439 Résultats
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
Publication:
septembre 2018
septembre 2018
Titre:
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
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septembre 2018
septembre 2018
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
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novembre 2018
novembre 2018
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Tshakapesh : le plus petit des grands chasseurs / anu uet apishissishit kanataut
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
Tshakapesh : le plus petit des grands chasseurs / anu uet apishissishit kanataut
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
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livres
Publication:
novembre 2018
novembre 2018
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Made in URSS : Design et Graphisme 1950-1989'' révèle une vision fascinante, pleine de charme et peu connue de la vie quotidienne en Union soviétique à travers la reproduction de 350 objets et documents. Tous sont issus de la collection unique du Musée du design de Moscou qui oeuvre pour la préservation de l'héritage du design russe. Des jouets aux articles de maison et(...)
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Made in URSS : Design et Graphisme 1950-1989'' révèle une vision fascinante, pleine de charme et peu connue de la vie quotidienne en Union soviétique à travers la reproduction de 350 objets et documents. Tous sont issus de la collection unique du Musée du design de Moscou qui oeuvre pour la préservation de l'héritage du design russe. Des jouets aux articles de maison et(...)
Titre:
Made in URSS : design et graphisme 1950 - 1989
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Made in URSS : Design et Graphisme 1950-1989'' révèle une vision fascinante, pleine de charme et peu connue de la vie quotidienne en Union soviétique à travers la reproduction de 350 objets et documents. Tous sont issus de la collection unique du Musée du design de Moscou qui oeuvre pour la préservation de l'héritage du design russe. Des jouets aux articles de maison et de mode aux affiches de films en passant par l'électronique et les produits vantant la course à l'espace, chaque objet témoigne du quotidien sous le régime communiste.
Made in URSS : design et graphisme 1950 - 1989
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Made in URSS : Design et Graphisme 1950-1989'' révèle une vision fascinante, pleine de charme et peu connue de la vie quotidienne en Union soviétique à travers la reproduction de 350 objets et documents. Tous sont issus de la collection unique du Musée du design de Moscou qui oeuvre pour la préservation de l'héritage du design russe. Des jouets aux articles de maison et de mode aux affiches de films en passant par l'électronique et les produits vantant la course à l'espace, chaque objet témoigne du quotidien sous le régime communiste.
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livres
livres
Publication:
octobre 2018
octobre 2018
Sujet:
Expositions en cours
Expositions en cours
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livres
Titre:
Atlas de botanique poétique
Atlas de botanique poétique
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Botaniste, explorateur des forêts tropicales équatoriales qu'il sillonne depuis quarante ans, carnet de croquis en main, Francis Hallé nous invite dans cet Atlas de botanique poétique à un voyage illustré à la rencontre de plantes extraordinaires. Des innombrables carnets d'expédition qui tapissent les étagères de son bureau à Montpellier, il a extrait un échantillon des(...)
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Botaniste, explorateur des forêts tropicales équatoriales qu'il sillonne depuis quarante ans, carnet de croquis en main, Francis Hallé nous invite dans cet Atlas de botanique poétique à un voyage illustré à la rencontre de plantes extraordinaires. Des innombrables carnets d'expédition qui tapissent les étagères de son bureau à Montpellier, il a extrait un échantillon des(...)
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Atlas de botanique poétique
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$47.95
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Botaniste, explorateur des forêts tropicales équatoriales qu'il sillonne depuis quarante ans, carnet de croquis en main, Francis Hallé nous invite dans cet Atlas de botanique poétique à un voyage illustré à la rencontre de plantes extraordinaires. Des innombrables carnets d'expédition qui tapissent les étagères de son bureau à Montpellier, il a extrait un échantillon des spécimens les plus étonnants. De Codariocalyx motorius, la plante qui danse, aux Solanaceae d'Argentine, ces arbres souterrains dont on n'aperçoit qu'un tapis de feuilles au sol, leurs modes de développement et d'adaptation dépassent souvent notre compréhension pour enchanter notre imagination. Exubérantes, énigmatiques, dotées d'aptitudes surprenantes, les merveilles végétales présentées dans ce cabinet de curiosités inattendu plaident en faveur de la sauvegarde des forêts tropicales aujourd'hui gravement menacées.
Atlas de botanique poétique
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Botaniste, explorateur des forêts tropicales équatoriales qu'il sillonne depuis quarante ans, carnet de croquis en main, Francis Hallé nous invite dans cet Atlas de botanique poétique à un voyage illustré à la rencontre de plantes extraordinaires. Des innombrables carnets d'expédition qui tapissent les étagères de son bureau à Montpellier, il a extrait un échantillon des spécimens les plus étonnants. De Codariocalyx motorius, la plante qui danse, aux Solanaceae d'Argentine, ces arbres souterrains dont on n'aperçoit qu'un tapis de feuilles au sol, leurs modes de développement et d'adaptation dépassent souvent notre compréhension pour enchanter notre imagination. Exubérantes, énigmatiques, dotées d'aptitudes surprenantes, les merveilles végétales présentées dans ce cabinet de curiosités inattendu plaident en faveur de la sauvegarde des forêts tropicales aujourd'hui gravement menacées.
