric stream of conscious poetry that is both totally sincere and eerily haunting. The pencil drawings he made for this zine with Nieves conjure up visions influenced by gothic and hippie cultures, Black Sabbath, spiritism and(...)
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Julien Langendorff (1982) lives and works in Paris, France. His work combines papercuts, mysterious installations, raw pen and ink drawings with esoteric stream of conscious poetry that is both totally sincere and eerily haunting. The pencil drawings he made for this zine with Nieves conjure up visions influenced by gothic and hippie cultures, Black Sabbath, spiritism and(...)
Titre:
Julien Langendorff: die by the sword
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Julien Langendorff (1982) lives and works in Paris, France. His work combines papercuts, mysterious installations, raw pen and ink drawings with esoteric stream of conscious poetry that is both totally sincere and eerily haunting. The pencil drawings he made for this zine with Nieves conjure up visions influenced by gothic and hippie cultures, Black Sabbath, spiritism and diary-art, along the somehow dark teenage romantism that characterizes his art.
Julien Langendorff: die by the sword
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Julien Langendorff (1982) lives and works in Paris, France. His work combines papercuts, mysterious installations, raw pen and ink drawings with esoteric stream of conscious poetry that is both totally sincere and eerily haunting. The pencil drawings he made for this zine with Nieves conjure up visions influenced by gothic and hippie cultures, Black Sabbath, spiritism and diary-art, along the somehow dark teenage romantism that characterizes his art.
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livres
Publication:
juillet 2009
juillet 2009
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livres
Titre:
Paul Noble John XII 24
Paul Noble John XII 24
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern(...)
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern(...)
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Paul Noble John XII 24
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern is that to us, us philosophers! ...
Paul Noble John XII 24
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Rather, with the necessity with which a tree bears it's fruit our thoughts grow out of us, our values, our yes's and no's and if's and whether's-the whole lot related and connected among themselves, witnesses to one will, one health, one earthly kingdom, one sun.-And do they taste good to you, these fruits of ours?-But of what concern is that to the trees! Of what concern is that to us, us philosophers! ...
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livres
livres
Publication:
juillet 2009
juillet 2009
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livres
livres
Titre:
Tati note
Tati note
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes,(...)
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes,(...)
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Tati note
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes, sketches and drawings to thoughts and reflections.
Tati note
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Lodged in the middle of this pocket-sized blank note book are a collection of images based around one of cinema’s more iconic figures, Jacques Tati. Appearing are stills taken from classic films as Mon Oncle, Traffic and Monsieur Hulot’s Holiday, along with lesser known journal entries, sketches and on-scene photographs. The blank pages allow room for anything from notes, sketches and drawings to thoughts and reflections.
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livres
livres
Publication:
juillet 2009
juillet 2009
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of(...)
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of(...)
Titre:
Dan Graham, pavilions : a guide
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of pavilions available around the world.
Dan Graham, pavilions : a guide
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Since the '60s, Dan Graham has been making radical work in print, video, performance, and architectural installation. In the late '70s he began designing his pavilions, structures in steel and semi-reflective glass that comment on local architecture and offer rich social moments for people to reflect on the world around them. This book is a guide to the dozens of pavilions available around the world.
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livres
Publication:
juillet 2009
juillet 2009
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livres
Titre:
Anthony McCall: breath
Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the(...)
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the(...)
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Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the artist’s works from their aesthetic peculiarities through the creative course of the author. The text by Hal Foster is rich in references to 20th century history and philosophy, and puts McCall’s works in the wide context of contemporary artistic research.
Anthony McCall: breath
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Anthony McCall’s works can be defined as half way between sculpture and cinema. Sculpture because the shapes fill a three-dimensional space, and therefore one can move around them or walk through them; cinema because the shapes and spaces are made of projected light, that little by little changes its form in time. The book “Breath [the vertical works]” analyses the artist’s works from their aesthetic peculiarities through the creative course of the author. The text by Hal Foster is rich in references to 20th century history and philosophy, and puts McCall’s works in the wide context of contemporary artistic research.
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livres
livres
Publication:
juillet 2009
juillet 2009
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
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Akiko Ikeda: Their site / your sight
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
Akiko Ikeda: Their site / your sight
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The artist reworks photographs, cutting out people, animals and everyday scenes and pops them up out of the image, so to speak, and in turn repositions them in a new three-dimensional reality.
