Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense(...)
septembre 2007, New York
Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense sincerity. This diary is dotted with a pastiche of rants about the extreme cold and utter loneliness, notes on Herzog's films and travels, poetic descriptions of the snowy countryside, and personal philosophizing. What is most remarkable is that the reading of the book is in continuity with the experience of watching his films; it's as if, through this walk, we witness the process in which images are born. Although he received a literary award for it, this introspective masterpiece has lingered out of print since 1979. Beautifully designed and emotionally impressive, Of Walking in Ice is the first in a color-coded series of remarkable yet long-forgotten titles being republished by Free Association.
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
février 2007, London
The destruction of memory : Architecture at war
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
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Housing has become a key concern in most parts of today’s world, putting social housing again at the centre of public debate. However, it is not clear what the "social" in social housing actually means. This book sets out to increase our knowledge about social housing and stimulate an ongoing discussion about what the social refers to (or is meant to refer to). The book(...)
mai 2023
The social dimension of social housing
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Housing has become a key concern in most parts of today’s world, putting social housing again at the centre of public debate. However, it is not clear what the "social" in social housing actually means. This book sets out to increase our knowledge about social housing and stimulate an ongoing discussion about what the social refers to (or is meant to refer to). The book invites you on a journey across continents and concepts, offering up a kaleidoscope of social, political, and cultural realities.
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays,this publication distills the artist’s lifelong experience of Iceland’s natural environment.(...)
Island zombie: Iceland writings
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Contemporary artist Roni Horn first visited Iceland in 1975 at the age of nineteen, and since then, the island’s treeless expanse has had an enduring hold on Horn’s creative work. Through a series of remarkable and poetic reflections, vignettes, episodes, and illustrated essays,this publication distills the artist’s lifelong experience of Iceland’s natural environment. Together, these pieces offer an unforgettable exploration of the indefinable and inescapable force of remote, elemental places, and provide a sustained look at how an island and its atmosphere can take possession of the innermost self.
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This volume proposes radical ideas for the future of sustainability in the construction and architectural industries. It asks how, rather than continuing to erect new buildings, we can instead harness the construction industry to make a positive contribution to the environment.
mars 2023
Building with a positive footprint
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This volume proposes radical ideas for the future of sustainability in the construction and architectural industries. It asks how, rather than continuing to erect new buildings, we can instead harness the construction industry to make a positive contribution to the environment.
$101.50
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in(...)
Roni Horn: Mother wonder (Island)
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In the south of Iceland is Landbrot, a place closer to fairy tales than to science-- indeed, a place easy to imagine as the singular source of fairies and elves worldwide. It is easy, too, to imagine the sensual comfort and satisfaction to be found there. "Mother, wonder" is the eleventh book in Roni Horn’s (born 1955) ongoing series "To Place," which she initiated in 1989 and exists only in book form. All the volumes focus on Iceland and the evolving experiences of the artist there; together they form a flowing dialogue addressing the relationship between identity and place. The titles to date in the coveted "To Place" encyclopedia are "Bluff Life" (1990), "Folds" (1991), "Lava" (1992), "Pooling Waters" (1994), "Verne’s Journey" (1995), "Haraldsdóttir" (1996), "Arctic Circles" (1998), "Becoming a Landscape" (2001), "Doubt Box" (2006) and "Haraldsdóttir, Part Two" (2011).
Expositions en cours
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''Everyone has a story about the weather. This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the(...)
Roni Horn: Weather reports you
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''Everyone has a story about the weather. This may be the single thing each of us holds in common. And though the weather varies greatly from here to there, it is, ultimately, one weather that we share. Small talk everywhere has occasioned the popular distribution of the weather. Some say talking about the weather is talking about oneself. And with each passing day, the weather increasingly becomes ours, if not us. 'Weather reports you' is one beginning of a collective self-portrait,'' writes Roni Horn, ''a metaphor for the physical, metaphysical, political, social and moral energy of a person and a place''. This book is a new edition of the original ''Weather reports you'' of 2007, a gathering of oral reports on the weather made on location in Iceland, accompanied by snapshots taken at the time and place of each interview.
Expositions en cours
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''Real estate opportunities'' continues Japanese photographer Takashi Homma’s homage series to the influential American artist Ed Ruscha, following similar photobooks by Homma such as ''Every building on the Ginza street,'' ''Royal road test,'' ''Babycakes,'' and ''Twenty-six gasoline stations.'' Ruscha’s original ''Real estate opportunities'' series was published in(...)
Takashi Homma: Real estate opportunities
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''Real estate opportunities'' continues Japanese photographer Takashi Homma’s homage series to the influential American artist Ed Ruscha, following similar photobooks by Homma such as ''Every building on the Ginza street,'' ''Royal road test,'' ''Babycakes,'' and ''Twenty-six gasoline stations.'' Ruscha’s original ''Real estate opportunities'' series was published in 1970 and featured photographs of empty building lots for sale in Los Angeles. For his tribute, Homma (together with series collaborators Yoshihisa Tanaka and Yusuke Nakajima) photographed empty lots in and around Tokyo. Its design and size carefully replicating Ruscha’s original, Homma’s photobook possesses a charm of its own as it captures the strange optimism and sense of possibility of these negative spaces within Tokyo’s dense architectural sprawl.
Expositions en cours
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«Dès le début j'ai essayé de voir si je pouvais faire un art qui produirait ça. Qui surgirait tout d'un coup. Comme un coup de batte dans le visage. Au bas du cou. Qui vous sèche sans qu'on l'ait vu venir. J'aime beaucoup cette idée : l'intensité qui ne laisse pas de place à la question de savoir si vous appréciez ou non.» - Bruce Nauman
mars 2023
Bruce Nauman : paroles d'artiste
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«Dès le début j'ai essayé de voir si je pouvais faire un art qui produirait ça. Qui surgirait tout d'un coup. Comme un coup de batte dans le visage. Au bas du cou. Qui vous sèche sans qu'on l'ait vu venir. J'aime beaucoup cette idée : l'intensité qui ne laisse pas de place à la question de savoir si vous appréciez ou non.» - Bruce Nauman
Richard Misrach: Notations
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Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in(...)
Richard Misrach: Notations
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$115.00
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Since 2006, coinciding with his shift away from analog film to working exclusively with a digital camera, Richard Misrach has been exploring the aesthetic possibilities of the negative image. His latest body of work, debuted in this deluxe, oversize (16.75 by 13 inches), landscape-format volume, comprises dazzling, sublime photographs of landscapes and natural scenes—in negative, but using color with great dexterity and nuance. Inspired by Ansel Adams’ comparison of the photographic negative to a musical score, and John Cage’s 1969 book, "Notations," which compiles music scores as art, Misrach here envisages the photographic image as a score-like negative, teetering on abstraction, that invites a diversity of interpretations. The result is a series of immense beauty unlike any previous Misrach publication.
Expositions en cours