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livres
livres
Publication:
octobre 2016
octobre 2016
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livres
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$23.00
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As gentrification threatens to uproot neighbourhoods across the world, the flame of co-operative housing has been reignited while the concept of community landownership has the potential to turn the tide and put the destiny of our cities into the hands of residents.Villages in Cities takes us across North America to Montreal, Boston, Vermont, and Mississippi,(...)
$23.00
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As gentrification threatens to uproot neighbourhoods across the world, the flame of co-operative housing has been reignited while the concept of community landownership has the potential to turn the tide and put the destiny of our cities into the hands of residents.Villages in Cities takes us across North America to Montreal, Boston, Vermont, and Mississippi,(...)
Publication:
janvier 2019
janvier 2019
Titre:
Villages in cities: community land ownership, cooperative housing, and the Milton Parc story
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$23.00
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As gentrification threatens to uproot neighbourhoods across the world, the flame of co-operative housing has been reignited while the concept of community landownership has the potential to turn the tide and put the destiny of our cities into the hands of residents.Villages in Cities takes us across North America to Montreal, Boston, Vermont, and Mississippi, presentingconcrete examples of citizens taking back the land and claiming their right to secure housing. It also acts as a guidebook to contemporary urban struggles through fertile archival material from the Milton Parc struggle, which is as relevant today as it was 50 years ago.Villages in Cities presents a succinct portrait of the problems facing the ownership of urban land, the challenge of contesting the State’s presupposed legitimacy in determining our urban future, and the contradictions these elements imply. n Montreal in 1968, speculators announced their ‘urban renewal’ plan to demolish six blocks of the downtown heritage neighborhood of Milton Parc in order to build enormous high-rise condos, hotels, office buildings, and shopping malls. The local community viewed this as a declaration of war. What followed was a remarkable struggle that not only saved the heritage architecture from destruction but also protected local residents from gentrification through the creation of the largest nonprofit cooperative housing project on an urban community land trust in North America. And Milton Parc is not unique. Villages in Cities takes us across North America—to New York, Boston, Burlington, Oakland, Jackson, Montreal, Toronto, Ottawa, and Vancouver—to show concrete examples of citizens taking back the land and claiming their right to secure housing. The book draws connections among these projects, examines their underlying causes, and connects them with a holistic “Right to the City” movement that is emerging internationally.
Villages in cities: community land ownership, cooperative housing, and the Milton Parc story
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$23.00
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As gentrification threatens to uproot neighbourhoods across the world, the flame of co-operative housing has been reignited while the concept of community landownership has the potential to turn the tide and put the destiny of our cities into the hands of residents.Villages in Cities takes us across North America to Montreal, Boston, Vermont, and Mississippi, presentingconcrete examples of citizens taking back the land and claiming their right to secure housing. It also acts as a guidebook to contemporary urban struggles through fertile archival material from the Milton Parc struggle, which is as relevant today as it was 50 years ago.Villages in Cities presents a succinct portrait of the problems facing the ownership of urban land, the challenge of contesting the State’s presupposed legitimacy in determining our urban future, and the contradictions these elements imply. n Montreal in 1968, speculators announced their ‘urban renewal’ plan to demolish six blocks of the downtown heritage neighborhood of Milton Parc in order to build enormous high-rise condos, hotels, office buildings, and shopping malls. The local community viewed this as a declaration of war. What followed was a remarkable struggle that not only saved the heritage architecture from destruction but also protected local residents from gentrification through the creation of the largest nonprofit cooperative housing project on an urban community land trust in North America. And Milton Parc is not unique. Villages in Cities takes us across North America—to New York, Boston, Burlington, Oakland, Jackson, Montreal, Toronto, Ottawa, and Vancouver—to show concrete examples of citizens taking back the land and claiming their right to secure housing. The book draws connections among these projects, examines their underlying causes, and connects them with a holistic “Right to the City” movement that is emerging internationally.
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livres
livres
Publication:
janvier 2019
janvier 2019
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livres
livres
Titre:
Yan Wang Preston: Forest
Yan Wang Preston: Forest
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In China, where new cities are constantly springing up, transplanting nature is big business. In her new photo series Forest, Preston tracks down uprooted trees that have been transferred to concrete deserts, questioning our sense of the meaning of homeland.
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In China, where new cities are constantly springing up, transplanting nature is big business. In her new photo series Forest, Preston tracks down uprooted trees that have been transferred to concrete deserts, questioning our sense of the meaning of homeland.
Publication:
juin 2018
juin 2018
Titre:
Yan Wang Preston: Forest
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In China, where new cities are constantly springing up, transplanting nature is big business. In her new photo series Forest, Preston tracks down uprooted trees that have been transferred to concrete deserts, questioning our sense of the meaning of homeland.
Yan Wang Preston: Forest
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In China, where new cities are constantly springing up, transplanting nature is big business. In her new photo series Forest, Preston tracks down uprooted trees that have been transferred to concrete deserts, questioning our sense of the meaning of homeland.
