Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The(...)
mars 2023
Mining photography
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Photography has always depended on the extraction and exploitation of so-called natural raw materials. Having started out using copper, coal, silver, and paper—the raw materials of analogue image production in the nineteenth and twentieth centuries—photography now relies, in the age of the smartphone, on rare earths and metals like coltan, cobalt, and europium. The exhibition focuses on the history of key raw materials utilized in photography and establishes a connection between the history of their extraction, their disposal, and climate change. Looking at historical and contemporary works, it tells the story of photography as a history of industrial production and demonstrates that the medium is deeply implicated in human-induced changes to nature. The exhibition shows contemporary works by a range of photographers and artists, including Ignacio Acosta, Lisa Barnard, F Cartier, Susanne Kriemann, Mary Mattingly, Daphné Nan Le Sergent, Lisa Rave, Alison Rossiter, Metabolic Studio’s Optics Division, Robert Smithson, Simon Starling, Anaïs Tondeur, James Welling, Noa Yafe and Tobias Zielony, along with historical works by Eduard Christian Arning, Hermann Biow, Oscar and Theodor Hofmeister, Jürgen Friedrich Mahrt, Hermann Reichling, and others, and historical material from the Agfa Foto-Historama in Leverkusen, the Eastman Kodak Archive in Rochester and the FOMU Photo Museum in Antwerp as well as mineral samples collected by Alexander von Humboldt from the collection of the Museum für Naturkunde, Berlin.
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The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and(...)
Memory and landscape: Indigenous responses to a changing North
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The North is changing at an unprecedented rate as industrial development and the climate crisis disrupt not only the environment but also long-standing relationships to the land and traditional means of livelihood. This publication explores the ways in which Indigenous peoples in the Arctic have adapted to challenging circumstances, including past cultural and environmental changes. Contributors document how Indigenous communities in Alaska, northern Canada, Greenland, and Siberia are seeking ways to maintain and strengthen their cultural identity while also embracing forces of disruption. Indigenous and non-Indigenous contributors bring together oral history and scholarly research from disciplines such as linguistics, archaeology, and ethnohistory. With an emphasis on Indigenous place names, this volume illuminates how the land—and the memories that are inextricably tied to it—continue to define Indigenous identity. The perspectives presented here also serve to underscore the value of Indigenous knowledge and its essential place in future studies of the Arctic.
Expositions en cours
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred(...)
On photography
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Photographs are everywhere. From high art to family albums to legal evidence, they capture and document the world around us. And whether we use them to expose, reveal or remember, they hold an enduring power. In this essential and revelatory volume, Susan Sontag confronts important questions surrounding the power dynamics between photographer and subject, the blurred boundary between lived events and recreated images, and the desires that lead us to record our lives.
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques.(...)
Richard Mosse: Broken spectre
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Devastation in the Amazon rainforest and the climate change it triggers tend to unfold in ways that are too vast to comprehend, too minute to perceive, and too normalised to see. In an attempt to render the scale and urgency of the Amazon’s extensive, impending collapse, Richard Mosse’s most ambitious work to date employs a dazzling array of photographic techniques. Broken Spectre is an immersive, 74-minute film that shifts between a manifold of ecological narratives, from the topographic to the anthropocentric, and to a careful examination of nonhuman violence and survival. Mosse and his team spent years documenting different fronts of destruction, degradation and environmental crimes in the Amazon Basin and related eco-systems.
Kamik rejoint la meute
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Jake a bien hâte que son oncle rencontre Kamik et voit à quel point il est devenu un chiot obéissant! L’oncle de Jake est un excellent meneur de chiens. Il a gagné de nombreuses courses. Aujourd’hui, Jake espère que Kamik est suffisamment bon pour avoir la chance de courir au sein de l’équipage!
Kamik rejoint la meute
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Jake a bien hâte que son oncle rencontre Kamik et voit à quel point il est devenu un chiot obéissant! L’oncle de Jake est un excellent meneur de chiens. Il a gagné de nombreuses courses. Aujourd’hui, Jake espère que Kamik est suffisamment bon pour avoir la chance de courir au sein de l’équipage!
Expositions en cours
Making a Qamutiik
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Learn how to make a qamutiik! This wordless picture book features colourful illustrations showing the steps of how to make a qamutiik.
Making a Qamutiik
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Learn how to make a qamutiik! This wordless picture book features colourful illustrations showing the steps of how to make a qamutiik.
Expositions en cours
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite(...)
Taaqtumi: an anthology of Arctic horror stories
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''Taaqtumi'' is an Inuktitut word that means ''in the dark''—and these spine-tingling horror stories by Northern writers show just how dangerous darkness can be. A family clinging to survival out on the tundra after a vicious zombie virus. A door that beckons, waiting to unleash the terror behind it. A post-apocalyptic community in the far North where things aren’t quite what they seem. These chilling tales from award-winning authors Richard Van Camp, Rachel and Sean Qitsualik-Tinsley, Aviaq Johnston, and others will thrill and entertain even the most seasoned horror fan.
Expositions en cours
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
janvier 2022
Tokuko Ushioda: My husband (2 vol.)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
novembre 2022
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis(...)
mars 1994
Cités de l'archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis Cohen et K. Michael Hays.