410 Résultats
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Portman’s America & Other Speculations takes an unconventional and speculative approach towards the understanding and future potentials of the work of one of the world’s most creative, controversial, daring, and prolific architects. Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building(...)
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Portman’s America & Other Speculations takes an unconventional and speculative approach towards the understanding and future potentials of the work of one of the world’s most creative, controversial, daring, and prolific architects. Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building(...)
Publication:
août 2017
août 2017
Titre:
Portman's America & other speculations
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Portman’s America & Other Speculations takes an unconventional and speculative approach towards the understanding and future potentials of the work of one of the world’s most creative, controversial, daring, and prolific architects. Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building projects—megastructures—that radically redefined the relationship of architecture to the city and its citizens. Portman’s own voice and ideas complement the contributions of others, including new photographs by Iwan Baan, to present a more complex and nuanced reading of both the architect and his architecture. Finally, the repertoire of Portman’s buildings is analyzed in meticulous detail and used by a group of students from the Harvard Graduate School of Design as a catalyst for a host of divergent and new architectural speculations.
Portman's America & other speculations
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Portman’s America & Other Speculations takes an unconventional and speculative approach towards the understanding and future potentials of the work of one of the world’s most creative, controversial, daring, and prolific architects. Combining the talents of an architect, artist, and developer, John Portman was able to embark on a series of large-scale building projects—megastructures—that radically redefined the relationship of architecture to the city and its citizens. Portman’s own voice and ideas complement the contributions of others, including new photographs by Iwan Baan, to present a more complex and nuanced reading of both the architect and his architecture. Finally, the repertoire of Portman’s buildings is analyzed in meticulous detail and used by a group of students from the Harvard Graduate School of Design as a catalyst for a host of divergent and new architectural speculations.
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livres
livres
Publication:
août 2017
août 2017
Classification:
livres
livres
Titre:
Revisiting postmodernism
Revisiting postmodernism
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This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning,(...)
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This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning,(...)
Titre:
Revisiting postmodernism
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$67.10
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This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning, furniture design, art and literature. Looking at Postmodernism through the lens of examples from around the world, each chapter explores the movement in the UK on the one hand, and its international counterparts on the other, reflecting on the historical movement but also how postmodernism influences practices today.
Revisiting postmodernism
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This book invites readers to see Postmodernism in a new light: not just a style but a cultural phenomenon that embraces all areas of life and thrives on complexity and pluralism, in contrast to the strait-laced, single-style, top-down inclination of its predecessor, Modernism. While focusing on architecture, this book also explores aspects such as urban masterplanning, furniture design, art and literature. Looking at Postmodernism through the lens of examples from around the world, each chapter explores the movement in the UK on the one hand, and its international counterparts on the other, reflecting on the historical movement but also how postmodernism influences practices today.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Expositions en cours
Expositions en cours
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livres
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$42.00
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida.(...)
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida.(...)
Publication:
novembre 2017
novembre 2017
Titre:
Michael Graves: design for life
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism.
Michael Graves: design for life
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One of the most prominent and prolific designers and architects of the late twentieth century, Michael Graves is best known for his popular product designs, including the world-famous Alessi whistling-bird teakettle, and controversial buildings, such as the Portland Building in Oregon, Humana Building in Kentucky, and Dolphin and Swan Hotels at Walt Disney World, Florida. Graves was widely seen as the leading voice of postmodernist architecture, which reintroduced human scale, color, and, sometimes, playful forms into the stark white vocabulary of modernism.
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livres
livres
Publication:
novembre 2017
novembre 2017
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In Architectural Intelligence, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial(...)
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In Architectural Intelligence, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial(...)
Publication:
décembre 2017
décembre 2017
Titre:
Architectural intelligence: how designers and architects created the digital landscape
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In Architectural Intelligence, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work and influenced digital design practices from the late 1980s to the present day.
Architectural intelligence: how designers and architects created the digital landscape
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In Architectural Intelligence, Molly Wright Steenson explores the work of four architects in the 1960s and 1970s who incorporated elements of interactivity into their work. Christopher Alexander, Richard Saul Wurman, Cedric Price, and Nicholas Negroponte and the MIT Architecture Machine Group all incorporated technologies—including cybernetics and artificial intelligence—into their work and influenced digital design practices from the late 1980s to the present day.
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livres
livres
Publication:
décembre 2017
décembre 2017
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$65.00
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How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between(...)
$65.00
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How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between(...)
Publication:
mars 2018
mars 2018
Titre:
Spaces of uncertainty: Berlin revisited
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How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between 2001 and 2016 shows how no man’s land has made way for new apartments and underground hangouts have changed into commercial hubs, but it also transports us to remaining pockets of urban wilderness and unexpected freedom right next to the city’s most iconic squares. The accompanying essays by noted urban thinkers explore this little-known but vital reserve—forcing us to reflect on our unrelenting efforts to chart the future of the city at large.
Spaces of uncertainty: Berlin revisited
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How has Berlin’s urban landscape changed in its remarkable transformation from divided city to creative capital? Despite the monumental heritage and grand development projects, Berlin still conjures up images of urban fragmentation and vacant inner-city land. The book reveals the changing nature and complex politics of this open space. A rephotographing of sites between 2001 and 2016 shows how no man’s land has made way for new apartments and underground hangouts have changed into commercial hubs, but it also transports us to remaining pockets of urban wilderness and unexpected freedom right next to the city’s most iconic squares. The accompanying essays by noted urban thinkers explore this little-known but vital reserve—forcing us to reflect on our unrelenting efforts to chart the future of the city at large.
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livres
livres
Publication:
mars 2018
mars 2018
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livres
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$105.00
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights(...)
$105.00
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights(...)
Titre:
Sami art and aesthetics: Contemporary perspectives
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights these developments and places them in historical and contemporary contexts for an international audience. At stake are complex, changing terms regarding the creative and the political agencies. The question is not how indigeneity, identity, people, art, duodji, and aesthetics correspond to conventional Western ideas, rather it is how they interact with the Sami and their neighbouring cultures and societies. The volume is written by some of the foremost art historians and literary scholars in Sami art, craft, architecture, culture, and indigenous studies. Artists presented include Johan Turi, Ivar Jaks, Outi Pieski, Folke Fjellstrom, Katarina Pirak Sikku, Geir Tore Holm, and Silje Figenschou Thoresen.
Sami art and aesthetics: Contemporary perspectives
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During the last five decades we have witnessed an increase in activity among artists identifying themselves as Sami, the only recognised indigenous people of Scandinavia. At the same time, art and duodji (traditional Sami art and craft) have been organized and institutionalized, not least by the Sami artists themselves. ''Sami art and aesthetics'' discusses and highlights these developments and places them in historical and contemporary contexts for an international audience. At stake are complex, changing terms regarding the creative and the political agencies. The question is not how indigeneity, identity, people, art, duodji, and aesthetics correspond to conventional Western ideas, rather it is how they interact with the Sami and their neighbouring cultures and societies. The volume is written by some of the foremost art historians and literary scholars in Sami art, craft, architecture, culture, and indigenous studies. Artists presented include Johan Turi, Ivar Jaks, Outi Pieski, Folke Fjellstrom, Katarina Pirak Sikku, Geir Tore Holm, and Silje Figenschou Thoresen.
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livres
livres
Publication:
juillet 2017
juillet 2017
Sujet:
Expositions en cours
Expositions en cours
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livres
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$56.00
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art(...)
$56.00
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art(...)
Titre:
INUA: Inuit Nunangat Ungammuaktut Atautikkut/ Inuit Moving Forward Together
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$56.00
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art made by 91 artists—from the 1940s to the present—including works from the WAG and Government of Nunavut collections, fifteen commissioned artworks, and loans from across Canada, Alaska and Greenland. INUA is curated by four Inuit and Inuvialuit curators, representing the four regions of Inuit homelands in Canada today. From east to west, they are: Dr. Heather Igloliorte (Nunatsiavut); asinnajaq (Nunavik); Krista Ulujuk Zawadski (Nunavut) and Kablusiak (Inuvialuit Nunangit Sannaiqtuaq). It is also supported by many other Inuk contributors; Project Manager Jocelyn Piirainen; Exhibition Designer Nicole Luke; Graphic Designer Mark Bennett; Educator Kayla Bruce; and WAG Board Member & Indigenous Advisory Circle senior member, Theresie Tungilik.
INUA: Inuit Nunangat Ungammuaktut Atautikkut/ Inuit Moving Forward Together
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''INUA: Inuit Nunangat Ungammuaktut Atautikkut (Inuit Moving Forward Together)'' refers to the life force of all things. As an acronym, it also speaks to our collective vision for Qaumajuq as a place for Inuit to work together towards an exciting new future in the arts, foregrounded by our shared culture and language. The exhibition includes approximately 100 works of art made by 91 artists—from the 1940s to the present—including works from the WAG and Government of Nunavut collections, fifteen commissioned artworks, and loans from across Canada, Alaska and Greenland. INUA is curated by four Inuit and Inuvialuit curators, representing the four regions of Inuit homelands in Canada today. From east to west, they are: Dr. Heather Igloliorte (Nunatsiavut); asinnajaq (Nunavik); Krista Ulujuk Zawadski (Nunavut) and Kablusiak (Inuvialuit Nunangit Sannaiqtuaq). It is also supported by many other Inuk contributors; Project Manager Jocelyn Piirainen; Exhibition Designer Nicole Luke; Graphic Designer Mark Bennett; Educator Kayla Bruce; and WAG Board Member & Indigenous Advisory Circle senior member, Theresie Tungilik.
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livres
livres
Publication:
mars 2022
mars 2022
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
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$20.00
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Oarjemáilmmi dáiddárat ja cállit leat govvádallan ja ovdanbuktán Davviriikkaid jahkecudiid cada, mii lea dagahan ahte, logijagiid suksessiva akkumulašuvnnain diskurssaiguin, leat ráhkaduvvon “davi govvádallamat” - mat vulget “Davvin” Skandinávias, Ruonáeatnamis ja Ruoššas, “davvi allagassii” dahje Davvináhpái. Oarjemáilmmálaccat leat johtán davvináhpái beare jahkecuodi(...)
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Oarjemáilmmi dáiddárat ja cállit leat govvádallan ja ovdanbuktán Davviriikkaid jahkecudiid cada, mii lea dagahan ahte, logijagiid suksessiva akkumulašuvnnain diskurssaiguin, leat ráhkaduvvon “davi govvádallamat” - mat vulget “Davvin” Skandinávias, Ruonáeatnamis ja Ruoššas, “davvi allagassii” dahje Davvináhpái. Oarjemáilmmálaccat leat johtán davvináhpái beare jahkecuodi(...)
Titre:
Mii lea "davi govvádallan"? Ehtalaš prinsihpat
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Oarjemáilmmi dáiddárat ja cállit leat govvádallan ja ovdanbuktán Davviriikkaid jahkecudiid cada, mii lea dagahan ahte, logijagiid suksessiva akkumulašuvnnain diskurssaiguin, leat ráhkaduvvon “davi govvádallamat” - mat vulget “Davvin” Skandinávias, Ruonáeatnamis ja Ruoššas, “davvi allagassii” dahje Davvináhpái. Oarjemáilmmálaccat leat johtán davvináhpái beare jahkecuodi dás ovdal, mii dagaha ahte “Davvi” lea buodus duppalgeahcastagas: Geahcastat mii boahtá olggobealde - hábmejuvvon erenoamážit oarjemáilmmálaš govvádallamiiguin - ja geahcastat mii boahtá siskkáldasat - Davi kultuvrrain (Inuit, Skandináva, Cree, jna.). Dat vuosttaš dávjá álkiduvvo ja nubbi hilgojuvvo. Jus mii háliidat áddet mii “Davvi” lea oppalaš perspektiivvas, fertet jearrat guokte jearaldaga: mo definerejit govvádallamat davi, ja makkár ehtalaš prinsihpat berrejit stivret mo mii dulkot davi kultuvrraid oažžun dihte ollislaš oainnu das (maiddá, erenoamážit daid maid lullin leat badjelgeahccan)? Dán artihkkalis geahccala cálli loktet dán guokte jearaldaga, vuos dan bokte ahte definere mat leat govvádallamat daviin, ja dasto evttohusain fátmmastit prográmma “rekomplekseret” kultuvrralaš Árktisa.
Mii lea "davi govvádallan"? Ehtalaš prinsihpat
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Oarjemáilmmi dáiddárat ja cállit leat govvádallan ja ovdanbuktán Davviriikkaid jahkecudiid cada, mii lea dagahan ahte, logijagiid suksessiva akkumulašuvnnain diskurssaiguin, leat ráhkaduvvon “davi govvádallamat” - mat vulget “Davvin” Skandinávias, Ruonáeatnamis ja Ruoššas, “davvi allagassii” dahje Davvináhpái. Oarjemáilmmálaccat leat johtán davvináhpái beare jahkecuodi dás ovdal, mii dagaha ahte “Davvi” lea buodus duppalgeahcastagas: Geahcastat mii boahtá olggobealde - hábmejuvvon erenoamážit oarjemáilmmálaš govvádallamiiguin - ja geahcastat mii boahtá siskkáldasat - Davi kultuvrrain (Inuit, Skandináva, Cree, jna.). Dat vuosttaš dávjá álkiduvvo ja nubbi hilgojuvvo. Jus mii háliidat áddet mii “Davvi” lea oppalaš perspektiivvas, fertet jearrat guokte jearaldaga: mo definerejit govvádallamat davi, ja makkár ehtalaš prinsihpat berrejit stivret mo mii dulkot davi kultuvrraid oažžun dihte ollislaš oainnu das (maiddá, erenoamážit daid maid lullin leat badjelgeahccan)? Dán artihkkalis geahccala cálli loktet dán guokte jearaldaga, vuos dan bokte ahte definere mat leat govvádallamat daviin, ja dasto evttohusain fátmmastit prográmma “rekomplekseret” kultuvrralaš Árktisa.
Classification:
livres
livres
Publication:
janvier 2018
janvier 2018
Sujet:
Expositions en cours
Expositions en cours
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livres
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$21.50
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Résumé:
Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial(...)
$21.50
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Résumé:
Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial(...)
Titre:
Xu Tiantian : Jinyun Quarries, the quarry as stage
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$21.50
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Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial structure of the spaces carved into the rock, accompanied by large-format photos, plans, and descriptions. The exhibition also explores the historical situation when the stone quarries were still in operation on the one hand, and how the population, the craftsmen, and the administration have accepted and assess the newly created infrastructures today on the other. This publication accompanies the exhibition.
Xu Tiantian : Jinyun Quarries, the quarry as stage
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Focusing on reconciliation with nature, a respectful approach was taken when creating the exhibition “Jinyun Quarries— The Wuarry as Stage“.The large, extensive installation presents the unusual spatial feeling in the stone quarries of Jinyun scenographically and enables visitors to experience it. Spectacular, translucent models give an impression of the complex spatial structure of the spaces carved into the rock, accompanied by large-format photos, plans, and descriptions. The exhibition also explores the historical situation when the stone quarries were still in operation on the one hand, and how the population, the craftsmen, and the administration have accepted and assess the newly created infrastructures today on the other. This publication accompanies the exhibition.
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livres
livres
Publication:
juin 2022
juin 2022
Classification:
livres
livres
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$20.00
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Résumé:
Le Nord est un espace imaginé et représenté depuis des siècles par les artistes et les écrivains du monde occidental, ce qui a mené, au fil du temps et de l'accumulation successive de couches de discours, à la création d'un "imaginaire du Nord" — que ce Nord soit celui de la Scandinavie, du Groenland, de la Russie ou du Grand Nord, ou encore des pôles. Or les Occidentaux(...)
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Le Nord est un espace imaginé et représenté depuis des siècles par les artistes et les écrivains du monde occidental, ce qui a mené, au fil du temps et de l'accumulation successive de couches de discours, à la création d'un "imaginaire du Nord" — que ce Nord soit celui de la Scandinavie, du Groenland, de la Russie ou du Grand Nord, ou encore des pôles. Or les Occidentaux(...)
Titre:
Qu'est-ce que l'imaginaire du Nord? : Principes éthiques (Inuktitut)
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Le Nord est un espace imaginé et représenté depuis des siècles par les artistes et les écrivains du monde occidental, ce qui a mené, au fil du temps et de l'accumulation successive de couches de discours, à la création d'un "imaginaire du Nord" — que ce Nord soit celui de la Scandinavie, du Groenland, de la Russie ou du Grand Nord, ou encore des pôles. Or les Occidentaux ont atteint le Pole Nord il n'y a qu'un siècle, ce qui fait du "Nord" le produit d'un double regard, de l'extérieur — les représentations, surtout occidentales — et de l'intérieur — les cultures nordiques (inuites, scandinaves, cries, etc.). Les premières étant souvent simplifiées et les secondes méconnues, si l'on souhaite étudier le "Nord" dans une perspective d'ensemble, nous devons donc poser deux questions : comment définir le Nord par l'imaginaire ? Selon quels principes éthiques devons-nous considérer les cultures nordiques pour en avoir une vue complète, incluant notamment celles qui ont été minorées par le Sud ? Nous répondrons ici à ces deux questions, d'abord en définissant l'imaginaire du Nord, puis en proposant un programme intégrateur pour "recomplexifier" l'Arctique culturel.
Qu'est-ce que l'imaginaire du Nord? : Principes éthiques (Inuktitut)
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Résumé:
Le Nord est un espace imaginé et représenté depuis des siècles par les artistes et les écrivains du monde occidental, ce qui a mené, au fil du temps et de l'accumulation successive de couches de discours, à la création d'un "imaginaire du Nord" — que ce Nord soit celui de la Scandinavie, du Groenland, de la Russie ou du Grand Nord, ou encore des pôles. Or les Occidentaux ont atteint le Pole Nord il n'y a qu'un siècle, ce qui fait du "Nord" le produit d'un double regard, de l'extérieur — les représentations, surtout occidentales — et de l'intérieur — les cultures nordiques (inuites, scandinaves, cries, etc.). Les premières étant souvent simplifiées et les secondes méconnues, si l'on souhaite étudier le "Nord" dans une perspective d'ensemble, nous devons donc poser deux questions : comment définir le Nord par l'imaginaire ? Selon quels principes éthiques devons-nous considérer les cultures nordiques pour en avoir une vue complète, incluant notamment celles qui ont été minorées par le Sud ? Nous répondrons ici à ces deux questions, d'abord en définissant l'imaginaire du Nord, puis en proposant un programme intégrateur pour "recomplexifier" l'Arctique culturel.
Classification:
livres
livres
Publication:
juin 2022
juin 2022
Sujet:
Expositions en cours
Expositions en cours
