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To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the(...)
Gio Ponti, Life and works 1923-1979
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To study Gio Ponti’s prolific body of work is to appreciate the clear, unifying vision behind a complex creative universe. A synthesis of the arts, his creations expand intuitively with the Italian grandeur and studied lightness that defined his iconic style. Ponti’s rare capacity to move seamlessly between scales allowed him to approach the design of a teaspoon with the same conviction as he did an entire city. He was as much an architect and designer as he was a publisher, poet, and man. A treasure in its own regard, his contribution is also a distinctive landmark of Italy’s mid-century Renaissance and the modernist values it sought to realize. This new book is the most comprehensive account of Ponti’s work to date, unprecedented in scale and scope. It tracks the development of his oeuvre over 6 decades, with 136 projects indexed and reproduced in high resolution, each object framed by the context in which Ponti had created it. Like windows onto his elusive life, unpublished materials and candid imagery create new dialogues between his famous masterpieces and his lesser-known feats. A rich layer of texts, featuring an extensive biographical essay by Stefano Casciani, was produced in close collaboration with the Gio Ponti Archives offering an intimate insight on his life’s work. Materializing Ponti’s core philosophy of modernity, this book presents architecture as a performing object, a "self-illuminating" stage for his humanistic art de vivre and boundless creativity.
Design, monographies
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Best known for New York’s Central Park luminaires (1982), the ornamentation at Rice University’s Baker Hall in Houston (1997), and his work on Yale University’s Bass Library entrance pavilion and Sterling Memorial Library stairwell entrance (2007), the sculptor Kent Bloomer (b. 1935) has not only influenced the discussion around ornament in contemporary architectural(...)
Kent Bloomer: Nature as ornament
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Best known for New York’s Central Park luminaires (1982), the ornamentation at Rice University’s Baker Hall in Houston (1997), and his work on Yale University’s Bass Library entrance pavilion and Sterling Memorial Library stairwell entrance (2007), the sculptor Kent Bloomer (b. 1935) has not only influenced the discussion around ornament in contemporary architectural practice, but has inspired developments in a range of disciplines that include history, music, art, philosophy, and biology. With a retrospective look at Bloomer’s work as a point of departure, scholars from a variety of different fields explore his contributions to the history of ornament as both a social and an artistic phenomenon.
Design, monographies
Sam Chermayeff: Beasts
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This publication presents the latest furniture collection by the Berlin-based architect and designer, following his previous project-turned-book, "Creatures" (Apartamento Publishing, 2020). These 'beasts' actively merge typologies: a chair becomes the base of an umbrella; a closet becomes a place to sit, apply make-up or smoke a cigarette. Chermayeff’s objects are not(...)
Sam Chermayeff: Beasts
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This publication presents the latest furniture collection by the Berlin-based architect and designer, following his previous project-turned-book, "Creatures" (Apartamento Publishing, 2020). These 'beasts' actively merge typologies: a chair becomes the base of an umbrella; a closet becomes a place to sit, apply make-up or smoke a cigarette. Chermayeff’s objects are not just tools, they are a mise-en-scène for everyday life, staging our interactions through the pieces themselves and the space created in- between.
Design, monographies
Edith Heath: Philosophies
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This volume is the most comprehensive resource on Edith Kiertzner Heath and the history of Heath Ceramics to date, emphasizing the philosophical foundations and influences of one of the most significant creative forces in post-WWII America. The publication serves as a complement to the 2021 exhibition at the Oakland Museum of California, offering substantial and in-depth(...)
Edith Heath: Philosophies
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This volume is the most comprehensive resource on Edith Kiertzner Heath and the history of Heath Ceramics to date, emphasizing the philosophical foundations and influences of one of the most significant creative forces in post-WWII America. The publication serves as a complement to the 2021 exhibition at the Oakland Museum of California, offering substantial and in-depth commentary on the presented themes—the environment, feminism, experimentation, architecture, politics, collaborations—while solidifying the relevance of Edith Heath’s story in contemporary life and society.
Design, monographies
Sonia Delaunay
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Sonia Delaunay was a true pioneer of modernist abstraction; breaking with the figurative vocabulary that subordinated color to subject matter, she placed dynamic color interaction at the core of her vision, whether expressed through painting, book illustration or costume and textile design. Drawing inspiration from both traditional Russian crafts and the modern frenetic(...)
Sonia Delaunay
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Sonia Delaunay was a true pioneer of modernist abstraction; breaking with the figurative vocabulary that subordinated color to subject matter, she placed dynamic color interaction at the core of her vision, whether expressed through painting, book illustration or costume and textile design. Drawing inspiration from both traditional Russian crafts and the modern frenetic metropolis, Delaunay’s work reflects the drastic changes ushered in by industrialization. Through her polyvalent practice, Delaunay helped construct the new modern woman that she herself embodied: equal parts avant-gardist, creative entrepreneur and businesswoman. This richly illustrated catalog showcases the range of Delaunay’s work as it unfolded over 60 years, from abstract paintings and works on paper to textile design, garments, fashion photography, books and carpets—even a brightly colored sports car.
Design, monographies
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(Japanese edition) Bernard Rudofsky (1905-1988), known for works such as ''Architecture Without Architects'', ''The Kimono Mind'', ''Streets for People'', ''The Unfashionable Human Body'', ''The Prodigous Builders'' and ''Now I Lay Me Down to Eat'', designed everything from cities to housing, clothing, and food. This book is the long-awaited biography of Rudofsky by(...)
