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livres
Titre:
Modernité
Modernité
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Mêlant histoire des oeuvres, des artistes et des courants, cet ouvrage analyse la production et la réception des oeuvres de la modernité en relation avec l'atmosphère théorique dans laquelle elles se déploient, et étudie notamment l'importance du romantisme allemand, de la philosophie de Hegel et de celle de Schopenhauer sur le devenir de l'art.
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Mêlant histoire des oeuvres, des artistes et des courants, cet ouvrage analyse la production et la réception des oeuvres de la modernité en relation avec l'atmosphère théorique dans laquelle elles se déploient, et étudie notamment l'importance du romantisme allemand, de la philosophie de Hegel et de celle de Schopenhauer sur le devenir de l'art.
Titre:
Modernité
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Mêlant histoire des oeuvres, des artistes et des courants, cet ouvrage analyse la production et la réception des oeuvres de la modernité en relation avec l'atmosphère théorique dans laquelle elles se déploient, et étudie notamment l'importance du romantisme allemand, de la philosophie de Hegel et de celle de Schopenhauer sur le devenir de l'art.
Modernité
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Mêlant histoire des oeuvres, des artistes et des courants, cet ouvrage analyse la production et la réception des oeuvres de la modernité en relation avec l'atmosphère théorique dans laquelle elles se déploient, et étudie notamment l'importance du romantisme allemand, de la philosophie de Hegel et de celle de Schopenhauer sur le devenir de l'art.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$31.95
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Networkologies is the first text to develop an entire new philosophy based upon networks. While many contemporary texts on networks have presented critiques or analyses of network formations in our world, this book is the first to develop an entirely new worldview based on the structure of networks themselves. From global capitalism to artificial minds, evolutionary(...)
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Networkologies is the first text to develop an entire new philosophy based upon networks. While many contemporary texts on networks have presented critiques or analyses of network formations in our world, this book is the first to develop an entirely new worldview based on the structure of networks themselves. From global capitalism to artificial minds, evolutionary(...)
Titre:
Networkologies: a philosophy of networks for a hyperconnected age, a manifesto
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Networkologies is the first text to develop an entire new philosophy based upon networks. While many contemporary texts on networks have presented critiques or analyses of network formations in our world, this book is the first to develop an entirely new worldview based on the structure of networks themselves. From global capitalism to artificial minds, evolutionary biology to quantum physics, networks are our future. Networkologies presents us with a new image of thought for our hyperconnected age.
Networkologies: a philosophy of networks for a hyperconnected age, a manifesto
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Networkologies is the first text to develop an entire new philosophy based upon networks. While many contemporary texts on networks have presented critiques or analyses of network formations in our world, this book is the first to develop an entirely new worldview based on the structure of networks themselves. From global capitalism to artificial minds, evolutionary biology to quantum physics, networks are our future. Networkologies presents us with a new image of thought for our hyperconnected age.
Classification:
livres
livres
Publication:
janvier 2015
janvier 2015
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$39.95
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The five physical senses of seeing, hearing, smelling, tasting and touching have been held to underpin the complexity of human experience ever since Aristotle first theorised about how they worked. Classical and scholastic philosophy up to the time of the European Enlightenment relegated their operations to its margins, viewing them as at best a distraction from higher(...)
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The five physical senses of seeing, hearing, smelling, tasting and touching have been held to underpin the complexity of human experience ever since Aristotle first theorised about how they worked. Classical and scholastic philosophy up to the time of the European Enlightenment relegated their operations to its margins, viewing them as at best a distraction from higher(...)
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In the realm of the senses: a materialist theory of seeing and feeling
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The five physical senses of seeing, hearing, smelling, tasting and touching have been held to underpin the complexity of human experience ever since Aristotle first theorised about how they worked. Classical and scholastic philosophy up to the time of the European Enlightenment relegated their operations to its margins, viewing them as at best a distraction from higher thinking, and at worst a positive deception. Paradoxically, what one could not objectively know, the products of the mind, were accorded precedence over the concrete. From the Romantic era onwards, the senses moved to the centre of speculative thought, and the various dialectical currents of philosophy after Hegel made them interdependent with the intellectual function, which was held to derive most or all of its authority from them. This tendency has continued down to the sensualist, hedonist and anti-intellectual currents of our own day. In this theoretical consideration of what has been done to the senses in modern experience, Stuart Walton subjects the life of the senses to a further materialist turn, one that refuses a spiritualisation of the material realm, to which contemporary discourses of the body have often fallen prey, while at the same time preserving sensuality from being delivered once again to a sterile idealism.
