216 Résultats
Classification:
livres
livres
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$59.95
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The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a (...)
$59.95
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Résumé:
The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a (...)
Titre:
Fragments of utopia: collage reflections of heroic modernism
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Résumé:
The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a prose commentary by Wild and supporting smaller images. Introducing the book, David Wild explains that the impulse for this work lies in the aftermath of a fire in his house: his scorched books lent themselves to collage. He goes on to sketch the cultural-political climate in Britain over the last 40 years: the backdrop to his work as an architect and (less directly) to this book. In the opening section on the Netherlands, the leading theme is an architecture of social equity and continuity. Rooted in old cultural traditions, and in the particular ‘football-pitch’ landscape of the country, modern architecture could realise some of its dreams in everyday buildings. Postage stamps play an active part in many of the book’s collages, and especially in this section: the design of stamps flourished in the Netherlands, through the enlightened patronage of the Dutch post office — with several architects designing stamps too. Politics and history come to prominence in the Russian section, as a motivating force in the work of the early 1920s, and then as a heavy burden — with the onset of totalitarian control and repression. At the centre of the discussion here is the architecture of constructivism: formally brilliant, but with a clear social programme. Flight and the exploration of space are recurring topics in this section, as another and particularly Russian dimension of utopian striving The work of Le Corbusier, in Europe, North and South America, Russia and India, is treated in the third section. Le Corbusier is presented as a brilliant artist, a master architect of the greatest skill and the greatest ambition — and without scruple in pursuing commissions. The images and text follow him into the years after the Second World War, culminating in the work in India. Here there is a vision of another kind of politics, of co-operation and non-violence.
Fragments of utopia: collage reflections of heroic modernism
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Résumé:
The book reproduces a series of the collages made by David Wild. Their subject is modern architecture in the first half of the twentieth century: in the Netherlands, in Russia, and in the work of Le Corbusier. The method of the book is to show a collage on a right-hand page; then on the facing page is a prose commentary by Wild and supporting smaller images. Introducing the book, David Wild explains that the impulse for this work lies in the aftermath of a fire in his house: his scorched books lent themselves to collage. He goes on to sketch the cultural-political climate in Britain over the last 40 years: the backdrop to his work as an architect and (less directly) to this book. In the opening section on the Netherlands, the leading theme is an architecture of social equity and continuity. Rooted in old cultural traditions, and in the particular ‘football-pitch’ landscape of the country, modern architecture could realise some of its dreams in everyday buildings. Postage stamps play an active part in many of the book’s collages, and especially in this section: the design of stamps flourished in the Netherlands, through the enlightened patronage of the Dutch post office — with several architects designing stamps too. Politics and history come to prominence in the Russian section, as a motivating force in the work of the early 1920s, and then as a heavy burden — with the onset of totalitarian control and repression. At the centre of the discussion here is the architecture of constructivism: formally brilliant, but with a clear social programme. Flight and the exploration of space are recurring topics in this section, as another and particularly Russian dimension of utopian striving The work of Le Corbusier, in Europe, North and South America, Russia and India, is treated in the third section. Le Corbusier is presented as a brilliant artist, a master architect of the greatest skill and the greatest ambition — and without scruple in pursuing commissions. The images and text follow him into the years after the Second World War, culminating in the work in India. Here there is a vision of another kind of politics, of co-operation and non-violence.
Classification:
livres
livres
Publication:
janvier 1900, London
janvier 1900, London
Classification:
livres
livres
Prix:
$105.00
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Résumé:
This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts(...)
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This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts(...)
Publication:
octobre 2000, London
octobre 2000, London
Titre:
Anthony Froshaug : typography and texts / documents of a life
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$105.00
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This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts that he made as instructions. At the centre of this book is the section of 'texts' all the writings that Froshaug published in his lifetime or which exist in manuscript in some adequately finished state. This volume concludes with a catalogue of work, bibliographies, index (to both volumes). The second volume, "Documents of a life" is not a biography, but rather a sequence of documents, mostly drawn from hitherto private sources, interspersed with explanation by the editor. Among these documents are autobiographical memories by Froshaug, as well as correspondence between him and a range of contemporaries. Notable correspondences represent his attempt in the 1940s to publish texts by Jan Tschichold, and his friendship with the writer Stefan Themerson. Memories by his friend Wolfgang Hildesheimer are preseted here for the first time in English. Froshaug’s periods as a one-man printer in Cornwall, adjacent to the artists at St Ives, are documented. The book also represents his seminal teaching work at the Central School of Arts & Crafts, the Hochschule für Gestaltung Ulm, the Royal College of Art, and Watford School of Art.
