439 Résultats
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to(...)
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to(...)
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janvier 1900, Wien/New York
janvier 1900, Wien/New York
Titre:
Exit-Architecture: design between war and peace
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to stress. After a tour d'horizon through Roman temples, Washington's corridors of power and Mecca's anti-panic architecture it becomes clear that architecture is anything but in the background. Instead it is situated in the hot spot of transmission dynamics and is capable of altering cultures, empires and even religions.
Exit-Architecture: design between war and peace
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With a foreword by Heiner Muehlmann and the project '5 codes: space of conflict (tempel of Janus revisited, Washington D.C., 2009' by Exit Ltd. 'First we shape things, then they shape us', was Churchill's view. What kind of architecture can be said to shape? And by what means does it shape? The author's answer to this question is a surprise: through war and proximity to stress. After a tour d'horizon through Roman temples, Washington's corridors of power and Mecca's anti-panic architecture it becomes clear that architecture is anything but in the background. Instead it is situated in the hot spot of transmission dynamics and is capable of altering cultures, empires and even religions.
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janvier 1900, Wien/New York
janvier 1900, Wien/New York
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is(...)
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is(...)
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From the Atelier Tovar: selected writings
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is both a treasure trove and a fragrant potpourri, redolent of the dankest corners of the movie house.
From the Atelier Tovar: selected writings
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From the purple pen of Canada's most enchanting and eccentric filmmaker comes From the Atelier Tovar, a collection of Guy Maddin's journalism, treatments for films made and unmade and, worth the price of admission itself, a bountiful selection from the director's never-before-seen personal journals. Coupled with candid photos and unpublished storyboards, what emerges is both a treasure trove and a fragrant potpourri, redolent of the dankest corners of the movie house.
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livres
livres
Publication:
octobre 2003, Toronto
octobre 2003, Toronto
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Expositions en cours
Expositions en cours
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource(...)
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource(...)
Publication:
février 2008, London, New York
février 2008, London, New York
Titre:
Supercrit 2 Robert Venturi and Denise Scott Brown: Learning from Las Vegas
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
Supercrit 2 Robert Venturi and Denise Scott Brown: Learning from Las Vegas
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In Supercrit 2: 'Learning from Las Vegas', Robert Venturi and Denise Scott Brown, the couple revisit their infamous book which overturned the barriers separating high architecture from the commercial architecture of the Strip. You can hear the couple's project description, see the drawings and join in the crit. This innovative and compelling book is an invaluable resource for any architecture student.
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livres
livres
Publication:
février 2008, London, New York
février 2008, London, New York
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livres
livres
Titre:
Comprendre une photographie
Comprendre une photographie
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment(...)
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment(...)
Publication:
octobre 2017
octobre 2017
Titre:
Comprendre une photographie
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment aux éditions de L’Arche, Champ- Vallon ou Le Temps des Cerises, tandis que d’autres sont traduits en français pour la première fois. La présente sélection reprend l’édition anglaise intitulée Understanding a Photograph, établie par Geoff Dyer et publiée en 2013 chez Penguin Books.
Comprendre une photographie
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Regroupant des textes issus de catalogues d’artistes, expositions, articles, etc., Comprendre une photographie est un voyage à travers les oeuvres de photographes divers, d’ André Kertész à Jitka Hanzlová, en passant par Marc Trivier, Jean Mohr ou Martine Franck. Certains des articles regroupés ici ont déjà fait partie de choix de textes de John Berger publiés notamment aux éditions de L’Arche, Champ- Vallon ou Le Temps des Cerises, tandis que d’autres sont traduits en français pour la première fois. La présente sélection reprend l’édition anglaise intitulée Understanding a Photograph, établie par Geoff Dyer et publiée en 2013 chez Penguin Books.
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livres
livres
Publication:
octobre 2017
octobre 2017
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Revolutionary developments in economics are rare. The conservative bias of the field and its enshrined knowledge make it difficult to introduce new ideas not in line with received theory. Happiness research, however, has the potential to change economics substantially in the future. Its findings, which are gradually being taken into account in standard economics, can be(...)
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Revolutionary developments in economics are rare. The conservative bias of the field and its enshrined knowledge make it difficult to introduce new ideas not in line with received theory. Happiness research, however, has the potential to change economics substantially in the future. Its findings, which are gradually being taken into account in standard economics, can be(...)
Titre:
Happiness: a revolution in economics
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Revolutionary developments in economics are rare. The conservative bias of the field and its enshrined knowledge make it difficult to introduce new ideas not in line with received theory. Happiness research, however, has the potential to change economics substantially in the future. Its findings, which are gradually being taken into account in standard economics, can be considered revolutionary in three respects: the measurement of experienced utility using psychologists’ tools for measuring subjective well-being; new insights into how human beings value goods and services and social conditions that include consideration of such non-material values as autonomy and social relations; and policy consequences of these new insights that suggest different ways for government to affect individual well-being.
