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Architecture and feminism
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A collection of essays and projects addressing the question of how these two seemingly disparate disciplines are related. Contributors include Manuela Antoniu, Vanessa Chase, Deborah Fausch, Susan Henderson, Mary McLeod, and George Wagner.
août 1996, New York
Architecture and feminism
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A collection of essays and projects addressing the question of how these two seemingly disparate disciplines are related. Contributors include Manuela Antoniu, Vanessa Chase, Deborah Fausch, Susan Henderson, Mary McLeod, and George Wagner.
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août 1996, New York
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Sexuality and space
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This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within(...)
janvier 1992, New York
Sexuality and space
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This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.
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janvier 1992, New York
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''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book(...)
Making space: Women and the manmade environment
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''Making space'' is a pioneering work first published in 1984 which challenges us to look at how the built environment impacts on women’s lives. It exposes the sexist assumptions on gender and sexuality that have a fundamental impact on the way buildings are designed and our cities are planned. Written collaboratively by the feminist collective Matrix, the book provide a full blown critique of the patriarchal built environment both in the home and in public space, and outline alternative forms of practice that are still relevant today. ''Making space'' remains a path breaking book pointing to possibilities of a feminist future. Some authors worked for the London-based Matrix Feminist Architect’s collective, an architectural practice set up in 1980 seeking to establish a feminist approach to design. They worked on design projects—such as community, children and women’s centres. Others were engaged in building work, teaching and research. The new edition comes with a new introduction examining the context, process and legacy of ''Making space'' written by leading feminists in architecture.
Ville féministe
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À qui appartient la ville ? Sûrement pas aux femmes. Souvent le théâtre des violences, la ville repose sur des fondations sexistes. Kern s’attarde à la manière dont les relations de genre, de classe, de race et d’âge se déploient dans la ville. Elle nous invite à redéfinir et à nous réapproprier les espaces urbains. Comment rendre nos villes plus féministes ? Partant de(...)
Ville féministe
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À qui appartient la ville ? Sûrement pas aux femmes. Souvent le théâtre des violences, la ville repose sur des fondations sexistes. Kern s’attarde à la manière dont les relations de genre, de classe, de race et d’âge se déploient dans la ville. Elle nous invite à redéfinir et à nous réapproprier les espaces urbains. Comment rendre nos villes plus féministes ? Partant de son expérience quotidienne de citadine à différentes époques de sa vie (enfant, adolescente, étudiante, travailleuse, militante et mère), elle s’appuie sur les théories d’urbanisme, des travaux de géographes féministes et des références à la culture pop pour montrer comment une ville genrée qui s’embourgeoise exclut les populations marginalisées, mais également pour évoquer les possibles configurations d’une ville plus inclusive.
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Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic,(...)
mai 2022
Queer spaces: An atlas of LGBTQ+ places and stories
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Queer people have always found ways to exist and be together, and there will always be a need for queer spaces. In this illustrated volume, Adam Nathaniel Furman and Joshua Mardell have gathered together a community of contributors to share stories of spaces that range from the educational to the institutional to the re-appropriated, and many more besides. With historic, contemporary and speculative examples from around the world, this book recognises LGBTQIA+ life past and present as strong, vibrant, vigorous, and worthy of its own place in history. Looking forward, it suggests visions of what form these spaces may take in the future to continue uplifting queer lives.
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social(...)
Cyberfeminism index
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When learning about internet history, we are taught to focus on engineering, the military-industrial complex and the grandfathers who created the architecture and protocol, but the internet is not only a network of cables, servers and computers. It is an environment that shapes and is shaped by its inhabitants and their use.The creation and use of this Index is a social and political act. It takes the name cyberfeminism as an umbrella, complicates it and pushes it into plain sight. Edited by designer, professor and researcher Mindy Seu (who began the project during a fellowship at the Harvard Law School’s Berkman Klein Center for the Internet & Society, later presenting it at the New Museum), it includes more than 1,000 short entries of radical techno-critical activism in a variety of media, including excerpts from academic articles and scholarly texts; descriptions of hackerspaces, digital rights activist groups, bio-hacktivism; and depictions of feminist net art and new media art.
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Les revendications féministes actuelles dans le domaine de l’architecture s’enracinent dans des décennies de réflexion critique, de militantisme politique, théorique et professionnel. Documentant l’engagement de plusieurs générations de penseurs-euses féministes, cette anthologie fait entendre quelques-unes des voix pionnières qui se sont élevées pour interroger le champ(...)
Des voix s'élèvent : Féminismes et architecture
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Les revendications féministes actuelles dans le domaine de l’architecture s’enracinent dans des décennies de réflexion critique, de militantisme politique, théorique et professionnel. Documentant l’engagement de plusieurs générations de penseurs-euses féministes, cette anthologie fait entendre quelques-unes des voix pionnières qui se sont élevées pour interroger le champ de l’architecture dans toutes ses dimensions, ses mécanismes sociaux, ses modes de production intellectuelle et professionnelle. Publiés entre 1977 et 1999, les douze textes fondateurs sélectionnés et présentés par la chercheuse Stéphanie Dadour éclairent un moment oublié de l’histoire de l’architecture nord-américaine. À une période où des notions fondamentales comme genre, intersectionnalité et queer sont forgées et progressivement introduites en architecture, les discours croisés de ces praticien-nes, théoricien-nes, historien-nes ou commissaires d’expositions dessinent un mouvement collectif qui n’existait pas auparavant et qui marquera indéfectiblement la littérature architecturale ultérieure.
Gender gap
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''Gender gap,'' curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with ''The architect's table'', a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a(...)
Gender gap
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''Gender gap,'' curated by Laura Andreini, documents an exhibition of projects and maquettes by 20 international female architects. Created in conjunction with ''The architect's table'', a series of events held at the Museo Novecento in Florence in 2021, the architects featured here address the personal challenges they have encountered in the course of their careers in a field where men are still the predominant players, and offer their observations on women in architecture in the 21st century. In separate chapters, the show highlights work by Carmen Andriani, Sandy Attia, Cristina Celestino, Izaskun Chinchilla, Maria Claudia Clemente, Isotta Cortesi, Elizabeth Diller, Lina Ghothmeh, Carla Juacaba, Fuesanta Nieto, Simona Ottieri, Carme Pigem, Guendalina Salimei, Marella Santangelo, Maria Alessandra Segantini, Benedetta Tagliabue, Monica Tricario, Patricia Viel, Paola Vigano and Laura Andreini, curator of the exhibition and catalogue.
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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the(...)
Black turtleneck, round glasses
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According to a recent American study, sexism and racism are so widespread in architecture that there is a distaste for these topics within the branch itself. What are the reasons for this exclusionary working culture? Even in Germany, most architecture graduates since the turn of the millennium have been female—but a large number of conventions and assumptions within the discipline make it difficult for women to remain in the profession. As a result, a great deal of highly trained talent is lost. This book uses an intersectional feminist perspective to examine the structural causes that push women—and anyone else who isn’t a white cis man—out of the field. How can architectural teaching and discourse, as well as the industry’s self-image, become more diverse? Where are the experiences of a pluralistic society missing from the built environment? How can we bring about cultural change in planning and architecture?
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As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure—a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected(...)
The spiv and the architect: unruly life in postwar London
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As London emerged from the devastation of the Second World War, planners and policymakers sought to rebuild the city in ways that would reshape the behavior of its citizens as much as it would its buildings and infrastructure—a program defined by a strong emphasis on civic order and conservative values of national community. One of the groups most significantly affected by this new, moralistic climate of reformation and renewal was queer men, whom the police, the media, and lawmakers targeted as an urgent urban problem by marking their lives and desires as criminal and deviant. Richard Hornsey examines how queer men legitimized, resisted, and reinvented this ambitious reconstruction program, which extended from the design of basic public spaces and municipal libraries to private living rooms and home decor. From their association with the urban stereotype of the spiv (slang for a young petty criminal who lived by his wits and shirked legitimate work) and vilification in the tabloids as perverts to the assimilated homosexuals within reformist psychology, Hornsey details how these efforts to transform London fundamentally restructured the experiences and identities of gay men in the city and throughout the country.