Thee Display
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Résumé:
From its situation in Ancient Greece through the various rewritings and commentaries and interventions of the last 2500 years, there is certainly no book being transmitted in the anything-but-unbroken and often comic transmission of The Phaenomena, a long didactic poem enumerating the constellations and their movement through the skies. There is certainly no origin(...)
Thee Display
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From its situation in Ancient Greece through the various rewritings and commentaries and interventions of the last 2500 years, there is certainly no book being transmitted in the anything-but-unbroken and often comic transmission of The Phaenomena, a long didactic poem enumerating the constellations and their movement through the skies. There is certainly no origin apparent in such a transmission, even as the layers of compaction that this text attempts to unfold are themselves arguments about origin, plaintive debates about the irresolvable contradiction of a “first copier.” But what does it mean to give up the constellation, the relation, the durability that relation promises to guarantee, without being able to retreat into the security of origin or determinate meaning? What do you do then? This is to rephrase the question: what do we – “we,” obstinately – fail to see when we see the shapes of the stars so well? Thee Display is a collection of poems written during an engagement with this ongoing transmission. It is a book about this, and a book about the horizon of communism, and a book about transition, and a book about a companionship characterized by a weird and sad kind of cheer.
Littérature et poésie
Poor fridge
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Everything put into a poor fridge spoils. A solution to this problem: to only ever attempt to preserve in such a fridge things already spoiled, as well as those things improved by spoilage. Much of the world, happily, falls into one of these two categories. "Poor fridge" is Mark Francis Johnson's record of a year spent prepping for a future consumed – except for the most(...)
Poor fridge
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Everything put into a poor fridge spoils. A solution to this problem: to only ever attempt to preserve in such a fridge things already spoiled, as well as those things improved by spoilage. Much of the world, happily, falls into one of these two categories. "Poor fridge" is Mark Francis Johnson's record of a year spent prepping for a future consumed – except for the most and least spoiled parts – by the past. "Poor fridge" includes an afterword by poet Nora Fulton.
Littérature et poésie
Things that disappear
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The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages(...)
Things that disappear
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The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things That Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there a perpetrator who makes things that I know and cherish disappear?" These things disappear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, "Things that disappear" follows on the heels of Erpenbeck’s Booker Prize–winning novel Kairos and offers a window into a renowned writer’s sense of the past, and of her own self as a writer.
Littérature et poésie
Michael Kohlhaas
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Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an(...)
Michael Kohlhaas
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Michael Kohlhaas has been wronged. First his finest horses were unfairly confiscated and mistreated. And things keep going worse—his servants have been beaten, his wife killed, and the lawsuits he pursues are stymied—but Kohlhaas, determined to find justice at all costs, tirelessly persists. Standing up against the bureaucratic machine of the empire, Kohlhaas becomes an indomitable figure that you can’t help rooting for from start to finish. Knotty, darkly comical, magnificent in its weirdness, and one of the greatest and most influential tales in German literature, this short novel, first published in German in 1810, is now available in award-winning Michael Hofmann’s sparkling new English translation.
Littérature et poésie
A swim in a pond in the rain
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For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In "A swim in a pond in the rain," he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and(...)
A swim in a pond in the rain
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For the last twenty years, George Saunders has been teaching a class on the Russian short story to his MFA students at Syracuse University. In "A swim in a pond in the rain," he shares a version of that class with us, offering some of what he and his students have discovered together over the years. Paired with iconic short stories by Chekhov, Turgenev, Tolstoy, and Gogol, the seven essays in this book are intended for anyone interested in how fiction works and why it’s more relevant than ever in these turbulent times.
Littérature et poésie
Vigil
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Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death.(...)
Vigil
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Not for the first time, Jill "Doll" Blaine finds herself hurtling toward earth, reconstituting as she falls, right down to her favorite black pumps. She plummets towards her newest charge, yet another soul she must usher into the afterlife, and lands headfirst in the circular drive of his ornate mansion. She has performed this sacred duty 343 times since her own death. Her charges, as a rule, have been greatly comforted in their final moments. But this charge, she soon discovers, isn’t like the others. The powerful K. J. Boone will not be consoled, because he has nothing to regret. He lived a big, bold, epic life, and the world is better for it. Isn’t it? "Vigil" transports us, careening, through the wild final evening of a complicated man. Visitors begin to arrive (worldly and otherworldly, alive and dead), clamoring for a reckoning. Birds swarm the dying man’s room; a black calf grazes on the love seat; a man from a distant, drought-ravaged village materializes; two oil-business cronies from decades past show up with chilling plans for Boone’s postdeath future.
