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The Codewriting Workbook introduces students and practi-tioners to basic programming concepts for computer-aided design (CAD). Through a series of guided exercises and examples, readers learn how to develop and write procedures for creating two-dimensional drawings and three-dimensional models using a variety of algorithmic functions. Each exercise begins with a simple(...)
The codewriting workbook: creating computational architecture in AutoLISP
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The Codewriting Workbook introduces students and practi-tioners to basic programming concepts for computer-aided design (CAD). Through a series of guided exercises and examples, readers learn how to develop and write procedures for creating two-dimensional drawings and three-dimensional models using a variety of algorithmic functions. Each exercise begins with a simple concept and evolves into a family of possible solutions. A primer on programming, The Codewriting Workbook presents efficient methods for computing singular results that, when compounded, generate the broadest range of design possibilities. Though exercises are presented in AutoLISP, the workbook outlines general processes for structuring procedures that can be adapted to almost any CAD-based scripting language. Robert J. Krawczyk is on the faculty of the College of Architecture at the Illinois Institute of Technology.
Dessin d’architecture
$33.00
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Including 4-col. Russian folktale in inside cover. Drafting Defeat is a collection of highly stylized 10th century maps of the Middle East with the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrows Safarnameh (Book of Travels).
Drafting defeat: 10th century road maps & 21st century disasters
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Including 4-col. Russian folktale in inside cover. Drafting Defeat is a collection of highly stylized 10th century maps of the Middle East with the legends that accompanied them in a 1933 Soviet edition of Nasser Khosrows Safarnameh (Book of Travels).
Dessin d’architecture
livres
Lines: a brief history
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This is the first book to explore the production and significance of lines. As walking, talking, gesticulating creatures, human beings generate lines wherever they go: here, Ingold lays the foundations for an anthropological archaeology of the line. He investigates: speech and song in the cultures of Papua New Guinea, the Navaho and Meso America; paths, trails and maps(...)
Lines: a brief history
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This is the first book to explore the production and significance of lines. As walking, talking, gesticulating creatures, human beings generate lines wherever they go: here, Ingold lays the foundations for an anthropological archaeology of the line. He investigates: speech and song in the cultures of Papua New Guinea, the Navaho and Meso America; paths, trails and maps drawing, writing and calligraphy; and the modern and postmodern world. Written by a leading expert in the field and including over seventy illustrations, this text offers a radically different approach to anthropological and archaeological studies, taking us on a journey which will change the way we look at the world and how we move within it, and archaeological studies.
livres
juillet 2007, New York
Dessin d’architecture
Basics Dessin Technique
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Le volume «Basics Dessin technique est destiné aux étudiants en architecture et en génie civil ainsi qu'aux futurs dessinateurs en bâtiment et dessinateurs techniques. L'expérience montre en effet que les étudiants ont souvent de la peine aquérir les connaissances de base qu'on attend d'eux en matière de dessin de construction. La difficulté est liée à l'abondance des(...)
Dessin d’architecture
octobre 2007, Basel, Berlin, Boston
Basics Dessin Technique
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Le volume «Basics Dessin technique est destiné aux étudiants en architecture et en génie civil ainsi qu'aux futurs dessinateurs en bâtiment et dessinateurs techniques. L'expérience montre en effet que les étudiants ont souvent de la peine aquérir les connaissances de base qu'on attend d'eux en matière de dessin de construction. La difficulté est liée à l'abondance des normes ISO qui régissent ce domaine. Le présent ouvrage fournit des éclaircissements sur les matières dont la connaissance est nécessaire et décrit la manière de les aborder. Il ne présente pas seulement des faits, mais explique aussi les processus qui amènent à leur formation et les recoupements entre les différents types de dessin de construction.
Dessin d’architecture
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Digitalization has transformed the discourse of architecture: that discourse is now defined by a wealth of new terms and concepts that previously either had no meaning, or had different meanings, in the context of architectural theory and design. Its concepts and strategies are increasingly shaped by influences emerging at the intersection with scientific and cultural(...)
Dessin d’architecture
août 2008, Zurich
Simulation: presentation technique and cognitive method (Context Architecture)
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Digitalization has transformed the discourse of architecture: that discourse is now defined by a wealth of new terms and concepts that previously either had no meaning, or had different meanings, in the context of architectural theory and design. Its concepts and strategies are increasingly shaped by influences emerging at the intersection with scientific and cultural notions from modern information technology. The new series Context Architecture seeks to take a critical selection of concepts that play a vital role in the current discourse and put them up for discussion.
Dessin d’architecture
$95.00
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"Begin again, fail better: preliminary drawings in architecture" engages with one of the principal activities of the architect in the process of design: drawing by hand, and more specifically, the act of beginning those drawings. Architects try, fail, try again, fail better until they start to move in the direction that ultimately becomes a building . . . or not. This(...)
Dessin d’architecture
février 2025
Begin again, fail better: Preliminary drawings in architecture and art
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"Begin again, fail better: preliminary drawings in architecture" engages with one of the principal activities of the architect in the process of design: drawing by hand, and more specifically, the act of beginning those drawings. Architects try, fail, try again, fail better until they start to move in the direction that ultimately becomes a building . . . or not. This book brings together some 180 preliminary architecture drawings. More than fifty contemporary Swiss architecture firms each contributed two pieces that reveal something of their individual approach and understanding of architecture. This selection is enhanced by historical works from four significant British and Swiss archival collections dating back to the sixteenth century and up to the twentieth. The illustrations are complemented by essays providing a critical and historical framework, as well as a conversation engaging with the conditions and importance of failure within the design process. Brief interludes by international architects, archivists, and teachers, introducing a range of perspectives, round out this beautiful volume.