Anthony Froshaug : typography and texts / documents of a life
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Résumé:
This two-volume work presents life and work of the English typographer Anthony Froshaug. "Typography & texts" concerns Froshaug's work. An introduction by Robin Kinross outlines the nature and achievement of Froshaug. Then a selection of his printed products is shown with extended critical captions, followed by layouts that he made as instructions. At the centre of this book is the section of 'texts' all the writings that Froshaug published in his lifetime or which exist in manuscript in some adequately finished state. This volume concludes with a catalogue of work, bibliographies, index (to both volumes). The second volume, "Documents of a life" is not a biography, but rather a sequence of documents, mostly drawn from hitherto private sources, interspersed with explanation by the editor. Among these documents are autobiographical memories by Froshaug, as well as correspondence between him and a range of contemporaries. Notable correspondences represent his attempt in the 1940s to publish texts by Jan Tschichold, and his friendship with the writer Stefan Themerson. Memories by his friend Wolfgang Hildesheimer are preseted here for the first time in English. Froshaug’s periods as a one-man printer in Cornwall, adjacent to the artists at St Ives, are documented. The book also represents his seminal teaching work at the Central School of Arts & Crafts, the Hochschule für Gestaltung Ulm, the Royal College of Art, and Watford School of Art.
Classification:
livres
livres
Publication:
octobre 2000, London
octobre 2000, London
Classification:
livres
livres
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$67.50
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Résumé:
**épuisé / out of print**
$67.50
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Résumé:
**épuisé / out of print**
Publication:
novembre 2000, Cambridge, Mass.
novembre 2000, Cambridge, Mass.
Titre:
For the voice: Mayakovsky / El Lissitzky
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$67.50
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**épuisé / out of print**
For the voice: Mayakovsky / El Lissitzky
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Résumé:
**épuisé / out of print**
Classification:
livres
livres
Publication:
novembre 2000, Cambridge, Mass.
novembre 2000, Cambridge, Mass.
Classification:
livres
livres
Titre:
Base book 2
Base book 2
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$61.95
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Résumé:
A retrospective of the work of the graphic design firm Base from 1997-2000, this publication presents diverse examples of creative direction, art direction, and graphic design.
$61.95
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Résumé:
A retrospective of the work of the graphic design firm Base from 1997-2000, this publication presents diverse examples of creative direction, art direction, and graphic design.
Publication:
janvier 1900, Brussels
janvier 1900, Brussels
Titre:
Base book 2
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A retrospective of the work of the graphic design firm Base from 1997-2000, this publication presents diverse examples of creative direction, art direction, and graphic design.
Base book 2
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Résumé:
A retrospective of the work of the graphic design firm Base from 1997-2000, this publication presents diverse examples of creative direction, art direction, and graphic design.
Classification:
livres
livres
Publication:
janvier 1900, Brussels
janvier 1900, Brussels
Classification:
livres
livres
Titre:
Paul Rand : a designer's art
Paul Rand : a designer's art
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Résumé:
*** ÉPUISÉE / OUT OF PRINT***
$47.95
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Résumé:
*** ÉPUISÉE / OUT OF PRINT***
Titre:
Paul Rand : a designer's art
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*** ÉPUISÉE / OUT OF PRINT***
Paul Rand : a designer's art
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*** ÉPUISÉE / OUT OF PRINT***
Classification:
livres
livres
Publication:
octobre 2000, New Haven
octobre 2000, New Haven
Classification:
livres
livres
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$24.00
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Résumé:
Although an architect by profession, H.Th. Wijdeveld (1885-1987) is best known for Wendingen, the 'magazine for the decorative arts and architecture' founded by him in 1918. One of the peaks of Wendingen was the series devoted to the work of the American architect Frank Lloyd Wright, for which Wijdeveld designed everything himself. Its graphic design caused a sensation(...)
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Résumé:
Although an architect by profession, H.Th. Wijdeveld (1885-1987) is best known for Wendingen, the 'magazine for the decorative arts and architecture' founded by him in 1918. One of the peaks of Wendingen was the series devoted to the work of the American architect Frank Lloyd Wright, for which Wijdeveld designed everything himself. Its graphic design caused a sensation(...)
