Liberté no 309: prendre soin
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Dernier numéro en librairie! The new issue available at the bookstore!
Liberté no 309: prendre soin
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Dernier numéro en librairie! The new issue available at the bookstore!
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become(...)
Texte zur Kunst 99: photography
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Decades following the rise of computer aided design and the aesthetic-theoretical debates that coincided, it might seem late, at this point, to place a spotlight on photography. After all, hardly anyone defends photography’s loyalty to the analog index anymore, or mourns the medium specificities of centuries past. And yet, who can dispute that the photograph has become the primary base for establishing identity now, for cohering a social body; one that, as the substrate across which today’s human subject is drawn, stands as, in a sense, our material support? As the image’s gaze has become omnipresent, it is perhaps prime time to ask how do we now understand photo-media to operate? What information do we expect it to carry? What facts do we trust it to convey?
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Ce numéro thématique s'intéresse au patrimoine industriel dont la prise en compte, en France, date des années 1970-1980. A la suite des Trente Glorieuses, la désindustrialisation a entraîné la fermeture et l'abandon, de nombreux sites. Demeurent les hautes silhouettes des cheminées des immenses usines, leurs toitures en sheds, les chevalements et les terrils des paysages(...)
Monumental semestriel 1, 2015: le patrimoine industriel
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Ce numéro thématique s'intéresse au patrimoine industriel dont la prise en compte, en France, date des années 1970-1980. A la suite des Trente Glorieuses, la désindustrialisation a entraîné la fermeture et l'abandon, de nombreux sites. Demeurent les hautes silhouettes des cheminées des immenses usines, leurs toitures en sheds, les chevalements et les terrils des paysages miniers qui, ayant modelé le territoire en leur temps, sont apparus dès lors comme un héritage à sauvegarder et à revitaliser.
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Bramante is one of the most important architect in the history of Western architecture. This fact alone would be a sufficient reason for this issue, but the additional fact that Bramante died 500 years ago merits its own celebration. Most of all, now that globalization has come full circle and we live in an entirely unified market, we must address Bramante’s work as the(...)
San Rocco 11: happy birthday, Bramante !
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Bramante is one of the most important architect in the history of Western architecture. This fact alone would be a sufficient reason for this issue, but the additional fact that Bramante died 500 years ago merits its own celebration. Most of all, now that globalization has come full circle and we live in an entirely unified market, we must address Bramante’s work as the foundation of universalism in Western architecture.
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Texte zur Kunst 98: media
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Going beyond discussions of post-Net production in the digital realm, this issue invites in the ghost of Friedrich Kittler to address “media” via the nexus of its fraught theoretical legacy – ’90s techno-determinism versus the biopolitical forces of capital in the social field. What if, rather than writing a social history of media, we thought through media to read our(...)
Texte zur Kunst 98: media
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Going beyond discussions of post-Net production in the digital realm, this issue invites in the ghost of Friedrich Kittler to address “media” via the nexus of its fraught theoretical legacy – ’90s techno-determinism versus the biopolitical forces of capital in the social field. What if, rather than writing a social history of media, we thought through media to read our social sphere? The fallout is recombined here as a framework for engaging, and perhaps upending, contemporary relations of body, class, and power and the devices and cultural techniques by which they are bound.
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périodiques
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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps(...)
Texte zur Kunst 97: bohème/bohemia
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Exile and marginality, network availability, mass- versus subcultural identities, privilege, opting (versus dropping) out – these are elements this issue takes on. The fading of bohemia’s appeal is no doubt linked in part to a growing preference for the web’s promise of total-connectivity. Though could another factor be at work here too: an underlying sense that perhaps the real displacement and disenfranchisement after which romantic notions of “bohemia” were later formed may again be a very real threat?
périodiques
avril 2015
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel,(...)
Texte zur Kunst 96: the gallerists
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As gatekeeper to artistic production on the one hand and market valuation on the other, the gallerist, since the inception of the “dealer-critic” / “dealer-collector” systems, has occupied a decidedly privileged position within the artistic field. But in recent years, the demands of this profession have changed. Expected to maintain 24/7 communication, perpetual travel, and a constant presence at fairs, this art world protagonist has in turn, adapted their role to accommodate these pressures. In light of this, what, today, can we make of the “good” gallerist carefully establishing a stable of artists, “placing” their work over time in particular institutional and private collections? And if a market taking place independently of gallerists is indeed increasing, how then does this affect the established mechanisms of validation and canonization?
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Science of the secondary 5: door
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional(...)
Science of the secondary 6: pipe
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For the first instalment of a building-centric research initiative under the Science of the Secondary series, the common Door, Window and Pipe were chosen as starting points towards an inquiry into the openings of a dwelling. Drawing from the findings of this study, Atelier HOKO developed another mad afternoon at home; an activity piece that contains sixty instructional postcards to be performed by individuals in the comfort of their own home. Using the familiarity of everyday actions and materials to investigate and experience the different openings, this project attempts to draw a closer and more intimate relationship between people and buildings.
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