Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans(...)
Paul Cox, n.é.
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Né en 1959, Paul Cox est un graphiste et artiste atypique qui compte parmi les créateurs majeurs de son époque. Parallèlement à la peinture, il produit des livres pour les enfants, des affiches, des illustrations de presse, des logos, et tant d’autres objets. Il obtiendra un prix à la Foire internationale de Bologne en 1999, pour son livre « Histoire de l’art ». Dans cette monographie éponyme, il propose une sélection de ses travaux, des scénographies d’exposition à la communication culturelle, en passant par ses croquis quotidiens ou encore ses expérimentations autour des formes et des couleurs. Au delà du catalogue, il commente l’évolution de son œuvre et livre ses maîtres, ses réflexions et recherches graphiques. Un livre de référence pour tout ceux qui s’intéressent au design et à l’illustration.
Of & About Posters: The lawrence Weiner poster archive 1965-2021 at the Vamcouver Art Gallery
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Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner’s(...)
Of & About Posters: The lawrence Weiner poster archive 1965-2021 at the Vamcouver Art Gallery
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Featuring an introductory essay by exhibition curator Grant Arnold, who has worked with the Lawrence Weiner Poster Archive since the mid-1990s, and short commissioned texts from artists, scholars, and curators who worked closely with Weiner throughout his career, Of & About Posters will be the definitive text on this central aspect of Lawrence Weiner’s production. Lawrence Weiner is considered one of the foremost conceptual artists worldwide. His posters, which are a fundamental part of his practice and are designed by the artist himself, have appeared as promotions for exhibitions as well as works in and of themselves. This publication will include a full presentation of the Lawrence Weiner Poster Archive, consisting of more than 250 posters from the collection of the Vancouver Art Gallery. Together, they convey the evolution of Weiner’s work over a period spanning more than fifty years.
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MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland. In this publication, "MetaWorx" presents the next generation of Swiss artists and designers, providing a challenging contribution to the research into the theory and expression of interactivity which must surely be one of the most stimulating and fascinating fields of art(...)
janvier 2003, Basel
MetaWorx : approaches to interactivity
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MetaWorx is a foundation supported by the leading design schools and art academies of Switzerland. In this publication, "MetaWorx" presents the next generation of Swiss artists and designers, providing a challenging contribution to the research into the theory and expression of interactivity which must surely be one of the most stimulating and fascinating fields of art and design in our time. The transdisciplinary perspective opens a wide field where moments of interactivity are expressed in surprising and visionary installations. In this publication, the artists and designers present their projects themselves, and their contributions are accompanied by theoretical texts which reflect on interactivity in general and set the projects within the broader context of modern day culture.
Kyle Cooper
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Kyle Cooper is acclaimed as one of the most innovative and important designer of film titles since Saul Bass. This attractive and informative book offers the first critical and historical assessment of Cooper's impressive design achievements. In this book, Andrea Codrington relates that Cooper's work first garnered major attention in 1995 with his creation of the(...)
septembre 2003, New Haven
Kyle Cooper
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Kyle Cooper is acclaimed as one of the most innovative and important designer of film titles since Saul Bass. This attractive and informative book offers the first critical and historical assessment of Cooper's impressive design achievements. In this book, Andrea Codrington relates that Cooper's work first garnered major attention in 1995 with his creation of the extraordinary title sequence for the horror thriller "Seven", which is credited with bringing about a renaissance in innovative film title design. Seven's titles were touted as short films in their own right-not merely a "design solution" but a metaphorical representation of the film as a whole. Codrington also discusses Cooper's work at the titles specialist R.Greenberg before he founded in 1996 his own Los Angeles based company, Imaginary Forces. As creative director there, Cooper now oversees a ninety-person team and has designed a stunning succession of highly regarded titles for such films as "Eraser", "Mission impossible", "Twister", "The mummy", "The horse whisperer", "The negotiator", and "Arlington road".
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It was 1987 when graphic designer, Neil Cutler, left his home in Northern England to seek the milder climes of Barcelona. Ever since he has been living and working successfully in the city that is often referred to as Spain's centre of creativity. Neil Cutler operates independently and has always had a clear design philosophy based on ideas and concepts rather than any(...)
Designer, leaves England, goes to Barcelona : the designs of Neil Cutler
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It was 1987 when graphic designer, Neil Cutler, left his home in Northern England to seek the milder climes of Barcelona. Ever since he has been living and working successfully in the city that is often referred to as Spain's centre of creativity. Neil Cutler operates independently and has always had a clear design philosophy based on ideas and concepts rather than any specific style. This book is overflowing with communicative, imaginative works that are full of life and full of fun. Many are award-winning visual solutions developed for packaging, corporate identity, and other graphic disciplines. Clients represented include Nabisco, Reguart Wines, Consumer Turron and La Tramoia Restaurant. Below each work Neil Cutler explains the creative rationale that inspired the idea and where applicable the point of differentiation.
