223 Résultats
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A tear-off calendar for 2026 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!
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A tear-off calendar for 2026 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!
Titre:
Karel Martens Calendar 2026: every day is a new day
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A tear-off calendar for 2026 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!
Karel Martens Calendar 2026: every day is a new day
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A tear-off calendar for 2026 by Dutch graphic designer Karel Martens. For each day of the year, Martens has created a unique arrangement, originally constructed using his signature method of printing letterpress monoprints from found metal forms, and then digitized to comprise 365 compositions in total. Every day is a new day!
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livres
livres
Publication:
août 2025
août 2025
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livres
livres
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$56.95
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César(...)
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César(...)
Publication:
janvier 2024
janvier 2024
Titre:
Freinet techniques / Techniques Freinet
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César Rogers, artist and researcher Marie Preston and Gangloff. The essays make a link between the ideological framework of the Freinet techniques and contemporary practices of graphic design, literacy and co-creation.
Freinet techniques / Techniques Freinet
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''Freinet Techniques'' is a project by graphic designer Paul Gangloff. It aims to publish a selection of texts written, typeset and printed by children on the presses of the Freinet schools between the 1920’s and 1980’s. Reproduced from the archives of the association les Amis de Freinet, the children’s texts are accompanied by three essays by graphic designer César Rogers, artist and researcher Marie Preston and Gangloff. The essays make a link between the ideological framework of the Freinet techniques and contemporary practices of graphic design, literacy and co-creation.
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livres
livres
Publication:
janvier 2024
janvier 2024
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livres
livres
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$65.00
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer,(...)
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer,(...)
Titre:
Constructive clarity: Max Bill and his time
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''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer, typographer, writer, curator, teacher, and politician––who influenced generations of artists. Picking up where the first volume left off,Thomas turns her attention to Bill’s life during World War II, exploring the ground-breaking artistic and intellectual networks to which Bill belonged: from his time at the Bauhaus in Dessau to his connections with the Parisian avant-garde and his lifelong friendship with Georges Vantongerloo. His importance as a writer, publisher, and exhibition organizer comes to the fore in this volume, as does his crucial influence on the development of Concrete art in South America and his active interest in urban planning and postwar reconstruction. contexts in which he worked.
Constructive clarity: Max Bill and his time
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Résumé:
''Constructive Clarity: Max Bill and His Time, 1940–1952'', the second installment of art historian Angela Thomas’s multivolume biography, continues her meticulous exploration of the life and work of the influential artist. Max Bill was undoubtedly one of the most versatile artists of the twentieth century––a designer, painter, sculptor, architect, graphic designer, typographer, writer, curator, teacher, and politician––who influenced generations of artists. Picking up where the first volume left off,Thomas turns her attention to Bill’s life during World War II, exploring the ground-breaking artistic and intellectual networks to which Bill belonged: from his time at the Bauhaus in Dessau to his connections with the Parisian avant-garde and his lifelong friendship with Georges Vantongerloo. His importance as a writer, publisher, and exhibition organizer comes to the fore in this volume, as does his crucial influence on the development of Concrete art in South America and his active interest in urban planning and postwar reconstruction. contexts in which he worked.
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livres
livres
Publication:
octobre 2024
octobre 2024
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livres
livres
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$61.00
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Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family,(...)
$61.00
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Résumé:
Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family,(...)
Titre:
A Subversive Gleam: Max Bill and His Time: 1908–1939
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Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family, teachers, and peers–and their individual respective life trajectories. In a highly unconventional meander through extraordinary biographies, she thus exposes the web-like private and public constellations in which Bill evolved.
A Subversive Gleam: Max Bill and His Time: 1908–1939
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Résumé:
Max Bill (1908–1994) was a Swiss polymath bridging the worlds of art, design, and architecture. Dr. Angela Thomas, art historian and widow of the artist, retraces Max Bill’s biography, from his childhood to his training at the Bauhaus, his return to Zurich, and on until the late 1930s. She meticulously dissects Max Bill’s journey through his exchanges with his family, teachers, and peers–and their individual respective life trajectories. In a highly unconventional meander through extraordinary biographies, she thus exposes the web-like private and public constellations in which Bill evolved.
