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Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and(...)
Histoire jusqu’à 1900
mai 2003, Ithaca and London
Architectures of Russian identity 1500 to the present
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Across five centuries of Russian history, Russian leaders have used architecture to project unity, identity, and power. Church architecture has inspired national cohesion and justified political control while representing the claims of religion in brick, wood, and stone. The architectural vocabulary of the Soviet state celebrated industrialization, mechanization, and communal life. Buildings and landscapes have expressed utopian urges as well as lofty spiritual goals. Country houses and memorials have encoded their own messages. In Architectures of Russian Identity, James Cracraft and Daniel Rowland gather a group of authors from a wide variety of backgrounds—including history and architectural history, linguistics, literary studies, geography, and political science—to survey the political and symbolic meanings of many different kinds of structures. Fourteen heavily illustrated chapters demonstrate the remarkable fertility of the theme of architecture, broadly defined, for a range of fields dealing with Russia and its surrounding territories. The authors engage key terms in contemporary historiography—identity, nationality, visual culture—and assess the applications of each in Russian contexts.
Histoire jusqu’à 1900
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This book, a documentary history, records a cognitive history of the emergence of modern architecture. Cutting across disciplinarian and institutional divisions, as we know them today, it reconstructs developments within the framework of a cognitive history of the past. Modern is here taken to mean the radical re-thinking of architecture from the end of the tenth century(...)
Histoire jusqu’à 1900
mai 2004, London / New York
The emergence of modern architecture : a documentary history from 1000 to 1810
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This book, a documentary history, records a cognitive history of the emergence of modern architecture. Cutting across disciplinarian and institutional divisions, as we know them today, it reconstructs developments within the framework of a cognitive history of the past. Modern is here taken to mean the radical re-thinking of architecture from the end of the tenth century in Europe to the end of the eighteenth century. Among the key debates that mark the period are those that oppose tradition to innovation, canon to discovery, geometrical formality to natural picturesqueness, the functional to the hedonistic.
Histoire jusqu’à 1900
La ville médiévale
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Thierry Dutour retrace l’urbanisation de l’Europe latine au Xe siècle et montre que les ressorts de la croissance urbaine tiennent à des évolutions de longue durée qui trouvent leur origine… dans les campagnes. Il souligne le lien entre essor démographique, expansion agraire et explosion des villes du VIIIe au XIVe siècle. Il décrit enfin la vie en ville, reflet(...)
La ville médiévale
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Thierry Dutour retrace l’urbanisation de l’Europe latine au Xe siècle et montre que les ressorts de la croissance urbaine tiennent à des évolutions de longue durée qui trouvent leur origine… dans les campagnes. Il souligne le lien entre essor démographique, expansion agraire et explosion des villes du VIIIe au XIVe siècle. Il décrit enfin la vie en ville, reflet d’évolutions sociales majeures. Ce portrait de la ville médiévale conduit surtout à une réévaluation de la notion même de Moyen Âge, dont les contours sont flous et la définition usuelle obsolète.
Histoire jusqu’à 1900
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any(...)
American Splendor : the residential architecture of Horace Trumbauer
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Set amid the imperial extravagances of the American Renaissance to the Roaring Twenties (1890-1935), an era redolent with the well-publicized achievements of such famed designers as Stanford White, Richard Morris Hunt, Carrère & Hastings, and John Russell Pope, it astounds one to learn that the one authentic genius among them was a publicity-shy Philadelphian without any kind of social connections whose formal education did not extend beyond the 10th grade. Yet the supremacy of Horace Trumbauer in the field of classically-inspired residential design is acknowledged by such diverse voices as art connoisseur Joseph Duveen, modernist icon Philip Johnson, and author Aldous Huxley. "American Splendor: The Residential Architecture of Horace Trumbauer," will place the achievements of this master creator of the American Great House before a wider and more discerning public. Working with clients whose names comprise a veritable who's who of America's industrial and financial moguls, Trumbauer's prodigious body of work graced both the exclusive enclaves of Newport, Rhode Island, Long Island, Philadelphia's Main Line and Elkins Park, and the vaunted precincts of New York's Fifth Avenue and Washington DC's Embassy Row. Allied with the finest landscape designers and interior decorators of his time, Trumbauer's elegant mansions represent the ultimate expression of a nation's ambition for grandeur and supremacy since those of the Italian Renaissance. Devoid of any wish for personal fame or artistic recognition, he hoped that his work would ultimately speak for itself. As "American Splendor: The Residential Architecture of Horace Trumbauer" demonstrates, it most certainly and eloquently does. In this first monograph on Horace Trumbauer, American Splendor introduces the genius of this American master architect to the world.
