$71.95
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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read(...)
avril 2018
Film, architecture and spatial imagination
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Films use architecture as visual shorthand to tell viewers everything they need to know about the characters in a short amount of time. Illustrated by a diverse range of films from different eras and cultures, this book investigates the reciprocity between film and architecture. Using a phenomenological approach, it describes how we, the viewers, can learn how to read architecture and design in film in order to see the many inherent messages. Architecture’s representational capacity contributes to the plausibility or 'reality' possible in film. The book provides an ontological understanding that clarifies and stabilizes the reciprocity of the actual world and a filmic world of illusion and human imagination, thereby shedding light on both film and architecture.
Alvin Baltrop: The Piers
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Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop(...)
Alvin Baltrop: The Piers
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Powerful, lyrical and controversial, Alvin Baltrop's photographs are a groundbreaking exploration of clandestine gay culture in New York in the 1970s and 80s. During that era, the derelict warehouses beneath Manhattan's West Side piers became a lawless, forgotten part of the city that played host to gay cruising, drug smuggling, prostitution and suicides. Baltrop documented this scene, unflinchingly and obsessively capturing everything from fleeting naked figures in mangled architectural environments to scenes of explicit sex and police raids on the piers. His work is little known and underpublished--mainly due to its unflinching subject matter--but while often explicit, his photographs are on a par with those of Nan Goldin, Peter Hujar and Enrique Metenides. While the outside world saw New York as the glamorous playground of Studio 54, Warhol's gang and the disco era, Baltrop photographed the city's gritty flipside; his work is an important part of both gay culture and the history of New York itself. This clothbound volume compiles the Piers series in one definitive monograph, a powerful tribute to a long-forgotten world at the city's dilapidated margins.
Expositions en cours
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The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics,(...)
To see Paris and die: the Soviet lives of Western culture
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The Soviet Union was a notoriously closed society until Stalin’s death in 1953. Then, in the mid-1950s, a torrent of Western novels, films, and paintings invaded Soviet streets and homes, acquiring heightened emotional significance. To See Paris and Die is a history of this momentous opening to the West. Imported novels challenged fundamental tenets of Soviet ethics, while modernist paintings tested deep-seated notions of culture. Western films were eroticized even before viewers took their seats. The drama of cultural exchange and translation encompassed discovery as well as loss. Eleonory Gilburd explores the pleasure, longing, humiliation, and anger that Soviet citizens felt as they found themselves in the midst of this cross-cultural encounter. With the end of the Soviet Union, the Soviet West disappeared from the cultural map. Gilburd’s history reveals how domesticated Western imports defined the last three decades of the Soviet Union, as well as its death and afterlife.
Expositions en cours
livres
The golden calf
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Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of(...)
The golden calf
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Ostap Bender, the "grand strategist," is a con man on the make in the Soviet Union during the New Economic Policy (NEP) period. He's obsessed with getting one last big score—a few hundred thousand will do—and heading for Rio de Janeiro, where there are "a million and a half people, all of them wearing white pants, without exception." When Bender hears the story of Alexandr Koreiko, an "undercover millionaire"—no Soviet citizen was allowed to openly hoard so much capital—the chase is on. Koreiko has made his millions by taking advantage of the wide-spread corruption and utter chaos of the NEP, all while serving quietly as an accountant at a government office and living on 46 rubles a month. He's just waiting for the Soviet regime to collapse so he can make use of his stash, which he keeps hidden away in a suitcase.
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décembre 2009
Expositions en cours
$64.00
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited(...)
octobre 2019
Protest! A history of social and political protest graphics
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Throughout history, artists and citizens have turned to protest art as a means of demonstrating social and political discontent. From the earliest broadsheets in the 1500s to engravings, photolithographs, prints, posters, murals, graffiti, and political cartoons, these endlessly inventive graphic forms have symbolized and spurred on power struggles, rebellions, spirited causes, and calls to arms. Spanning continents and centuries, "Protest!" presents a major new chronological look at protest graphics and shows how these images have been shaped by international events as well as advances in technology.
$54.95
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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record(...)
septembre 2019
Architecture of appropriation: on squatting as spatial practice
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The squatting movement in the Netherlands has played a major role in the design of both the urban fabric and domestic interior, and continues to offer alternatives to the dominant, market-oriented housing policies. This book acknowledges squatting as an architectural practice, analysing six locations through drawings, interviews, and archival material to create a record of past and current struggles, spaces, and oral histories, thereby forming the basis for a new governmental acquisition policy. It brings together the expertise of the squatting movement with architects, archivists, scholars, and lawyers in order to discuss approaches to what are often criminalised spatial practices.
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of(...)
OASE 103: Critical regionalism revisited
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English architect, historian, critic and educator Kenneth Frampton received the Golden Lion for Lifetime Achievement at the Venice Biennale 2018. There is no architecture student that is not familiar with the book Modern Architecture: A Critical History (1980) of this renowned historian, nor with his essay ‘Towards a Critical Regionalism, Six Points of an Architecture of Resistance’ (1983). In this last text, Frampton searched for an alternative approach towards architecture by defining the specifics of topography, climate, light and tectonics as essential to the art of building. This issue of OASE examines the canonical role of Kenneth Frampton’s concept of ‘Critical Regionalism’, reaching beyond its traditional interpretation. It gathers contributions that propose a new genealogy of the text, critical re-readings and explorations by practicing architects and architecture theorists that evaluate the interest of Frampton’s ideas for contemporary architecture.
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Fridge food soul
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French photographer and musician Olivier Degorce is usually associated with the emergence of the 1990s electronic music scene, where he was one of the first to compulsively document the Paris raves and electric underground scene. But with camera always in hand, he created many more series, which are only now coming to light. In ''Fridge Food Soul,'' Degorce became(...)
Fridge food soul
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French photographer and musician Olivier Degorce is usually associated with the emergence of the 1990s electronic music scene, where he was one of the first to compulsively document the Paris raves and electric underground scene. But with camera always in hand, he created many more series, which are only now coming to light. In ''Fridge Food Soul,'' Degorce became fascinated with the contents of peoples refrigerators, creating a voluminous archive of images from 1993 to 2017. Using various cameras, from large formal to point and shoot, he captured the colors and smells of items fresh and long expired, while never missing an opportunity to raid a fridge and capture the sheer diversity of individual eating habits. The final presentation is a voyeuristic-like collection of contemporary still lifes.
Expositions en cours
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
octobre 2019
Monotown: Urban dreams, brutal imperatives
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'Monotown: Urban Dreams Brutal Imperatives' examines the post-industrial transformation and transnational legacy of planned single-industry towns which emerged as a distinctive sociopolitical project of urbanization in the Soviet Union during the 1920s.
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
Russian Avant-garde: Pioneers and direct descendants
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
Expositions en cours