Past tense, future sense
$112.50
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Celebrating the 80th anniversary of design at Philips, Past Tense, Future Sense is a highly visual book presenting an analysis and history of design at Philips. Engaging topics like the rise of design, the role of visionary projects and what actually constitutes good design are discussed at length and vividly brought to life by numerous case studies.
Past tense, future sense
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$112.50
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Celebrating the 80th anniversary of design at Philips, Past Tense, Future Sense is a highly visual book presenting an analysis and history of design at Philips. Engaging topics like the rise of design, the role of visionary projects and what actually constitutes good design are discussed at length and vividly brought to life by numerous case studies.
Design industriel
$90.95
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Dutch design is held in high esteem around the world. Its favourable international reputation is based on the work of many designers including Jurgen Bey, Hella Jongerius and Maarten Baas, who all have one thing in common: Design Academy Eindhoven. Design Academy Eindhoven is the Netherlands leading institution for developing design talent and it has produced a(...)
Design industriel
février 2008, Amsterdam
House of concepts: Design Academy Eidhoven
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Dutch design is held in high esteem around the world. Its favourable international reputation is based on the work of many designers including Jurgen Bey, Hella Jongerius and Maarten Baas, who all have one thing in common: Design Academy Eindhoven. Design Academy Eindhoven is the Netherlands leading institution for developing design talent and it has produced a veritable who's who of the country's creative scene. The final projects of its graduates often attract international attention; their annual presentation has become a must-see for innovative companies, brands and designers from around the world. House of Concepts presents the legendary school that was founded as the Academy for Industrial Design Eindhoven sixty years ago. It contains outstanding original work created in a top-quality educational environment that emphasises practical skills rather than theory. The book not only features Design Academy Eindhoven graduates and their work, but also gives insight into the conceptual design for which the Netherlands is famous. House of Concepts also includes extensive interviews with renowned alumni such as Jurgen Bey, Richard Hutten, Joris Laarman and Judith de Grauw as well as Jeroen and Joep Verhoeven.
Design industriel
livres
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Five Dutch architects were invited to design a ceramic container. The process took them to an unknown land, a "terra incognita", and the resulting designs represented the philosophical approach each architect or firm took to the problem of product design. The architects are Ben van Berkel & Caroline Bos, Erick van Egeraat, MVRDV, NL Architects, and Nox.
Terra incognita : architects as designers
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Five Dutch architects were invited to design a ceramic container. The process took them to an unknown land, a "terra incognita", and the resulting designs represented the philosophical approach each architect or firm took to the problem of product design. The architects are Ben van Berkel & Caroline Bos, Erick van Egeraat, MVRDV, NL Architects, and Nox.
livres
mars 1999, 's-Hertogenbosch
Design industriel
$69.00
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This publication outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant(...)
Electrifying design: a century of lighting
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This publication outlines the key aspects of lighting as a unique and creative artistic discipline and examines themes such as different typologies, the quality of light, and the evolution of the bulb. A series of essays by Sarah Schleuning and Cindi Strauss showcase lighting designs from different time periods and geographic locations and feature the work of significant figures, including Poul Henningsen, Ingo Maurer, and Gino Sarfatti. With over 130 illustrations of functional and sometimes fantastical designs, a historical timeline, and comprehensive artist biographies, this volume expands our understanding of an understudied but influential art form and demonstrates lighting’s central role as both an expression of and a catalyst for innovations in modern and contemporary design.
Design industriel
$51.00
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and(...)
Rethinking the modular: adaptable systems in architecture and design
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In 1965, leading Swiss furniture company USM patented its signature modular furniture system, USM Haller. This flexible storage solution for both home and office was inspired by Fritz Haller’s modular architecture and designed for infinite reuse and reconfiguration. Considered a design classic, USM Haller is included in the collections of major museums including MoMA and the Cooper-Hewitt National Design Museum. Released as part of USM’s fiftieth-anniversary celebration of this iconic furniture design, Rethink the Modular examines the role of unit-based systems in the wider context of architecture and design. It combines previously published writings, specially commissioned essays from thinkers and innovators John Thackara and Rick Poyner, and interviews with leading figures in the design world that explain how the concept of the modular influences their work. Interspersed with visual material, the texts reveal the many possibilities created by balancing structure with flexibility, and seek to redefine the place of modularity in modern design history.
Design industriel
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"The pencil perfect" takes its namesake’s four simple ingredients – wood, graphite, clay, and water – and narrates a tale of worldwide influence and innovation. Caroline Weaver, pencil connoisseur and CW Pencil Enterprise Shop owner, composes texts that extol the nuanced influence of her beloved and humble implement. Illustrations exclusively drawn for "The pencil(...)
