216 Résultats
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livres
livres
Titre:
Ruedi Baur Intégral
Ruedi Baur Intégral
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his(...)
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his(...)
Titre:
Ruedi Baur Intégral
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$80.00
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his Integral studio in Zurich und Paris. Previously unpublished new projects are integrated thematically into the evolution of Baur’s oeuvre. This book captures the conceptual and design constants of, and the fascination in, the work of Ruedi Baur. Five years after the success of Ruedi Baur, Intégral et associés, the author again takes stock and manifests the principles of his design work and attitude.
Ruedi Baur Intégral
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Ruedi Baur has chosen seven concepts to describe his conceptual approach: anticipate, question, inscribe, perplex, orient, differentiate, and translate. They serve as the structure of his book and the basis for seven dialogues between him and conversation partners from various disciplines. The practical implementation of these concepts is presented using projects from his Integral studio in Zurich und Paris. Previously unpublished new projects are integrated thematically into the evolution of Baur’s oeuvre. This book captures the conceptual and design constants of, and the fascination in, the work of Ruedi Baur. Five years after the success of Ruedi Baur, Intégral et associés, the author again takes stock and manifests the principles of his design work and attitude.
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livres
livres
Publication:
novembre 2008
novembre 2008
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livres
livres
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he(...)
Titre:
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
Max Bill: No Beginning No End
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Swiss artist, architect, designer, typographer, and theorist Max Bill (1908–94) was one of the most important exponents of concrete and constructive art and a key figure in European applied arts and design history. Educated by such prominent teachers as Paul Klee, Wassily Kandisky, and Walter Gropius at the Bauhaus, at the start of his career in the 1930s. In the 1950s he teamed up with Inge Scholl and Otl Aicher to found the legendary Ulm College of Design in Ulm, Germany, of which he became the first director. In his work, Max Bill carried on the legacy of the Bauhaus, both as an artist and a teacher, and made a decisive and lasting contribution to twentieth-century cultural life. Max Bill accompanies an exhibition at the Museum MARTa Herford in Herford, Germany, held to mark the centenary of this exceptional artist. The exhibition displays Bill’s wide-ranging work, and it also sets him in the context of his cultural milieu by featuring works by his contemporaries, such as Kurt Schwitters, Wassily Kandinsky, and Donald Judd. Accompanying essays investigate Bill’s influence on other artists and the lasting importance of his oeuvre in the present.
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livres
livres
Publication:
avril 2008, Zürich
avril 2008, Zürich
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livres
livres
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$82.00
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in(...)
$82.00
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in(...)
Publication:
janvier 2008, London
janvier 2008, London
Titre:
Active literature : Jan Tschichold and New Typography
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$82.00
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in colour throughout, in freshly made photographs of examples drawn from public and private collections. This is not a biography, but rather a discussion of the work seen in the context of Tschichold’s life and the times in which he lived.
Active literature : Jan Tschichold and New Typography
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In the first book on Tschichold to be based on extensive archive research, Burke turns fresh and revealing light on his subject. He sets Tschichold in the network of artists and designers who constituted New Typography in its moment of definition and exploration, and puts new emphasis on Tschichold as an activist collector, editor and writer. Tschichold’s work is shown in colour throughout, in freshly made photographs of examples drawn from public and private collections. This is not a biography, but rather a discussion of the work seen in the context of Tschichold’s life and the times in which he lived.
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livres
livres
Publication:
janvier 2008, London
janvier 2008, London
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livres
livres
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$51.99
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this(...)
$51.99
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this(...)
Publication:
mars 2008, New York
mars 2008, New York
Titre:
Stefan Sagmeister:Things I`ve learned in my life so far
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this design book for non-designers Sagmeister throws his diary, a lot of design, and a little art together with a pinch of psychology and a dash of happiness into a blender and pushes the button. It tastes surprisingly yummy.
Stefan Sagmeister:Things I`ve learned in my life so far
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Astonishingly, Stephan Sagmeister has only learned twenty things in his life so far. But he did manage to publish these personal maxims all over the world, in spaces normally occupied by advertisements and promotions: as billboards, projections, light boxes, magazine spreads, annual report covers, fashion brochures, and recently, as giant inflatable monkeys. In this design book for non-designers Sagmeister throws his diary, a lot of design, and a little art together with a pinch of psychology and a dash of happiness into a blender and pushes the button. It tastes surprisingly yummy.
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livres
livres
Publication:
mars 2008, New York
mars 2008, New York
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livres
livres
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$74.95
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
$74.95
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
Titre:
Sandberg graphiste et directeur du Stedelijk Museum
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
Sandberg graphiste et directeur du Stedelijk Museum
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Diriger un musée cela ne s'apprend pas c'est une question d'attitude comprendre son époque comprendre son public et jamais suivre son goût aller au devant du développement faire corps avec les artistes ma propre préparation le dessin typographique et mon engagement social
Classification:
livres
livres
Publication:
février 2008, Paris
février 2008, Paris
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livres
livres
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$67.00
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van(...)
$67.00
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van(...)
Titre:
Jan Van Toorn critical practice
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van Toorn aligned himself with the reflexive tradition of art and communication exemplified by Brecht and Godard. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wanted the public to measure the motives of both the client and the designer who mediates the client’s message against their own experiences of the world. He hoped in this way to stimulate a more active and sceptical view of art, communication, media ownership and society. Projects such as Van Toorn’s posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design’s role in shaping contemporary reality.