Titre:
H. Th. Wijdeveld : Art Deco design on paper
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Although an architect by profession, H.Th. Wijdeveld (1885-1987) is best known for Wendingen, the 'magazine for the decorative arts and architecture' founded by him in 1918. One of the peaks of Wendingen was the series devoted to the work of the American architect Frank Lloyd Wright, for which Wijdeveld designed everything himself. Its graphic design caused a sensation and soon spawned a school of 'Wijdeveld typography'. Typical features of his designs are the game played with brass rules taken from the type case and stacked together to form letters, and the page layout in lines and blocks, what his contemporaries called 'typographical brickwork'. This publication, which accompanied an exhibition in Museum Meermanno (The Hague) devoted to his typography, features all the exhibits - posters, books and other graphic work by Wijdeveld himself and that of several of his successors, notably Anton Kurvers. Design by Piet Gerards.
H. Th. Wijdeveld : Art Deco design on paper
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Résumé:
Although an architect by profession, H.Th. Wijdeveld (1885-1987) is best known for Wendingen, the 'magazine for the decorative arts and architecture' founded by him in 1918. One of the peaks of Wendingen was the series devoted to the work of the American architect Frank Lloyd Wright, for which Wijdeveld designed everything himself. Its graphic design caused a sensation and soon spawned a school of 'Wijdeveld typography'. Typical features of his designs are the game played with brass rules taken from the type case and stacked together to form letters, and the page layout in lines and blocks, what his contemporaries called 'typographical brickwork'. This publication, which accompanied an exhibition in Museum Meermanno (The Hague) devoted to his typography, features all the exhibits - posters, books and other graphic work by Wijdeveld himself and that of several of his successors, notably Anton Kurvers. Design by Piet Gerards.
Classification:
livres
livres
Publication:
mai 2003, Rotterdam
mai 2003, Rotterdam
Classification:
livres
livres
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$44.95
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Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? "Karlssonwilker inc.'s tellmewhy" is the improbable story of such a ventureor act of bravura or insanityon the part of Hjalti Karlsson and Jan Wilker, and offers a telling,(...)
$44.95
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Résumé:
Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? "Karlssonwilker inc.'s tellmewhy" is the improbable story of such a ventureor act of bravura or insanityon the part of Hjalti Karlsson and Jan Wilker, and offers a telling,(...)
Publication:
octobre 2003, New York
octobre 2003, New York
Titre:
Karlssonwilker inc.'s tellmewhy : the first 24 months of a New York design company
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$44.95
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Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? "Karlssonwilker inc.'s tellmewhy" is the improbable story of such a ventureor act of bravura or insanityon the part of Hjalti Karlsson and Jan Wilker, and offers a telling, humorous, and always human insight into the workings of a young startup design studio, showcasing every project they did in their first two years. A book as iconoclastic as their designs, tellmewhy features fresh stories of karlssonwilker's ordinary office and its less-than-romantic tales about rooftop parties, battles with immigration, missed meetings, and money problems. Despite these storiesand because of otherskarlssonwilker has produced an impressive body of design work in two short years. Tellmewhy shows the happy endings, including signage for a Philadelphia restaurant, logo designs for a New York fashion house, and CD packaging for both independent and major music labels. And it presents unrealized designs, like an ad campaign for a TV network. All share the designers' creative and humorous take on design. Karlssonwilker intersperses these examples with its singular illustrated diagrams, faux flow charts linking the partners' biographies, work, social lives, and whatever comes to their unique minds. A foreword by former employer Stefan Sagmeister recalls karlssonwilker's start in his design office.
Karlssonwilker inc.'s tellmewhy : the first 24 months of a New York design company
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$44.95
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Résumé:
Why would two talented and employable young graphic designers start up their own practice without any clients, in the midst of a recession, and in a city brimming with world-renowned designers? "Karlssonwilker inc.'s tellmewhy" is the improbable story of such a ventureor act of bravura or insanityon the part of Hjalti Karlsson and Jan Wilker, and offers a telling, humorous, and always human insight into the workings of a young startup design studio, showcasing every project they did in their first two years. A book as iconoclastic as their designs, tellmewhy features fresh stories of karlssonwilker's ordinary office and its less-than-romantic tales about rooftop parties, battles with immigration, missed meetings, and money problems. Despite these storiesand because of otherskarlssonwilker has produced an impressive body of design work in two short years. Tellmewhy shows the happy endings, including signage for a Philadelphia restaurant, logo designs for a New York fashion house, and CD packaging for both independent and major music labels. And it presents unrealized designs, like an ad campaign for a TV network. All share the designers' creative and humorous take on design. Karlssonwilker intersperses these examples with its singular illustrated diagrams, faux flow charts linking the partners' biographies, work, social lives, and whatever comes to their unique minds. A foreword by former employer Stefan Sagmeister recalls karlssonwilker's start in his design office.
