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Drawing is to architects what writing is to authors. Focusing on the creative and inventive significance of drawing for architecture, this book is a paean to the graphic by one of its greatest proponents, Sir Peter Cook. Thematically organised by chapter, Cook joyfully talks us trough drawing as a motive, strategy, vision, image, composition, expression, technique,(...)
Drawing: the motive force of architecture
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Drawing is to architects what writing is to authors. Focusing on the creative and inventive significance of drawing for architecture, this book is a paean to the graphic by one of its greatest proponents, Sir Peter Cook. Thematically organised by chapter, Cook joyfully talks us trough drawing as a motive, strategy, vision, image, composition, expression, technique, surface and fantasy. He provides us with amusing perceptive commentary at every turn, drawing our attention to some of the greatest and most intriguing drawings, ranging from Heath-Robinson, Hugh Ferris and Arthur Beresford Pite to Frank Gehry, Zaha Hadid, Ron Herron, Coop Himmelb(l)au, Bernard Tschumi and Lebbeus Woods.
Dessin d’architecture
livres
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This book chronicles the interplay between map technology and the evolution of society. Bringing together maps from antiquity to the present, the author describes the innovations in cartography that have influenced the course of history and, in turn, historical trends that have spurred the development of new kinds of maps.
Maps and civilization : cartography in culture and society
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This book chronicles the interplay between map technology and the evolution of society. Bringing together maps from antiquity to the present, the author describes the innovations in cartography that have influenced the course of history and, in turn, historical trends that have spurred the development of new kinds of maps.
livres
février 1996, Chicago
Dessin d’architecture
livres
How to lie with maps
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An examination of how maps are used and abused. This second edition is updated with the addition of two new chapters, 10 colour plates, and a new foreword by geographer H.J. deBlij.
How to lie with maps
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An examination of how maps are used and abused. This second edition is updated with the addition of two new chapters, 10 colour plates, and a new foreword by geographer H.J. deBlij.
livres
avril 1996, Chicago
Dessin d’architecture
livres
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First published in the mid-nineteenth century by England's Society for the Diffusion of Useful Knowledge, this rare collection includes maps of both well-known and smaller cities of Europe and America. These maps were all commissioned and drawn within a thirteen year period and thus present a unique opportunity for comparative study. An introductory essay(...)
An Atlas of rare city maps : comparative urban design, 1830-1843
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First published in the mid-nineteenth century by England's Society for the Diffusion of Useful Knowledge, this rare collection includes maps of both well-known and smaller cities of Europe and America. These maps were all commissioned and drawn within a thirteen year period and thus present a unique opportunity for comparative study. An introductory essay by Melville C. Branch discusses the historical evolution of urban design, and provides a background on engraving techniques.
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septembre 1997, New York
Dessin d’architecture
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This publication traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions(...)
Inessential colours: architecture on paper in early modern Europe
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This publication traces the use of color in European architectural drawings and prints, revealing how this phenomenon reflected the professional anxieties of an emerging professional practice that was simultaneously art and science. Traversing national borders, the book addresses color as a key player in the long history of rivalry and exchange between European traditions in architectural representation and practice. Featuring a wealth of previously unpublished drawings, this book challenges the long-standing misreading of architectural drawings as illustrations rather than representations, pointing instead to their inherent qualities as independent objects whose beauty paved the way for the visual system architects use today.
Dessin d’architecture
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across(...)
Dessin d’architecture
juillet 2021
Architecture, theater and fantasy: Bibena drawings from the Jules Fisher collection
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This exhibition catalog explores the remarkable theatrical designs of Italy’s influential Bibiena family in the seventeenth and eighteenth centuries. For nearly a century, members of three generations of the Bibiena family were the most highly sought theater designers in Europe. Their elaborate stage designs were used for operas, festivals, and courtly performances across Europe, from their native Italy to cities as far afield as Vienna, Prague, Stockholm, St. Petersburg, and Lisbon. Beyond these performances, the distinctive Bibiena style survives through their remarkable drawings. "Architecture, theater, and fantasy" commemorates a group of Bibiena drawings from the collection of Jules Fisher, the Tony Award–winning lighting designer, gifted to the Morgan Library and Museum in New York. Accompanying the first US exhibition of these works in more than thirty years, these drawings demonstrate the range of the Bibienas’ output, from energetic sketches to detailed watercolors. Representations of imagined palace interiors and lavish illusionistic architecture illuminate the visual splendor of the Baroque period.
Dessin d’architecture
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Florenski critique ici les fondements de la perspective et, avec eux, la conception classique de l’histoire de l’art, qui voit dans la Renaissance un acmé jamais égalé. Il analyse avec une grande finesse les icônes, qui génèrent une multitude de points de vue, au diapason avec la pensée qu’elles véhiculent. Daté de 1919, cet exposé est contemporain des recherches(...)