Space graphysm
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Presents recent Japanese architectural projects for which graphic design plays the leading role. With the frequently award-winning designs of Hiromura Masaaki. The projects are showcased and discussed in four sections : System - information design to clarify the structure of buildings. Graphysm - the use of typography in spaces to clarify the purpose of the(...)
mars 2003, Amsterdam
Space graphysm
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Presents recent Japanese architectural projects for which graphic design plays the leading role. With the frequently award-winning designs of Hiromura Masaaki. The projects are showcased and discussed in four sections : System - information design to clarify the structure of buildings. Graphysm - the use of typography in spaces to clarify the purpose of the space. Presentation - graphic design for exhibitions and installations. Visual Identity - creating a visual identity for a space or building.
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Ruedi Baur fonde en 1989 Intégral Ruedi Baur et associés. Son champs d'activité se concentre principalement sur l'identité visuelle et la signalétique - il est notamment l'auteur de la signalétique du centre Georges-Pompidou. Ce livre accompagne l'exposition "Quotidien visuel" présentée à la galerie Anatome à Paris.
mai 2003, Paris
Intégral Ruedi Baur et associés
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Ruedi Baur fonde en 1989 Intégral Ruedi Baur et associés. Son champs d'activité se concentre principalement sur l'identité visuelle et la signalétique - il est notamment l'auteur de la signalétique du centre Georges-Pompidou. Ce livre accompagne l'exposition "Quotidien visuel" présentée à la galerie Anatome à Paris.
Roman Cieslewicz
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S'il fallait caractériser, vite, le talent de ce surdoué polonais émigré en France dès 1963, c'est le mot «jaillissement» qui s'imposerait tant son œuvre témoigne, dès ses débuts, d'une effervescence de l'imagination servie par une surprenante aisance à manier les signes graphiques, lettres et couleurs incluses, des signes qu'il mène à un point d'exaspération d'une(...)
Roman Cieslewicz
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S'il fallait caractériser, vite, le talent de ce surdoué polonais émigré en France dès 1963, c'est le mot «jaillissement» qui s'imposerait tant son œuvre témoigne, dès ses débuts, d'une effervescence de l'imagination servie par une surprenante aisance à manier les signes graphiques, lettres et couleurs incluses, des signes qu'il mène à un point d'exaspération d'une stupéfiante efficacité. Ses noirs cernent rigoureusement le propos, ses rouges font flamber la page. Les directeurs de communication et ceux de la presse illustrée ne s'y sont pas trompés qui l'ont chargé de donner à leurs produits une image de modernité et d'extrême spécificité. Affiches de cirques et d'opéras, de musées et de films, campagnes publicitaires, logotypes et alphabets, photomontages et collages, tout lui est bon à démontrer, avec une audace parfaitement contrôlée, son exceptionnelle virtuosité.
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full(...)
janvier 1900, Berlin
Non-format love song
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Non-Format is a London-based design studio comprised of the Norwegian Kjell Ekhorn and the Brit Jon Forss. This creative team has built a formidable international reputation with exceptional graphic design and illustrations that are strikingly innovative and fresh yet have a timelessness that goes beyond fleeting style trends. The monograph Non-Format presents the full spectrum of their work, which ranges from delicate drawings for album covers to riveting advertisements for Coke and Nike as well as pristine graphic design for publications such as Varoom or the UK music magazine The Wire. In addition to their best project work for clients from the music, fashion and advertising industries as well as for culture and the arts, Non-Format also contains original work that was created exclusively for the book.
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but(...)
Ultramodern : Samuel Marx, architect, designer, art collector
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Although Samuel Abraham Marx was born at the end of the 19th century, he had the eye of a modernist - as an architect, furniture designer, connoisseur and collector. His vision was neither ostentatious or grandiose, but subtle and quietly magnificent. Ultra-Modern, Samuel Marx, Architect, Furniture Designer, Connoisseur is the first monograph on this lesser-known but increasingly influential American designer. In more than 200 photographs, Marx expert and decorative arts dealer, Liz O Brien, reveals many of his undiscovered projects including houses that have been raised despite preservationist protests and his range of furniture designs. Marx was also sought after for his ability to integrate art in well-heeled interiors. The private art collections of many of his wealthy clients have, in the last 40 years, been dispersed to major museums including the Metropolitan Museum of Art and the Museum of Modern Art in New York, as well as the Chicago Art Institute, in Chicago.