Bernard Rudofsky: Designer of the art of living
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(Japanese edition) Bernard Rudofsky (1905-1988), known for works such as ''Architecture Without Architects'', ''The Kimono Mind'', ''Streets for People'', ''The Unfashionable Human Body'', ''The Prodigous Builders'' and ''Now I Lay Me Down to Eat'', designed everything from cities to housing, clothing, and food. This book is the long-awaited biography of Rudofsky by Andrea Bocco, who inherits the tradition of ''Progetista'', an architect who places people and life at the center.
Design, monographies
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Gianni Pettena was a founding member of the radical Florentine architecture movement in the 1960s and 1970s, albeit always maintaining an independent position. As well as critiquing modernist functionalism, he frequented galleries, artists, and critics of the day, and became noted for his purposeful reluctance to actual design. Pettena’s youthful work in the United States(...)
Tutto, tutto, tutto...o quasi
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Gianni Pettena was a founding member of the radical Florentine architecture movement in the 1960s and 1970s, albeit always maintaining an independent position. As well as critiquing modernist functionalism, he frequented galleries, artists, and critics of the day, and became noted for his purposeful reluctance to actual design. Pettena’s youthful work in the United States and assiduous frequentation of (an)architects such as Buckminster Fuller and James Wines, who early on paid attention to ecology, the suburbs and "to making insignificant places significant," may be interpreted in this light. More generally, the uniqueness of his long career is informed by his rejection of discipline-based roles and methodologies, creating temporary works while constantly seeking alliances with conceptual art, Austrian radical design, Land Art and experimental music. This book documents (almost) all of his works, backed up by an extensive anthology of his writings.
Design, monographies
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From transparent glass to milky glass, from delicate simple shapes to Phoenician designs, in over 400 pages and 900 images, ''The M.V.M. Cappellin Glassworks and the Young Carlo Scarpa'' tells an essential chapter in the history of Murano glassmaking. In 1925, Giacomo Cappellin (1887–1968) broke with V.S.M. Cappellin Venini & Co. to become one of the most important glass(...)
The M.V.M Capellin Glassworks ad the young Carlo Scarpa 1925-1931
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From transparent glass to milky glass, from delicate simple shapes to Phoenician designs, in over 400 pages and 900 images, ''The M.V.M. Cappellin Glassworks and the Young Carlo Scarpa'' tells an essential chapter in the history of Murano glassmaking. In 1925, Giacomo Cappellin (1887–1968) broke with V.S.M. Cappellin Venini & Co. to become one of the most important glass companies in Italy, in no small part thanks to its collaboration with the young architect Carlo Scarpa (1906–78). The entire output of M.V.M. Cappellin from 1925 to1931, when the glassworks was forced to close, is documented in this gorgeous volume. ''The M.V.M. Cappellin Glassworks and the Young Carlo Scarpa'' offers a wealth of information for scholars, collectors and art lovers, including, in addition to its images, information on the production and exhibition of Cappellin Glassworks in the United States and France.
Design, monographies
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Du mobilier d'usage à l'objet théorique ou de contemplation jusqu'à la typographie, ce septième ouvrage réalisé en collaboration avec Martin Szekely donne donne à voir, à travers une série de photographies prises par Fabrice Gousset, la formation initiale de son auteur. Ce volume inventorie les cinq derniers projets aboutis du designer : Moon Wood (2016) / The Drawers and(...)
Martin Szekely : Drawers and I, Moon wood, Martin et Pierre, Matière lente, Opus
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Du mobilier d'usage à l'objet théorique ou de contemplation jusqu'à la typographie, ce septième ouvrage réalisé en collaboration avec Martin Szekely donne donne à voir, à travers une série de photographies prises par Fabrice Gousset, la formation initiale de son auteur. Ce volume inventorie les cinq derniers projets aboutis du designer : Moon Wood (2016) / The Drawers and I (2017-2018) / Matière Lente (2020-2021) / Martin et Pierre (2020) / Opus (2016). Chaque projet se distingue par son propos et son usage, par son matériau naturel ou composite, sa constitution monolithique ou modulaire et son échelle. Moon Wood, The Drawers and I, Matière Lente, Martin et Pierre, Opus est le septième ouvrage publié sur le travail de Martin Szekely aux Editions B42. Dans le cadre de cette série entamée en 2017, les Editions B42 se sont associées avec le designer français pour donner à voir son travail de manière exhaustive, en textes et en images. Chaque ouvrage s'attarde ainsi sur une pièce, une série de pièces ou une exposition et analyse la production du designer.
Design, monographies
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Each of Hervé Tullet's creations, whether the bestselling children's book "Press Here" or the internationally traveling "Ideal Exhibition", breaks the boundaries of art. Tullet is a renowned author and artist who urges people of any age to create playfully and joyfully. In this volume—part career-spanning monograph, part artist's manifesto—he shares his origins, his(...)
Hervé Tullet's art of play: Images and inspiration from a life of radical creativity
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Each of Hervé Tullet's creations, whether the bestselling children's book "Press Here" or the internationally traveling "Ideal Exhibition", breaks the boundaries of art. Tullet is a renowned author and artist who urges people of any age to create playfully and joyfully. In this volume—part career-spanning monograph, part artist's manifesto—he shares his origins, his inspirations, and his methods alongside illustrations, sketches, fine art, and photographs of his installations. This book features commentary from curator Aaron Ott and children's literature expert Leonard S. Marcus. It's sure to become a favorite among parents, teachers, and librarians as well as art lovers and creatives.
Design, monographies