222 Résultats
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livres
livres
Titre:
Non-format love song
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full(...)
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full(...)
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
Titre:
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire. In addition to their best project work for clients from the music, fashion and advertising industries as well as for culture and the arts, Non-Format also contains original work that was created exclusively for the book.
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire. In addition to their best project work for clients from the music, fashion and advertising industries as well as for culture and the arts, Non-Format also contains original work that was created exclusively for the book.
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livres
livres
Publication:
janvier 1900, Berlin
janvier 1900, Berlin
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livres
livres
Prix:
$102.00
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Résumé:
Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but(...)
$102.00
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but(...)
Titre:
Ultramodern : Samuel Marx, architect, designer, art collector
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer, Liz O Brien, reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute, in Chicago.
Ultramodern : Samuel Marx, architect, designer, art collector
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer, Liz O Brien, reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute, in Chicago.
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livres
livres
Publication:
novembre 2007, New York
novembre 2007, New York
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livres
livres
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the(...)
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the(...)
Publication:
février 2008, New York
février 2008, New York
Titre:
Paul Rand Conversations with students
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the questions you ask. This is part of the manipulative aspect of design.»
Paul Rand Conversations with students
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«Design is the manipulation of form and content... Content is the idea, or subjects matter. Form is what you do with this idea. How do I deal with it? Do I use color? Do I use black and white? Do I make it big? Do I make it small? Do I make it three-dimensional or two-dimensional? Do I use trendy stuff, or do I use Bodoni or do I use Baskerville? These are all the questions you ask. This is part of the manipulative aspect of design.»
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livres
livres
Publication:
février 2008, New York
février 2008, New York
Classification:
livres
livres
Titre:
Massin
Massin
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$85.00
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one(...)
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one(...)
Titre:
Massin
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
Massin
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Robert Massin (b. 1925) is a highly influential French graphic designer and writer. He has worked with many famous authors and playwrights, including Eugène Ionesco, Blaise Cendrars, and Raymond Queneau, and for twenty years has been the art director for the pre-eminent French publisher Gallimard. This is the first monograph published in English on the work of Massin, one of the key exponents in the development of post-war graphic design. Wolff charts Massin's wide-ranging career with detailed discussion of some of his most inventive and exciting projects, including the award-winning THE BALD PRIMA DONNA (1964) and LETTER AND IMAGE (1970). Wolff carried out her research in close collaboration with Massin, gaining unrivaled access to the Massin collection in Chartres as well as the designer's personal archives. MASSIN includes preparatory sketches, letters, and finished works, photographed especially for this book.
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livres
livres
Publication:
octobre 2007, London
octobre 2007, London
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livres
livres
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography(...)
$68.95
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Résumé:
In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography(...)
Titre:
Peter Schuitema : Visual organizer
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In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography matched the work of El Lissitzky and Alexander Rodchenko in Russia, Karel Teige and Nadislav Sutnar in the erstwhile Czechoslovakia, and Herbert Bayer, Joost Schmidt and Laszlo Moholy-Nagy in Germany. This book, the first monograph on Paul Schuitema, not only deals with his graphic work, but also with his activities as a photographer, film-maker, and furniture designer.
Peter Schuitema : Visual organizer
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Résumé:
In the 1920s and �30s, Paul Schuitema was one of the pioneers of New Typography and New Photography in the Netherlands, along with Piet Zwart and Gerard Kiljan. They distinguished themselves by conveying the message in a clear, concise and forceful manner. Schuitema himself referred to it as �right ahead�. In an international context, this typography and photography matched the work of El Lissitzky and Alexander Rodchenko in Russia, Karel Teige and Nadislav Sutnar in the erstwhile Czechoslovakia, and Herbert Bayer, Joost Schmidt and Laszlo Moholy-Nagy in Germany. This book, the first monograph on Paul Schuitema, not only deals with his graphic work, but also with his activities as a photographer, film-maker, and furniture designer.
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livres
livres
Publication:
juin 2007, Rotterdam
juin 2007, Rotterdam
Classification:
livres
livres
Titre:
Karel Martens: Small prints
Karel Martens: Small prints
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$50.00
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This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is(...)
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Résumé:
This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is(...)
