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In this work, political economist William Davies draws on a four-hundred-year history of ideas to reframe our understanding of the contemporary world. He argues that global trends decades and even centuries in the making have reduced a world of logic and fact into one driven by emotions—particularly fear and anxiety. This has ushered in an age of “nervous states,” both in(...)
Nervous States: democracy and the decline of reason
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In this work, political economist William Davies draws on a four-hundred-year history of ideas to reframe our understanding of the contemporary world. He argues that global trends decades and even centuries in the making have reduced a world of logic and fact into one driven by emotions—particularly fear and anxiety. This has ushered in an age of “nervous states,” both in our individual bodies and our body politic.
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From the beet fields of North Dakota to the National Forest campgrounds of California to Amazon's CamperForce program in Texas, employers have discovered a new, low-cost labor pool, made up largely of transient older Americans. Finding that social security comes up short, often underwater on mortgages, these invisible casualties of the Great Recession have taken to the(...)
Nomadland: surviving America in the twenty-first century
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From the beet fields of North Dakota to the National Forest campgrounds of California to Amazon's CamperForce program in Texas, employers have discovered a new, low-cost labor pool, made up largely of transient older Americans. Finding that social security comes up short, often underwater on mortgages, these invisible casualties of the Great Recession have taken to the road by the tens of thousands in late-model RVs, travel trailers, and vans, forming a growing community of nomads: migrant laborers who call themselves ''workampers.'' On frequently traveled routes between seasonal jobs, Jessica Bruder meets people from all walks of life: accompanying them from campground toilet cleaning to warehouse product scanning to desert reunions, then moving on to the dangerous work of beet harvesting, Bruder tells an eye-opening tale of the dark underbelly of the American economy- one that foreshadows the precarious future that may await many more of us.
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Be here now
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In March 1961, Professor Richard Alpert - later renamed Ram Dass - held appointments in four departments at Harvard University. He published books, drove a Mercedes and regularly vacationed in the Caribbean. By most societal standards, he had achieved great success... And yet he couldn't escape the feeling that something was missing. Psilocybin and LSD changed that.(...)
Be here now
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In March 1961, Professor Richard Alpert - later renamed Ram Dass - held appointments in four departments at Harvard University. He published books, drove a Mercedes and regularly vacationed in the Caribbean. By most societal standards, he had achieved great success... And yet he couldn't escape the feeling that something was missing. Psilocybin and LSD changed that. During a period of experimentation, Alpert peeled away each layer of his identity, disassociating from himself as a professor, a social cosmopolite, and lastly, as a physical being. Fear turned into exaltation upon the realization that at his truest, he was just his inner-self: a luminous being that he could trust indefinitely and love infinitely. And thus, a spiritual journey commenced. Alpert headed to India where his guru renamed him Baba Ram Dass - "servant of God." He was introduced to mindful breathing exercises, hatha yoga, and Eastern philosophy. If he found himself reminiscing or planning, he was reminded to "Be Here Now."
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Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual, and the wish to make the invisible visible are all part of this wider discourse. ''Visions of Enchantment''(...)
Visions of enchantment: occultism, magic and visual culture
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Since Antiquity, the idea of the artist as a magician, trickster and powerful creator of new realities has established itself as a fertile idea in the discussion of image-making. The conjuring of illusions, the inherent link between the material and the spiritual, and the wish to make the invisible visible are all part of this wider discourse. ''Visions of Enchantment'' looks at the fascinating intersections between esotericism and visual culture through a decidedly cross-cultural lens, with topics ranging from talismanic magic and the Renaissance exploration of alchemy, through to the role of magic in modern art and 20th-century experimental film.
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The forge and the crucible
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Primitive man's discovery of the ability to change matter from one state to another brought about a profound change in spiritual behavior. In ''The Forge and the Crucible,'' Mircea Eliade follows the ritualistic adventures of these ancient societies, adventures rooted in the people's awareness of an awesome new power. The new edition of ''The Forge and the Crucible''(...)
