459 Résultats
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas(...)
Titre:
Artificial hells : participatory art and the politics of spectatorship
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
Artificial hells : participatory art and the politics of spectatorship
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Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawe Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling and bolder forms of participatory art and criticism.
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livres
Publication:
juillet 2012
juillet 2012
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Titre:
Governing by design : architecture, economy, and politics in the 20th century
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
Governing by design : architecture, economy, and politics in the 20th century
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This edited collection offers a unique perspective on twentieth-century architectural history, disputing the primacy placed on individuals in the design and planning process and instead looking to the larger influences of politics, culture, economics, and globalization to uncover the roots of how our built environment evolves.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
livres
Titre:
Hans Hollein
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past(...)
Publication:
avril 2012
avril 2012
Titre:
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
Hans Hollein
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The only Austrian winner of the Pritzker Prize (1985) and president of the architecture biennale in Venice, the Viennese architect Hans Hollein (born 1934) has been a leading exponent of postmodernism in architecture. Yet his global stature as an architect has overshadowed his design work of the 1970s and 1980s and his artistic work of the 1960s and 1970s, despite past exhibitions at The Museum of Modern Art, New York and the Centre Pompidou in Paris. This richly illustrated, comprehensive catalogue, and the exhibition it accompanies at the Neue Galerie in Graz, is the first retrospective of Hollein as a truly universal artist and a renaissance man for the digital age. It is also the first to present Hollein's oeuvre as a whole: his work as artist, designer and architect, but also as theoretician, curator, teacher and collaborator with such artists as Christo and Claes Oldenburg.
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livres
livres
Publication:
avril 2012
avril 2012
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livres
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$110.00
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a(...)
Publication:
janvier 2022
janvier 2022
Titre:
Tokuko Ushioda: My husband (2 vol.)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
Tokuko Ushioda: My husband (2 vol.)
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Tokuko Ushioda launched her career as a photographer around 1975, befriending figures such as Shigeo Gocho and Fusako Kodama, who became important inspirations. While studying under Kiyoji Otsuji, she crossed paths with Shinzo Shimao, who would later become her husband. In 1978, Ushioda and Shimao had a daughter and got married. The next year, the family moved into a single-room unit in a historic Western-style house. In this intimate setting, she continued to photograph, resulting in a wealth of images with a nostalgic familiarity and refined calmness. Published as a set of two books, this collection can be considered the starting point to her photography.
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livres
livres
Publication:
janvier 2022
janvier 2022
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livres
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta(...)
Publication:
novembre 2022
novembre 2022
Titre:
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
We were here: Sexuality, photography, and cultural difference
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Newspaper articles, speeches, and essays show Sunil Gupta’s crucial role at the center of grassroots queer and postcolonial organizing throughout an artistic career lived between Canada, the UK, and India. In his pieces about homosexuality in Indian cities, the AIDS crisis, the Black Arts Movement, or key figures including Joy Gregory and Robert Mapplethorpe, Gupta foregrounds the power of cultural activism in the politically fraught contexts of London and Delhi, and illuminates the essential connections between queer migration and self-discovery. Continually questioning given forms of identity, Gupta offers artists and curators multiple strategies of resistance, carving out space for new ways of imagining what it might mean to live, love, and create.
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livres
livres
Publication:
novembre 2022
novembre 2022
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$14.95
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis(...)
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Résumé:
Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis(...)
Publication:
mars 1994
mars 1994
Titre:
Cités de l'archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
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Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis Cohen et K. Michael Hays.
Cités de l'archéologie fictive : oeuvres de Peter Eisenman, 1978-1988
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Résumé:
Cette monographie est publiée à l'occasion de l'exposition présentée au CCA au printemps de 1994. Préfacé par Phyllis Lambert, ce livre s'ouvre sur une analyse de Jean-François Bédard, commissaire de l'exposition, pour se poursuivre avec une conversation entre Peter Eisenman et les critiques et professeurs d'art et d'architecture Alan Balfour, Yves-Alain Bois, Jean-Louis Cohen et K. Michael Hays.
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livres
livres
Publication:
mars 1994
mars 1994
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This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
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This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long(...)