Dessin d’architecture
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Architecte et dessinateur, voyageur infatigable, savant précis et scrupuleux, Carl Haller von Hallerstein (1774-1817) occupe une place centrale parmi les précurseurs de l’archéologie classique, bien que sa disparition prématurée l’ait privé d’une plus large renommé, notamment en France. S’appuyant sur l’exploration du fonds d’archives conservé à la bibliothèque nationale(...)
Dessiner la Grèce : L'oeil et la main de Carl Haller von Hallerstein
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Architecte et dessinateur, voyageur infatigable, savant précis et scrupuleux, Carl Haller von Hallerstein (1774-1817) occupe une place centrale parmi les précurseurs de l’archéologie classique, bien que sa disparition prématurée l’ait privé d’une plus large renommé, notamment en France. S’appuyant sur l’exploration du fonds d’archives conservé à la bibliothèque nationale et universitaire de Strasbourg, cet ouvrage croise les perspectives d’historiens de l’art, d’historiens du livre et d’archéologues et permet ainsi de mieux appréhender le regard porté par Haller von Hallerstein, non seulement sur les vestiges archéologiques de la Grèce ancienne, mais également sur les paysages et les populations qrecques, albanaises et turques qui, au début du XIXe siècle, peuplent la Grèce à la veille de son indépendance.
Dessin d’architecture
livres
$120.00
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Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the (...)
Dessin d’architecture
octobre 1999, New York
Infinite perspectives : two thousand years of three-dimensional mapmaking
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Whether from military necessity or unbridled curiosity, mapmakers since early antiquity have attempted to represent the configuration of the land about them. The Greeks paid homage to the landscape and struck its image on their coins. Medieval scholars viewed the highest elevations as a boundary between the physical and the spiritual; the images they created of their sacred shrines and historic sites were drawn atop simple caricatures of mountains. Leonardo da Vinci's maps of Tuscany and other more realistic representations of landforms appeared during the Renaissance, thanks to a wealth of scientific study and new artistic methods. In the modern era, new techniques were invented as attempts to portray the three-dimensional world on a flat surface became more sophisticated. Hachuring, a system that involves shading with fine parallel or crossed lines, was developed with the use of copper plates; contour lines slowly replaced this technique in the nineteenth century. Lithography allowed for the introduction of color to the printing process, and multi-color tints were used to impart a sense of elevation. Aerial and satellite photography and the dawn of the digital era have yielded maps of unprecedented realism; today's computer technology allows planetary surfaces to be portrayed in three dimensions with a precision unimaginable to previous generations of mapmakers. "Infinite Perspectives" traces the artistic and scientific evolution of topographic representation from its origins to the present. Over 80 colour plates of some of the most significant maps ever made detail important advances in the portrayal of three dimensions in map form. The final section of the book contains 20 plates presenting a revolutionary cartographic technique that allows viewers wearing ordinary 3D glasses to view planetary surfaces without distortion. This invention, developed by the authors with Dr. Russell Ambroziak and named Infinite Perspective Projection, is currently in use by NASA and the Department of Defense. Included are maps of Mars, the Grand Canyon, and Mount McKinley, as well as one large fold-out map, suitable for framing; two pairs of the necessary 3D viewing glasses are also provided.
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octobre 1999, New York
Dessin d’architecture
livres
$102.00
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This sequel to our highly acclaimed title "An Atlas of Rare City Maps" collects over 100 views dating between 1835 and 1902, showing the streets, buildings, churches, bridges, waterways, and surrounding(...)
Bird's eye view : historic lithographs of North American cities
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This sequel to our highly acclaimed title "An Atlas of Rare City Maps" collects over 100 views dating between 1835 and 1902, showing the streets, buildings, churches, bridges, waterways, and surrounding countryside of North American towns, ranging from burgeoning metropolitan centers to small logging towns and mining camps. Baltimore, Brooklyn, Denver, Indianapolis, Memphis, Montreal, New Orleans, Pittsburgh, Seattle, Syracuse, and Washington are just a few of the cities presented in this collection. The exquisite colour and fine detail of these bird's eye views have been reproduced in all their original glory; also included is an introduction by John W. Reps providing a background on the artistic process and on urban development in the nineteenth century.
livres
octobre 1998, New York
Dessin d’architecture
livres
Maps and politics
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Do maps accurately and objectively present the information we expect them to portray, or are they instead colored by the political purposes of their makers? In this lively and well-illustrated book, Jeremy Black investigates this dangerous territory, arguing persuasively that the supposed "objectivity" of the map-making and map-using process cannot be divorced from(...)
Maps and politics
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Do maps accurately and objectively present the information we expect them to portray, or are they instead colored by the political purposes of their makers? In this lively and well-illustrated book, Jeremy Black investigates this dangerous territory, arguing persuasively that the supposed "objectivity" of the map-making and map-using process cannot be divorced from aspects of the politics of representation.
livres
février 1998, Chicago
Dessin d’architecture