Littérature et poésie
$25.99
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From the fungus-webbed "House of Usher" to the maddening, fungus-like wallpaper of Charlotte Perkins Gilman's classic tale of madness, and Ray Bradbury's account of insidious mushroom dispersal via the US postal system, weird fiction has harboured a thriving culture of fungal horrors throughout the past two centuries. With stories of mycological possession alongside dark,(...)
Spores of doom: Dank tales of the fungal weird
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From the fungus-webbed "House of Usher" to the maddening, fungus-like wallpaper of Charlotte Perkins Gilman's classic tale of madness, and Ray Bradbury's account of insidious mushroom dispersal via the US postal system, weird fiction has harboured a thriving culture of fungal horrors throughout the past two centuries. With stories of mycological possession alongside dark, pulpy science fiction monstrous fruiting bodies run amok, this new anthology collects the classic with the lost and obscure to trace our fascination with a spore-infested branch of British and American fiction.
Littérature et poésie
Trente perspectives
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Ce livre est composé de vingt-cinq photographies argentiques de Diane Givry, et d’un texte en cinq parties de Yoann Givry. Il s'agit aussi du premier livre de cette photographe. Tout y est sobre et pur: des paysages, des nus; un regard poétique sans la prétention d'une artiste à l'ego démesuré : Diane Givry en est l'inverse, elle nous propose ici son regard honnête et(...)
Trente perspectives
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Ce livre est composé de vingt-cinq photographies argentiques de Diane Givry, et d’un texte en cinq parties de Yoann Givry. Il s'agit aussi du premier livre de cette photographe. Tout y est sobre et pur: des paysages, des nus; un regard poétique sans la prétention d'une artiste à l'ego démesuré : Diane Givry en est l'inverse, elle nous propose ici son regard honnête et techniquement irréprochable. Les textes de Yoann Givry qui accompagnent ce choix d'images sont également d'une grande sobriété et modestie. Inutile de lui demander de présenter son travail, ce que l'éditeur a essayé de faire, en obtenant le texte suivant, pour la quatrième de couverture. « J’aurais pu écrire quelques lignes ici (notamment pour faire plaisir à mon éditeur). Avec des extraits ou peut-être un résumé, voire mieux : une phrase oraculaire et accrocheuse. Mais mirez et soupesez; c’est un ouvrage bien menu. Attaquez-le donc derechef. Les photographies sont très belles (à mon humble avis), et il n’est pas tout à fait décidé que quelques passages ne puissent vous plaire. (Au pire, il ne vous embêtera pas longtemps). ».
Littérature et poésie
We were promised flying cars
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The debut poetry collection from Arab-American poet Kareem Rahma - formerly of VICE and The New York Times - shows us the future in haiku. Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and(...)
We were promised flying cars
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The debut poetry collection from Arab-American poet Kareem Rahma - formerly of VICE and The New York Times - shows us the future in haiku. Simultaneously a hopeful prayer for change and direct warning to the reader, Rahma makes masterful work of the haiku form to build a very possible future world dominated by corporations, an earth depleted of natural resources, and humans turned into zombies, glued to their screens. The future that awaits us is not the one we’ve hoped for or what we were promised, but a terrible culmination of what we’ve done to ourselves. Elegant but caustically humorous, this prophetic vision can be returned to again and again, because even in the darkness, Rahma remains hopeful that we can still keep the promises we made in the past. Paired with Jean-Marc Côté’s nineteenth-century illustrations of an imagined year 2000, ''We Were Promised Flying Cars'' is not just for poetry and science fiction fans, but anyone interested in what tomorrow might look like.
Littérature et poésie
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have(...)
Dandelions
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In ''Dandelions'', Thea Lenarduzzi pieces together her family history through four generations’ worth of migration between Italy and England, and the stories scattered like seeds along the way. Where, or what, is home? What has it meant, historically and personally, to be 'Italian' or 'English', or both in a culture that prefers us to choose? What does it mean to have roots? Or to have left a piece of oneself somewhere long since abandoned? At the heart of this book brimming with the lives of remarkable and apparently unremarkable people is Thea’s grandmother Dirce, a former seamstress, who, now approaching 100, is a repository of tales that are by turns unpredictable, unreliable, significant. And that lead us deeper. There’s the one about Mussolini’s modern Icarus who crashed into the murk of a lake; about the Manchester factory worker who wanted only to be seen; about the shadowy demon who visits in your sleep; and the monument to a murdered politician that, when it rains, runs the colour of blood. Through the journeys of Dirce and her relatives, from the Friuli to Sheffield and Manchester and back again, a different kind of history emerges, in which self and place are warp and weft, tightly woven, with threads left hazardously trailing.
Littérature et poésie