222 Résultats
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livres
livres
Titre:
Dans l'œil de Vittorio
Dans l'œil de Vittorio
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À partir du milieu des années 1960, Vittorio a régné durant trois décennies sur l'affiche au Québec et au Canada, où ses photographies, ses illustrations et ses bandes dessinées ont également été exposées et primées. Créateur au regard candide, souvent malicieux, voire provocateur, son style ludique et très coloré se démarque et témoigne d'une création libre, fraîche, à(...)
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À partir du milieu des années 1960, Vittorio a régné durant trois décennies sur l'affiche au Québec et au Canada, où ses photographies, ses illustrations et ses bandes dessinées ont également été exposées et primées. Créateur au regard candide, souvent malicieux, voire provocateur, son style ludique et très coloré se démarque et témoigne d'une création libre, fraîche, à(...)
Publication:
avril 2016
avril 2016
Titre:
Dans l'œil de Vittorio
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À partir du milieu des années 1960, Vittorio a régné durant trois décennies sur l'affiche au Québec et au Canada, où ses photographies, ses illustrations et ses bandes dessinées ont également été exposées et primées. Créateur au regard candide, souvent malicieux, voire provocateur, son style ludique et très coloré se démarque et témoigne d'une création libre, fraîche, à mille lieues des canons graphiques de l'époque. Cet ouvrage est l'aboutissement de recherches, de rencontres et d'entrevues avec ses amis les plus intimes, et de fouilles quasi archéologiques dans les milliers de documents laissés par l'artiste. Ses œuvres incontournables et connues de ses admirateurs y sont regroupées, de même que nombre de créations jamais exposées ni publiées, dont la qualité graphique confirme la place de Vittorio parmi les plus grands créateurs.
Dans l'œil de Vittorio
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À partir du milieu des années 1960, Vittorio a régné durant trois décennies sur l'affiche au Québec et au Canada, où ses photographies, ses illustrations et ses bandes dessinées ont également été exposées et primées. Créateur au regard candide, souvent malicieux, voire provocateur, son style ludique et très coloré se démarque et témoigne d'une création libre, fraîche, à mille lieues des canons graphiques de l'époque. Cet ouvrage est l'aboutissement de recherches, de rencontres et d'entrevues avec ses amis les plus intimes, et de fouilles quasi archéologiques dans les milliers de documents laissés par l'artiste. Ses œuvres incontournables et connues de ses admirateurs y sont regroupées, de même que nombre de créations jamais exposées ni publiées, dont la qualité graphique confirme la place de Vittorio parmi les plus grands créateurs.
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livres
livres
Publication:
avril 2016
avril 2016
Classification:
livres
livres
Titre:
Ruedi Baur Intégral
Ruedi Baur Intégral
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his(...)
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his(...)
Titre:
Ruedi Baur Intégral
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his Integral studio in Zurich und Paris. Previously unpublished new projects are integrated thematically into the evolution of Baur’s oeuvre. This book captures the conceptual and design constants of, and the fascination in, the work of Ruedi Baur. Five years after the success of Ruedi Baur, Intégral et associés, the author again takes stock and manifests the principles of his design work and attitude.
Ruedi Baur Intégral
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his Integral studio in Zurich und Paris. Previously unpublished new projects are integrated thematically into the evolution of Baur’s oeuvre. This book captures the conceptual and design constants of, and the fascination in, the work of Ruedi Baur. Five years after the success of Ruedi Baur, Intégral et associés, the author again takes stock and manifests the principles of his design work and attitude.
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livres
livres
Publication:
novembre 2008
novembre 2008
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livres
livres
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
Titre:
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
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livres
livres
Publication:
avril 2008, Zürich
avril 2008, Zürich
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livres
livres
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$82.00
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in(...)
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in(...)
Publication:
janvier 2008, London
janvier 2008, London
Titre:
Active literature : Jan Tschichold and New Typography
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in colour throughout, in freshly made photographs of examples drawn from public and private collections. This is not a biography, but rather a discussion of the work seen in the context of Tschichold’s life and the times in which he lived.
Active literature : Jan Tschichold and New Typography
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in colour throughout, in freshly made photographs of examples drawn from public and private collections. This is not a biography, but rather a discussion of the work seen in the context of Tschichold’s life and the times in which he lived.
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livres
livres
Publication:
janvier 2008, London
janvier 2008, London
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livres
livres
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$51.99
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this(...)
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this(...)
Publication:
mars 2008, New York
mars 2008, New York
Titre:
Stefan Sagmeister:Things I`ve learned in my life so far
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this design book for non-designers Sagmeister throws his diary, a lot of design, and a little art together with a pinch of psychology and a dash of happiness into a blender and pushes the button. It tastes surprisingly yummy.
Stefan Sagmeister:Things I`ve learned in my life so far
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this design book for non-designers Sagmeister throws his diary, a lot of design, and a little art together with a pinch of psychology and a dash of happiness into a blender and pushes the button. It tastes surprisingly yummy.
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livres
livres
Publication:
mars 2008, New York
mars 2008, New York
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livres
livres
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
$74.95
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
Titre:
Sandberg graphiste et directeur du Stedelijk Museum
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
Sandberg graphiste et directeur du Stedelijk Museum
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
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livres
livres
Publication:
février 2008, Paris
février 2008, Paris
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livres
livres
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$67.00
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van(...)