The forge and the crucible
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Primitive man's discovery of the ability to change matter from one state to another brought about a profound change in spiritual behavior. In ''The Forge and the Crucible,'' Mircea Eliade follows the ritualistic adventures of these ancient societies, adventures rooted in the people's awareness of an awesome new power. The new edition of ''The Forge and the Crucible'' contains an updated appendix, in which Eliade lists works on Chinese alchemy published in the past few years. He also discusses the importance of alchemy in Newton's scientific evolution.
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Man and his symbols
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''Man and His Symbols'' owes its existence to one of Jung's own dreams. The great psychologist dreamed that his work was understood by a wide public, rather than just by psychiatrists, and therefore he agreed to write and edit this fascinating book. Here, Jung examines the full world of the unconscious, whose language he believed to be the symbols constantly revealed in(...)
Man and his symbols
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''Man and His Symbols'' owes its existence to one of Jung's own dreams. The great psychologist dreamed that his work was understood by a wide public, rather than just by psychiatrists, and therefore he agreed to write and edit this fascinating book. Here, Jung examines the full world of the unconscious, whose language he believed to be the symbols constantly revealed in dreams. Convinced that dreams offer practical advice, sent from the unconscious to the conscious self, Jung felt that self-understanding would lead to a full and productive life. Thus, the reader will gain new insights into themselves from this thoughtful volume, which also illustrates symbols throughout history. Completed just before his death by Jung and his associates, it is clearly addressed to the general reader.
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''The Joyous Cosmology'' is Alan Watts's exploration of the insight that the consciousness-changing drugs LSD, mescaline, and psilocybin can facilitate 'when accompanied with sustained philosophical reflection by a person who is in search, not of kicks, but of understanding.' More than an artifact, it is both a riveting memoir of Watts's personal experiments and a(...)
The joyous cosmology: adventures in the chemistry of consciousness
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''The Joyous Cosmology'' is Alan Watts's exploration of the insight that the consciousness-changing drugs LSD, mescaline, and psilocybin can facilitate 'when accompanied with sustained philosophical reflection by a person who is in search, not of kicks, but of understanding.' More than an artifact, it is both a riveting memoir of Watts's personal experiments and a profound meditation on our perennial questions about the nature of existence and the existence of the sacred.
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Paradise Lost
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''Paradise lost'' is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle ranges across three worlds - heaven, hell, and earth - as(...)
Paradise Lost
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''Paradise lost'' is one of the greatest epic poems in the English language. It tells the story of the Fall of Man, a tale of immense drama and excitement, of rebellion and treachery, of innocence pitted against corruption, in which God and Satan fight a bitter battle for control of mankind's destiny. The struggle ranges across three worlds - heaven, hell, and earth - as Satan and his band of rebel angels plot their revenge against God. At the centre of the conflict are Adam and Eve, motivated by all too human temptations, but whose ultimate downfall is unyielding love.
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La grande historienne anglaise traite ici de l'un de ses sujets de prédilection : le rôle joué en Europe par la tradition hermétique et la pensée magique dans l'histoire des idées, à la charnière de la Renaissance et du XVIIe siècle. Selon elle, loin de faire obstacle au développement de la pensée scientifique, la tradition hermétique a au contraire amorcé le changement(...)
Science et tradition hermétique, n.é.
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La grande historienne anglaise traite ici de l'un de ses sujets de prédilection : le rôle joué en Europe par la tradition hermétique et la pensée magique dans l'histoire des idées, à la charnière de la Renaissance et du XVIIe siècle. Selon elle, loin de faire obstacle au développement de la pensée scientifique, la tradition hermétique a au contraire amorcé le changement dans les mentalités qui a favorisé l'émergence de la science moderne, notamment l'héliocentrisme de Copernic et la physique de Newton.
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Álvaro Siza and Alexandre Alves Costa take us to Morocco, on a journey undertaken in 1967 by a group of seven friends in a Renault 4L and a Fiat 850, with no spare tyre. The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the(...)
janvier 2018
Marrocos, 1967. Viagens / Journeys
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Álvaro Siza and Alexandre Alves Costa take us to Morocco, on a journey undertaken in 1967 by a group of seven friends in a Renault 4L and a Fiat 850, with no spare tyre. The aim of this collection is to construct a map of emotions from unique journeys undertaken by recognised personalities from the architectural culture. A tour around the various continents, but also the universe of its authors.