Histoire jusqu’à 1900
Patrimoine militaire
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Le patrimoine militaire constitue un enjeu majeur de la culture française, tant la construction de fortifications, de casernes, de ports de guerre, est intimement liée aux grands événements de l'hisoire en France et marque encore de manière indélébile la configuration des villes et la constitution des paysages. Cet ouvrage contribue ainsi à mieux faire connaître ces(...)
Histoire jusqu’à 1900
décembre 2002, Paris
Patrimoine militaire
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Le patrimoine militaire constitue un enjeu majeur de la culture française, tant la construction de fortifications, de casernes, de ports de guerre, est intimement liée aux grands événements de l'hisoire en France et marque encore de manière indélébile la configuration des villes et la constitution des paysages. Cet ouvrage contribue ainsi à mieux faire connaître ces innombrables monuments - enceintes, citadelles, forteresses, casernes...
Histoire jusqu’à 1900
livres
Moscou : mémoire d'une ville
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Ce parcours d'un piéton amoureux de Moscou en restitue 1a profusion architecturale, en découvre les visages multiples et méconnus : car Moscou n'est pas seulement le Kremlin ni le champ épique des urbanistes soviétiques ni le rutilant décor de la ville d'aujourd'hui. L'auteur fait resurgir la mémoire de Moscou. La ville pieuse des " quarante fois quarante églises ", des(...)
Moscou : mémoire d'une ville
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Ce parcours d'un piéton amoureux de Moscou en restitue 1a profusion architecturale, en découvre les visages multiples et méconnus : car Moscou n'est pas seulement le Kremlin ni le champ épique des urbanistes soviétiques ni le rutilant décor de la ville d'aujourd'hui. L'auteur fait resurgir la mémoire de Moscou. La ville pieuse des " quarante fois quarante églises ", des splendides monastères. L'âge classique, très long et très beau, d'une ville qui demeura malgré la fondation de Pétersbourg, en 1703, le séjour préféré de la noblesse. Les exquis " boulevards ", conservatoire de l'urbanisme ancien. Les domaines de campagne, absorbés dans le tissu même de la ville par l'urbanisation. La foisonnante Moscou capitaliste : gares, usines, magasins, hôtels de marchands, maisons de rapport, musées et théâtres, construits dans les styles les plus divers, au fil des goûts et des techniques. Enfin, l'architecture soviétique: l'époque d'avant-garde, splendide et décisive dans l'histoire de l'architecture mondiale bien qu'elle art peu affecté l'aspect même de sa capitale; l'époque stalinienne, héroïque, historiciste, parfois décriée, mais qui a marqué le visage de la ville comme Haussmann celui de Paris. Délaissant à dessein le style "international" qui s'instaure avec Khrouchtchev et l'agressive vulgarité de l'immobilier contemporain, le livre conduit son lecteur dans le dédale des ruelles, des lieux méconnus que l'on découvre à l'écart et lui fait ressentir le véritable esprit de la ville 1a plus " russe " de Russie. Photograhies d'Alexandre Viktorov, d'Alexandre Rozanov, d'Ekaterina Chorban.
livres
septembre 2002, Paris
Histoire jusqu’à 1900
Le rêve cistercien
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Les cisterciens voulaient mener une vie monastique parfaite, sans compromission avec le siècle. Leur aventure spirituelle, commencée en 1098, est toujours actuelle, et concerne aujourd'hui quelque sept mille moines et moniales. Mais le rêve cistercien va bien au-delà d'une quête confinée aux monastères où vivent des chrétiens épris d'absolu. Il a profondément modifié les(...)