In the realm of the senses: a materialist theory of seeing and feeling
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The five physical senses of seeing, hearing, smelling, tasting and touching have been held to underpin the complexity of human experience ever since Aristotle first theorised about how they worked. Classical and scholastic philosophy up to the time of the European Enlightenment relegated their operations to its margins, viewing them as at best a distraction from higher thinking, and at worst a positive deception. Paradoxically, what one could not objectively know, the products of the mind, were accorded precedence over the concrete. From the Romantic era onwards, the senses moved to the centre of speculative thought, and the various dialectical currents of philosophy after Hegel made them interdependent with the intellectual function, which was held to derive most or all of its authority from them. This tendency has continued down to the sensualist, hedonist and anti-intellectual currents of our own day. In this theoretical consideration of what has been done to the senses in modern experience, Stuart Walton subjects the life of the senses to a further materialist turn, one that refuses a spiritualisation of the material realm, to which contemporary discourses of the body have often fallen prey, while at the same time preserving sensuality from being delivered once again to a sterile idealism.
Classification:
livres
livres
Publication:
mars 2016
mars 2016
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$37.95
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Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise,(...)
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Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise,(...)
Titre:
Art et science-fiction: la ballard connection
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Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d’images et d’idées rétrocédant en deçà du pop art, là où la subculture se fait relais d’invention. Passer l’art novateur au filtre de la SF, c’est par conséquent, pour les créateurs et les penseurs de l’époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d’une esthétique dominante — le formalisme — dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l’avenir » comme il est dit dans l’ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l’art actuel.
Art et science-fiction: la ballard connection
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Dans les années 1950 et jusqu’à la fin des années 1960, la science-fiction a joué, pour nombre d’artistes et de théoriciens anglais et américains, tant au plan iconographique qu’au plan méthodologique, un rôle stratégique : celui d’un véritable objet régulateur utilisé pour déplacer l’activité artistique loin de ses coordonnées conventionnelles. Dans cette entreprise, Eduardo Paolozzi côtoie Reyner Banham, Robert Smithson ou James Graham Ballard, Peter Hutchinson voisine avec Lawrence Alloway pour explorer ce que ce dernier a appelé « le front élargi de la culture » qui devient ici un ensemble d’images et d’idées rétrocédant en deçà du pop art, là où la subculture se fait relais d’invention. Passer l’art novateur au filtre de la SF, c’est par conséquent, pour les créateurs et les penseurs de l’époque mettant en œuvre cette opération théorique et plastique, ébranler radicalement les cadres d’une esthétique dominante — le formalisme — dont ils auront été les critiques en acte. Il en résulte notamment une révision des notions de passé, de présent et de futur dont Ballard, cet « anticipateur qui ne croit pas en l’avenir » comme il est dit dans l’ouvrage, est le fer de lance. Ce livre propose les pièces de ce dossier crucial pour la compréhension de l’art actuel.
Classification:
livres
livres
Publication:
avril 2011
avril 2011
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
Titre:
The minor gesture
The minor gesture
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Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's(...)
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Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's(...)
Titre:
The minor gesture
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Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world in particular what Manning terms "autistic perception." Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward."
The minor gesture
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Erin Manning extends her previous inquiries into the politics of movement to the concept of the minor gesture. The minor gesture, although it may pass almost unperceived, transforms the field of relations. More than a chance variation, less than a volition, it requires rethinking common assumptions about human agency and political action. To embrace the minor gesture's power to fashion relations, its capacity to open new modes of experience and manners of expression, is to challenge the ways in which the neurotypical image of the human devalues alternative ways of being moved by and moving through the world in particular what Manning terms "autistic perception." Drawing on Deleuze and Guattari's schizoanalysis and Whitehead's speculative pragmatism, Manning's far-reaching analyses range from fashion to depression to the writings of autistics, in each case affirming the neurodiversity of the minor and the alternative politics it gestures toward."
Classification:
livres
livres
Publication:
juin 2016
juin 2016
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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In On Comopolitanism and Forgiveness, Jacques Derrida confronts two pressing problems: the explosive tensions between refugee and asylum rights and the ethic of hospitality; and the dilemma of reconciliation and amnesty where the bloody traumas of history demand forgiveness.