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livres
livres
Publication:
octobre 2022
octobre 2022
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livres
livres
Titre:
Z comme Zahnd
Z comme Zahnd
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines(...)
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines(...)
Titre:
Z comme Zahnd
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines de programmes, de rapports, de dépliants publicitaires, de logos, de présentations graphiques en tous genres, pour le théâtre, le cinéma et l’audiovisuel, et le monde des affaires.
Z comme Zahnd
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Gérald Zahnd, né en Suisse, Montréalais depuis 1964, a été l’affichiste le plus prolifique sur la scène théâtrale montréalaise de la fin des années 1960 aux années 1980. Le Centre du Théâtre d’Aujourd’hui, le Théâtre Populaire du Québec, le Théâtre du Nouveau Monde et surtout le Théâtre du Rideau Vert ont fait appel à ses talents.? Parallèlement, Zahnd crée des centaines de programmes, de rapports, de dépliants publicitaires, de logos, de présentations graphiques en tous genres, pour le théâtre, le cinéma et l’audiovisuel, et le monde des affaires.
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livres
livres
Publication:
décembre 2025
décembre 2025
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livres
livres
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$31.50
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Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes(...)
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Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes(...)
Publication:
octobre 2005, Corte Madera
octobre 2005, Corte Madera
Titre:
Vladimir Nabokov : alphabet in color
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Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes hard g (vulcanized rubber) and r (a sooty rag being ripped). Oatmeal n, noodle-limp l, and the ivory-backed hand mirror of o take care of the whites". For anyone who has ever wondered how the colors Nabokov heard might manifest themselves visually, "Alphabet in color" is a remarkable journey of discovery. Jean Holabird’s interpretation of the colored alphabets of one of the twentieth century’s literary greats is a revelation. Nabokov saw rich colors in letters and sounds and noted the deficiency of color in literature, praising Gogol as the first Russian writer to truly appreciate yellow and violet. This book masterfully brings to life the charming and vibrant synesthetic colored letters that until now existed only in Nabokov’s mind. In "Alphabet in color" Jean Holabird’s grasp of form and space blends perfectly with Nabokov’s idea that a subtle interaction exists between sound and shape. He saw q as browner than k, while s is not the light blue of c, but a curious mixture of azure and mother-of-pearl. . . . "Dull green, combined somehow with violet, is the best I can do for w".
Vladimir Nabokov : alphabet in color
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Vladimir Nabokov could hear color. As he described it – "perhaps “hearing” is not quite accurate, since the color sensation seems to be produced by the very act of my orally forming a given letter while I imagine its outline. The long a of the English alphabet . . . has for me the tint of weathered wood, but a French a evokes polished ebony. This black group also includes hard g (vulcanized rubber) and r (a sooty rag being ripped). Oatmeal n, noodle-limp l, and the ivory-backed hand mirror of o take care of the whites". For anyone who has ever wondered how the colors Nabokov heard might manifest themselves visually, "Alphabet in color" is a remarkable journey of discovery. Jean Holabird’s interpretation of the colored alphabets of one of the twentieth century’s literary greats is a revelation. Nabokov saw rich colors in letters and sounds and noted the deficiency of color in literature, praising Gogol as the first Russian writer to truly appreciate yellow and violet. This book masterfully brings to life the charming and vibrant synesthetic colored letters that until now existed only in Nabokov’s mind. In "Alphabet in color" Jean Holabird’s grasp of form and space blends perfectly with Nabokov’s idea that a subtle interaction exists between sound and shape. He saw q as browner than k, while s is not the light blue of c, but a curious mixture of azure and mother-of-pearl. . . . "Dull green, combined somehow with violet, is the best I can do for w".
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livres
livres
Publication:
octobre 2005, Corte Madera
octobre 2005, Corte Madera
Classification:
livres
livres
Titre:
Max Huber
Max Huber
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to(...)
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Résumé:
Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to(...)
