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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of(...)
Atlas of emotion: journeys in art, architecture, and film
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Traversing a varied and enchanting landscape with forays into the fields of geography, art, architecture, design, cartography and film, Giuliana Bruno's ''Atlas of Emotion'', winner of the 2004 Kraszna-Krausz award for ''the world's best book on the moving image,'' is a highly original endeavor to map a cultural history of spatio-visual arts. In an evocative montage of words and pictures she emphasizes that ''sight" and "site" but also ''motion" and "emotion'' are irrevocably connected. In so doing, she touches on the art of Gerhard Richter and Annette Messagem: the film-making of Peter Greenaway and Michaelangelo Antonioni; the origins of the movie palace and its precursors, and on her own journeys to her native Naples. Visually luscious and daring in conception, Bruno opens new vistas and understandings at every turn.
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The(...)
mars 2016
Exhibiting the moving image
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Since the 1990s, a "cinematographic turn" has taken place in contemporary art, paralleled by the emergence of a "cinema of exhibition." This collection of new essays investigates the relationships between the "white cube" and the "black box," focusing mainly on the 1970s, a decade in which film practices and moving images were integrated into museums and art spaces. The authors analyze multiple modalities of presenting the moving image through historical case studies: the anatomy of video art, expanded cinema, artists’ films and installations, and the moving image in the public sphere. Exploring examples from the 1930s to the present, these contributions address commercial, spectacular or advertising forms of moving images, artists’ performative practices, installations in large museums, exhibitions devoted to projections and festivals of experimental films.
Too Much 08: Shelters
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This issue is about the shape of shelter, including Gordon Matta-Clark’s legendary bodega-turned-kitchen called FOOD, which ran from 1971 to 1974 in New York. It was a restaurant that emerged from the broken infrastructure of the metropolis — a weird idyll in a rundown town where you could eat alchemical concoctions and drink cheap sake with the neighbourhoods’ hungry artists.
Too Much 08: Shelters
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This issue is about the shape of shelter, including Gordon Matta-Clark’s legendary bodega-turned-kitchen called FOOD, which ran from 1971 to 1974 in New York. It was a restaurant that emerged from the broken infrastructure of the metropolis — a weird idyll in a rundown town where you could eat alchemical concoctions and drink cheap sake with the neighbourhoods’ hungry artists.
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism.(...)
septembre 2019
Moscow: a guide to Soviet modernist architecture 1955-1991
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"Moscow: a guide to Soviet modernist architecture 1955-1991" provides descriptions of almost 100 buildings from the most underrated period of Soviet architecture. This is the first guide to bring together the architecture made during the three decades between Khrushchev and Gorbachev, from the naive modernism of the "thaw" of the late 1950s through postmodernism. Buildings include the Palace of Youth, the Rossiya cinema, the Pioneer Palace, the Ostankino TV Tower, the TASS headquarters, the "golden brains" of the Academy of Sciences and less well-known structures such as the House of New Life and the Lenin Komsomol Automobile Plant Museum. The authors situate Moscow's postwar architecture within the historical and political context of the Soviet Union, while also referencing developments in international architecture of the period.
Economic science fictions
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From the libertarian economics of Ayn Rand to Aldous Huxley's consumerist dystopias, economics and science fiction have often orbited each other. In ''Economic Science Fictions'', editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalize economic thinking.
Economic science fictions
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From the libertarian economics of Ayn Rand to Aldous Huxley's consumerist dystopias, economics and science fiction have often orbited each other. In ''Economic Science Fictions'', editor William Davies has deliberately merged the two worlds, asking how we might harness the power of the utopian imagination to revitalize economic thinking.
Obsolescence des données
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La fin du monde n'a pas eu lieu, la société contemporaine est façonnée par Google, les drones, les téléphones portables, Tinder... Dans ce recueil d'essais et de nouvelles ironiques, Coupland mélange les formes pour mieux dynamiter ce que le vingtième siècle pensait savoir du futur et examiner les façons dont l'humanité compose avec sa conscience. Depuis trente ans, sa(...)
Obsolescence des données
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La fin du monde n'a pas eu lieu, la société contemporaine est façonnée par Google, les drones, les téléphones portables, Tinder... Dans ce recueil d'essais et de nouvelles ironiques, Coupland mélange les formes pour mieux dynamiter ce que le vingtième siècle pensait savoir du futur et examiner les façons dont l'humanité compose avec sa conscience. Depuis trente ans, sa façon unique d'observer et comprendre les mécanismes du monde nourrit ses fictions et son écriture. Synthèse de ses observations sur tous les aspects de la vie moderne, chaque page de ce livre joyau de l'âge digital, est pleine d'esprit et de surprises.