Le rêve cistercien
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Les cisterciens voulaient mener une vie monastique parfaite, sans compromission avec le siècle. Leur aventure spirituelle, commencée en 1098, est toujours actuelle, et concerne aujourd'hui quelque sept mille moines et moniales. Mais le rêve cistercien va bien au-delà d'une quête confinée aux monastères où vivent des chrétiens épris d'absolu. Il a profondément modifié les relations de l'homme à la nature, à la société, à l'art. Dès le XIIe siècle, la volonté de réforme et les aspirations mystiques de solitaires volontairement coupés du monde ont déterminé des métamorphoses qui nous concernent tous. Historien et archéologue, Léon Pressouyre nous convie à ce retour aux sources.
Histoire jusqu’à 1900
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This book helps us to understand the cultural significance of the buildings that surround us. It avoids the traditional style-spotting approach in favour of giving an idea of what it is about buildings that moves us, and what it is that makes them important artistically and culturally.
Architecture : a very short introduction
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This book helps us to understand the cultural significance of the buildings that surround us. It avoids the traditional style-spotting approach in favour of giving an idea of what it is about buildings that moves us, and what it is that makes them important artistically and culturally.
Histoire jusqu’à 1900
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This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium)(...)
The bishop's palace : architecture & authority in medieval Italy
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This lavishly illustrated book looks at the art and architecture of episcopal palaces as expressions of power and ideology. Tracing the history of the bishop's residence in the urban centers of northern Italy over the Middle Ages, Maureen C. Miller asks why this once rudimentary and highly fortified structure called a domus became a complex and elegant "palace" (palatium) by the late twelfth century. Miller argues that the change reflects both the emergence of a distinct clerical culture and the attempts of bishops to maintain authority in public life. She relates both to the Gregorian reform movement, which set new standards for clerical deportment and at the same time undercut episcopal claims to secular power. As bishops lost temporal authority in their cities to emerging communal governments, they compensated architecturally and competed with the communes for visual and spatial dominance in the urban center. This rivalry left indelible marks on the layout and character of Italian cities. Moreover, Miller contends, this struggle for power had highly significant, but mixed, results for western Christianity. On the one hand, as bishops lost direct governing authority in their cities, they devised ways to retain status, influence, and power through cultural practices. This response to loss was highly creative. On the other hand, their loss of secular control led bishops to emphasize their spiritual powers and to use them to obtain temporal ends. The coercive use of spiritual authority contributed to the emergence of a "persecuting society" in the central Middle Ages.
Histoire jusqu’à 1900
Bungalow colors : exteriors
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Drawing on the works of such Arts & Crafts masters as Greene & Greene, Stickley, and Wright, this new volume outlines the history of colour within the Arts & Crafts movement. Schweitzer provides practical advice for integrating historically accurate colours today. Whether restoring an older bungalow or aiming to impart an authentic flavour to a new Arts & Crafts-style(...)
Bungalow colors : exteriors
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Drawing on the works of such Arts & Crafts masters as Greene & Greene, Stickley, and Wright, this new volume outlines the history of colour within the Arts & Crafts movement. Schweitzer provides practical advice for integrating historically accurate colours today. Whether restoring an older bungalow or aiming to impart an authentic flavour to a new Arts & Crafts-style home, Bungalow Colors: Exteriors focuses on "outside" solutions. Schweitzer addresses exterior walls, windows, roofs, and other architectural features, plus body, trim, accents, stucco, shingles, and clapboards.
Histoire jusqu’à 1900