Jan Van Toorn critical practice
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Jan van Toorn is one of the most significant and influential Dutch graphic designers to have emerged since the early 1960s. While graphic design often does little more than give unthinking visual form to the status quo, Van Toorn focused on meaning rather than smooth stylistic expression and developed critical alternatives to the usual design world conventions. Van Toorn aligned himself with the reflexive tradition of art and communication exemplified by Brecht and Godard. His designs persistently call attention to their status as visual contrivances, obliging the viewer to make an effort to process their complexities. Van Toorn wanted the public to measure the motives of both the client and the designer who mediates the client’s message against their own experiences of the world. He hoped in this way to stimulate a more active and sceptical view of art, communication, media ownership and society. Projects such as Van Toorn’s posters and catalogues for the Van Abbemuseum in Eindhoven and his long-running series of calendars for the printing firm Mart.Spruijt are powerful demonstrations of graphic design used as a means of commentary and as a tool of critique. Later, as director of the Jan van Eyck Academy, Van Toorn drew together all the strands of his critical practice into a multi-levelled educational initiative that urged designers to think harder about design’s role in shaping contemporary reality.
Classification:
livres
livres
Publication:
janvier 1900, Rotterdam
janvier 1900, Rotterdam
Classification:
livres
livres
Titre:
Jan bons: a designer freedom
Jan bons: a designer freedom
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$43.00
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A film by Lex Reitsma and a short biography by Paul Hefting.
$43.00
(disponible en magasin)
Résumé:
A film by Lex Reitsma and a short biography by Paul Hefting.
Publication:
octobre 2008, Amterdam
octobre 2008, Amterdam
Titre:
Jan bons: a designer freedom
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$43.00
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A film by Lex Reitsma and a short biography by Paul Hefting.
Jan bons: a designer freedom
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A film by Lex Reitsma and a short biography by Paul Hefting.
Classification:
livres
livres
Publication:
octobre 2008, Amterdam
octobre 2008, Amterdam
Classification:
livres
livres
Prix:
$83.00
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Résumé:
This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later(...)
$83.00
(disponible sur commande)
Résumé:
This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later(...)
Publication:
novembre 2008, London, New York
novembre 2008, London, New York
Titre:
Jan Tschichold: master typographer, his life, work & legacy
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$83.00
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Résumé:
This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later reappropriation of classical typography. Superbly illustrated with archive photographs and examples of Tschichold's work, the book confirms de Jong's assertion that "Tschichold's heritage lives on in the digital age, proving that he is among the greatest typographic designers ever, his influence still being visible in the world of typography to this day." 350 illustrations, 150 in color.
Jan Tschichold: master typographer, his life, work & legacy
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$83.00
(disponible sur commande)
Résumé:
This substantial volume places Tschichold's vision firmly in the rich cultural and historical context of his era. In his introduction, Cees W. de Jong offers an overview of Tschichold's life and times, while the other contributors discuss the designer's major influences and innovations, including his seminal poster design, groundbreaking work with Penguin Books, and later reappropriation of classical typography. Superbly illustrated with archive photographs and examples of Tschichold's work, the book confirms de Jong's assertion that "Tschichold's heritage lives on in the digital age, proving that he is among the greatest typographic designers ever, his influence still being visible in the world of typography to this day." 350 illustrations, 150 in color.
Classification:
livres
livres
Publication:
novembre 2008, London, New York
novembre 2008, London, New York
Classification:
livres
livres
Titre:
NEEN
NEEN
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$42.00
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Résumé:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the(...)
Titre:
NEEN
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$42.00
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As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
NEEN
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$42.00
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Résumé:
As the Neen Manifesto has it, "Neen stands for Neenstars: a still-undefined generation of visual artists. Some of them belong to the contemporary art world; others are software creators, web designers, and video game directors or animators." In the spring of 2000, at the Gagosian Gallery in New York, Greek artist Miltos Manetas held a press conference to announce the birth of the term "Neen," which he had hired a California branding company to invent. Manetas, whose work includes oil paintings of computer hardware and videos of clips from games, sought to unify the burgeoning number of artists in and around digital media. If they've been understandably skittish about this unification, or if, as The New York Times bluntly observed, "it's unlikely that any sort of new coinage cooked up as a conceptual exercise will take hold," that just makes Manetas a more prominent example of Neen-ness himself.
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livres
livres
Publication:
septembre 2006, Milan
septembre 2006, Milan
Classification:
livres
livres
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$16.95
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production(...)
$16.95
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production(...)
Titre:
Graphic Through Facility : A+D series
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production methods. This catalogue includes photographs and essays that highlight GTF’s most notable projects and commissions, which range from graphic identity to marketing materials to exhibition and catalogue design. Whether providing innovative design materials for the Institute of Contemporary Arts, London,Shakespeare’s Globe Theatre, the Tate Museum, the furniture and interior design store Habitat, or designers such as Ron Arad and Tord Boontje, GTF encourages us to appreciate the visual richness of the world around us.
Graphic Through Facility : A+D series
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London-based Graphic Thought Facility (GTF) has emerged as one of today’s most progressive and versatile design firms. Established in 1990, it has a reputation for a non-conformist approach to graphic design. The firm's originality results from its combination of a handmade aesthetic, knowledge of digital technology, and an interest in new materials and production methods. This catalogue includes photographs and essays that highlight GTF’s most notable projects and commissions, which range from graphic identity to marketing materials to exhibition and catalogue design. Whether providing innovative design materials for the Institute of Contemporary Arts, London,Shakespeare’s Globe Theatre, the Tate Museum, the furniture and interior design store Habitat, or designers such as Ron Arad and Tord Boontje, GTF encourages us to appreciate the visual richness of the world around us.
Classification:
livres
livres
Publication:
mai 2008, Chicago
mai 2008, Chicago