Publication:
février 1994
février 1994
Titre:
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
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Résumé:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
Cities of artificial excavation: the work of Peter Eisenman, 1978-1988
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$45.00
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Résumé:
This catalogue to the CCA's exhibition presents four of the most representative and best documented of the artificial excavation projects: an urban design scheme for Cannaregio West in Venice (1978); a housing project near Checkpoint Charlie in Berlin (1980-1981, partially realized 1982-1986); a design for the University Art Museum at California State University, Long Beach (1986); and Chora L Works (1985-1986), a garden for the Parc de La Villette in Paris designed in collaboration with Jacques Derrida. Each project is presented through the architect's drawings and models, over 200 images in all, more than 150 of them in colour, most from the collections of the Canadian Centre for Architecture. Each project sequence begins with a theoretical text by Eisenman, then goes on to a project history describing the site and explaining Eisenman's design strategy. The unprecedented publication of complete series of conceptual drawings not only illustrates Eisenman's design process in detail, but also traces the transformation, through drawing and model making, of his architectural discourse. With essays by Alan Balfour, Yve-Alain Bois, Jean-François Bédard, Jean-Louis Cohen, Kurt W. Forster, K. Michael Hays, Arata Isozaki, and Fredric Jameson.
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livres
livres
Publication:
février 1994
février 1994
Classification:
livres
livres
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$42.95
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The author considers the broad range of Matta-Clark’s ephemeral practice, from montage to actual interventions and from performance art and installation to drawing, film and video. Bringing to the fore the consistent themes and issues explored through this broad range of media, and in particular the complex notion of the "discreet violation," he reveals the continued(...)
$42.95
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The author considers the broad range of Matta-Clark’s ephemeral practice, from montage to actual interventions and from performance art and installation to drawing, film and video. Bringing to the fore the consistent themes and issues explored through this broad range of media, and in particular the complex notion of the "discreet violation," he reveals the continued(...)
Titre:
Gordon Matta-Clark: art, architecture and the attack on modernism
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The author considers the broad range of Matta-Clark’s ephemeral practice, from montage to actual interventions and from performance art and installation to drawing, film and video. Bringing to the fore the consistent themes and issues explored through this broad range of media, and in particular the complex notion of the "discreet violation," he reveals the continued relevance of Matta-Clark’s artistic and theoretical oeuvre to the reception of artistic and architectural work today.
Gordon Matta-Clark: art, architecture and the attack on modernism
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The author considers the broad range of Matta-Clark’s ephemeral practice, from montage to actual interventions and from performance art and installation to drawing, film and video. Bringing to the fore the consistent themes and issues explored through this broad range of media, and in particular the complex notion of the "discreet violation," he reveals the continued relevance of Matta-Clark’s artistic and theoretical oeuvre to the reception of artistic and architectural work today.
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livres
livres
Publication:
mai 2009
mai 2009
Classification:
livres
livres
Titre:
La lenteur
La lenteur
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Eloge de la lenteur et pamphlet contre un siècle qui a accéléré le rythme du temps.
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Eloge de la lenteur et pamphlet contre un siècle qui a accéléré le rythme du temps.
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La lenteur
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Eloge de la lenteur et pamphlet contre un siècle qui a accéléré le rythme du temps.
La lenteur
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Eloge de la lenteur et pamphlet contre un siècle qui a accéléré le rythme du temps.
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livres
livres
Publication:
mai 2009
mai 2009
Sujet:
Expositions en cours
Expositions en cours
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livres
livres
Titre:
Gravity's rainbow
Gravity's rainbow
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Winner of the 1973 National Book Award, Gravity’s Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce’s Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
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Winner of the 1973 National Book Award, Gravity’s Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce’s Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
Titre:
Gravity's rainbow
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Winner of the 1973 National Book Award, Gravity’s Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce’s Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
Gravity's rainbow
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Winner of the 1973 National Book Award, Gravity’s Rainbow is a postmodern epic, a work as exhaustively significant to the second half of the twentieth century as Joyce’s Ulysses was to the first. Its sprawling, encyclopedic narrative and penetrating analysis of the impact of technology on society make it an intellectual tour de force.
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livres
livres
Publication:
mai 2009
mai 2009
