114 Résultats
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This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
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Résumé:
This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
Publication:
juin 2010
juin 2010
Titre:
Murals: pràtiques, murals, contemporànies
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This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
Murals: pràtiques, murals, contemporànies
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This publication intends to show different aspects of the mural art form. It features the work of the Soninke women of Mauritania, the paintings in dots of clay on a red ground by the Thai artist Sakarin Krue-On, and artists who generally intervene in public places.
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livres
livres
Publication:
juin 2010
juin 2010
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livres
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When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic(...)
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When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic(...)
Titre:
Mixed use, Manhattan : photography and related practices, 1970 to the present
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When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic team Shunk-Kender shot a vast series of images of Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Matta-Clark, and William Wegman, among others); and Cindy Sherman staged some of her Untitled Film Stills on the streets of Lower Manhattan. This publication documents and illustrates these projects as well as more recent work by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by Johanna Burton, Lytle Shaw, Juan Suarez, and the exhibition's curators, Lynne Cooke and Douglas Crimp.
Mixed use, Manhattan : photography and related practices, 1970 to the present
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When recession-plagued New York City abandoned its industrial base in the 1970s, performance artists, photographers, and filmmakers found their own mixed uses for the city's run-down lofts, abandoned piers, vacant lots, and deserted streets. Gordon Matta-Clark turned a sanitation pier into the celebrated work Day's End and Betsy Sussler filmed its making; the photographic team Shunk-Kender shot a vast series of images of Willoughby Sharp's Projects: Pier 18 (which included work by Vito Acconci, Mel Bochner, Dan Graham, Matta-Clark, and William Wegman, among others); and Cindy Sherman staged some of her Untitled Film Stills on the streets of Lower Manhattan. This publication documents and illustrates these projects as well as more recent work by artists who continue to engage with the city's public, underground, and improvised spaces. The book (which accompanies a major exhibition) focuses on several important photographic series: Peter Hujar's 1976 nighttime photographs of Manhattan's West Side; Alvin Baltrop's Hudson River pier photographs from 1975-1985, most of which have never before been shown or published; David Wojnarowicz's Rimbaud in New York (1978-1979), the first of Wojnarowicz's works to be published; and several of Zoe Leonard's photographic projects from the late 1990s on. The book includes 70 color and 130 black-and-white images, a chronology of the policy decisions and developments that altered the face of New York City from 1950 to the present; an autobiographical story by David Wojnarowicz; and essays by Johanna Burton, Lytle Shaw, Juan Suarez, and the exhibition's curators, Lynne Cooke and Douglas Crimp.
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livres
livres
Publication:
septembre 2010
septembre 2010
Sujet:
Espaces Public
Espaces Public
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livres
livres
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$48.00
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This illustrated volume surveys a new chapter in the history of environmental art, one in which space, geopolitics, human relations, urbanism, and utopian dreamwork play as important a role as, if not more than, raw earth.
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This illustrated volume surveys a new chapter in the history of environmental art, one in which space, geopolitics, human relations, urbanism, and utopian dreamwork play as important a role as, if not more than, raw earth.
Titre:
Nobody's property: Art, land, space, 2000-2010
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This illustrated volume surveys a new chapter in the history of environmental art, one in which space, geopolitics, human relations, urbanism, and utopian dreamwork play as important a role as, if not more than, raw earth.
Nobody's property: Art, land, space, 2000-2010
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Résumé:
This illustrated volume surveys a new chapter in the history of environmental art, one in which space, geopolitics, human relations, urbanism, and utopian dreamwork play as important a role as, if not more than, raw earth.
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livres
livres
Publication:
octobre 2010
octobre 2010
Sujet:
Espaces Public
Espaces Public
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livres
livres
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$42.95
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Résumé:
This publication offers a synthetic introduction to the felt dynamics of cities and the character of places. We understand nostalgia, desire, and hope as virtual; that is, even though they are not material, they are nevertheless real and must be accounted for. The authors take up affect, emotion, and emplacement and consider them in relation to one another and how they(...)
