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An enthusiast’s guide to exploring historic houses of England, this informative book also enables readers to discover more about the history of their own houses. Users can learn to interpret domestic architecture, identify period styles, uncover the origins of a building, and understand why rooms are arranged in particular sequences, why window and chimney designs change(...)
Houses: An architectural guide
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An enthusiast’s guide to exploring historic houses of England, this informative book also enables readers to discover more about the history of their own houses. Users can learn to interpret domestic architecture, identify period styles, uncover the origins of a building, and understand why rooms are arranged in particular sequences, why window and chimney designs change through history, or why staircases are presented in a certain fashion. Color photography and informative line drawings illustrate the explanations and provide a rich visual history of domestic architecture from the earliest surviving dwellings to the most avant-garde developments.
Londres: la biographie
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Retrace les deux mille ans d'histoire de la ville de Londres, des premiers peuplements de Charing Cross au carnaval de Notting Hill, à partir d'une importante documentation, de témoignages et d'oeuvres d'art. Par une structure thématique, l'auteur aborde tous les visages de Londres : ses marchands, ses vagabonds, ses enfants, ses nuits... et rend accessible l'esprit de la ville.
Londres: la biographie
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Retrace les deux mille ans d'histoire de la ville de Londres, des premiers peuplements de Charing Cross au carnaval de Notting Hill, à partir d'une importante documentation, de témoignages et d'oeuvres d'art. Par une structure thématique, l'auteur aborde tous les visages de Londres : ses marchands, ses vagabonds, ses enfants, ses nuits... et rend accessible l'esprit de la ville.
Georgian London
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First published 1945. In this classic of English architectural history, John Summerson provides a perceptive and highly readable account of a major building period in the history of London. Encompassing the architecture of the capital from the Great Fire of 1666 through the city’s early nineteenth-century expansion, the book remains a guide to the genesis and development(...)
juin 2003, New Haven / London
Georgian London
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First published 1945. In this classic of English architectural history, John Summerson provides a perceptive and highly readable account of a major building period in the history of London. Encompassing the architecture of the capital from the Great Fire of 1666 through the city’s early nineteenth-century expansion, the book remains a guide to the genesis and development of Georgian London. Summerson examines the way in which building was conditioned by social, economic, and financial circumstances and discusses some of Britain’s most important buildings and their architects. While Summerson’s text is essentially unchanged in this edition, it has been corrected in the light of new research, expanded to include a few significant buildings that were originally overlooked, and enhanced with new illustrations. The Appendix of surviving Georgian buildings has also been carefully updated.
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From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of(...)
juillet 2007, Charlottesville - London
Victorian prism : refractions of the crystal palace
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From the moment it opened on the first of May in the Crystal Palace in Hyde Park, London, the Great Exhibition of 1851 was one of the defining events of the Victorian period. It stood not only as a visible symbol of British industrial and technological progress but as a figure for modernity—a figure that has often been thought to convey one coherent message and vision of culture and society. This volume examines the place occupied both materially and discursively by the Crystal Palace and other nineteenth- and twentieth-century exhibitions in the struggle to understand what it means to be modern. Initiated in part by a number of conferences held in 2001 to commemorate the 150th anniversary of the Crystal Palace, Victorian Prism provides new perspectives to historians, literary critics, art historians, and others interested in how a large glass building in a London park could refract meaning from Caracas to Calcutta. In its investigations of the ways of knowing and shaping the world that emerged during the planning and execution of this first "world's fair," Victorian Prism not only restores the multiplicity of experiences and other determining factors to our picture of the Great Exhibition; it makes reevaluation of the exhibition and its legacies the occasion for reevaluating modernity itself in its broadest sense—as the cultures, potentialities, and liabilities of the Enlightenment. With essays by a number of leading scholars in their fields, the collection as a whole focuses on how these exhibitions, in attempting to define the cultures of their day, incorporated a range of conflicting ideologies and agendas. In doing so, it offers a richer, more complex understanding of the experience of modernity than we have previously acknowledged. The volume also addresses the ways in which the cultural processes and tendencies brought together in these exhibitions have been refracted down to the present, thus informing and complicating our own relationship to both modernity and postmodernity.
