PURPLE anthology
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Other contributors are: Gary Indiana, Eric Troncy, Dike Blair, Gaelle Obiégly, Bruce Benderson, Mehdi Belhaj Kacem, Bob Nickas, Jeff Rian, Stéphanie Moisdon, Jordan Hruska. PURPLE magazine revolutionized fashion photography in the 1990s by linking the art and fashion worlds as never before. This first anthology shows each issue in cover and spread pages, and provides a(...)
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avril 2008, New York
PURPLE anthology
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$60.00
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Other contributors are: Gary Indiana, Eric Troncy, Dike Blair, Gaelle Obiégly, Bruce Benderson, Mehdi Belhaj Kacem, Bob Nickas, Jeff Rian, Stéphanie Moisdon, Jordan Hruska. PURPLE magazine revolutionized fashion photography in the 1990s by linking the art and fashion worlds as never before. This first anthology shows each issue in cover and spread pages, and provides a complete index of content of all issues in the index.
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Future Fashion
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Future Fashion inspire and promotes renewable, reusable, nonpolluting ways to design and make beautiful, highly functional apparel and interiors, proving that style and sustainability can coexist. Earth Pledge is an award-winning environment leader. Promoting sustainability since 1991.
Future Fashion
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Future Fashion inspire and promotes renewable, reusable, nonpolluting ways to design and make beautiful, highly functional apparel and interiors, proving that style and sustainability can coexist. Earth Pledge is an award-winning environment leader. Promoting sustainability since 1991.
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La rayure et les étoffes rayées sont longtemps restées en Occident des marques d'exclusion ou d'infamie. En furent notamment vêtus tous ceux qui, à un titre ou à un autre, se situaient aux marges de la société chrétienne ou bien en dehors : jongleurs, musiciens, bouffons, bourreaux, prostituées, condamnés, hérétiques, juifs, musulmans ainsi que, dans les images, le Diable(...)
L'étoffe du diable : une histoire des rayures et des tissus rayés
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La rayure et les étoffes rayées sont longtemps restées en Occident des marques d'exclusion ou d'infamie. En furent notamment vêtus tous ceux qui, à un titre ou à un autre, se situaient aux marges de la société chrétienne ou bien en dehors : jongleurs, musiciens, bouffons, bourreaux, prostituées, condamnés, hérétiques, juifs, musulmans ainsi que, dans les images, le Diable et toutes ses créatures. Sans faire aucunement disparaître ces rayures très négatives, l'époque romantique voit apparaître une nouvelle forme de rayures, positives et liées aux idées nouvelles de liberté, de jeunesse, de plaisir et de progrès. Dans les sociétés contemporaines, ces deux types de rayures cohabitent : celles des vêtements de prisonniers, de la pègre, des lieux dangereux et mortifères, et celles du jeu, du sport, de l'hygiène, de la mer et de la plage.
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Tartan
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Traditionally the visual sign of clanship and district, tartan was popularized outside Scotland by the tartan-clad Highland regiments and Queen Victoria's royal endorsement. Hollywood has continued to sustain the romantic fictions of tartan from Brigadoon to Braveheart. At the same time, designers such as Westwood and McQueen have deliberately subverted the traditional(...)
Tartan
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Traditionally the visual sign of clanship and district, tartan was popularized outside Scotland by the tartan-clad Highland regiments and Queen Victoria's royal endorsement. Hollywood has continued to sustain the romantic fictions of tartan from Brigadoon to Braveheart. At the same time, designers such as Westwood and McQueen have deliberately subverted the traditional and historical associations of the fabric, as have contemporary artists such as Matthew Barney. Post-punk, tartan now turns up in the most surprising places, influencing the conceptual clothing of a generation of Japanese designers such as Watanabe and Takahashi, the stage costumes of Outkast's Andre 3000 and contemporary interior design.