$42.95
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Résumé:
This publication offers a synthetic introduction to the felt dynamics of cities and the character of places. We understand nostalgia, desire, and hope as virtual; that is, even though they are not material, they are nevertheless real and must be accounted for. The authors take up affect, emotion, and emplacement and consider them in relation to one another and how they(...)
Publication:
décembre 2010
décembre 2010
Titre:
Ecologies of affect: placing nostalgia, desire, and hope
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This publication offers a synthetic introduction to the felt dynamics of cities and the character of places. We understand nostalgia, desire, and hope as virtual; that is, even though they are not material, they are nevertheless real and must be accounted for. The authors take up affect, emotion, and emplacement and consider them in relation to one another and how they work to produce and are produced by certain temporal and spatial dimensions.
Ecologies of affect: placing nostalgia, desire, and hope
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$42.95
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Résumé:
This publication offers a synthetic introduction to the felt dynamics of cities and the character of places. We understand nostalgia, desire, and hope as virtual; that is, even though they are not material, they are nevertheless real and must be accounted for. The authors take up affect, emotion, and emplacement and consider them in relation to one another and how they work to produce and are produced by certain temporal and spatial dimensions.
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livres
livres
Publication:
décembre 2010
décembre 2010
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It(...)
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It(...)
Titre:
In favour of public space: 10 years of the European prize for urban public space
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It presents a selection of projects from former and new winners and theoretical texts from Manuel de Solà-Morales, president of the 2008 award, Dietmar Steiner, director of Architekturzentrum Wien and a jury member since 2002, the architect and president of the 2010 jury, Rafael Moneo and David Bravo, secretary of the 2010 award.
In favour of public space: 10 years of the European prize for urban public space
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Bearing witness to the tensions of public space in Europe: this is the aim of the European Prize for Urban Public Space. It was established in 2000 by the Centre of Contemporary Culture of Barcelona (CCCB) and now counts with the collaboration of six other European institutions. This book is the first publication about the prize, which celebrates its 10th issue. It presents a selection of projects from former and new winners and theoretical texts from Manuel de Solà-Morales, president of the 2008 award, Dietmar Steiner, director of Architekturzentrum Wien and a jury member since 2002, the architect and president of the 2010 jury, Rafael Moneo and David Bravo, secretary of the 2010 award.
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livres
livres
Publication:
août 2010
août 2010
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livres
livres
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This special issue of Radical History Review historicizes and reconsiders the flaneur - the city stroller - as the iconic bystander to the spectacle of urban life and change, drawing perspectives from urban and public history, museum studies, geography, and sociology. One article analyzes Australian frontier towns, where notions of indigeneity are commodified for white(...)
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This special issue of Radical History Review historicizes and reconsiders the flaneur - the city stroller - as the iconic bystander to the spectacle of urban life and change, drawing perspectives from urban and public history, museum studies, geography, and sociology. One article analyzes Australian frontier towns, where notions of indigeneity are commodified for white(...)
Titre:
Radical history review fall 2012: walkers, voyeurs, and the politics of urban space
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This special issue of Radical History Review historicizes and reconsiders the flaneur - the city stroller - as the iconic bystander to the spectacle of urban life and change, drawing perspectives from urban and public history, museum studies, geography, and sociology. One article analyzes Australian frontier towns, where notions of indigeneity are commodified for white consumers while Aborigines themselves are unwelcome. Another examines the funereal flanerie of protestors in Guatemala who stage scenes of public mourning to engage the radical power of dead bodies in public spaces. Flanerie and drifting are explored as pedagogical tools to draw students out of the controlled settings of college campuses. Contributors to this issue examine the physical experience of city walking - determined by architecture, street signs, traffic lights, and each walker's differently abled body - alongside the subtler class, racial, and historical markers that define who in city spaces is imagined to be respectable and who is dangerous.