Happiness: a revolution in economics
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Revolutionary developments in economics are rare. The conservative bias of the field and its enshrined knowledge make it difficult to introduce new ideas not in line with received theory. Happiness research, however, has the potential to change economics substantially in the future. Its findings, which are gradually being taken into account in standard economics, can be considered revolutionary in three respects: the measurement of experienced utility using psychologists’ tools for measuring subjective well-being; new insights into how human beings value goods and services and social conditions that include consideration of such non-material values as autonomy and social relations; and policy consequences of these new insights that suggest different ways for government to affect individual well-being.
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livres
livres
Publication:
août 2010
août 2010
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livres
livres
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Baku: oil and urbanism
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as(...)
Publication:
février 2019
février 2019
Titre:
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
Baku: oil and urbanism
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Baku, the capital of Azerbaijan and formerly part of the Russian Empire and Soviet Union, is the original oil city, with oil and urbanism thoroughly intertwined—economically, politically, and physical—in the city’s fabric. Baku saw its first oil boom in the late nineteenth century, driven by the Russian branch of the Nobel family modernizing the oil fields around Baku as local oil barons poured their new wealth into building a cosmopolitan city center. During the Soviet period, Baku became the site of an urban experiment: the shaping of an oil city of socialist man. That project included Neft Dashlari, a city built on trestles in the Caspian Sea and designed to house thousands of workers, schools, shops, gardens, clinics, and cinemas as well as 2,000 oil rigs, pipelines, and collecting stations. Today, as it heads into an uncertain post-oil future, Baku’s planners and business elites regard the legacy of its past as a resource that sustains new aspirations and identities.
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Publication:
février 2019
février 2019
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces(...)
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces(...)
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octobre 2017
octobre 2017
Titre:
Inside No-Stop city : parkings résidentiels et système climatique universel. Archizoom.
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces systèmes à l’échelle de l'espace public. C’est dans ce contexte, rendu particulier en Italie par les analyses marxistes de phénomènes métropolitains et territoriaux, que naît le projet des Archizoom de la No-Stop City, Residential Parkings, Climatic Universal System (1969-1972). C'est à un voyage intérieur au sein de ce pays de cocagne pop que nous convie Roberto Gargiani.
Inside No-Stop city : parkings résidentiels et système climatique universel. Archizoom.
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Dans l'agencement de bureaux et de grands magasins de la fin des années 1960, les cloisonnements modulaires ou les systèmes artificiels d’éclairage et d’air conditionné intégrés aux plafonds créent une idée d’espace flexible héritier du plan libre : l’open space. Sur fond de contestation des jeunes et des ouvriers d'Italie, des avant-gardes florentines transposent ces systèmes à l’échelle de l'espace public. C’est dans ce contexte, rendu particulier en Italie par les analyses marxistes de phénomènes métropolitains et territoriaux, que naît le projet des Archizoom de la No-Stop City, Residential Parkings, Climatic Universal System (1969-1972). C'est à un voyage intérieur au sein de ce pays de cocagne pop que nous convie Roberto Gargiani.
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livres
Publication:
octobre 2017
octobre 2017
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
Titre:
Dans les ruines de l'université
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
Dans les ruines de l'université
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Peut-on tirer quelque chose de cette institution transformée? S’inspirant, entre autres, de Lyotard, Derrida et Agamben, Bill Readings offre des propositions concrètes pour habiter ses ruines et leur donner un sens nouveau.
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livres
livres
Publication:
novembre 2017
novembre 2017
Sujet:
Expositions en cours
Expositions en cours
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livres
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni(...)
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni(...)
Publication:
octobre 2017
octobre 2017
Titre:
The curious Mr. Pettena: rambling around USA 1971-73
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni Pettena (born 1970 in Bolzano) belongs to the original group—along with Archizoom, Superstudio and UFO—of radical Italian architecture. Without denying his background in architecture, he was convinced of the need to rethink the meaning of the discipline, just like the other “radicals”, using the languages of “spatial” research of Conceptual Art and American Land Art, instead of the traditional languages of architectural planning.
The curious Mr. Pettena: rambling around USA 1971-73
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The Curious Mr. Pettena recounts various steps along a journey, through cities and wide open natural spaces, undertaken by the anarchitect Gianni Pettena at the start of the 1970s across the United States. Architect, artist and critic, professor of the History of Contemporary Architecture at the University of Florence and of Planning at California State University, Gianni Pettena (born 1970 in Bolzano) belongs to the original group—along with Archizoom, Superstudio and UFO—of radical Italian architecture. Without denying his background in architecture, he was convinced of the need to rethink the meaning of the discipline, just like the other “radicals”, using the languages of “spatial” research of Conceptual Art and American Land Art, instead of the traditional languages of architectural planning.
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livres
livres
Publication:
octobre 2017
octobre 2017
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livres
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
Titre:
Le cercle invisible : environnements, systèmes, dispositifs
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
Le cercle invisible : environnements, systèmes, dispositifs
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Les essais réunis dans ce volume par Emanuele Quinz contribuent à la définition d'une esthétique de l'interactivité en art, dans une perspective historique et interdisciplinaire. Emanuele Quinz est historien de l'art, maître de conférences à l'Université Paris 8 et enseignant-chercheur à l'École nationale supérieure des Arts décoratifs.
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livres
livres
Publication:
novembre 2017
novembre 2017