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Karel Martens: Small prints
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$50.00
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This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the contents of the book in three layers on a single print sheet, which was then cut and folded, variations in the cover emerged.
Karel Martens: Small prints
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This artist’s publication contains a sequence of unique letterpress monoprints, made by Dutch graphic designer Karel Martens between 2014 and 2022. The prints, which are both highly geometric and brightly coloured, are reproduced in the book at their actual size. Textual elements accent the various abstract shapes and repetitions on almost every page. ‘Small Prints’ is available in two different cover versions, which itself is the result of a printing experiment. By printing the contents of the book in three layers on a single print sheet, which was then cut and folded, variations in the cover emerged.
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livres
livres
Publication:
avril 2023
avril 2023
Classification:
livres
livres
Titre:
Direct, accessible et futé
Direct, accessible et futé
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$33.95
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Michael Bierut est l'une des personnalités les plus notables du graphisme contemporain aux États-Unis, mais son travail et ses écrits restent mal connus en France. Le présent ouvrage rassemble douze articles qu'il a publiés entre 1992 et 2013 – la plupart sur le site Design Observer, dont il fut l'un des fondateurs –, et dont le propos dessine les contours d'un ethos(...)
$33.95
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Résumé:
Michael Bierut est l'une des personnalités les plus notables du graphisme contemporain aux États-Unis, mais son travail et ses écrits restent mal connus en France. Le présent ouvrage rassemble douze articles qu'il a publiés entre 1992 et 2013 – la plupart sur le site Design Observer, dont il fut l'un des fondateurs –, et dont le propos dessine les contours d'un ethos(...)
Publication:
décembre 2022
décembre 2022
Titre:
Direct, accessible et futé
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$33.95
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Résumé:
Michael Bierut est l'une des personnalités les plus notables du graphisme contemporain aux États-Unis, mais son travail et ses écrits restent mal connus en France. Le présent ouvrage rassemble douze articles qu'il a publiés entre 1992 et 2013 – la plupart sur le site Design Observer, dont il fut l'un des fondateurs –, et dont le propos dessine les contours d'un ethos professionnel original, entre modernisme pragmatique et contextualisme joueur. Ils sont complétés d'une sélection des projets les plus significatifs menés par Michael Bierut tout au long d'une carrière s'étendant sur plus de quatre décennies. Cette première publication en français est riche d'enseignements éthiques et pragmatiques qui en font une source d'inspiration essentielle pour les praticiens comme pour les étudiants en design graphique.
Direct, accessible et futé
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Michael Bierut est l'une des personnalités les plus notables du graphisme contemporain aux États-Unis, mais son travail et ses écrits restent mal connus en France. Le présent ouvrage rassemble douze articles qu'il a publiés entre 1992 et 2013 – la plupart sur le site Design Observer, dont il fut l'un des fondateurs –, et dont le propos dessine les contours d'un ethos professionnel original, entre modernisme pragmatique et contextualisme joueur. Ils sont complétés d'une sélection des projets les plus significatifs menés par Michael Bierut tout au long d'une carrière s'étendant sur plus de quatre décennies. Cette première publication en français est riche d'enseignements éthiques et pragmatiques qui en font une source d'inspiration essentielle pour les praticiens comme pour les étudiants en design graphique.
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livres
livres
Publication:
décembre 2022
décembre 2022
Classification:
livres
livres
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$41.95
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Résumé:
Le patronyme du typographe français Claude Garamond (v. 1510–1561) est aujourd'hui accolé à plusieurs dizaines de caractères typographiques numériques d'apparence pourtant très dissemblable. De la Renaissance à l'ère contemporaine, cet ouvrage s'attache à décrire et à expliciter les sources de ce qu'il faut bien appeler l'« imbroglio Garamond », au sein duquel le prestige(...)
$41.95
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Le patronyme du typographe français Claude Garamond (v. 1510–1561) est aujourd'hui accolé à plusieurs dizaines de caractères typographiques numériques d'apparence pourtant très dissemblable. De la Renaissance à l'ère contemporaine, cet ouvrage s'attache à décrire et à expliciter les sources de ce qu'il faut bien appeler l'« imbroglio Garamond », au sein duquel le prestige(...)
Titre:
De quoi Garamond est-il le nom ?