Radical history review fall 2012: walkers, voyeurs, and the politics of urban space
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This special issue of Radical History Review historicizes and reconsiders the flaneur - the city stroller - as the iconic bystander to the spectacle of urban life and change, drawing perspectives from urban and public history, museum studies, geography, and sociology. One article analyzes Australian frontier towns, where notions of indigeneity are commodified for white consumers while Aborigines themselves are unwelcome. Another examines the funereal flanerie of protestors in Guatemala who stage scenes of public mourning to engage the radical power of dead bodies in public spaces. Flanerie and drifting are explored as pedagogical tools to draw students out of the controlled settings of college campuses. Contributors to this issue examine the physical experience of city walking - determined by architecture, street signs, traffic lights, and each walker's differently abled body - alongside the subtler class, racial, and historical markers that define who in city spaces is imagined to be respectable and who is dangerous.
Classification:
livres
livres
Publication:
septembre 2012
septembre 2012
Sujet:
Espaces Public
Espaces Public
Classification:
livres
livres
Titre:
Beauty in decay II
Beauty in decay II
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Overgrown industrial complexes, disused asylums, abandoned palaces and monasteries feature in this latest incendiary book from Carpet Bombing Culture. Author RomanyWG has again tirelessly tracked down dozens of new locations to amaze viewers of Beauty in Decay II, a further peek behind the Urbex curtain. Urban explorers find the beauty layers of history, multi-hued(...)
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Overgrown industrial complexes, disused asylums, abandoned palaces and monasteries feature in this latest incendiary book from Carpet Bombing Culture. Author RomanyWG has again tirelessly tracked down dozens of new locations to amaze viewers of Beauty in Decay II, a further peek behind the Urbex curtain. Urban explorers find the beauty layers of history, multi-hued(...)
Titre:
Beauty in decay II
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Overgrown industrial complexes, disused asylums, abandoned palaces and monasteries feature in this latest incendiary book from Carpet Bombing Culture. Author RomanyWG has again tirelessly tracked down dozens of new locations to amaze viewers of Beauty in Decay II, a further peek behind the Urbex curtain. Urban explorers find the beauty layers of history, multi-hued peeling paint, antique objects, ancient initials in the dust and the other physical manifestations of memory that abandoned, impermanent urban spaces manifest. Beauty in Decay II features RomanyWGs selection of panoramic photographs from Urbex explorers the world over.
Beauty in decay II
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Overgrown industrial complexes, disused asylums, abandoned palaces and monasteries feature in this latest incendiary book from Carpet Bombing Culture. Author RomanyWG has again tirelessly tracked down dozens of new locations to amaze viewers of Beauty in Decay II, a further peek behind the Urbex curtain. Urban explorers find the beauty layers of history, multi-hued peeling paint, antique objects, ancient initials in the dust and the other physical manifestations of memory that abandoned, impermanent urban spaces manifest. Beauty in Decay II features RomanyWGs selection of panoramic photographs from Urbex explorers the world over.
Classification:
livres
livres
Publication:
décembre 2012
décembre 2012
Sujet:
Espaces Public
Espaces Public
Classification:
livres
livres
Titre:
Le graffiti arabe
Le graffiti arabe
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Que ce soit sur les camions au Liban, dans les rues de villages du Bahrein, sur les murs criblés de balles de Palestine, le graffiti connaît un véritable essor qui s'affiche même sur les murs des métropoles occidentales ou sur des accessoires de mode comme des sacs à main. Relayé par de nombreux graffeurs qui s'exercent à la calligraphie arabe sur les espaces publics et à(...)
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Que ce soit sur les camions au Liban, dans les rues de villages du Bahrein, sur les murs criblés de balles de Palestine, le graffiti connaît un véritable essor qui s'affiche même sur les murs des métropoles occidentales ou sur des accessoires de mode comme des sacs à main. Relayé par de nombreux graffeurs qui s'exercent à la calligraphie arabe sur les espaces publics et à(...)