The pencil perfect: the untold story of a cultural icon
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"The pencil perfect" takes its namesake’s four simple ingredients – wood, graphite, clay, and water – and narrates a tale of worldwide influence and innovation. Caroline Weaver, pencil connoisseur and CW Pencil Enterprise Shop owner, composes texts that extol the nuanced influence of her beloved and humble implement. Illustrations exclusively drawn for "The pencil perfect" by Oriana Fenwick, an artist from Zimbabwe who works with fine details and intense realism, pair with Weaver’s words to present a story that is both endearing and enlightening. Through profiles of pencil makers, anecdotes about famous writers’ favorite pencils, and essays about the surprising role of pencils in world history and culture, the chronicle of a modest but mighty tool unfolds. Follow the charming contrivance as it guides the course of early communication in the Scientific Revolution, the American Revolutionary War, the Anglo-French War, and the French Revolution: it is a historical journey and a captivating memoir. See how its past contemporarily compares with its use and appearance today – from the Blackwing 602 to novelty ferrules. The development of cultures and communities is laid bare within the timeline of this slender entity. "The pencil perfect" immortalizes the biography of an inanimate object within its pages for a future cast of historians, writers, and curious minds.
Design industriel
The future starts here
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What makes us human? We are all connected, but do we feel lonely? Does democracy still work? Are cities for everyone? Should the planet be a design project? If Mars is the answer, what is the question? Who wants to live forever? The world of tomorrow is shaped by emerging design and the technology of today. Bringing together a range of objects either newly released or in(...)
The future starts here
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What makes us human? We are all connected, but do we feel lonely? Does democracy still work? Are cities for everyone? Should the planet be a design project? If Mars is the answer, what is the question? Who wants to live forever? The world of tomorrow is shaped by emerging design and the technology of today. Bringing together a range of objects either newly released or in development, "The Future Starts Here" begins to imagine where our society might be headed. Cute but intelligent robots, massive unmanned aircraft that deliver internet access, crowdfunded buildings, tools printed in space, mysterious black boxes that understand human genetic codes--how can these objects affect the way we live, learn, and love? And how are they challenging our understanding of what it means to be an individual, a citizen, a crowd, or a species?
Design industriel
Design pour enfants
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Ce livre expose une vaste gamme d'objets spécialement conçus pour les enfants. Il présente les tendances les plus récentes du design pour enfants au travers des innovations lors de l'industrialisation et l'utilisation de matériaux, ou encore l'adaptation des grands classiques du design industriel au monde des petits garçons et des petites filles. La fonctionnalité de ces(...)
Design pour enfants
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Ce livre expose une vaste gamme d'objets spécialement conçus pour les enfants. Il présente les tendances les plus récentes du design pour enfants au travers des innovations lors de l'industrialisation et l'utilisation de matériaux, ou encore l'adaptation des grands classiques du design industriel au monde des petits garçons et des petites filles. La fonctionnalité de ces projets ainsi que ses applications pratiques sont le principal critère de sélection des projets dont on expose plus de 300 objets. Cet ouvrage est donc un manuel de référence obligé tant pour les professionnels comme pour les individus intéressés sur le monde du design.
Design industriel
The Chinese typewriter
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Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those(...)
juillet 2017
The Chinese typewriter
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Chinese writing is character based, the one major world script that is neither alphabetic nor syllabic. Through the years, the Chinese written language encountered presumed alphabetic universalism in the form of Morse Code, Braille, stenography, Linotype, punch cards, word processing, and other systems developed with the Latin alphabet in mind. This book is about those encounters—in particular thousands of Chinese characters versus the typewriter and its QWERTY keyboard. Thomas Mullaney describes a fascinating series of experiments, prototypes, failures, and successes in the century-long quest for a workable Chinese typewriter.
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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. "Things of beauty growing" explores major typologies of the vessel—such as bowl, vase, and charger—that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of(...)
Things of beauty growing : British studio pottery
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For nearly a century British potters have invigorated traditional ceramic forms by developing or reinventing techniques, materials, and means of display. "Things of beauty growing" explores major typologies of the vessel—such as bowl, vase, and charger—that have defined studio ceramics since the early 20th century. It places British studio pottery within the context of objects from Europe, Japan, and Korea and presents essays by an international team of scholars and experts. The book highlights the objects themselves, including new works by Adam Buick, Halima Cassell, and Nao Matsunago, featured alongside works by William Staite Murray, Lucie Rie, Edmund de Waal, and others, many published here for the first time. Rounding out the beautifully illustrated volume is an interview with renowned collector John Driscoll and approximately fifty illustrated short biographies of significant makers.
Design industriel