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livres
livres
Publication:
juin 2018
juin 2018
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livres
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$13.50
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Happiness is an everyday term in our lives, and most of us strive to be happy. But defining happiness can be difficult. In this "Very Short Introduction", Dan Haybron considers the true nature of happiness. By examining what it is, assessing its subjective values, its importance in our lives, and how we can (and should) pursue it, he considers the current thinking on(...)
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Happiness is an everyday term in our lives, and most of us strive to be happy. But defining happiness can be difficult. In this "Very Short Introduction", Dan Haybron considers the true nature of happiness. By examining what it is, assessing its subjective values, its importance in our lives, and how we can (and should) pursue it, he considers the current thinking on(...)
Titre:
Happiness: a very short introduction
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Happiness is an everyday term in our lives, and most of us strive to be happy. But defining happiness can be difficult. In this "Very Short Introduction", Dan Haybron considers the true nature of happiness. By examining what it is, assessing its subjective values, its importance in our lives, and how we can (and should) pursue it, he considers the current thinking on happiness, from psychology to philosophy. Illustrating the diverse routes to happiness, Haybron reflects on the growing influence of secular Western ideas in the contemporary pursuit of a good life, and considers the influence of social context on our satisfaction and well-being.
Happiness: a very short introduction
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Happiness is an everyday term in our lives, and most of us strive to be happy. But defining happiness can be difficult. In this "Very Short Introduction", Dan Haybron considers the true nature of happiness. By examining what it is, assessing its subjective values, its importance in our lives, and how we can (and should) pursue it, he considers the current thinking on happiness, from psychology to philosophy. Illustrating the diverse routes to happiness, Haybron reflects on the growing influence of secular Western ideas in the contemporary pursuit of a good life, and considers the influence of social context on our satisfaction and well-being.
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livres
livres
Publication:
octobre 2013
octobre 2013
Sujet:
Expositions en cours
Expositions en cours
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livres
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$34.95
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Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound(...)
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Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound(...)
Titre:
Wish I were here: boredom and the interface
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Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound effects of constant immersion in technology, also known as the ''Interface,'' ''Wish I Were Here'' draws on philosophical analysis of boredom and happiness to examine the pressing issues of screen addiction and the lure of online outrage. Without moralizing, Mark Kingwell takes seriously the possibility that current conditions of life and connection are creating hollowed-out human selves, divorced from their own external world.
Wish I were here: boredom and the interface
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Are you bored of the endless scroll of your social media feed? Do you swipe left before considering the human being whose face you just summarily rejected? Do you skim articles on your screen in search of intellectual stimulation that never arrives? If so, this book is the philosophical lifeline you have been waiting for. Offering a timely meditation on the profound effects of constant immersion in technology, also known as the ''Interface,'' ''Wish I Were Here'' draws on philosophical analysis of boredom and happiness to examine the pressing issues of screen addiction and the lure of online outrage. Without moralizing, Mark Kingwell takes seriously the possibility that current conditions of life and connection are creating hollowed-out human selves, divorced from their own external world.
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livres
livres
Publication:
avril 2019
avril 2019
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livres
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$67.50
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the(...)
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the(...)
Publication:
avril 2019
avril 2019
Titre:
Home futures: living in yesterday's tomorrow
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today and patterns of use in the sharing economy the future that architects and designers once predicted, or has the “home” proved resistant to radical change? "Home Futures: Living in Yesterday’s Tomorrow" explores different approaches to reinventing domestic life, tracing the social and technological developments that have driven change in the home.
Home futures: living in yesterday's tomorrow
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The “home of the future” has long been a topic of fascination in popular culture and an intriguing prospect for designers, and the 20th century offered up countless visions of the future of domestic life, from the aspirational to the radical. Whether it was the dream of the fully mechanized home or the notion that technology might free us from the home altogether, the domestic realm was a site of endless invention and speculation. But what happened to those visions? Are the smart homes of today and patterns of use in the sharing economy the future that architects and designers once predicted, or has the “home” proved resistant to radical change? "Home Futures: Living in Yesterday’s Tomorrow" explores different approaches to reinventing domestic life, tracing the social and technological developments that have driven change in the home.
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livres
Publication:
avril 2019
avril 2019
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais(...)
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais(...)
Publication:
janvier 2002, Paris
janvier 2002, Paris
Titre:
La société du spectacle, ancienne version
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais rien dit d'outrancier. »
La société du spectacle, ancienne version
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paru en 1967. Guy Debord (1931-1994) a suivi dans sa vie, jusqu'à la mort qu'il s'est choisie, une seule règle. Celle-là même qu'il résume dans l'avertissement pour la troisième édition française de son livre "La Société du Spectacle". « Il faut lire ce livre en considérant qu'il a été sciemment écrit dans l'intention de nuire à la société spectaculaire. Il n'a jamais rien dit d'outrancier. »
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livres
livres
Publication:
janvier 2002, Paris
janvier 2002, Paris