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van(...)
Titre:
Jan Van Toorn critical practice
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van Toorn aligned himself with the reflexive tradition of art and communication exemplified by Brecht and Godard. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wanted the public to measure the motives of both the client and the designer who mediates the client’s message against their own experiences of the world. He hoped in this way to stimulate a more active and sceptical view of art, communication, media ownership and society. Projects such as Van Toorn’s posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design’s role in shaping contemporary reality.
Jan Van Toorn critical practice
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van Toorn aligned himself with the reflexive tradition of art and communication exemplified by Brecht and Godard. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wanted the public to measure the motives of both the client and the designer who mediates the client’s message against their own experiences of the world. He hoped in this way to stimulate a more active and sceptical view of art, communication, media ownership and society. Projects such as Van Toorn’s posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design’s role in shaping contemporary reality.
Classification:
livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
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livres
livres
Titre:
Process : a Tomato project
Process : a Tomato project
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
Titre:
Process : a Tomato project
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
Process : a Tomato project
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$55.95
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Since 1991, the graphic design firm Tomato has provided an evironment within which people meet to work, collaborate and experiment. In that time, Tomato has revolutionised the look of popular media, and has established an international reputation with work for Adidas, Alberto Aspesi, Coca Cola, IBM, MTV, and Nike among others.
Classification:
livres
livres
Publication:
janvier 1900, Corte Madera
janvier 1900, Corte Madera
Classification:
livres
livres
Titre:
The new typography
The new typography
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This first English-language edition of the 1928 document is translated by Ruari McLean with an introduction by Robin Kinross.
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Résumé:
This first English-language edition of the 1928 document is translated by Ruari McLean with an introduction by Robin Kinross.
Publication:
novembre 1995, Berkeley
novembre 1995, Berkeley
Titre:
The new typography
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This first English-language edition of the 1928 document is translated by Ruari McLean with an introduction by Robin Kinross.
The new typography
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This first English-language edition of the 1928 document is translated by Ruari McLean with an introduction by Robin Kinross.
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livres
livres
Publication:
novembre 1995, Berkeley
novembre 1995, Berkeley
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livres
livres
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book(...)
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book(...)
Publication:
janvier 1999, New York
janvier 1999, New York
Titre:
Paul Renner : the art of typography
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German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book Christopher Burke provides the first extended account of an essential and still underrated figure. Beginning his career in the thick of the Munich cultural renaissance, Paul Renner worked as a ‘book artist’, applying values he had learnt as a painter to this everyday item of multiple production. An early and prominent member of the Deutscher Werkbund, he was committed to the values of quality in design, always tempered by a certain sobriety of attitude and style. In the 1920s Renner engaged with the radical modernism of that time, briefly in Frankfurt, and then in a more extended phase at the printing school at Munich. Under Renner’s leadership, and with teachers such as Georg Trump and Jan Tschichold, the school produced work of quiet significance. In those years Renner undertook the design of the now ubiquitous typeface Futura. Christopher Burke’s analysis of the design process reveals the characteristic Renner approach: he took up with current tendencies, but through an extended process of finely judged development, helped to deliver a product that has long-lasting quality. In the Nazi seizure of power of 1933, Renner was dismissed from his teaching post — in days recounted here in dramatic detail — and entered a state of ‘inner emigration’. Burke’s account of the Nazi years shows Renner negotiating events with dignity. After 1945, Renner lived in retirement, but entered public discussion of design issues as a voice of experience and sanity. "Paul Renner" is a work of discovery. As part of its fresh narrative and analysis, it includes much new illustrative material and the first full bibliography of Renner’s writings.
Paul Renner : the art of typography
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Résumé:
German culture in the twentieth century moved quickly and intensely, bound up with the politics of the country. Paul Renner (1878—1956) lived and worked through constituent episodes of this history, both embodying the patterns of his times and providing a critical commentary on them. In this book Christopher Burke provides the first extended account of an essential and still underrated figure. Beginning his career in the thick of the Munich cultural renaissance, Paul Renner worked as a ‘book artist’, applying values he had learnt as a painter to this everyday item of multiple production. An early and prominent member of the Deutscher Werkbund, he was committed to the values of quality in design, always tempered by a certain sobriety of attitude and style. In the 1920s Renner engaged with the radical modernism of that time, briefly in Frankfurt, and then in a more extended phase at the printing school at Munich. Under Renner’s leadership, and with teachers such as Georg Trump and Jan Tschichold, the school produced work of quiet significance. In those years Renner undertook the design of the now ubiquitous typeface Futura. Christopher Burke’s analysis of the design process reveals the characteristic Renner approach: he took up with current tendencies, but through an extended process of finely judged development, helped to deliver a product that has long-lasting quality. In the Nazi seizure of power of 1933, Renner was dismissed from his teaching post — in days recounted here in dramatic detail — and entered a state of ‘inner emigration’. Burke’s account of the Nazi years shows Renner negotiating events with dignity. After 1945, Renner lived in retirement, but entered public discussion of design issues as a voice of experience and sanity. "Paul Renner" is a work of discovery. As part of its fresh narrative and analysis, it includes much new illustrative material and the first full bibliography of Renner’s writings.
Classification:
livres
livres
Publication:
janvier 1999, New York
janvier 1999, New York
