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Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as(...)
Health for sale: posters from the William H. Helfand Collection
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Since the late 1960s, William H. Helfand has donated more than 1,000 posters, prints, and ephemera to the Philadelphia Museum of Art's Ars Medica Collection, the world's only collection of medical prints housed in an art museum. This volume presents some 50 of the nearly 200 posters in the renowned Helfand Collection, and includes the work of prominent artists such as Jules Chéret and Leonetto Cappiello.
Expositions en cours
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Cette publication expose les principales controverses concernant les effets sur l'environnement de l'agriculture biologique, sa réglementation et les spécificités des productions biologiques.
Le bio: qu'y a-t-il (vraiment) dans votre assiette?
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Cette publication expose les principales controverses concernant les effets sur l'environnement de l'agriculture biologique, sa réglementation et les spécificités des productions biologiques.
Expositions en cours
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Sans que nous le sachions ou parce que nous l'avons oublié, nos maisons ou appartements sont construits sur des sols qui ne sont pas forcément sains et équilibrés. Pourquoi ? Tout simplement parce que la Terre et donc le sol sur lequel nous vivons forment un ensemble énergétique animé par le magnétisme terrestre qui véhicule aussi bien les mauvaises que les bonnes(...)
Ma maison & ma santé: un tout indissociable
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Sans que nous le sachions ou parce que nous l'avons oublié, nos maisons ou appartements sont construits sur des sols qui ne sont pas forcément sains et équilibrés. Pourquoi ? Tout simplement parce que la Terre et donc le sol sur lequel nous vivons forment un ensemble énergétique animé par le magnétisme terrestre qui véhicule aussi bien les mauvaises que les bonnes vibrations. D'autre part, toute la planète est enveloppée ale réseaux Hartmann omniprésents tous les 2m dans le sens nord-sud et tous les 2m5 (dans le sens est-ouest) et c'est à leur croisement que surgit en force l'énergie tellurique en provenance du centre de la Terre. Ce livre vous expliquera en quoi ces croisements sont toujours actifs où qu'ils soient, y compris dans votre chambre ou dans une autre pièce.
Expositions en cours
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Médecins et chercheurs en psychopathologie, les auteurs entendent déconstruire l'idéologie médicale qui prescrit des conduites rationelles et standardisées au nom d'une description scientifique. Ils montrent comment ces processus de normalisation opèrent. A partir de leurs expériences cliniques, ils plaident pour le retour du "souci de soi" dans la médecine moderne
La santé totalitaire : essai sur la médicalisation de l'existence
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Médecins et chercheurs en psychopathologie, les auteurs entendent déconstruire l'idéologie médicale qui prescrit des conduites rationelles et standardisées au nom d'une description scientifique. Ils montrent comment ces processus de normalisation opèrent. A partir de leurs expériences cliniques, ils plaident pour le retour du "souci de soi" dans la médecine moderne
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This is a way for begining readers to take a fundamental look at communities.
My first look at communities : a suburb
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This is a way for begining readers to take a fundamental look at communities.
Expositions en cours
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century(...)
Architecture school: three centuries of educating architects in North America
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860--1920; 1920--1940; 1940--1968; 1968--1990; and 1990 to the present. This overview is followed by a "lexicon" containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Governing by design : architecture, economy, and politics in the 20th century
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
avril 2012
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class,(...)
Gentrification is inevitable, and other lies
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First observed in 1950s London, and theorised by leading thinkers such as Ruth Glass, Jane Jacobs and Sharon Zukin, the devastating process of displacement now can be found in every city and most neighbourhoods and impacts the most vulnerable communities. Leslie Kern proposes an intersectional way at looking at the crisis that seek to reveal the violence based on class, race, gender and sexuality. She argues that gentrification is not natural That it can not be understood in economics terms, or by class. That it is not a question of taste. That it can only be measured only by the physical displacement of certain people. Rather, she argues, it is an continuation of the setter colonial project that removed natives from their land. And it can be seen today is rising rents and evictions, transformed retail areas, increased policing and broken communities. Kern proposes a genuinely decolonial, feminist, queer, anti-gentrification. One that demands the right to the city for everyone and the return of land and reparations for those who have been displaced.