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In On Comopolitanism and Forgiveness, Jacques Derrida confronts two pressing problems: the explosive tensions between refugee and asylum rights and the ethic of hospitality; and the dilemma of reconciliation and amnesty where the bloody traumas of history demand forgiveness.
Titre:
Cosmopolitanism and Forgiveness
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In On Comopolitanism and Forgiveness, Jacques Derrida confronts two pressing problems: the explosive tensions between refugee and asylum rights and the ethic of hospitality; and the dilemma of reconciliation and amnesty where the bloody traumas of history demand forgiveness.
Cosmopolitanism and Forgiveness
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In On Comopolitanism and Forgiveness, Jacques Derrida confronts two pressing problems: the explosive tensions between refugee and asylum rights and the ethic of hospitality; and the dilemma of reconciliation and amnesty where the bloody traumas of history demand forgiveness.
Classification:
livres
livres
Publication:
janvier 1900, London and New York
janvier 1900, London and New York
Sujet:
Théorie/ philosophie
Théorie/ philosophie
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livres
livres
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$18.95
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting(...)
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting(...)
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Publication:
janvier 1900, New York, London
janvier 1900, New York, London
Titre:
The Chomsky - Foucault debate on human nature
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers, and above all serves as a concise introduction to their basic theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault.
The Chomsky - Foucault debate on human nature
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In 1971, at the height of the Vietnam War and at a time of great political and social instability, two of the world’s leading intellectuals, Noam Chomsky and Michel Foucault, were invited by Dutch philosopher Fons Elders to debate an age-old question: is there such a thing as "innate" human nature independent of our experiences and external influences? The resulting dialogue is one of the most original, provocative, and spontaneous exchanges to have occurred between contemporary philosophers, and above all serves as a concise introduction to their basic theories. What begins as a philosophical argument rooted in linguistics (Chomsky) and the theory of knowledge (Foucault), soon evolves into a broader discussion encompassing a wide range of topics, from science, history, and behaviorism to creativity, freedom, and the struggle for justice in the realm of politics. In addition to the debate itself, this volume features a newly written introduction by Foucault scholar John Rajchman and includes substantial additional texts by Chomsky and Foucault.
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livres
livres
Publication:
janvier 1900, New York, London
janvier 1900, New York, London
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$23.50
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This one-volume gathering of Benjamin's dialectical writing on media of all kinds, ranging from children's literature to cinema, has at its heart the second, most expansive version of his path-breaking essay 'The Work of Art in the Age of Its Technological Reproducibility.' Readers familiar only with partial versions of this piece, where Benjamin began to record the(...)
$23.50
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This one-volume gathering of Benjamin's dialectical writing on media of all kinds, ranging from children's literature to cinema, has at its heart the second, most expansive version of his path-breaking essay 'The Work of Art in the Age of Its Technological Reproducibility.' Readers familiar only with partial versions of this piece, where Benjamin began to record the(...)
Titre:
The work of art in the age of its technological reproducibility and other writings on media
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This one-volume gathering of Benjamin's dialectical writing on media of all kinds, ranging from children's literature to cinema, has at its heart the second, most expansive version of his path-breaking essay 'The Work of Art in the Age of Its Technological Reproducibility.' Readers familiar only with partial versions of this piece, where Benjamin began to record the melancholy loss of aesthetic presence at the turn of the twentieth century, will find their understanding transformed-- for this second version, like all the essays and supplemental texts included here, explores a set of latent, utopian possibilities inherent in mechanical means of art-making. Benjamin, the visionary magus of particulars, reveals profoundly, and repeatedly, both the grounds and the consequences of our ever-changing image of the made world. --Susan Stewart
The work of art in the age of its technological reproducibility and other writings on media
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This one-volume gathering of Benjamin's dialectical writing on media of all kinds, ranging from children's literature to cinema, has at its heart the second, most expansive version of his path-breaking essay 'The Work of Art in the Age of Its Technological Reproducibility.' Readers familiar only with partial versions of this piece, where Benjamin began to record the melancholy loss of aesthetic presence at the turn of the twentieth century, will find their understanding transformed-- for this second version, like all the essays and supplemental texts included here, explores a set of latent, utopian possibilities inherent in mechanical means of art-making. Benjamin, the visionary magus of particulars, reveals profoundly, and repeatedly, both the grounds and the consequences of our ever-changing image of the made world. --Susan Stewart
Classification:
livres
livres
Publication:
mai 2008, Cambridge, London
mai 2008, Cambridge, London
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$35.00
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The Critique of Everyday Life is perhaps the richest, most prescient work by one of the twentieth century's greatest philosophers. The trilogy which provided the philosophy behind the 1968 student revolution in France, it is considered to be the founding text of what we now know as cultural studies. Whether discussing sport, household gadgets, the countryside, surrealism,(...)