Publication:
janvier 2005, London, New York
janvier 2005, London, New York
Titre:
Max Huber
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant-garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life.
Max Huber
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Max Huber (1919—92) is one of the most significant graphic designers of the twentieth century. In this comprehensive monograph, the first to be published, the authors trace and illustrate Huber's entire career, from his early years in Switzerland to his more mature work in Italy. This fully illustrated survey of his work demonstrates that Huber was among the first to apply the aesthetics of the avant-garde to a corporate and commercial environment, creating formal solutions that he would go on to use throughout his life.
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livres
livres
Publication:
janvier 2005, London, New York
janvier 2005, London, New York
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livres
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From illustrator Kvta Pacovská comes an innovative creation: an expandable book nearly twenty feet in length, including geometric die-cuts, surprising pop-up elements, rich colors, squiggles, squares, and quirky faces.
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From illustrator Kvta Pacovská comes an innovative creation: an expandable book nearly twenty feet in length, including geometric die-cuts, surprising pop-up elements, rich colors, squiggles, squares, and quirky faces.
Publication:
avril 2005, San Francisco
avril 2005, San Francisco
Titre:
Unfold / enfold : an art book by Kveta Pacovska
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From illustrator Kvta Pacovská comes an innovative creation: an expandable book nearly twenty feet in length, including geometric die-cuts, surprising pop-up elements, rich colors, squiggles, squares, and quirky faces.
Unfold / enfold : an art book by Kveta Pacovska
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$45.50
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Résumé:
From illustrator Kvta Pacovská comes an innovative creation: an expandable book nearly twenty feet in length, including geometric die-cuts, surprising pop-up elements, rich colors, squiggles, squares, and quirky faces.
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livres
livres
Publication:
avril 2005, San Francisco
avril 2005, San Francisco
Classification:
livres
livres
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$55.00
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many(...)
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many(...)
Publication:
octobre 2005, New York
octobre 2005, New York
Titre:
Chip Kidd : work : 1986-2006, book one
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students.
Chip Kidd : work : 1986-2006, book one
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Described as "the closest thing to a rock star" in graphic design today (USA Today), Chip Kidd is universally recognized as an American master of contemporary book design. At the forefront of a revolution in publishing, Kidd's iconic covers, with their inventive marriage of type and found images, have influenced an entire generation of design practitioners in many fields.Chip Kidd: Book One collects all of his book covers and designs for the first time, as well as hundreds of developmental sketches and concepts-annotated by Kidd and by many of the best-selling authors he's worked with over the years. The result is an important contribution to the design canon today as well as a visually dazzling (and often hilarious) insider's look at the design and publishing process.The book also showcases Kidd's work with comics and graphic novels, including his collaborations with leading artists and writers in the field. Featured are projects for DC Comics, including Batman and Superman, as well as Kidd's award-winning exploration of the art of Charles M. Schulz. Chip Kidd: Book One is sure to enthrall design aficionados, book lovers, pop-culture fanatics, comics fans, and design students.
Classification:
livres
livres
Publication:
octobre 2005, New York
octobre 2005, New York
Classification:
livres
livres
Titre:
Kleur Colour
Kleur Colour
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$81.50
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Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the(...)
$81.50
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Résumé:
Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the(...)
Publication:
avril 2005, Amstelveen, Netherlands
avril 2005, Amstelveen, Netherlands
Titre:
Kleur Colour
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$81.50
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Résumé:
Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the double page reveals an abstract colour interpretation of a particular art work and provides for a reflection on the artist's palette.
Kleur Colour
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$81.50
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Designed by Irma Boom this original publication provides an intriguing analysis and graphic exploration of colour through an examination of eighty famous works of art, ranging from old masters to contemporary art. Each double folded page takes on a specially printed individual colour and is perforated into strips, playing on the idea of a colour sample book. Opening the double page reveals an abstract colour interpretation of a particular art work and provides for a reflection on the artist's palette.
Classification:
livres
livres
Publication:
avril 2005, Amstelveen, Netherlands
avril 2005, Amstelveen, Netherlands