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Le patronyme du typographe français Claude Garamond (v. 1510–1561) est aujourd'hui accolé à plusieurs dizaines de caractères typographiques numériques d'apparence pourtant très dissemblable. De la Renaissance à l'ère contemporaine, cet ouvrage s'attache à décrire et à expliciter les sources de ce qu'il faut bien appeler l'« imbroglio Garamond », au sein duquel le prestige du nom semble avoir, depuis longtemps, remplacé la connaissance des formes. Les enjeux culturels, esthétiques, économiques et techniques qu'il soulève intéresseront tous ceux pour qui la typographie constitue un champ essentiel d'expertise et de pratique professionnelles.
De quoi Garamond est-il le nom ?
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$41.95
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Résumé:
Le patronyme du typographe français Claude Garamond (v. 1510–1561) est aujourd'hui accolé à plusieurs dizaines de caractères typographiques numériques d'apparence pourtant très dissemblable. De la Renaissance à l'ère contemporaine, cet ouvrage s'attache à décrire et à expliciter les sources de ce qu'il faut bien appeler l'« imbroglio Garamond », au sein duquel le prestige du nom semble avoir, depuis longtemps, remplacé la connaissance des formes. Les enjeux culturels, esthétiques, économiques et techniques qu'il soulève intéresseront tous ceux pour qui la typographie constitue un champ essentiel d'expertise et de pratique professionnelles.
Classification:
livres
livres
Publication:
novembre 2022
novembre 2022
Classification:
livres
livres
Titre:
Karel Martens: Love letters
Karel Martens: Love letters
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''Love Letters'' is a selection of 46 envelopes for the letters that Dutch graphic designer Karel Martens sent to his love, Lous, between 1962 and 1963. The envelopes were all manually crafted using printing ink and a spoon to create the pattern. They were printed during his military service, when he was stationed in the drawing room of the Welfare Service at the Prins(...)
$49.50
(disponible en magasin)
Résumé:
''Love Letters'' is a selection of 46 envelopes for the letters that Dutch graphic designer Karel Martens sent to his love, Lous, between 1962 and 1963. The envelopes were all manually crafted using printing ink and a spoon to create the pattern. They were printed during his military service, when he was stationed in the drawing room of the Welfare Service at the Prins(...)
Titre:
Karel Martens: Love letters
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$49.50
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Résumé:
''Love Letters'' is a selection of 46 envelopes for the letters that Dutch graphic designer Karel Martens sent to his love, Lous, between 1962 and 1963. The envelopes were all manually crafted using printing ink and a spoon to create the pattern. They were printed during his military service, when he was stationed in the drawing room of the Welfare Service at the Prins Hendrik Barracks. Among other things, there he was tasked with designing a poster titled “Don’t croak about military service matters, the enemy is listening”.
Karel Martens: Love letters
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Résumé:
''Love Letters'' is a selection of 46 envelopes for the letters that Dutch graphic designer Karel Martens sent to his love, Lous, between 1962 and 1963. The envelopes were all manually crafted using printing ink and a spoon to create the pattern. They were printed during his military service, when he was stationed in the drawing room of the Welfare Service at the Prins Hendrik Barracks. Among other things, there he was tasked with designing a poster titled “Don’t croak about military service matters, the enemy is listening”.
Classification:
livres
livres
Publication:
octobre 2024
octobre 2024
Classification:
livres
livres
Titre:
Paul Cox, n.é.
Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans(...)
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans(...)
Titre:
Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans cette monographie éponyme, il propose une sélection de ses travaux, des scénographies d’exposition à la communication culturelle, en passant par ses croquis quotidiens ou encore ses expérimentations autour des formes et des couleurs. Au delà du catalogue, il commente l’évolution de son œuvre et livre ses maîtres, ses réflexions et recherches graphiques. Un livre de référence pour tout ceux qui s’intéressent au design et à l’illustration.
Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans cette monographie éponyme, il propose une sélection de ses travaux, des scénographies d’exposition à la communication culturelle, en passant par ses croquis quotidiens ou encore ses expérimentations autour des formes et des couleurs. Au delà du catalogue, il commente l’évolution de son œuvre et livre ses maîtres, ses réflexions et recherches graphiques. Un livre de référence pour tout ceux qui s’intéressent au design et à l’illustration.
Classification:
livres
livres
Publication:
janvier 2025
janvier 2025
