Architecture and the sense in the Italian Renaissance: the varieties of architectural experience
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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built(...)
Architecture and the sense in the Italian Renaissance: the varieties of architectural experience
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$114.95
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This is the first study of Renaissance architecture as an immersive, multisensory experience that combines historical analysis with the evidence of first-hand accounts. Questioning the universalizing claims of contemporary architectural phenomenologists, David Karmon emphasizes the infinite variety of meanings produced through human interactions with the built environment. His book draws upon the close study of literary and visual sources to prove that early modern audiences paid sustained attention to the multisensory experience of the buildings and cities in which they lived. Through reconstructing the Renaissance understanding of the senses, we can better gauge how constant interaction with the built environment shaped daily practices and contributed to new forms of understanding.'' Architecture and the senses in the Italian Renaissance'' offers a stimulating new approach to the study of Renaissance architecture and urbanism as a kind of ''experiential trigger'' that shaped ways of both thinking and being in the world.
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Un commentaire des traités les plus importants de la Renaissance à l'époque contemporaine. Regroupés selon les pays et les époques, les écrits d'architectes et maîtres d'oeuvre tels que Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Le Corbusier, Aldo Rossi et Rem Koolhaas sont étudiés.
Théorie de l'architecture de la renaissance à nos jours
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Un commentaire des traités les plus importants de la Renaissance à l'époque contemporaine. Regroupés selon les pays et les époques, les écrits d'architectes et maîtres d'oeuvre tels que Battista Alberti, Andrea Palladio, Marc-Antoine Laugier, Eugène Viollet-le-Duc, John Shute, Le Corbusier, Aldo Rossi et Rem Koolhaas sont étudiés.
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Comment créer des formes nouvelles dans un système a priori clos par des règles de morphologie et de syntaxe clairement définies ? Le système des ordres d’architecture classiques ne laisse apparemment aucune place à l’innovation formelle. Mais si les trois ordres grecs, dorique, ionique et corinthien, fournissent à la Renaissance le pivot naturel de la grammaire et le(...)
Aux marges de la règle : essai sur les ordres d'architecture à la Renaissance
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Comment créer des formes nouvelles dans un système a priori clos par des règles de morphologie et de syntaxe clairement définies ? Le système des ordres d’architecture classiques ne laisse apparemment aucune place à l’innovation formelle. Mais si les trois ordres grecs, dorique, ionique et corinthien, fournissent à la Renaissance le pivot naturel de la grammaire et le fondement de la rhétorique, des formes périphériques apparaissent aux marges : toscan, attique, italique ou latin sont autant d’inventions qui, bien qu’elles échappent à la perfection de l’idée de l’architecture, acquièrent une valeur esthétique. Mineures, hybrides, monstrueuses parfois, elles suscitent l’intérêt des plus inventifs des architectes, Michel-Ange ou Philibert De l’Orme, dont elles stimulent l’imagination.
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Giuliano da Sangallo was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome’s past into the image of a city made whole. The book demonstrates how his drawings form the(...)
Giuliano da Sangallo and the Ruins of Rome
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Giuliano da Sangallo was one of the first architects to draw the ruins and artifacts of ancient Rome in a systematic way. Cammy Brothers shows how Giuliano played a crucial role in the Renaissance recovery of antiquity, and how his work transformed the broken fragments of Rome’s past into the image of a city made whole. The book demonstrates how his drawings form the basis for a reevaluation of the meaning and method of the Renaissance study of ancient artifacts, and brings to life the transformative moment when artists and architects began to view the fragments of ancient Rome not as broken artifacts of little interest but as objects of aesthetic contemplation.
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Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the(...)
Venice and Vitruvius: reading Venice with Daniele Barbaro and Andrea Palladio
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Margaret M. D'Evelyn has gathered evidence to document how Andrea Palladio's understanding of Vitruvius influenced Daniele Barbaro. This volume also charts the invention of the illustrated architectural book and how major architect-authors, such as Leon Battista Alberti and Sebastiano Serlio, contributed to its development - demonstrating how Vitruvius shaped the way the city of Venice was viewed.
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Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive(...)
juillet 2012
J.B. Fischer von Erlach: architecture as theater in the baroque era
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Though little known in the English-speaking world, Johann Bernhard Fischer von Erlach (1656-1723) was one of the most important and influential European baroque architects. The buildings that he designed for the emperor of Austria and his courtiers reveal an element of theatricality - an element that author Esther Gordon Dotson probes in this accessible and attractive volume. In his architectural designs, Fischer incorporated devices from ceremonial pageantry and scene design, controlled lighting effects, and a sense of dramatic progression in approaching and moving through a building. Dotson identifies these various elements in her close reading of Fischer's structures, and splendid new photographs, taken by Mark Richard Ashton, bring them to life on the printed page. The author guides readers in discovering the theatrical qualities in Fischer's buildings, illuminating their conceptual liveliness, variety, and drama.
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This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico(...)
Baldessare Longhena and Venetian Baroque architecture
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This publication offers the first comprehensive study in English of Baldassare Longhena (1598–1682), the indispensable architect of the Venetian Baroque. While Longhena's legacy is most visible in his iconic Madonna della Salute, the 17th-century basilica devoted to the Virgin Mary in gratitude for Venice's deliverance from the plague, and in the Pesaro and Rezzonico palaces along the Grand Canal, he created a plethora of other works over the course of a career that spanned half a century. Andrew Hopkins's thought-provoking text considers the full span of Longhena's illustrious career, from his monumental staircases and libraries to the palaces commissioned by private patrons and his projects for Venice's Greek and Jewish communities. This lively account is accompanied by more than sixty color and 300 black-and-white photographs commissioned especially for the book. A complete list of Longhena's work is included in an appendix.
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Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on(...)
Venice's most loyal city: Civic identity in Renaissance Brescia
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Based on archival, artistic, and architectural evidence, Stephen Bowd presents an innovative microhistory of a fascinating, yet historically neglected city. He shows how Brescian loyalty to Venice was repeatedly tested by a succession of disasters: assault by Milanese forces, economic downturn, demographic collapse, and occupation by French and Spanish armies intent on dismembering the Venetian empire. In spite of all these troubles the city experienced a cultural revival and a dramatic political transformation under Venetian rule, which Bowd describes and uses to illuminate the process of state formation in one of the most powerful regions of Renaissance Italy.
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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied(...)
Re-reading Leonardo: the treatise on painting across Europe, 1550-1900
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For nearly three centuries Leonardo da Vinci's work was known primarily through the abridged version of his "Treatise on Painting", first published in Paris in 1651 and soon translated into all the major European languages. Here for the first time is a study that examines the historical reception of this vastly influential text. This collection charts the varied interpretations of Leonardo's ideas in French, Italian, Spanish, English, German, Dutch, Flemish, Greek, and Polish speaking environments where the Trattato was an important resource for the academic instruction of artists, one of the key sources drawn upon by art theorists, and widely read by a diverse network of artists, architects, biographers, natural philosophers, translators, astronomers, publishers, engineers, theologians, aristocrats, lawyers, politicians, entrepreneurs, and collectors.
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juillet 2009
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Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
Cités de la Renaissance: Civitates orbis terrarum
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Publié à Cologne en 1572, le«Civitates orbis terrarum»présente des cartes et des images des principales cités du XVIe siècle. Une sélection de plus de 70 vues historiques est ici proposée. Les cartes sont expliquées en détail et l'histoire de chaque ville est relatée. Avec des informations sur les diverses gravures représentant des costumes et des armoiries d'époque.
livres
novembre 2009