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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts,(...)
septembre 2006, Chacago / London
When buildings speak : architecture as language in the Habsburg empire and its aftermath, 1867 - 1933
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Covering a wide range of buildings - from national theaters to crematoria, apartment buildings to warehouses, and sanatoria to postal savings banks - Anthony Alofsin proposes a new way of interpreting this language. He calls on viewers to read buildings in two ways: through their formal elements, on the one hand; and through their political, social, and cultural contexts, on the other. By looking through Alofsin’s eyes, readers can see how myriad nations sought to express their autonomy by tapping into the limitless possibilities of art and architectural styles.
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Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing(...)
Town: prints and drawings of Britain before 1800
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Many provincial towns in Britain grew dramatically in size and importance in the eighteenth century. Ports such as Glasgow and Liverpool greatly expanded, while industrial centers such as Birmingham and Manchester flourished. Market towns outside London developed as commercial centers or as specialty destinations: visitors could find spa treatments in Bath, horse racing in Newmarket, and naval services in Portsmouth. Containing more than one hundred images of country towns in England, Wales, and Scotland, this book draws on the extensive Gough collection in the Bodleian Library. Contemporary prints and drawings provide a powerful visual record of the development of the town in this period, and finely drawn prospects and maps—made with greater accuracy than ever before—reveal their early development. This book also includes perceptive observations from the journals and letters of collector Richard Gough (1735–1809), who traveled throughout the country on the cusp of the industrial age.
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février 2021
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Focusing on the correspondence between the period's built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class(...)
Building romanticism : literature and architecture in Nineteenth-Century Britain
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Focusing on the correspondence between the period's built environments and its literary pursuits, Building Romanticism argues that at this turbulent moment in British history a number of politically charged and aesthetically resonant architectural spaces, both real and imagined, negotiated intense anxieties about shifting notions of gender and sexuality, increased class mobility, the individual's uncertain place in history, challenges to the British national character and to the project of nation building, and the very form and function of art itself.
$90.00
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In this view of London, Farrell looks beyond the contribution of individual buildings to the city. He creates a larger, more exciting frame, charting how the capital’s messy and complex shape has been hewn out of a series of layers – natural and manmade, so the Thames and the natural landscape gets as much attention as the railway infrastructure, the roads and the canals.(...)
Shaping London: The patterns and forms that make the metropolis
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In this view of London, Farrell looks beyond the contribution of individual buildings to the city. He creates a larger, more exciting frame, charting how the capital’s messy and complex shape has been hewn out of a series of layers – natural and manmade, so the Thames and the natural landscape gets as much attention as the railway infrastructure, the roads and the canals. This provides a whole series of revelations that allow us to see the city afresh: How might the natural bends in the river have impacted where and what was built? How have the Thames’ tributaries affected historic boundaries and development, played out in the estates of Mayfair? How is the Roman plan for the city of London still discernible in today’s street patterns? Illustrated with original sketches, maps, archive photographs and paintings, this book provides a collage of London’s patterns and its history.
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies(...)
When London was capital of America
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Benjamin Franklin secretly loved London more than Philadelphia: it was simply the most exciting place to be in the British Empire. And in the decade before the outbreak of the American Revolution, thousands of his fellow colonists flocked to the Georgian city in its first big wave of American visitors. At the very point of political rupture, mother country and colonies were socially and culturally closer than ever before. In this first-ever portrait of eighteenth-century London as the capital of America, Julie Flavell recreates the famous city's heyday as the centre of an empire that encompassed North America and the West Indies. The momentous years before independence saw more colonial Americans than ever on London's streets: wealthy Southern plantation owners in quest of culture, slaves hoping for a chance of freedom, Yankee businessmen looking for opportunities in the city, even Ben Franklin seeking a second, more distinguished career. The stories of the colonials, no innocents abroad, vividly recreate a time when Americans saw London as their own and remind us of the complex, multiracial - at times even decadent - nature of America's colonial British heritage.
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Ever wondered why the floors in our terraced houses are different heights? Or what the landscape round where you live looked like before it was built on? And did you know you can date a building by its window sills? This publication tells us why and how. Harry Mount takes us on an engrossing tour of Britain's architecture, exploring the quirks, foibles and tiny details(...)
A lust for window sills: a lover's guide to British buildings from portcullis to pebble-dash
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Ever wondered why the floors in our terraced houses are different heights? Or what the landscape round where you live looked like before it was built on? And did you know you can date a building by its window sills? This publication tells us why and how. Harry Mount takes us on an engrossing tour of Britain's architecture, exploring the quirks, foibles and tiny details that make our buildings unique, and revealing the fascinating stories and anecdotes behind them along the way.