Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense(...)
septembre 2007, New York
Of walking in ice
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In the winter of 1974, filmmaker Werner Herzog made a three week solo journey from Munich to Paris on foot. He believed it was the only way his close friend, film historian Lotte Eisner, would survive a horrible sickness that had overtaken her. During this monumental odyssey through a seemingly endless blizzard, Herzog documented everything he saw and felt with intense sincerity. This diary is dotted with a pastiche of rants about the extreme cold and utter loneliness, notes on Herzog's films and travels, poetic descriptions of the snowy countryside, and personal philosophizing. What is most remarkable is that the reading of the book is in continuity with the experience of watching his films; it's as if, through this walk, we witness the process in which images are born. Although he received a literary award for it, this introspective masterpiece has lingered out of print since 1979. Beautifully designed and emotionally impressive, Of Walking in Ice is the first in a color-coded series of remarkable yet long-forgotten titles being republished by Free Association.
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of(...)
février 2007, London
The destruction of memory : Architecture at war
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A decimated Shiite shrine in Iraq. The smoking World Trade Center site. The scorched cityscape of 1945 Dresden. Among the most indelible scars left by war is the destroyed landscapes, and such architectural devastation damages far more than mere buildings. Robert Bevan argues here that shattered buildings are not merely “collateral damage,” but rather calculated acts of cultural annihilation. From Hitler’s Kristallnacht to the toppling of Saddam Hussein’s statue in the Iraq War, Bevan deftly sifts through military campaigns and their tactics throughout history, and analyzes the cultural impact and catastrophic consequences of architectural destruction. For Bevan, these actions are nothing less than cultural genocide. Ultimately, Bevan forcefully argues for the prosecution of nations that purposely flout established international treaties against destroyed architecture. A passionate and thought-provoking cri de coeur, The Destruction of Memory raises questions about the costs of war that run deeper than blood and money.
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The cinematic
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The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography(...)
mars 2007, London / Cambridge
The cinematic
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The cinematic has been a springboard for the work of many influential artists, including Victor Burgin, Philip-Lorca diCorcia, Stan Douglas, Nan Goldin, Douglas Gordon, Cindy Sherman, and Jeff Wall, among others. Much recent cinema, meanwhile, is rich with references to contemporary photography. Video art has taken a photographic turn into pensive slowness; photography now has at its disposal the budgets and scale of cinema. This addition to Whitechapel’s Documents of Contemporary Art series surveys the rich history of creative interaction between the moving and the still photograph, tracing their ever-changing relationship since early modernism.
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mars 2007, London / Cambridge
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional(...)
mars 2019
Shuvinai Ashoona : life & work
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Born in Kinngait (Cape Dorset) in 1961, Shuvinai is part of a famed dynasty of artists that includes her grandmother Pitseolak Ashoona and her Sobey Art Award–winning cousin, the late Annie Pootoogook. Shuvinai is recognized as a member of a new generation of artists that engage with drawing in innovative ways. Her highly imaginative work combines aspects of traditional Inuit culture and mythology with influences derived from the non-Arctic world. This publication explores the world of an artist whose rich graphic imagery conveys an intricate and textured personal vision. Using pencil, pen and ink, and markers to render dense, highly imaginative drawings, Shuvinai creates art that reflects the intersection of values between the traditional and the contemporary in the North.
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We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives. Automotive and technological industries are not only developing the vehicles but also envisioning the future of our(...)
janvier 2021
Learning to live together: cars, humans, and kerbs in solidarity
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We are on the verge of sharing our cities with autonomous vehicles. Recent developments in driverless technologies are having an impact on our urban environment, raising questions about how self-driving vehicles could be integrated into our daily lives. Automotive and technological industries are not only developing the vehicles but also envisioning the future of our cities, a future where streets have seamlessly integrated driverless technologies and humans wander about, unconcerned by the presence of new automated machines circulating at high speeds through public space. These visions skip to a distant time and ignore the issues that these vehicles raise in the immediate future. In response to such an oversight, this essay and the accompanying meditations explore the conflicts soon to be unleashed by this new technology and the transformation of our streets it will trigger. The current implementations of driverless technology, which are fast and disruptive, do not suggest an eventual integrated urban solution. Yet this book allows us to imagine how humans and cars might collectively influence the urban environment.
Atlas of AI
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What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of research, award-winning scholar Kate Crawford reveals how AI is a technology of extraction: from the minerals drawn from the earth, to the labor pulled from low-wage information(...)