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livres
livres
Publication:
octobre 2003, New York
octobre 2003, New York
Classification:
livres
livres
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$70.00
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II,(...)
$70.00
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II,(...)
Publication:
septembre 2003, New York
septembre 2003, New York
Titre:
Abram Games : his life and work
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$70.00
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II, he was England's official war poster designer, a position from which he oversaw the design and production of hundreds of posters calling on Britons to stand fast and support the Allied troops. "Abram Games: His Life and Work" is the first monograph on this design legend whose work helped to define the look of modern English culture.
Abram Games : his life and work
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Over a remarkable career that spanned more than sixty years, Abram Games was a leading voice in 20th-century British graphic design. A modernist who used graphically charged symbols to catch the eye, he designed posters, signage, packaging, and other ephemera for such giants as the BBC, Shell, the Financial Times, Guinness, and the London Underground. During World War II, he was England's official war poster designer, a position from which he oversaw the design and production of hundreds of posters calling on Britons to stand fast and support the Allied troops. "Abram Games: His Life and Work" is the first monograph on this design legend whose work helped to define the look of modern English culture.
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livres
livres
Publication:
septembre 2003, New York
septembre 2003, New York
Classification:
livres
livres
Titre:
Designed by Peter Saville
Designed by Peter Saville
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Peter Saville is arguably the most influential graphic designer of his generation. Best known for his seminal record covers for Joy Division and New Order and as the co-founder of legendary independent music label Factory Records, Saville has created designs for fashion, advertising, and art. The intensity and timelessness of his work has ensured his cult status for(...)
$41.95
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Peter Saville is arguably the most influential graphic designer of his generation. Best known for his seminal record covers for Joy Division and New Order and as the co-founder of legendary independent music label Factory Records, Saville has created designs for fashion, advertising, and art. The intensity and timelessness of his work has ensured his cult status for(...)
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Designed by Peter Saville
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$41.95
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Peter Saville is arguably the most influential graphic designer of his generation. Best known for his seminal record covers for Joy Division and New Order and as the co-founder of legendary independent music label Factory Records, Saville has created designs for fashion, advertising, and art. The intensity and timelessness of his work has ensured his cult status for twenty-five years. His far-reaching designs and character prefigure popular culture: fresh and seemingly familiar, he continues to transform the commonplace into the desirable. This first book on Saville's work chronicles his prolific career from 1978 to the present. It includes a comprehensive interview by Christopher Wilson as well as essays by style writer Peter York, music critics Paul Morley and Miranda Sawyer, and design critics Rick Poynor, Emily King, and Peter Hall. Peter Saville is a graphic designer who resides in London.
Designed by Peter Saville
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Peter Saville is arguably the most influential graphic designer of his generation. Best known for his seminal record covers for Joy Division and New Order and as the co-founder of legendary independent music label Factory Records, Saville has created designs for fashion, advertising, and art. The intensity and timelessness of his work has ensured his cult status for twenty-five years. His far-reaching designs and character prefigure popular culture: fresh and seemingly familiar, he continues to transform the commonplace into the desirable. This first book on Saville's work chronicles his prolific career from 1978 to the present. It includes a comprehensive interview by Christopher Wilson as well as essays by style writer Peter York, music critics Paul Morley and Miranda Sawyer, and design critics Rick Poynor, Emily King, and Peter Hall. Peter Saville is a graphic designer who resides in London.
Classification:
livres
livres
Publication:
septembre 2003, New York
septembre 2003, New York
Classification:
livres
livres
Titre:
Adrian Frutiger : life cycle
Adrian Frutiger : life cycle
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$59.95
(disponible en magasin)
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Trilingual text. 24 French-folded pages.
$59.95
(disponible en magasin)
Résumé:
Trilingual text. 24 French-folded pages.
Publication:
janvier 1999, Cham, Switzerland
janvier 1999, Cham, Switzerland
Titre:
Adrian Frutiger : life cycle
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$59.95
(disponible en magasin)
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Trilingual text. 24 French-folded pages.
Adrian Frutiger : life cycle
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$59.95
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Résumé:
Trilingual text. 24 French-folded pages.
Classification:
livres
livres
Publication:
janvier 1999, Cham, Switzerland
janvier 1999, Cham, Switzerland
