439 Résultats
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite(...)
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite(...)
Titre:
Taaqtumi: an anthology of Arctic horror stories
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.
Taaqtumi: an anthology of Arctic horror stories
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.
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livres
livres
Publication:
septembre 2019
septembre 2019
Sujet:
Expositions en cours
Expositions en cours
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livres
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$110.00
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
Publication:
janvier 2022
janvier 2022
Titre:
Tokuko Ushioda: My husband (2 vol.)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
Tokuko Ushioda: My husband (2 vol.)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
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livres
livres
Publication:
janvier 2022
janvier 2022
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livres
livres
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$39.95
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
Publication:
novembre 2022
novembre 2022
Titre:
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
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livres
livres
Publication:
novembre 2022
novembre 2022
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livres
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$14.95
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis(...)
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis(...)
Publication:
mars 1994
mars 1994
Titre:
Cités de l'archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis Cohen et K. Michael Hays.
Cités de l'archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis Cohen et K. Michael Hays.
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livres
livres
Publication:
mars 1994
mars 1994
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livres
livres
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This is a way for begining readers to take a fundamental look at communities.
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This is a way for begining readers to take a fundamental look at communities.
Titre:
My first look at communities : a suburb
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This is a way for begining readers to take a fundamental look at communities.
My first look at communities : a suburb
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This is a way for begining readers to take a fundamental look at communities.
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livres
livres
Publication:
janvier 2011
janvier 2011
Sujet:
Expositions en cours
Expositions en cours
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livres
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century(...)
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century(...)
Titre:
Architecture school: three centuries of educating architects in North America
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860--1920; 1920--1940; 1940--1968; 1968--1990; and 1990 to the present. This overview is followed by a "lexicon" containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.
Architecture school: three centuries of educating architects in North America
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Rooted in the British apprenticeship system, the French Beaux-Arts, and the German polytechnical schools, architecture education in North America has had a unique history spanning almost three hundred years. Although architects in the United States and Canada began to identify themselves as professionals by the late eighteenth century, it was not until nearly a century later that North American universities began to offer formal architectural training; the first program was established at MIT in 1865. Today most architects receive their training within an academic setting that draws on the humanities, fine arts, applied science, and public service for its philosophy and methodology. This book, published in conjunction with the centennial of the Association of Collegiate Schools of Architecture (ACSA), provides the first comprehensive history of North American architecture education. Architecture School opens with six chronological essays, each devoted to a major period of development: before 1860; 1860--1920; 1920--1940; 1940--1968; 1968--1990; and 1990 to the present. This overview is followed by a "lexicon" containing shorter articles on more than two dozen topics that have figured centrally in archictecture education's history, from competitions and design pedagogy to research, structures, studio culture, and travel.
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livres
livres
Publication:
mars 2012
mars 2012
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livres
livres
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
Titre:
Artificial hells : participatory art and the politics of spectatorship
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Artificial hells : participatory art and the politics of spectatorship
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
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livres
livres
Publication:
juillet 2012
juillet 2012
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livres
livres
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
$49.95
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Titre:
Governing by design : architecture, economy, and politics in the 20th century
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Governing by design : architecture, economy, and politics in the 20th century
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
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livres
livres
Publication:
avril 2012
avril 2012
Classification:
livres
livres
Titre:
Hans Hollein
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Publication:
avril 2012
avril 2012
Titre:
Hans Hollein
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$145.00
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
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$10.00
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
$10.00
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du(...)
Titre:
Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
Le Merle: cahiers sur les mots et les actes Vol. 1, n. 1, Printemps 2012
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Le Merle est une publication semi-annuelle qui rassemble des textes et des oeuvres qui ont en commun de jalonner le politique et la formation du Sujet à travers l'art, l'écrit et les pratiques d'exposition. Cette édition du Merle inclut L’anarchisme: ce qu’il signifie réellement (aujourd’hui: un texte de Emma Goldman révisé et abrégé par Heather Davis, La géométrie du hasard par Richard Ibghy & Marilou Lemmens, En entrevue: Le temps de l’oeuvre, le temps de l’acte: Entretien avec Bernard Aspe par Érik Bordeleau, Our Literal Speed par Abbey Shaine Dubin (en anglais), un projet inédit de Simon Brown, Institutional Critique Flair Button* de Charles Gute ainsi qu'un texte de Érik Bordeleau produit dans le cadre de Zoo 2011: Se faire une âme anonyme: Itinéraire pratique. Le Merle is a semiannual publication presenting texts and works that share an interest in delineating the political and the formation of the Subject through art, writing and exhibition practices. This issue includes : Anarchism: What It Really Stands For (Today): Edited and abridged by Heather Davis, The Geometry of Chance by Richard Ibghy & Marilou Lemmens, The Time of the Work, the Time of the Act: an interview with Bernard Aspe, a project by Simon Brown, Our Literal Speed by Abbey Shaine Dubin, Institutional Critique Flair Button* by Charles Gute, To Make One's Soul Anonymous: Practical Itinerary by Érik Bordeleau.
Classification:
livres
livres
Publication:
mai 2012
mai 2012