Atlas of AI
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What happens when artificial intelligence saturates political life and depletes the planet? How is AI shaping our understanding of ourselves and our societies? Drawing on more than a decade of research, award-winning scholar Kate Crawford reveals how AI is a technology of extraction: from the minerals drawn from the earth, to the labor pulled from low-wage information workers, to the data taken from every action and expression. This book reveals how this planetary network is fueling a shift toward undemocratic governance and increased inequity. Rather than taking a narrow focus on code and algorithms, Crawford offers us a material and political perspective on what it takes to make AI and how it centralizes power. This is an urgent account of what is at stake as technology companies use artificial intelligence to reshape the world.
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view,(...)
juin 2021
Itee Pootoogook : hymns to the silence
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Itee Pootoogook belonged to a new generation of Inuit artists who are transforming and reshaping the creative traditions that were successfully pioneered by their parents and grandparents in the second half of the 20th century. A meticulous draughtsman who worked with graphite and coloured pencil, Itee depicted buildings in Kinngait that incorporated a perspectival view, a relatively recent practice influenced by his training as a carpenter and his interest in photography. His portraits of acquaintances and family members similarly bear witness to the contemporary North. Whether he depicts them at work or resting, his subjects are engaged in a range of activities from preparing carcasses brought in from hunting to playing music or contemplating the landscape of the North. Itee was also an inventive landscapist. Many of his finest Arctic scenes emphasize the open horizon that separates land from sky and the ever-shifting colours of the Arctic. Rendering the variable light of the landscape with precision, he brought a level of attention that contributed, over time, to his style.
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We are constantly encouraged to lead the ideal life. Where once our identities were shaped by our communities, families and friends, today we write our own success stories on social media. We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of ''upgrading'' oneself—dieting to achieve the perfect body, transforming(...)
Help your self! The rise of self design
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We are constantly encouraged to lead the ideal life. Where once our identities were shaped by our communities, families and friends, today we write our own success stories on social media. We design our own identities to an unprecedented extent, constructing ourselves as we wish to be seen. Ways of ''upgrading'' oneself—dieting to achieve the perfect body, transforming your talents into a successful business, finding bliss by meeting a new love—may therefore be seen as new forms of creativity, or self-design. In ''Help your self!'' Dutch designer and director Mieke Gerritzen provides an inspirational guide for designing your ideal self, and shows you how to get started, while also scrutinizing the self-help industry with wit and intelligence.
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World cities face persistent tension between the pull of globalization and the needs of citizens. Conventional political parties present milquetoast solutions that accommodate the interests of business. Meanwhile, citizens in cafes, meeting halls, on the streets, and now in virtual forums are rising to the challenge of imagining new and radical municipal policy from the(...)
septembre 2021
A citizen's guide to city politics: Montreal
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World cities face persistent tension between the pull of globalization and the needs of citizens. Conventional political parties present milquetoast solutions that accommodate the interests of business. Meanwhile, citizens in cafes, meeting halls, on the streets, and now in virtual forums are rising to the challenge of imagining new and radical municipal policy from the ground up. This book explores the future of Montreal’s citizens’ movements at a moment defined by the threats of pandemic, austerity, housing speculation and insecurity, and racism. It pairs contemporary analysis with an exploration of Montreal’s rich municipal history. The editors of 'A Citizen’s Guide to City Politics' gathered more than twenty activists, urban planners, and thinkers to address the major problems facing Montrealers and propose alternatives from a citizen's perspective. Municipal movements everywhere will see their own struggles reflected in this guide and will find inspiration for debate and action.
François Daireaux : Discover
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« Disover » est le récit d’un voyage au futur antérieur. Ce livre nous dévoile les contrastes d’une Chine contemporaine, en construction incessante, faisant surgir des villes de terre comme par magie. Malgré la violence de ce rythme effréné, il se dégage du travail photographique de François Daireaux et des textes du sinologue Emmanuel Lingot, une rare intensité poétique.(...)
août 2021
François Daireaux : Discover
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« Disover » est le récit d’un voyage au futur antérieur. Ce livre nous dévoile les contrastes d’une Chine contemporaine, en construction incessante, faisant surgir des villes de terre comme par magie. Malgré la violence de ce rythme effréné, il se dégage du travail photographique de François Daireaux et des textes du sinologue Emmanuel Lingot, une rare intensité poétique. Pour faire image, François Daireaux a arpenté plus d’une centaine de villes chinoises très peu visitées par les étrangers. Celles où l’arrogance des plus forts, l’exploitation des plus faibles et le mépris de la vie humaine ont pris les formes les plus impitoyables. Prémonitoire, ce livre nous montre une Chine dévastée. S’y esquissent bien d’autres catastrophes en devenir. L’homme y a pourtant sa place. Cette dérive photographique a commencé à Anshan en 2004 dans le nord-est de la Chine, puis s’est poursuivie de ville en ville, toujours plus à l’ouest pour s’achever en 2018 dans la région ouïghoure.