355 Résultats
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In(...)
Titre:
Koloman Moser : master of Viennese modernism
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
Koloman Moser : master of Viennese modernism
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Fin-de-siècle Vienna was a hive of creative activity, and at its centre was one of the most versatile artists of the age, Koloman Moser (1868–1918). As a teacher, artist and craftsman, Moser had an immense influence on the tastes of his time, with talents that ranged from illustration and graphics to stained glass and the design of stage sets and postage stamps. In 1897 Moser co-founded the Vienna Secession, and in 1903, together with his friend and colleague Josef Hoffmann, he founded the Wiener Werkstätte, whose workshops were to set trends that spread far beyond the boundaries of Vienna. He devoted the last years of his life to painting, and in recent times his reputation in this field too has steadily grown. Despite the wealth of information that has survived down the years, Moser’s personality remains largely hidden behind his work. Here, Maria Rennhofer joins the many fragments of Moser’s personal life, his artistic influences and his multifaceted creativity into a coherent portrait of this fascinating man. This is not only the first comprehensive account of Moser’s life and work, but it is also an in-depth look at the flourishing artistic environment which he did so much to create and shape.
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livres
livres
Publication:
novembre 2002, London
novembre 2002, London
Sujet:
Design, monographies
Design, monographies
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livres
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$79.25
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always(...)
Titre:
Bruno Ninaber van Eyben with compliments
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
Bruno Ninaber van Eyben with compliments
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'More would be unnecessary, less impossible', is designer Bruno Ninaber van Eyben's principle. His work, for which he was the first to receive the Kho Liang Ie Award in 1979, is characterized by silent dialogues between form, function, technology and material. From a minimalist position Ninaber van Eyben searches for pragmatic solutions to make functional objects, always keeping in touch with the end product's poetic quality. Among other classics he gave the wristwatch (1973), the neck watch (1976) and the TL lamp (1977) to the world. His watches are still commercially successful. In 1980 Ninaber designed the Dutch coin series with the portrait of H.M. Queen Beatrix and eighteen years later his design won the competition for the Dutch side of the Euro coin. His products grace museum collections in the Netherlands and also abroad, notably at the Museum of Modern Art in New York. Together with Wolfram Peters and Peter Krouwel he founded the industrial design studio n|p|k in 1985. He was its co-director for twelve years. In 1997 he started a new office, Bruno Ninaber van Eyben design & production. It develops high-quality and sometimes more personal products independently and for a limited number of customers, such as the Prime Minister's national gift, the chairperson's gavel for Parliament and the new chain of office for the mayor of Papendrecht, a small town near Rotterdam. "With compliments" is not a traditional monograph. It is mainly a story in images, showing Ninaber's products and sources of inspiration. Short, strong statements underline the images and provide them with a context.
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livres
livres
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
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livres
livres
Titre:
Ed Annink : designer
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by(...)
$53.95
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by(...)
Sujet:
Design, monographies
Design, monographies
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Titre:
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by the width of his scope. He designs on the run as it were and the objects he creates seem to be of minor importance among the ideas and activities that surround them. Some products take less than a minute to come alive. He can be sketching ideas about material qualities, production, use and image without having a particular functionality in mind and seeks to minimize effort for everyone involved, the producer, the person who makes the product, the one who sells it and the user too. As a teacher he may be maximizing the effort his students must make in order for them to discover what it means to be a designer. This monography, written by Ida van Zijl, Gert Staal, Schwartz and Ed van Hinte (ed.) and including interviews with, among others, commissioners from VITRA and Authentics, describes and analyses Annink's work as an exhibition and product designer, an educator and a project initiator.
Ed Annink : designer
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Not many designers are as well organized as Ed Annink and so apt to leave things to chance at the same time. He arranges combinations of constraints and designs products and exhibitions from there onwards. As a design teacher he handles the same principle. His focus is to let students experience and develop their personal design process. Ed Annink distinguishes himself by the width of his scope. He designs on the run as it were and the objects he creates seem to be of minor importance among the ideas and activities that surround them. Some products take less than a minute to come alive. He can be sketching ideas about material qualities, production, use and image without having a particular functionality in mind and seeks to minimize effort for everyone involved, the producer, the person who makes the product, the one who sells it and the user too. As a teacher he may be maximizing the effort his students must make in order for them to discover what it means to be a designer. This monography, written by Ida van Zijl, Gert Staal, Schwartz and Ed van Hinte (ed.) and including interviews with, among others, commissioners from VITRA and Authentics, describes and analyses Annink's work as an exhibition and product designer, an educator and a project initiator.
Classification:
livres
livres
Publication:
janvier 2002, Rotterdam
janvier 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$67.50
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
$67.50
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In(...)