Expositions en cours
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We all know Denmark is the happiest country in the world—but this doesn't make it pe?rfect. Happiness isn't exclusively Danish. Nor is it just eating pastries, lighting candles, and practising hygge. Happiness is something available to all, wherever you are, and whatever your means. Starting from the Happiness Research Institute in Copenhagen, Meik Wiking, probably the(...)
The little book of Lykke: the Danish search for the world's happiest people
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We all know Denmark is the happiest country in the world—but this doesn't make it pe?rfect. Happiness isn't exclusively Danish. Nor is it just eating pastries, lighting candles, and practising hygge. Happiness is something available to all, wherever you are, and whatever your means. Starting from the Happiness Research Institute in Copenhagen, Meik Wiking, probably the happiest man in the world, travels across the globe on a quest to uncover the secrets of the very happiest people from Dubai to Rio de Janeiro, taking back to his native country their tips, tricks, and unique approaches to a fulfilled life. Exploring the happiness gap for parents, how much money you really need to buy happiness, and why—luckily for us—the expectation of kissing Rachel Weiss is better than the real thing, Meik brings together a global roadmap for happiness with his trademark wit. Weaving together original research and personal anecdotes, The Little Book of Lykke gives us a new approach to achieving everyday happiness.
Expositions en cours
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Magali Larson's comprehensive study explores how architecture "happens" and what has become of the profession in the postmodern era. Drawing from extensive interviews with pivotal architects—from Philip Johnson, who was among the first to introduce European modernism to America, to Peter Eisenman, identified with a new "deconstructionist" style—she analyzes the complex(...)
Behind the postmodern facade: architectural change in late twentieth-century America
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Magali Larson's comprehensive study explores how architecture "happens" and what has become of the profession in the postmodern era. Drawing from extensive interviews with pivotal architects—from Philip Johnson, who was among the first to introduce European modernism to America, to Peter Eisenman, identified with a new "deconstructionist" style—she analyzes the complex tensions that exist between economic interest, professional status, and architectural product. She investigates the symbolic awards and recognition accorded by prestigious journals and panels, exposing the inner workings of a profession in a precarious social position. Larson captures the struggles around status, place, and power as architects seek to redefine their very purpose in contemporary America.
Expositions en cours
livres
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer”(...)
septembre 2018
Soviet salvage: Imperial debris, revolutionary reuse, and Russian Constructivism
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In Soviet Salvage, Catherine Walworth explores how artists on the margins of the Constructivist movement of the 1920s rejected “elitist” media and imagined a new world, knitting together avant-garde art, imperial castoffs, and everyday life. Applying anthropological models borrowed from Claude Lévi-Strauss, Walworth shows that his mythmaker typologies—the “engineer” and “bricoleur”—illustrate, respectively, the canonical Constructivists and artists on the movement’s margins who deployed a wide range of clever make-do tactics. Walworth explores the relationships of Nadezhda Lamanova, Esfir Shub, and others with Constructivists such as Aleksei Gan, Varvara Stepanova, and Aleksandr Rodchenko. Together, the work of these artists reflected the chaotic and often contradictory zeitgeist of the decade from 1918 to 1929 and redefined the concept of mass production. Reappropriated fragments of a former enemy era provided a wide range of play and possibility for these artists, and the resulting propaganda porcelain, film, fashion, and architecture tell a broader story of the unique political and economic pressures felt by their makers. An engaging multidisciplinary study of objects and their makers during the Soviet Union’s early years, this volume highlights a group of artists who hover like free radicals at the border of existing art-historical discussions of Constructivism and deepens our knowledge of Soviet art and material culture.
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septembre 2018
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.
novembre 2018
Tshakapesh : le plus petit des grands chasseurs / anu uet apishissishit kanataut
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« Tshakapesh, le plus petit des grands chasseurs / Anu uet apishissishit kanataut » est un livre jeunesse illustré, de Camille Campeau et Marie Kirouac. Récit traditionnel innu, réinterprétation par Marie Kirouac, illustrations en couleur par Camille Campeau. En français et innu-aimun.