410 Résultats
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde,(...)
Titre:
Russian Avant-garde: Pioneers and direct descendants
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
Russian Avant-garde: Pioneers and direct descendants
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In the 1930s the Russian avant-garde project was declared alien and harmful to the work of building socialism, and much of it ended up in storage. For many years thereafter, socialist realism was the established style in the country. Only in the second half of the 1950s did artists of the new generation get the chance to see works by the heroes of the avant-garde, igniting a new phase in the development of the original ideas of Malevich, Tatlin and El Lissitzky.
Classification:
livres
livres
Publication:
octobre 2019
octobre 2019
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
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$90.00
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well.(...)
Titre:
Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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$90.00
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The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
Aleksandr Zhitomirsky: photomontage as a weapon of WWII and the Cold War
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$90.00
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Résumé:
The leading Russian propaganda artist Aleksandr Zhitomirsky (1907–1993) made photomontages that were airdropped on German troops during World War II. He later worked for Pravda and other leading publications, satirizing American politics and finance from the Truman through the Reagan eras and educating his public about Egypt, South Africa, Vietnam, and Nicaragua as well. Zhitomirsky favored the grotesque and the eye-catching. In this comprehensive account of Zhitomirsky’s long career, Erika Wolf explores his connections to and long friendship with the German artist John Heartfield, whose work inspired his own. Wolf also examines more than 100 of Zhitomirsky’s photomontages and translates excerpts from his one published book, "The Art of Political Photomontage: Advice for the Artist" (1983).
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livres
livres
Publication:
octobre 2016
octobre 2016
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
We
We
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$23.00
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Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered(...)
$23.00
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Résumé:
Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered(...)
Titre:
We
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$23.00
(disponible sur commande)
Résumé:
Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered classic and a work of tremendous relevance to our own times.
We
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$23.00
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Résumé:
Written in 1921, "We" is set in the One State, where all live for the collective good and individual freedom does not exist. The novel takes the form of the diary of mathematician D-503, who, to his shock, experiences the most disruptive emotion imaginable: love. At once satirical and sobering—and now available in a powerful new translation—"We" is both a rediscovered classic and a work of tremendous relevance to our own times.
Classification:
livres
livres
Publication:
juillet 2006
juillet 2006
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
We
We
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$12.00
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'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
$12.00
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Résumé:
'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its(...)
Titre:
We
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Prix:
$12.00
(disponible sur commande)
Résumé:
'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
We
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$12.00
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Résumé:
'We' takes place in a distant future, where humans are forced to submit their wills to the requirements of the state, under the rule of the all-powerful Benefactor, and dreams are regarded as a sign of mental illness. In a city of straight lines, protected by green walls and a glass dome, a spaceship is being built in order to spearhead the conquest of new planets. Its chief engineer, a man called D-503, keeps a journal of his life and activities: to his mathematical mind everything seems to make sense and proceed as it should, until a chance encounter with a woman threatens to shatter the very foundations of the world he lives in. Written in a highly charged, direct and concise style, Zamyatin's 1921 seminal novel is not only an indictment of the Soviet Russia of his time and a precursor of the works of Orwell and the dystopian genre, but also a prefiguration of much of twentieth-century history and a harbinger of the ominous future that may still lay ahead of us.
Classification:
livres
livres
Publication:
mai 2019
mai 2019
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
Love of worker bees
Love of worker bees
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$18.95
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'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the(...)
$18.95
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Résumé:
'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the(...)
Titre:
Love of worker bees
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$18.95
(disponible sur commande)
Résumé:
'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the 1920s. The first piece is set in Russia after the October Revolution and the Civil War, The heroine Vasya struggles to come to terms with her husband and the demands of the new world in which she lives. The second story depicts the way in which three generations of women differ in their attitudes and expectations; and ''Sisters'' is a story of a deserted wife and a prostitute who find a common bond. Each story unfolds against a backdrop populated by the ''ordinary'' Russian people of the time- Party workers, entrepreneurs, prostitutes, manipulators, and idealists.