Titre:
Less + more : droog design in context
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
Less + more : droog design in context
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$67.50
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Design is changing rapidly. The ideological freedom gained over the past ten or fifteen years, combined with new insights in all design related fields, leads to playful experimentation and unprecedented proposals in design, architecture and art. You could say that design is spreading its wings to explore all opportunities for putting human creativity to good use. In addition the new emphasis on sound, image simulation, electronic services, product context as well as corporate image, opens up an inspiring panorama of gradually decreasing materiality. In many cases objects are no longer the aim of the design process. Rather they become illustrations of intentions, use and everything that may happen around them. This way of thinking is spreading across all disciplines of applied as well as fine arts. Design is evolving into the skill of controlling the immaterial, evoking experiences and establishing identities. This richly illustrated new publication by Renny Ramakers, co-founder of Droog Design, describes and unravels all these new developments in applied expression, using examples from design, art, architecture and of course Droog Design itself.
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livres
livres
Publication:
avril 2002, Rotterdam
avril 2002, Rotterdam
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
Titre:
Jean Royère
Jean Royère
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Ce livre analyse l'œuvre considérable d'un homme qui, entre 1931 et 1972, a réalisé plus de mille projets à travers le monde (de l'aménagement de la cité ouvrière d'Aplemont dans le Nord de la France à la décoration du Palais du Shah d'Iran), créant avec légèreté et humour un style en rupture totale avec le passé.
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Ce livre analyse l'œuvre considérable d'un homme qui, entre 1931 et 1972, a réalisé plus de mille projets à travers le monde (de l'aménagement de la cité ouvrière d'Aplemont dans le Nord de la France à la décoration du Palais du Shah d'Iran), créant avec légèreté et humour un style en rupture totale avec le passé.
Titre:
Jean Royère
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Ce livre analyse l'œuvre considérable d'un homme qui, entre 1931 et 1972, a réalisé plus de mille projets à travers le monde (de l'aménagement de la cité ouvrière d'Aplemont dans le Nord de la France à la décoration du Palais du Shah d'Iran), créant avec légèreté et humour un style en rupture totale avec le passé.
Jean Royère
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Ce livre analyse l'œuvre considérable d'un homme qui, entre 1931 et 1972, a réalisé plus de mille projets à travers le monde (de l'aménagement de la cité ouvrière d'Aplemont dans le Nord de la France à la décoration du Palais du Shah d'Iran), créant avec légèreté et humour un style en rupture totale avec le passé.
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livres
livres
Publication:
janvier 1900, Paris
janvier 1900, Paris
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$84.50
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Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and(...)
$84.50
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Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and(...)
Titre:
Freitag : individual recycled freeway bags
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Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and safety belts. This publication describes the history of the product and asks questions about economic, ecological, and sociocultural contexts, espressing the aesthetics of a generation that is as vain as it is critical of consumerism. The book's spine is made of the same type of lorry tarpaulin as is used for the bags, thus each book's spine is unique.
Freitag : individual recycled freeway bags
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$84.50
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Freitag bags have been an overwhelming success in the struggle between brands. This "messenger Bag" created by the Swiss bothers Daniel and Markus Freitag has become an urban cult product. The bags originate in an ironc and ecologically critical approach: the bags are cut from used lorry tarpaulins and tailor-made on a small scale with used bicycle inner tubes and safety belts. This publication describes the history of the product and asks questions about economic, ecological, and sociocultural contexts, espressing the aesthetics of a generation that is as vain as it is critical of consumerism. The book's spine is made of the same type of lorry tarpaulin as is used for the bags, thus each book's spine is unique.
Classification:
livres
livres
Publication:
décembre 2001,
décembre 2001,
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$98.00
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Cet ouvrage, seule monographie publiée depuis 1983, présente un ensemble unique de meubles de Ruhlmann conservées dans les collections publiques françaises. Ce livre a été publié à l'occasion de l'exposition "Ruhlmann, un génie de l'Art déco" au musée des Années 30 de Boulogne-Billancourt en 2001 et au musée des Beaux-Arts de Montréal en 2003.
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Cet ouvrage, seule monographie publiée depuis 1983, présente un ensemble unique de meubles de Ruhlmann conservées dans les collections publiques françaises. Ce livre a été publié à l'occasion de l'exposition "Ruhlmann, un génie de l'Art déco" au musée des Années 30 de Boulogne-Billancourt en 2001 et au musée des Beaux-Arts de Montréal en 2003.
Sujet:
Design, monographies
Design, monographies
Publication:
novembre 2001, Paris
novembre 2001, Paris
Titre:
Rulhmann, un génie de l'Art déco
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Cet ouvrage, seule monographie publiée depuis 1983, présente un ensemble unique de meubles de Ruhlmann conservées dans les collections publiques françaises. Ce livre a été publié à l'occasion de l'exposition "Ruhlmann, un génie de l'Art déco" au musée des Années 30 de Boulogne-Billancourt en 2001 et au musée des Beaux-Arts de Montréal en 2003.
Rulhmann, un génie de l'Art déco
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Cet ouvrage, seule monographie publiée depuis 1983, présente un ensemble unique de meubles de Ruhlmann conservées dans les collections publiques françaises. Ce livre a été publié à l'occasion de l'exposition "Ruhlmann, un génie de l'Art déco" au musée des Années 30 de Boulogne-Billancourt en 2001 et au musée des Beaux-Arts de Montréal en 2003.
