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Titre:
Architecture in Britain and Ireland, 1530-1830

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Résumé:
''Architecture in Britain and Ireland, 1530–1830'' presents a comprehensive history of architecture in Britain during this three-hundred-year period. Drawing on the most important advances in architectural history in the last seventy years, ranging across cultural, material, political, and economic contexts, this book also encompasses architecture in Ireland and includes substantial commentary on the buildings of Scotland and Wales.

Titre:
Public Architecture in Ireland 1680-1760

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$119.95
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Résumé:
This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public architecture in this enterprise, focusing on public buildings as works of architecture and art, while also discussing the political, social, and economic contexts in which they were built. The book opens with a discussion of the people who were involved in the creation of public architecture and a description of the physical appearance of Ireland at the time, including its roads and harbors, its market houses and churches. The author then presents detailed portraits of key public buildings, among them The Royal Hospital Kilmainham, The Royal Barracks, Dublin Castle, Trinity College Dublin, and Edward Lovett Pearce’s Parliament House. Drawing on extensive research in archives throughout Britain and Ireland, McParland documents the architectural and social importance of these remarkable public buildings.

Titre:
The Royal Pavilion, Brighton: A Regency palace of colour and sensation

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$74.00
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Created between 1787 and 1823 by George IV, the ''Royal Pavilion in Brighton'' is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the “Orient,” in particular China and India. The building, with its Indian-inspired exterior, was the work of the renowned architect John Nash, who with the contributions of several other gifted and inventive architects, artists, and designers, created a building that draws you in, takes you on a journey, and plays with your senses. Featuring new photography, this lavishly illustrated book will provide a fresh look at the sumptuous Chinoiserie interiors of the Royal Pavilion and their enduring appeal. Drawing on recent research, conservation projects, and the unprecedented loan exhibition A Prince’s Treasure: From Buckingham Palace to the Royal Pavilion (2019–22), this book celebrates the colours and sensual beauty of these interiors while situating the Royal Pavilion in the context of the time of its creation and development under royal ownership, from its beginning in the wake of the French Revolution, through its transformation and extension during and just after the Napoleonic Wars, to its fate and legacy in the early Victorian era.

Titre:
London : an architectural history

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London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. Private ownership has shaped the city, and architects have served a wide variety of clients. London’s Classical era produced an elegant townscape between 1600 and 1830, but medieval, Tudor, and Victorian London were a potpourri of buildings large and small, each making its own design statement. "In London : an architectural history", the author takes the reader through two thousand years of architecture from the sublime to the mundane.

Titre:
The history of England's cathedrals

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$42.00
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England’s sixty-two Anglican and Catholic cathedrals are some of our most iconic buildings, attracting millions of worshippers and visitors every year. Though much has been written about their architecture, there is no complete history of their life and activities. This is the first such book to provide one, stretching from Roman times to the present day. "The History of England’s Cathedrals" explains where and why they were founded, who staffed them, and how their structures evolved. It describes their worship and how this changed over the centuries, their schools and libraries, and their links with the outside world. The history of these astonishing buildings is the history of England. Reading this book will bring you face to face with the Anglo-Saxons, Vikings, Normans, Reformation, Civil War, Victorian England, World War Two, and finally modern democracy.

Titre:
Georgian London

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First published 1945. In this classic of English architectural history, John Summerson provides a perceptive and highly readable account of a major building period in the history of London. Encompassing the architecture of the capital from the Great Fire of 1666 through the city’s early nineteenth-century expansion, the book remains a guide to the genesis and development of Georgian London. Summerson examines the way in which building was conditioned by social, economic, and financial circumstances and discusses some of Britain’s most important buildings and their architects. While Summerson’s text is essentially unchanged in this edition, it has been corrected in the light of new research, expanded to include a few significant buildings that were originally overlooked, and enhanced with new illustrations. The Appendix of surviving Georgian buildings has also been carefully updated.

Titre:
The English house: A history in eight buildings

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It’s the story of 19 Princelet Street in Spitalfields, built for a Huguenot silk-weaver and later transformed into a synagogue. It’s also the story of a row of modest two-up, two-down houses in Toxteth, a block of flats in London’s East End, and what Ideal Home magazine in 1926 called Britain’s "first modern house" — in Northampton. Together, these buildings reveal how English homes have evolved and adapted over the past few centuries. At the same time, as historian Dan Cruickshank shows, they offer intimate glimpses into the lives of their first occupants — their ambitions, hardships, and place within their communities. "The English House" masterfully intertwines architectural and social history, creating a vivid and deeply human portrait of the spaces that have shaped English life.

Titre:
A short history of British architecture: From Stonehenge to The Shard

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The architecture of Britain is an art gallery all around us. From our streets to squares, through our cities, suburbs and villages, we are surrounded by magnificent buildings of eclectic styles. ''A Short History of British Architecture'' is story of why Britain looks the way it does, from prehistoric Stonehenge to the lofty towers of today. Historian Simon Jenkins traces the relentless battles over the European traditions of classicism and gothic- from the gothic cathedrals of Lincoln, Ely and Wells to the ‘'prodigy'’ houses of the Tudor renaissance, and visits the great estates of Georgian London, the docks of Liverpool, the mills of Yorkshire and the chapels of south Wales. The arrival of modernism in the twentieth century politicised public taste, upheaved communities and sought to reconstruct entire cities. It produced Coventry Cathedral and Lloyd’s of London, but also the brutalist monoliths of Sheffield’s Park Hill, Glasgow’s Cumbernauld and London’s South Bank. Only in the 1970s did the public at last give voice to what became the conservation revolution – a movement in which Jenkins played a leading role, both as deputy chairman of English Heritage and chairman of the National Trust, and in the saving of iconic buildings such as St Pancras International and Covent Garden.

Titre:
Victorian prism : refractions of the crystal palace

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Résumé:
From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of culture and society. This volume examines the place occupied both materially and discursively by the Crystal Palace and other nineteenth- and twentieth-century exhibitions in the struggle to understand what it means to be modern. Initiated in part by a number of conferences held in 2001 to commemorate the 150th anniversary of the Crystal Palace, Victorian Prism provides new perspectives to historians, literary critics, art historians, and others interested in how a large glass building in a London park could refract meaning from Caracas to Calcutta. In its investigations of the ways of knowing and shaping the world that emerged during the planning and execution of this first "world's fair," Victorian Prism not only restores the multiplicity of experiences and other determining factors to our picture of the Great Exhibition; it makes reevaluation of the exhibition and its legacies the occasion for reevaluating modernity itself in its broadest sense—as the cultures, potentialities, and liabilities of the Enlightenment. With essays by a number of leading scholars in their fields, the collection as a whole focuses on how these exhibitions, in attempting to define the cultures of their day, incorporated a range of conflicting ideologies and agendas. In doing so, it offers a richer, more complex understanding of the experience of modernity than we have previously acknowledged. The volume also addresses the ways in which the cultural processes and tendencies brought together in these exhibitions have been refracted down to the present, thus informing and complicating our own relationship to both modernity and postmodernity.

Titre:
When buildings speak : architecture as language in the Habsburg empire and its aftermath, 1867 - 1933

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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts, on the other. By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles.