livres
Maus: A survivor's tale
$17.95
(disponible sur commande)
Résumé:
The first volume introduces readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and history itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events(...)
Maus: A survivor's tale
Actions:
Prix:
$17.95
(disponible sur commande)
Résumé:
The first volume introduces readers to Vladek Spiegelman, a Jewish survivor of Hitler's Europe, and his son, a cartoonist trying to come to terms with his father, his father's terrifying story, and history itself. Its form, the cartoon (the Nazis are cats, the Jews mice), succeeds perfectly in shocking us out of any lingering sense of familiarity with the events described, approaching, as it does, the unspeakable through the diminutive. Tragic and comic by turns, it attains a new complexity of theme and a precision of thought new to comics and rare in any medium.
livres
avril 1986
Expositions en cours
$41.95
(disponible sur commande)
Résumé:
Experiments with Life Itself investigates five projects of domestic radical architecture, built between the end of the Thirties and the end of the Fifties by architects and artists -- relegated to the margins of civil reality by war, exile and disenchantment -- in which they are also the object of their own experimentation. Through intimate analysis and personal(...)
septembre 2011
Experiments with life itself: radical domestic architectures between 1937 and 1959
Actions:
Prix:
$41.95
(disponible sur commande)
Résumé:
Experiments with Life Itself investigates five projects of domestic radical architecture, built between the end of the Thirties and the end of the Fifties by architects and artists -- relegated to the margins of civil reality by war, exile and disenchantment -- in which they are also the object of their own experimentation. Through intimate analysis and personal photographs, this publication offers a unique insight into projects by Charles and Ray Eames, Ralph Erskine, Alison and Peter Smithson, German Rodriguez Arias and Pablo Neruda, and Juan O'Gorman.
$79.95
(disponible sur commande)
Résumé:
In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of(...)
septembre 2011
Le Corbusier and Lucien Hervé: a dialogue between architect and photographe
Actions:
Prix:
$79.95
(disponible sur commande)
Résumé:
In 1949, the photographer Lucien Hervé (1910–2007) took a picture of an innovative apartment building in Marseille, France, and sent it to the building’s architect, Le Corbusier (1887–1965). Le Corbusier responded by asking Hervé to become his official photographer. This book recounts the collaboration between these Modernists. The author takes the reader on a tour of sixteen of Le Corbusier’s most iconic buildings using Hervé’s edited sheets of contact prints as visual guides. These sheets, which became an effective tool in the collaborative dissemination of Le Corbusier’s work, capture Hervé’s dynamic perspectives and dramatic use of light. His sequencing of the individual prints creates an exhilarating rhythm that showcases the architect’s novel forms and materials.
$53.95
(disponible sur commande)
Résumé:
With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his(...)
novembre 2011
Gordon Matta-Clark, moment to moment : space
Actions:
Prix:
$53.95
(disponible sur commande)
Résumé:
With his astounding building cuts and intersects, Gordon Matta-Clark (1943-1978) opened up elegant geometries in the very structures that seem most substantial and most authoritative in urban existence, revealing the alienations of the urban fabric as convenient fictions and allowing life to flow into the most inhospitable and self-contained of buildings. One of his favorite responses to a work came from a Parisian concierge: “I see the purpose for that hole - it is an experiment in bringing light and air into spaces that never had enough of either.” Throughout his all-too-brief career, Matta-Clark undertook civic aeration on many fronts, cofounding the now legendary Food Restaurant in 1971, buying up empty lots in Queens and evolving his theory of “anarchitecture” in films, photomontages and numerous writings and drawings. Anarchitecture redefined negative space in art as a political act, distinguishing itself from architecture by imagining a cure for its most pernicious effects. Gordon Matta-Clark : Moment to Moment offers a comprehensive overview of this courageous and liberating artist with a wealth of documentation and reproductions from across Matta-Clark's oeuvre, as well as critical commentary from Philip Ursprung, Angela Lammert, Hubertus von Amelunxen, Dan Graham and others.
OASE #84: Models Maquettes
$39.00
(disponible sur commande)
Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of(...)
OASE #84: Models Maquettes
Actions:
Prix:
$39.00
(disponible sur commande)
Résumé:
In recent decades models have made a contribution to architectural discourse that should not be underestimated. Christophe Van Gerrewey considers the models in OMA’s oeuvre and ascertains that OMA’s models always take on a life of their own, turning into ‘a realisation of what architecture promises, yet can never attain itself’. For example, the two plaster models of the Très Grande Bibliothèque in Paris afforded new insights into a space that can be read both as mass and as counter-mass, while the model of the cruise terminal in Zeebrugge exemplified the power of the iconic form. OASE 84 devotes considerable attention to (architectural) models that play an important part in the work of various artists as well, like in the work of Mike Kelley and Thomas Demand. These models are hardly ever meant to be realised on a different scale elsewhere; they work with the dualistic connotations of the model directly. Although the two disciplines have markedly different motives for using models, we are confident that the cross-pollination brought about here will generate novel insights about the model’s significance and possibilities. With contributions by Jacob Bil, Adam Caruso, Thomas Demand, Job Floris, Kersten Geers, Christophe Van Gerrewey, Anne Holtrop, Christian Hubert, Junya Ishigami, Krijn de Koning, Véronique Patteeuw, Bas Princen, Hans Teerds, Milica Topalovic and Stefaan Vervoort OASE is an independent, international journal published in Dutch and English that features architecture, urban design and landscape design. Each issue is devoted to a topical theme and thus makes a significant contribution to international discourse within these fields. OASE is published three times a year
$42.00
(disponible sur commande)
Résumé:
In the late fifteenth century, clocks acquired minute hands. A century later, second hands appeared. But it wasn't until the 1850s that instruments could recognize a tenth of a second, and, once they did, their impact on modern science and society was profound. Tracing debates about the nature of time, causality, and free will, as well as the introduction of modern(...)