Titre:
Le graffiti arabe
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Que ce soit sur les camions au Liban, dans les rues de villages du Bahrein, sur les murs criblés de balles de Palestine, le graffiti connaît un véritable essor qui s'affiche même sur les murs des métropoles occidentales ou sur des accessoires de mode comme des sacs à main. Relayé par de nombreux graffeurs qui s'exercent à la calligraphie arabe sur les espaces publics et à l'occasion d'expositions, et des jeunes designers qui créent des polices de caractères pour l'impression, le graffiti arabe exprime tantôt les souffrances d'une nation, tantôt une recherche d'identité. A Beyrouth, Gaza, Téhéran, Paris, Londres, Berlin ou Montréal, il traduit une pensée politique, sociale ou personnelle dans un style calligraphique et typographique très expressif. Véritable référence en la matière, Le graffiti arabe réunit de nombreux artistes, graffeurs et typographes du monde entier qui ont associé la calligraphie arabe au graffiti, au street-art et à la culture urbaine. L'iconographie, très riche et variée, témoigne de la vigueur de ce renouveau.
Le graffiti arabe
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Que ce soit sur les camions au Liban, dans les rues de villages du Bahrein, sur les murs criblés de balles de Palestine, le graffiti connaît un véritable essor qui s'affiche même sur les murs des métropoles occidentales ou sur des accessoires de mode comme des sacs à main. Relayé par de nombreux graffeurs qui s'exercent à la calligraphie arabe sur les espaces publics et à l'occasion d'expositions, et des jeunes designers qui créent des polices de caractères pour l'impression, le graffiti arabe exprime tantôt les souffrances d'une nation, tantôt une recherche d'identité. A Beyrouth, Gaza, Téhéran, Paris, Londres, Berlin ou Montréal, il traduit une pensée politique, sociale ou personnelle dans un style calligraphique et typographique très expressif. Véritable référence en la matière, Le graffiti arabe réunit de nombreux artistes, graffeurs et typographes du monde entier qui ont associé la calligraphie arabe au graffiti, au street-art et à la culture urbaine. L'iconographie, très riche et variée, témoigne de la vigueur de ce renouveau.
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livres
livres
Publication:
novembre 2012
novembre 2012
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livres
livres
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« Le ciel de Paris en fut-il ce matin ? Et qui complotait ? Faut-il que les choses d’en bas le modifient ? » Cela a commencé pendant la nuit et personne ne l’a remarqué : ce furent les premiers éléments. Une sorte de pou dans le mur. Des carrés de mosaïques se sont multipliés sur les façades des bâtiments. Pourquoi un individu s’est astreint à coller de la mosaïque un(...)
$49.95
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« Le ciel de Paris en fut-il ce matin ? Et qui complotait ? Faut-il que les choses d’en bas le modifient ? » Cela a commencé pendant la nuit et personne ne l’a remarqué : ce furent les premiers éléments. Une sorte de pou dans le mur. Des carrés de mosaïques se sont multipliés sur les façades des bâtiments. Pourquoi un individu s’est astreint à coller de la mosaïque un(...)