Love of worker bees
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Prix:
$18.95
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Résumé:
'' Love of worker bees,'' written by one of the most famous and gifted Russian authors of the twentieth century, was greeted on publication in 1923 as too sexually explicit. The book collects three works of fiction, ''Vasilisa Malygina,'' ''Three Generations,'' and ''Sisters,'' creating a powerful love story with a graphic and a rare portrayal of Russian life in the 1920s. The first piece is set in Russia after the October Revolution and the Civil War, The heroine Vasya struggles to come to terms with her husband and the demands of the new world in which she lives. The second story depicts the way in which three generations of women differ in their attitudes and expectations; and ''Sisters'' is a story of a deserted wife and a prostitute who find a common bond. Each story unfolds against a backdrop populated by the ''ordinary'' Russian people of the time- Party workers, entrepreneurs, prostitutes, manipulators, and idealists.
Classification:
livres
livres
Publication:
octobre 2005
octobre 2005
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
The Master and Margarita
The Master and Margarita
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$24.00
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Résumé:
Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient(...)
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Résumé:
Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient(...)
Titre:
The Master and Margarita
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$24.00
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Résumé:
Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, ''The Master and Margarita'' became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere. This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.
The Master and Margarita
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$24.00
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Résumé:
Nothing in the whole of literature compares with ''The Master and Margarita.'' One spring afternoon, the Devil, trailing fire and chaos in his wake, weaves himself out of the shadows and into Moscow. Mikhail Bulgakov's fantastical, funny, and devastating satire of Soviet life combines two distinct yet interwoven parts, one set in contemporary Moscow, the other in ancient Jerusalem, each brimming with historical, imaginary, frightful, and wonderful characters. Written during the darkest days of Stalin's reign, and finally published in 1966 and 1967, ''The Master and Margarita'' became a literary phenomenon, signaling artistic and spiritual freedom for Russians everywhere. This newly revised translation, by the award-winning team of Pevear and Volokhonsky, is made from the complete and unabridged Russian text.
Classification:
livres
livres
Publication:
mai 2016
mai 2016
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
Envy
Envy
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$19.95
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Résumé:
One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with(...)
$19.95
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Résumé:
One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with(...)
Titre:
Envy
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$19.95
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Résumé:
One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath. Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.
Envy
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Prix:
$19.95
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Résumé:
One of the delights of Russian literature, a tour de force that has been compared to the best of Nabokov and Bulgakov, Yuri Olesha's novella ''Envy'' brings together cutting social satire, slapstick humor, and a wild visionary streak. Andrei is a model Soviet citizen, a swaggeringly self-satisfied mogul of the food industry who intends to revolutionize modern life with mass-produced sausage. Nikolai is a loser. Finding him drunk in the gutter, Andrei gives him a bed for the night and a job as a gofer. Nikolai takes what he can, but that doesn't mean he's grateful. Griping, sulking, grovelingly abject, he despises everything Andrei believes in, even if he envies him his every breath. Producer and sponger, insider and outcast, master and man fight back and forth in the pages of Olesha's anarchic comedy. It is a contest of wills in which nothing is sure except the incorrigible human heart.
Classification:
livres
livres
Publication:
mai 2004
mai 2004
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Titre:
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
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Résumé:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
$37.50
(disponible sur commande)
Résumé:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to(...)