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livres
livres
Publication:
juillet 2009
juillet 2009
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livres
livres
![Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates](/img-bookstore/pGcdNE4DldecDPlNsrSsLCQVyKI=/700x980/LV405.jpg)
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark,(...)
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark,(...)
Titre:
Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark, one of the most important American conceptual artists of the 1970s, had purchased the Queens properties with the goal of highlighting neglected architectural environments that make up the urban and suburban fabric. Hogue's drawings, collages, and photographs that make up this book articulates those moments when conventions for establishing the location and the precise boundaries of a site produce a conceptual "excess of surveying", inviting speculation as to the value and purpose of land and revealing the conceptual potential of "real" sites- even small and unusable ones without architectural potential.
Martin Hogue: [Fake] Fake estates, reconsidering Gordon Matta-Clak's fake estates
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In [Fake] Fake Estates: Revisiting Gordon Matta-Clark's Fake Estates, Hogue spent several months systematically canvassing Queens, NY, for residual properties similar to the fourteen parcels purchased there and documented by Matta-Clark in 1975. Best known for his spatially dynamic extractions of large sections of walls and floors from abandoned buildings, Matta-Clark, one of the most important American conceptual artists of the 1970s, had purchased the Queens properties with the goal of highlighting neglected architectural environments that make up the urban and suburban fabric. Hogue's drawings, collages, and photographs that make up this book articulates those moments when conventions for establishing the location and the precise boundaries of a site produce a conceptual "excess of surveying", inviting speculation as to the value and purpose of land and revealing the conceptual potential of "real" sites- even small and unusable ones without architectural potential.
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livres
livres
Publication:
juillet 2006
juillet 2006
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and(...)
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and(...)
Titre:
The jet-age compendium : Paolozzi at Ambit
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and advertisements. Reprinted in their entirety for the first time, Paolozzi’s works for Ambit tackle the war in Vietnam, the acceleration of Japanese technology, and the utopias of mass advertising. This publication reproduces the Paolozzi pages from Ambit along with magazine covers, poems and advertisements that originally appeared alongside the artist’s work. The book is housed in a day-glo pink sleeve that also contains an essay written by David Brittain which puts Paolozzi’s work for the magazine into context. An exhibition, inspired by the book, will be at Raven Row in London from 4 September to 1 November 2009.
The jet-age compendium : Paolozzi at Ambit
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From 1967, up until his death, Eduardo Paolozzi was involved with the innovative British literary magazine Ambit, using its pages as a space for some of his most experimental and innovative creations, pushing at the boundary between text and image. Collages, visual essays and fragments from novels, drawing on pop culture images from newspapers, magazines and advertisements. Reprinted in their entirety for the first time, Paolozzi’s works for Ambit tackle the war in Vietnam, the acceleration of Japanese technology, and the utopias of mass advertising. This publication reproduces the Paolozzi pages from Ambit along with magazine covers, poems and advertisements that originally appeared alongside the artist’s work. The book is housed in a day-glo pink sleeve that also contains an essay written by David Brittain which puts Paolozzi’s work for the magazine into context. An exhibition, inspired by the book, will be at Raven Row in London from 4 September to 1 November 2009.
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livres
livres
Publication:
juillet 2009
juillet 2009
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livres
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$51.95
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the(...)
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the(...)
Titre:
Rodchenko and Popova: defining constructivism
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.
Rodchenko and Popova: defining constructivism
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Rodchenko and Popova is a comprehensive account of their creative development, from their movement through different mediums to their passionate rejection of “art for art’s sake.” Following the Russian Revolution, two artists, Aleksandr Rodchenko (1891-1956) and Liubov Popova (1889-1924), propelled the avant-garde in an exciting new direction. As pioneers of the Constructivist movement, Rodchenko and Popova created an astonishing array of iconic work that reflected the new political and cultural landscape of their nation. In this groundbreaking book, leading authorities on Constructivism and the Russian avant-garde shed new light on the artists’ achievements and examine the extent of their influence on twentieth-century graphic design, fashion, theater, and film.
Classification:
livres
livres
Publication:
septembre 2009
septembre 2009