Classification:
livres
livres
Publication:
novembre 2001, Paris
novembre 2001, Paris
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$58.00
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Résumé:
Anthony Dunne and Fiona Raby explore the way we interact with electronic objects, our environment, and other people. They are designers who develop ideas for products that they hope will make our lives richer, if not necessarily more comfortable. Most electronic products are predictable, designed for mass appeal: this book makes the case for different experiences and(...)
$58.00
(disponible sur commande)
Résumé:
Anthony Dunne and Fiona Raby explore the way we interact with electronic objects, our environment, and other people. They are designers who develop ideas for products that they hope will make our lives richer, if not necessarily more comfortable. Most electronic products are predictable, designed for mass appeal: this book makes the case for different experiences and(...)
Titre:
Design noir : the secret life of electronic objects
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$58.00
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Anthony Dunne and Fiona Raby explore the way we interact with electronic objects, our environment, and other people. They are designers who develop ideas for products that they hope will make our lives richer, if not necessarily more comfortable. Most electronic products are predictable, designed for mass appeal: this book makes the case for different experiences and genres, for environments and products that can be disturbing, subversive, funny, and poetic.
Design noir : the secret life of electronic objects
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Anthony Dunne and Fiona Raby explore the way we interact with electronic objects, our environment, and other people. They are designers who develop ideas for products that they hope will make our lives richer, if not necessarily more comfortable. Most electronic products are predictable, designed for mass appeal: this book makes the case for different experiences and genres, for environments and products that can be disturbing, subversive, funny, and poetic.
Classification:
livres
livres
Publication:
décembre 2001, Basel
décembre 2001, Basel
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$61.95
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British architects Mark Dytham and Astrid Klein arrived in Japan in 1988. After working for Toyo Ito for two years, they established their own business in Tokyo, where they remain one of only a handful of young "gaijin" practices based in Japan. Their work combines East and West, incorporating both traditional and contemporary components. This volume includes:(...)
$61.95
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British architects Mark Dytham and Astrid Klein arrived in Japan in 1988. After working for Toyo Ito for two years, they established their own business in Tokyo, where they remain one of only a handful of young "gaijin" practices based in Japan. Their work combines East and West, incorporating both traditional and contemporary components. This volume includes:(...)
Titre:
Klein Dytham architecture : Tokyo calling
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British architects Mark Dytham and Astrid Klein arrived in Japan in 1988. After working for Toyo Ito for two years, they established their own business in Tokyo, where they remain one of only a handful of young "gaijin" practices based in Japan. Their work combines East and West, incorporating both traditional and contemporary components. This volume includes: Vrooom!, garage for 6 super-cars in Tokyo; Pika Pika Pretzel, construction hoarding made of inflatable, silvered fabric in Tokyo; Fashion Commander, fashion hq building, boutiques, design studio, offices in Tokyo; British Council Information Centre in Tokyo; Kanban Shelter, baseball and tennis ground shelter in Nagano; Festival UK98 Pavilion in Tokyo; Idee Workstation, furniture showroom and design office in Tokyo; Sanae Ozeki, hair salon in Tokyo.
Klein Dytham architecture : Tokyo calling
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British architects Mark Dytham and Astrid Klein arrived in Japan in 1988. After working for Toyo Ito for two years, they established their own business in Tokyo, where they remain one of only a handful of young "gaijin" practices based in Japan. Their work combines East and West, incorporating both traditional and contemporary components. This volume includes: Vrooom!, garage for 6 super-cars in Tokyo; Pika Pika Pretzel, construction hoarding made of inflatable, silvered fabric in Tokyo; Fashion Commander, fashion hq building, boutiques, design studio, offices in Tokyo; British Council Information Centre in Tokyo; Kanban Shelter, baseball and tennis ground shelter in Nagano; Festival UK98 Pavilion in Tokyo; Idee Workstation, furniture showroom and design office in Tokyo; Sanae Ozeki, hair salon in Tokyo.
Classification:
livres
livres
Publication:
octobre 2001, Basel
octobre 2001, Basel
Sujet:
Design, monographies
Design, monographies
Classification:
livres
livres
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$107.00
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Résumé:
This book documents a selection of Powell/ Kleinschmidt's most important interior designs, incorporating environments of a variety of scales for a variety of clients.
$107.00
(disponible sur commande)
Résumé:
This book documents a selection of Powell/ Kleinschmidt's most important interior designs, incorporating environments of a variety of scales for a variety of clients.
Titre:
Powell Kleinschmidt interior architecture
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$107.00
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This book documents a selection of Powell/ Kleinschmidt's most important interior designs, incorporating environments of a variety of scales for a variety of clients.
Powell Kleinschmidt interior architecture
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$107.00
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Résumé:
This book documents a selection of Powell/ Kleinschmidt's most important interior designs, incorporating environments of a variety of scales for a variety of clients.
Classification:
livres
livres
Publication:
novembre 2001, Basel
novembre 2001, Basel
Sujet:
Design, monographies
Design, monographies