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The Critique of Everyday Life is perhaps the richest, most prescient work by one of the twentieth century's greatest philosophers. The trilogy which provided the philosophy behind the 1968 student revolution in France, it is considered to be the founding text of what we now know as cultural studies. Whether discussing sport, household gadgets, the countryside, surrealism,(...)
Titre:
Critique of Everyday Life volume 1
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The Critique of Everyday Life is perhaps the richest, most prescient work by one of the twentieth century's greatest philosophers. The trilogy which provided the philosophy behind the 1968 student revolution in France, it is considered to be the founding text of what we now know as cultural studies. Whether discussing sport, household gadgets, the countryside, surrealism, Charlie Chaplin or religion, Lefebvre always concentrates on the minutiae of lived experience in work and leisure, daydreams, and festivities. Denounced by both the right and left when it was first published in France in 1947, today this text is recognized as a path-breaking, radical, and hugely influential book. Volume 3, From Modernity to Modernism (Towards a Metaphilosophy of Daily Life), explores the crisis of modernity and the decisive assertion of technological modernism.
Critique of Everyday Life volume 1
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Résumé:
The Critique of Everyday Life is perhaps the richest, most prescient work by one of the twentieth century's greatest philosophers. The trilogy which provided the philosophy behind the 1968 student revolution in France, it is considered to be the founding text of what we now know as cultural studies. Whether discussing sport, household gadgets, the countryside, surrealism, Charlie Chaplin or religion, Lefebvre always concentrates on the minutiae of lived experience in work and leisure, daydreams, and festivities. Denounced by both the right and left when it was first published in France in 1947, today this text is recognized as a path-breaking, radical, and hugely influential book. Volume 3, From Modernity to Modernism (Towards a Metaphilosophy of Daily Life), explores the crisis of modernity and the decisive assertion of technological modernism.
Classification:
livres
livres
Publication:
janvier 2008, London, New York
janvier 2008, London, New York
Sujet:
Théorie/ philosophie
Théorie/ philosophie
Classification:
livres
livres
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$33.00
(disponible en magasin)
Résumé:
"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a(...)
$33.00
(disponible en magasin)
Résumé:
"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a(...)
Titre:
Critique of everyday life volume 2
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$33.00
(disponible en magasin)
Résumé:
"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a form of social control, spanks surrealism for its turning away from reality, and attempts to get past the "mystification" inherent in bourgeois life by analyzing Chaplin's films, Brecht's epic theater, peasant festivals, daydreams, Rimbaud and the rhythms of work and relaxation. Rejecting the inauthentic, which he perceives in a church service or in rote work from which one is alienated, Lefebvre nevertheless seeks to unearth the human potential that may be inherent in such rituals.
Critique of everyday life volume 2
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Prix:
$33.00
(disponible en magasin)
Résumé:
"The more needs a human being has, the more he exists," quips Lefebvre in a savage critique of consumerist society, first published in 1947. The French philosopher, historian and Marxist sociologist, who died this summer at age 90, meditates on the dehumanization and ugliness smuggled into daily life under cover of purity, utility, beauty. He deconstructs leisure as a form of social control, spanks surrealism for its turning away from reality, and attempts to get past the "mystification" inherent in bourgeois life by analyzing Chaplin's films, Brecht's epic theater, peasant festivals, daydreams, Rimbaud and the rhythms of work and relaxation. Rejecting the inauthentic, which he perceives in a church service or in rote work from which one is alienated, Lefebvre nevertheless seeks to unearth the human potential that may be inherent in such rituals.
Classification:
livres
livres
Publication:
janvier 2008, London, New York
janvier 2008, London, New York
Sujet:
Théorie/ philosophie
Théorie/ philosophie