septembre 2011
A tenth of a second: a history
Actions:
Prix:
$42.00
(disponible sur commande)
Résumé:
In the late fifteenth century, clocks acquired minute hands. A century later, second hands appeared. But it wasn't until the 1850s that instruments could recognize a tenth of a second, and, once they did, their impact on modern science and society was profound. Tracing debates about the nature of time, causality, and free will, as well as the introduction of modern technologies - telegraphy, photography, cinematography - Jimena Canales locates the reverberations of this "perceptual moment" throughout culture. Revealing the history behind this infinitesimal interval, Revealing the history behind this infinitesimal interval, A Tenth of a Second sheds new light on modernity and illuminates the work of important thinkers of the last two centuries.
Moscow: the fourth Rome
$56.50
(disponible sur commande)
Résumé:
In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an(...)
novembre 2011
Moscow: the fourth Rome
Actions:
Prix:
$56.50
(disponible sur commande)
Résumé:
In Moscow, the Fourth Rome , Katerina Clark shows how Soviet officials and intellectuals, in seeking to capture the imagination of leftist and anti-fascist intellectuals throughout the world, sought to establish their capital as the cosmopolitan center of a post-Christian confederation and to rebuild it to become a beacon for the rest of the world. Clark provides an interpretative cultural history of the city during the crucial 1930s, the decade of the Great Purge. She draws on the work of intellectuals such as Sergei Eisenstein, Sergei Tretiakov, Mikhail Koltsov, and Ilya Ehrenburg to shed light on the singular Zeitgeist of that most Stalinist of periods. In her account, the decade emerges as an important moment in the prehistory of key concepts in literary and cultural studies today—transnationalism, cosmopolitanism, and world literature. By bringing to light neglected antecedents, she provides a new polemical and political context for understanding canonical works of writers such as Brecht, Benjamin, Lukacs, and Bakhtin.
From models to drawings
$57.95
(disponible sur commande)
Résumé:
This book is key reading for all students of architecture and architectural theory. It addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere models for imitation in the construction of buildings, the articles explore the broader(...)
novembre 2010
From models to drawings
Actions:
Prix:
$57.95
(disponible sur commande)
Résumé:
This book is key reading for all students of architecture and architectural theory. It addresses the vital role of the imagination in the critical interpretation of architectural representations. By challenging the contemporary tendency for computer-aided drawings to become mere models for imitation in the construction of buildings, the articles explore the broader range of methods and meanings at stake in the creation and interpretation of architectural drawings, models, images and artefacts.
$42.50
(disponible sur commande)
Résumé:
Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes(...)
août 2012
Vogt architects: Landscape as a cabinet of curiosities
Actions:
Prix:
$42.50
(disponible sur commande)
Résumé:
Picking up on architecture’s tradition of teaching professional experience to students through conversation, this book provides insight into the ideas, methods, and memories of Günther Vogt, and questions the attitude that this innovative landscape architect adopts towards his profession. With reference to five different locations, Günther Vogt speaks about current themes of landscape architecture and its relationship to architecture and the city, about his teaching at the ETH Zürich, and about the work of Vogt Landscape Architects; he describes his perception of the landscape as a cabinet of curiosities, tells how he collects various phenomena and individual elements, relates them to each other and rearranges them. And in the reader’s mind’s eye unfolds a cosmos, in which the lack of wholeness of nature seems to be a gain rather than a loss.
$41.50
(disponible sur commande)
Résumé:
Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history,(...)
août 2012
Future practice : conversations from the edge of architecture
Actions:
Prix:
$41.50
(disponible sur commande)
Résumé:
Designers around the world are carving out opportunities for new kinds of engagement, new kinds of collaboration, new kinds of design outcomes, and new kinds of practice; overturning the inherited assumptions of the design professions. Seventeen conversations with practitioners from the fields of architecture, policy, activism, design, education, research, history, community engagement and more, each representing an emergent role for designers to occupy. Whether the "civic entrepreneur," the "double agent," or the "strategic designer," this book offers a diverse spectrum of approaches to design, each offering a potential future for architectural practice. With a foreword by Dan Hill and interviews with Steve Ashton, ARM; Bryan Boyer, Helsinki Design Lab; Camila Bustamante; Mel Dodd, muf_aus; DUS Architects; Jeanne Gang, Studio Gang; Reinier de Graaf and Laura Baird, AMO; Conrad Hamann; Natalie Jeremijenko, xClinic; Indy Johar, 00:/;Bruce Mau; Arjen Oosterman and Lilet Breddels, Volume; Todd Reisz; Wouter Vanstiphout, Crimson; Matt Webb, BERG; Marcus Westbury, Renew Newcastle; and Liam Young, Unknown Fields