Titre:
Dans les plis sinueux des vieilles capitales
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« Le ciel de Paris en fut-il ce matin ? Et qui complotait ? Faut-il que les choses d’en bas le modifient ? » Cela a commencé pendant la nuit et personne ne l’a remarqué : ce furent les premiers éléments. Une sorte de pou dans le mur. Des carrés de mosaïques se sont multipliés sur les façades des bâtiments. Pourquoi un individu s’est astreint à coller de la mosaïque un peu partout dans la ville, nul ne le sait. Et la police désespère. Claude-Hélène et Térence se sont mariés il y a dix ans, avec pour témoins Michèle Barret-Lauze, maître à penser de Térence, et Colin, l’homme de théâtre qui a fait partie de l’avant-garde artistique avant de s’exiler de la capitale. Un matin, Térence découvre par hasard un mur aveugle et noir qu’il n’a jamais vu, mais que Claude-Hélène connaît bien. Ce mur la replonge dans son passé, d’autant plus que Térence s’éloigne peu à peu. A-t-elle jamais réellement su qui il était ? Peut-être est-il temps pour Claude-Hélène de ressortir ses vieux projets d’intervention artistique urbaine et de les proposer au nouveau maire ? Il rêve de lancer la toute première Nuit Blanche, une nuit qui sera un perpétuel crépuscule et déjà une aurore. Mais le jour se lèvera-t-il sur la ville mosaïque ? Magistrale comédie de mœurs à l’échelle d’une ville, ce roman de Sylvie Taussig explore les moindres replis des relations humaines, ses impostures et ses rigidités ; elle y invente une œuvre libre, ironique et singulière.
Dans les plis sinueux des vieilles capitales
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« Le ciel de Paris en fut-il ce matin ? Et qui complotait ? Faut-il que les choses d’en bas le modifient ? » Cela a commencé pendant la nuit et personne ne l’a remarqué : ce furent les premiers éléments. Une sorte de pou dans le mur. Des carrés de mosaïques se sont multipliés sur les façades des bâtiments. Pourquoi un individu s’est astreint à coller de la mosaïque un peu partout dans la ville, nul ne le sait. Et la police désespère. Claude-Hélène et Térence se sont mariés il y a dix ans, avec pour témoins Michèle Barret-Lauze, maître à penser de Térence, et Colin, l’homme de théâtre qui a fait partie de l’avant-garde artistique avant de s’exiler de la capitale. Un matin, Térence découvre par hasard un mur aveugle et noir qu’il n’a jamais vu, mais que Claude-Hélène connaît bien. Ce mur la replonge dans son passé, d’autant plus que Térence s’éloigne peu à peu. A-t-elle jamais réellement su qui il était ? Peut-être est-il temps pour Claude-Hélène de ressortir ses vieux projets d’intervention artistique urbaine et de les proposer au nouveau maire ? Il rêve de lancer la toute première Nuit Blanche, une nuit qui sera un perpétuel crépuscule et déjà une aurore. Mais le jour se lèvera-t-il sur la ville mosaïque ? Magistrale comédie de mœurs à l’échelle d’une ville, ce roman de Sylvie Taussig explore les moindres replis des relations humaines, ses impostures et ses rigidités ; elle y invente une œuvre libre, ironique et singulière.
Classification:
livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Espaces Public
Espaces Public
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livres
livres
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Résumé:
Art and the City explores the condition of public art in cities. Divided into two volumes shrinkwrapped together - one of color plates, the other of critical discussion - it includes works by artists such as Doug Aitken, Ai Weiwei, Los Carpinteros, Martin Creed, Frank Stella and Oscar Tuazon.
$45.00
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Résumé:
Art and the City explores the condition of public art in cities. Divided into two volumes shrinkwrapped together - one of color plates, the other of critical discussion - it includes works by artists such as Doug Aitken, Ai Weiwei, Los Carpinteros, Martin Creed, Frank Stella and Oscar Tuazon.
Titre:
Art and the city : a public art project
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Art and the City explores the condition of public art in cities. Divided into two volumes shrinkwrapped together - one of color plates, the other of critical discussion - it includes works by artists such as Doug Aitken, Ai Weiwei, Los Carpinteros, Martin Creed, Frank Stella and Oscar Tuazon.
Art and the city : a public art project
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$45.00
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Résumé:
Art and the City explores the condition of public art in cities. Divided into two volumes shrinkwrapped together - one of color plates, the other of critical discussion - it includes works by artists such as Doug Aitken, Ai Weiwei, Los Carpinteros, Martin Creed, Frank Stella and Oscar Tuazon.
Classification:
livres
livres
Publication:
janvier 2013
janvier 2013
Sujet:
Espaces Public
Espaces Public