Titre:
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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$37.50
(disponible sur commande)
Résumé:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Showcasing the Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet Union, 1921-1
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Prix:
$37.50
(disponible sur commande)
Résumé:
During the 1920s and 1930s, thousands of European and American writers, professionals, scientists, artists, and intellectuals made a pilgrimage to experience the "Soviet experiment" for themselves. ''Showcasing the Great Experiment'' explores the reception of these intellectuals and fellow-travelers and their cross-cultural and trans-ideological encounters in order to analyze Soviet attitudes towards the West. While many visitors were profoundly affected by their Soviet tours, so too was the Soviet system. The early experiences of building showcases and teaching outsiders to perceive the future-in-the-making constitute a neglected international part of the emergence of Stalinism at home. Michael David-Fox contends that each side critically examined the other, negotiating feelings of inferiority and superiority, admiration and enmity, emulation and rejection. By the time of the Great Purges, these tensions gave way to the dramatic triumph of xenophobia and isolationism; whereas in the twenties the new regime assumed it had much to learn from Western modernity, by the Stalinist thirties the Soviet order was declared superior in all respects.
Classification:
livres
livres
Publication:
février 2014
février 2014
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Prix:
$20.95
(disponible sur commande)
Résumé:
In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it(...)
$20.95
(disponible sur commande)
Résumé:
In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it(...)
Titre:
The adventures of Owen Hatherley In the post-soviet space
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$20.95
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Résumé:
In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it didn't become, whether a real Communist utopia or a successful or fair capitalism. In the course of this transcontinental account of what used to be the Soviet Union and is now a patchwork of EU democracies, neoliberal dictatorships and Soviet nostalgic enclaves (often found in the same countries) we might just find the outlines of a way of building cities that is a powerful alternative, both in the past and present.
The adventures of Owen Hatherley In the post-soviet space
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Prix:
$20.95
(disponible sur commande)
Résumé:
In this Eurasian post-Soviet space, we try to find the continuities with Communism - if there are any - and the remnants of revolutions both distant and recent. Instead of a wistful journey through ruins, this intends to be an engaged travelogue, a subjective, personal Marxist Humanist guidebook to somewhere that actually exists, but which is constantly haunted by what it didn't become, whether a real Communist utopia or a successful or fair capitalism. In the course of this transcontinental account of what used to be the Soviet Union and is now a patchwork of EU democracies, neoliberal dictatorships and Soviet nostalgic enclaves (often found in the same countries) we might just find the outlines of a way of building cities that is a powerful alternative, both in the past and present.
Classification:
livres
livres
Publication:
novembre 2018
novembre 2018
Sujet:
Expositions en cours
Expositions en cours
Classification:
livres
livres
Prix:
$74.95
(disponible sur commande)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace.(...)
$74.95
(disponible sur commande)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace.(...)
Titre:
Photographic literacy: cameras in the hands of Russian authors
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Prix:
$74.95
(disponible sur commande)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in "Photographic Literacy," authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself. For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
Photographic literacy: cameras in the hands of Russian authors
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Prix:
$74.95
(disponible sur commande)
Résumé:
Photography, introduced to Russia in 1839, was nothing short of a sensation. Its rapid proliferation challenged the other arts, including painting and literature, as well as the very integrity of the self. If Leo Tolstoy and Fyodor Dostoevsky greeted the camera with skepticism in the nineteenth century, numerous twentieth-century authors welcomed it with a warm embrace. As Katherine M. H. Reischl shows in "Photographic Literacy," authors as varied as Leonid Andreev, Ilya Ehrenburg, and Alexander Solzhenitsyn picked up the camera and reshaped not only their writing practices but also the sphere of literacy itself. For these authors, a single photograph or a photograph as illustration is never an endpoint; their authorial practices continually transform and animate the frozen moment. But just as authors used images to shape the reception of their work and selves, Russian photographers—including Sergei Prokudin-Gorsky and Alexander Rodchenko—used text to shape the reception of their visual work. From the diary to print, the literary word imbues that photographic moment with a personal life story, and frames and reframes it in the writing of history. In this primer on photographic literacy, Reischl argues for the central place that photography has played in the formation of the Russian literary imagination over the course of roughly seventy years. From image to text and back again, she traces the visual consciousness of modern Russian literature as captured through the lens of the Russian author-photographer.
Classification:
livres
livres
Publication:
décembre 2018
décembre 2018
Sujet:
Expositions en cours
Expositions en cours