La Perspective inversée, n.é.
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Florenski critique ici les fondements de la perspective et, avec eux, la conception classique de l’histoire de l’art, qui voit dans la Renaissance un acmé jamais égalé. Il analyse avec une grande finesse les icônes, qui génèrent une multitude de points de vue, au diapason avec la pensée qu’elles véhiculent. Daté de 1919, cet exposé est contemporain des recherches plastiques de Malevitch. L’on tient là non seulement un texte précurseur de maintes recherches théoriques mais aussi un plaidoyer éminemment pédagogique en faveur d’un art ouvert à la vision subjective du spectateur.
Dessin d’architecture
Au-delà du croquis
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Qu'est-ce qu'un croquis d'architecture ? Il est commun de penser que les architectes dessinent leurs projets à partir d'un croquis fondateur, qu'ils imaginent les bâtiments instantanément en griffonnant sur un bout de papier quelques lignes les déterminant définitivement.En réalité, il semble difficile de résumer un projet à une sorte d'instantané précurseur isolé de(...)
Au-delà du croquis
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Qu'est-ce qu'un croquis d'architecture ? Il est commun de penser que les architectes dessinent leurs projets à partir d'un croquis fondateur, qu'ils imaginent les bâtiments instantanément en griffonnant sur un bout de papier quelques lignes les déterminant définitivement.En réalité, il semble difficile de résumer un projet à une sorte d'instantané précurseur isolé de toute autre recherche. L'architecte n'est pas un magicien et ne détient pas l'image finale de l'objet architectural dès la genèse du projet. C'est le croquis, dessiné par sa main et son esprit, qui peu à peu, grâce à son hyper-récurrence dans le processus de conception, va forger les lignes de force du bâtiment, de son volume général jusqu'aux moindres détails. En rassemblant une foule de croquis pluriels et bavards, cet ouvrage partage l'expérience de l'Atelier Herbez Architectes pour laquelle la pratique du dessin est une valeur forte, envisagée à la fois comme la base du travail de conception et comme un champ d'expérimentation insufflant la créativité. Aller au-delà du croquis c'est en explorer les mécanismes et en chercher les limites. Croquis à main levée, croquis informatiques et croquis du regard se mêlent ici pour révéler les ressorts du médium graphique qui trouve aujourd'hui, à l'ère du numérique, de nouvelles formes d'expression.
Dessin d’architecture
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Drawing is a way of constructing ideas and observations as much as it is a means of expressing them. When we are not ready or able to put our thoughts into words, we can sometimes put them down in arrangements of lines and marks. Artists, designers, architects, and others draw to generate, explore, and test perceptions and mental models. In this book, artist-educator(...)
Drawing thought: How drawing helps us observe, discover and invent
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Drawing is a way of constructing ideas and observations as much as it is a means of expressing them. When we are not ready or able to put our thoughts into words, we can sometimes put them down in arrangements of lines and marks. Artists, designers, architects, and others draw to generate, explore, and test perceptions and mental models. In this book, artist-educator Andrea Kantrowitz invites readers to use drawing to extend and reflect on their own thought processes. She interweaves illuminating hand-drawn images with text, integrating recent findings in cognitive psychology and neuroscience with accounts of her own artistic and teaching practices.
Dessin d’architecture
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This book documents explorations in contemporary architectural drawing, taking as its basis a series of symposia between a cohort of architects, critics, and curators, who discussed drawing practices and production in relation to their own work and research. The book includes a selection of exquisite key drawings by the various contributors, as well as edited transcripts(...)
Dessin d’architecture
mars 2023
Drawing architecture: Conversations on contemporary practice
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This book documents explorations in contemporary architectural drawing, taking as its basis a series of symposia between a cohort of architects, critics, and curators, who discussed drawing practices and production in relation to their own work and research. The book includes a selection of exquisite key drawings by the various contributors, as well as edited transcripts of their conversations around drawing which developed across the meetings. Participants include Laura Allen, Bryan Cantley, Peter Cook, Nat Chard, Mark Dorrian, Riet Eeckhout, Adrian Hawker, Perry Kulper, CJ Lim, Shaun Murray, Mark Smout, Neil Spiller, Nada Subotincic, Michael Webb, Mark West, and Michael Young. The volume includes a collection of short keyword texts by the architects, together with contextual essays by Nat Chard, Mark Dorrian, Riet Eeckhout, Thomas-Bernard Kenniff and Carole Lévesque, and Michael Young.
Dessin d’architecture