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Statements V
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Véronique Branquinho/ Jeremy Scott/ Raf Simons/ Bernhard Willhelm
Statements V
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Véronique Branquinho/ Jeremy Scott/ Raf Simons/ Bernhard Willhelm
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Mark Borthwick :
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Mark Borthwick is among the generation of photographers who in the ’90s broke through the conventions of fashion photography. Integrating elements of architecture and design, he has developed a very personal and intuitive style, and knows how to turn a static photo into a performance. His work is about the movement of the model, and the serendipity of accidental clutter(...)
janvier 2009, New York
Mark Borthwick :
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Mark Borthwick is among the generation of photographers who in the ’90s broke through the conventions of fashion photography. Integrating elements of architecture and design, he has developed a very personal and intuitive style, and knows how to turn a static photo into a performance. His work is about the movement of the model, and the serendipity of accidental clutter is as important to his images as the garments. This book showcases over 200 images from Borthwick’s best fashion editorials, celebrity portraits, and advertising work, as well as excerpts from his personal journals. The journal pages, consisting of Polaroids, sketches, and notes on shoots, reveal the workings of a photographer’s mind—the "behind the scenes" of the makings of a fashion image.
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The book highlights how a growing number of artists base their work on sneakers – from sculptures made from dissected shoes, to oil paintings on canvas, and even the customization of the shoes themselves. Among the top brands in the book are Nike, Adidas and Puma, and among the featured designers collaborating with them are Peter Saville, Sean D’Anconia and(...)
Art & sole: contemporary sneaker art & design
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The book highlights how a growing number of artists base their work on sneakers – from sculptures made from dissected shoes, to oil paintings on canvas, and even the customization of the shoes themselves. Among the top brands in the book are Nike, Adidas and Puma, and among the featured designers collaborating with them are Peter Saville, Sean D’Anconia and Haze. London-based graphic design studio Intercity comprises Nick Foot, Nathan Gale and Tu Hoang. Founded in 2004, the company has produced work for a variety of clients, including 55dsl, Bush Records, Uniqlo, Five US, IDN, Carhartt and Creative Re.
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Fashion maker Miranda Tsui explores traditional Chinese clothing and Western tailoring, offering a glimpse of a particular set of visual characteristics and styles of chinese fashion. Flatness Folded features 23 innovative flat-tailored garments by seven Hong Kong fashion makers who reintrepret and delicately adapt ancient ideas and forms into a new fashion language.
Flatness folded, a collection of 23 contemporary chinese garments
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Fashion maker Miranda Tsui explores traditional Chinese clothing and Western tailoring, offering a glimpse of a particular set of visual characteristics and styles of chinese fashion. Flatness Folded features 23 innovative flat-tailored garments by seven Hong Kong fashion makers who reintrepret and delicately adapt ancient ideas and forms into a new fashion language.
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Bloc-mode
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Des croquis en couleurs, des esquisses, des cartons d'invitations retracent le parcours d'une passionnée de mode. Des pionniers du prêt-à-porter des années 70 (Jean Cacharel, Daniel Hechter ou Jean Bouquin) aux nouveaux talents d'aujourd'hui comme John Galliano, Marc Jacobs, Alber Elbaz et Nicolas Ghesquière, Frédérique Mory a côtoyé les plus grands créateurs de mode.(...)
Bloc-mode
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Des croquis en couleurs, des esquisses, des cartons d'invitations retracent le parcours d'une passionnée de mode. Des pionniers du prêt-à-porter des années 70 (Jean Cacharel, Daniel Hechter ou Jean Bouquin) aux nouveaux talents d'aujourd'hui comme John Galliano, Marc Jacobs, Alber Elbaz et Nicolas Ghesquière, Frédérique Mory a côtoyé les plus grands créateurs de mode. Elle les a applaudis lors des défilés, ils ont fait la une des pages mode de Madame Figaro qu'elle a longtemps dirigé. Pour cet ouvrage, elle a choisi une centaine de couturiers redessinant ainsi une histoire de la mode pétillante et croquée sur le vif.
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$55.00
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion(...)
janvier 2007, Bucharest
Paris chic, Teheran thrills : aesthetic bodies, political subjects
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In this fascinating and unique book, Alexandru Balasescu explores questions of Islamic dress, modernity and public space in Paris and Tehran. How are we to understand the exclusion of the Islamic dress from public space in France if, at the same time, trendy French women and wealthy Middle Eastern tourists shop for designer-label hijab, apparently accepting its conversion into a (depoliticited, deracinated) commodity? And how are we to understand the creation of "designer label" Islamic dress, when fashionable women recast the meanings and practices associated with veiling, understood by Western observers to be the mark of their subordination to a religious regime, into couture?