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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts,(...)
septembre 2006, Chacago / London
When buildings speak : architecture as language in the Habsburg empire and its aftermath, 1867 - 1933
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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts, on the other. By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles.
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From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of(...)
juillet 2007, Charlottesville - London
Victorian prism : refractions of the crystal palace
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From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of culture and society. This volume examines the place occupied both materially and discursively by the Crystal Palace and other nineteenth- and twentieth-century exhibitions in the struggle to understand what it means to be modern. Initiated in part by a number of conferences held in 2001 to commemorate the 150th anniversary of the Crystal Palace, Victorian Prism provides new perspectives to historians, literary critics, art historians, and others interested in how a large glass building in a London park could refract meaning from Caracas to Calcutta. In its investigations of the ways of knowing and shaping the world that emerged during the planning and execution of this first "world's fair," Victorian Prism not only restores the multiplicity of experiences and other determining factors to our picture of the Great Exhibition; it makes reevaluation of the exhibition and its legacies the occasion for reevaluating modernity itself in its broadest sense—as the cultures, potentialities, and liabilities of the Enlightenment. With essays by a number of leading scholars in their fields, the collection as a whole focuses on how these exhibitions, in attempting to define the cultures of their day, incorporated a range of conflicting ideologies and agendas. In doing so, it offers a richer, more complex understanding of the experience of modernity than we have previously acknowledged. The volume also addresses the ways in which the cultural processes and tendencies brought together in these exhibitions have been refracted down to the present, thus informing and complicating our own relationship to both modernity and postmodernity.
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''Architecture in Britain and Ireland, 1530–1830'' presents a comprehensive history of architecture in Britain during this three-hundred-year period. Drawing on the most important advances in architectural history in the last seventy years, ranging across cultural, material, political, and economic contexts, this book also encompasses architecture in Ireland and includes(...)
Architecture in Britain and Ireland, 1530-1830
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''Architecture in Britain and Ireland, 1530–1830'' presents a comprehensive history of architecture in Britain during this three-hundred-year period. Drawing on the most important advances in architectural history in the last seventy years, ranging across cultural, material, political, and economic contexts, this book also encompasses architecture in Ireland and includes substantial commentary on the buildings of Scotland and Wales.
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Created between 1787 and 1823 by George IV, the ''Royal Pavilion in Brighton'' is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the “Orient,” in particular China and India. The building, with its Indian-inspired exterior, was the work of the renowned architect(...)
The Royal Pavilion, Brighton: A Regency palace of colour and sensation
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Created between 1787 and 1823 by George IV, the ''Royal Pavilion in Brighton'' is perhaps the most daring and enchanting example of a building that expresses the European fascination with what in the early nineteenth century was considered the “Orient,” in particular China and India. The building, with its Indian-inspired exterior, was the work of the renowned architect John Nash, who with the contributions of several other gifted and inventive architects, artists, and designers, created a building that draws you in, takes you on a journey, and plays with your senses. Featuring new photography, this lavishly illustrated book will provide a fresh look at the sumptuous Chinoiserie interiors of the Royal Pavilion and their enduring appeal. Drawing on recent research, conservation projects, and the unprecedented loan exhibition A Prince’s Treasure: From Buckingham Palace to the Royal Pavilion (2019–22), this book celebrates the colours and sensual beauty of these interiors while situating the Royal Pavilion in the context of the time of its creation and development under royal ownership, from its beginning in the wake of the French Revolution, through its transformation and extension during and just after the Napoleonic Wars, to its fate and legacy in the early Victorian era.
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England’s sixty-two Anglican and Catholic cathedrals are some of our most iconic buildings, attracting millions of worshippers and visitors every year. Though much has been written about their architecture, there is no complete history of their life and activities. This is the first such book to provide one, stretching from Roman times to the present day. "The History(...)
The history of England's cathedrals
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England’s sixty-two Anglican and Catholic cathedrals are some of our most iconic buildings, attracting millions of worshippers and visitors every year. Though much has been written about their architecture, there is no complete history of their life and activities. This is the first such book to provide one, stretching from Roman times to the present day. "The History of England’s Cathedrals" explains where and why they were founded, who staffed them, and how their structures evolved. It describes their worship and how this changed over the centuries, their schools and libraries, and their links with the outside world. The history of these astonishing buildings is the history of England. Reading this book will bring you face to face with the Anglo-Saxons, Vikings, Normans, Reformation, Civil War, Victorian England, World War Two, and finally modern democracy.
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This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public(...)
décembre 2001, New Haven
Public Architecture in Ireland 1680-1760
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This book examines the public architecture of Ireland from 1680 to 1760, a crucial period during which the country undertook the combined tasks of recovering from war and constructing a new and stable society. New buildings, and new types of buildings, were needed to express and sustain this society. Architectural historian Edward McParland explores the role of public architecture in this enterprise, focusing on public buildings as works of architecture and art, while also discussing the political, social, and economic contexts in which they were built. The book opens with a discussion of the people who were involved in the creation of public architecture and a description of the physical appearance of Ireland at the time, including its roads and harbors, its market houses and churches. The author then presents detailed portraits of key public buildings, among them The Royal Hospital Kilmainham, The Royal Barracks, Dublin Castle, Trinity College Dublin, and Edward Lovett Pearce’s Parliament House. Drawing on extensive research in archives throughout Britain and Ireland, McParland documents the architectural and social importance of these remarkable public buildings.
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décembre 2001, New Haven
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London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. Private ownership has shaped the city, and architects have served a wide variety of(...)
avril 2006, New Haven / London
London : an architectural history
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London is one of the world’s greatest cities, and its architecture is a unique heritage. The Tower of London is an urban castle unique in Europe, St Paul’s is one of the world’s greatest domed cathedrals, and the squares and crescents of the West End inspired Haussmann’s Paris. Private ownership has shaped the city, and architects have served a wide variety of clients. London’s Classical era produced an elegant townscape between 1600 and 1830, but medieval, Tudor, and Victorian London were a potpourri of buildings large and small, each making its own design statement. "In London : an architectural history", the author takes the reader through two thousand years of architecture from the sublime to the mundane.
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Focusing on the correspondence between the period's built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class(...)
Building romanticism : literature and architecture in Nineteenth-Century Britain
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Focusing on the correspondence between the period's built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class mobility, the individual's uncertain place in history, challenges to the British national character and to the project of nation building, and the very form and function of art itself.
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies(...)
When London was capital of America
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century London as the capital of America, Julie Flavell recreates the famous city's heyday as the centre of an empire that encompassed North America and the West Indies. The momentous years before independence saw more colonial Americans than ever on London's streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, Yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly recreate a time when Americans saw London as their own and remind us of the complex, multiracial - at times even decadent - nature of America's colonial British heritage.
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Ever wondered why the floors in our terraced houses are different heights? Or what the landscape round where you live looked like before it was built on? And did you know you can date a building by its window sills? This publication tells us why and how. Harry Mount takes us on an engrossing tour of Britain's architecture, exploring the quirks, foibles and tiny details(...)
A lust for window sills: a lover's guide to British buildings from portcullis to pebble-dash
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Ever wondered why the floors in our terraced houses are different heights? Or what the landscape round where you live looked like before it was built on? And did you know you can date a building by its window sills? This publication tells us why and how. Harry Mount takes us on an engrossing tour of Britain's architecture, exploring the quirks, foibles and tiny details that make our buildings unique, and revealing the fascinating stories and anecdotes behind them along the way.