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Titre:
The first american women architects

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$70.00
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Résumé:
Organized alphabetically as a reference guide, this volume provides a biographical sketch of each architect's life, education, and professional career, and a list of known works and sources for further research. Many of these remarkable women have never before appeared in any other history, making The First American Women Architects a unique and invaluable reference for students and scholars interested in women's history and architecture. As an instructive record of the legacy of women in architectural history, this book will also serve as a stimulating indicator of the broadening potential for women and other minorities within the field of architecture.

Titre:
A women's Berlin building the modern city

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Résumé:
Around the beginning of the twentieth century, women began to claim Berlin as their own, expressing a vision of the German capital that embraced their feminine modernity, both culturally and architecturally. Women located their lives and made their presence felt in the streets and institutions of this dynamic metropolis. From residences to restaurants, schools to exhibition halls, a visible network of women’s spaces arose to accommodate changing patterns of life and work. A Women’s Berlin retraces this largely forgotten city, which came into being in the years between German unification in 1871 and the demise of the monarchy in 1918 and laid the foundation for a novel experience of urban modernity. Although the phenomenon of women taking control of urban space was widespread in this period, Despina Stratigakos shows how Berlin’s concentration of women’s building projects produced a more fully realized vision of an alternative metropolis. Female clients called on female design professionals to help them define and articulate their architectural needs. Many of the projects analyzed in A Women’s Berlin represent a collaborative effort uniting female patrons, architects, and designers to explore the nature of female aesthetics and spaces.

Titre:
Designing for Diversity: gendre, race and ethnicity in the architectural profession

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Providing hard data for trends that many perceive only vaguely and some deny altogether, Designing for Diversity reveals a profession rife with gender and racial discrimination and examines the aspects of architectural practice that hinder or support the full participation of women and persons of color. Given the traditional mismatch between diverse consumers and predominantly white male producers of the built environment, plus the shifting population balance toward communities of color, Anthony contends that improving the climate for nontraditional architects will do much to strengthen architecture as a profession. Practicing architects, managers of firms, students, and educators will learn how to create conditions more welcoming to a diversity of users as well as to designers.

Titre:
Designing women : gender and the architectural profession

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Historically, the contributions of women architects to their profession have been minimized or overlooked. ‘Designing Women’ explores the tension that has existed between the architectural profession and its women members. It demonstrates the influence that these women have had on architecture in Canada, and links their so-called marginalization to the profession's restrictive and sometimes discriminatory practices. Co-written by an architectural historian and a sociologist, this book provides a welcome blend of disciplinary approaches. The product of much original research, it looks at issues that are specific to architecture in Canada and at the same time characteristic of many male-dominated workplaces.Annmarie Adams and Peta Tancred examine the issue of gender and its relation to the larger dynamics of status and power. They argue that many women architects have reacted with ingenuity to the difficulties they have faced, making major innovations in practice and design. Branching out into a wide range of alternative fields, these women have extended and developed what are considered to be the core specializations within architecture. As the authors point out, while the profession designs women's place within it, women design buildings and careers that transcend that narrow professional definition.

Titre:
Women's places : architecture and design 1860-1960

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Résumé:
"Women's places : architecture and design 1860-1960" presents a series of case-study essays, all of them based on research which has been unpublished up until now, dealing with the relationship between particular women, buildings and design in the time period. This collection shows a range of actual relationships between women and material culture in a given historical period, from those who engaged with the avant-garde of their day, to others who were more conservative and worked within prevailing traditions and conventions; their differing strategies and the ways in which the picture changed over a period of time in response to shifts in the contemporary aesthetic, economic, social and cultural climate of gender, architecture and design. The team of authors are noted within the discipline for their original and pioneering research in the field of gender, architecture, material culture and the built environment.

Titre:
Modernism and the architecture of private life (gender and culture series)

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Modernism and the Architecture of Private Life offers a bold new assessment of the role of the domestic sphere in modernist literature, architecture, and design

Titre:
Architecture and feminism

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$24.00
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A collection of essays and projects addressing the question of how these two seemingly disparate disciplines are related. Contributors include Manuela Antoniu, Vanessa Chase, Deborah Fausch, Susan Henderson, Mary McLeod, and George Wagner.

Titre:
Sexuality and space

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Résumé:
This collection of interdisciplinary essays addresses gender in relation to architectural discourse and critical theory, focusing on finding the close relationships between sexuality and space hidden within everyday practices. The contributors are Jennifer Bloomer, Victor Burgin, Beatriz Colomina, Elizabeth Grosz, Catherine Ingraham, Meaghan Morris, Laura Mulvey, Molly Nesbit, Alessandra Ponte, Lynn Spigel, Patricia White, and Mark Wigley.

Titre:
Where Are the Women Architects?

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Résumé:
For a century and a half, women have been proving their passion and talent for building and, in recent decades, their enrollment in architecture schools has soared. Yet the number of women working as architects remains stubbornly low, and the higher one looks in the profession, the scarcer women become. Law and medicine, two equally demanding and traditionally male professions, have been much more successful in retaining and integrating women. So why do women still struggle to keep a toehold in architecture? This book tells the story of women's stagnating numbers in a profession that remains a male citadel, and explores how a new generation of activists is fighting back, grabbing headlines, and building coalitions that promise to bring about change.

Titre:
Ideological equals: women architects in socialist Europe 1945-1989

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Résumé:
'' Ideological equals: women architects in Socialist Europe 1945-1989'' presents an alternative narrative of women in architecture. A topic often considered from the perspective of difference, this edited collection conversely focuses on the woman architect in a position of equality with their male counterparts. The book looks at nations in Eastern Europe under Socialism where, between 1945 and 1989, a contrasting vision of gender relations was propagated in response to the need for engineers and architects. It includes contributions from established and emerging academics in the fields of 20th century history, art history, and architectural history in Central and Eastern Europe exploring the political, economic and social mechanisms which either encouraged or limited the rise of the woman architect. Investigating the inherent contradictions of Socialist gender ideology and practice, this illustrated volume examines the individuals in different contexts; the building types the women produced; the books and theory they were able to write; their contacts to international organizations; and their representation on both sides of the Iron Curtain.