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The latest issue is now available at the bookstore.
AV proyectos117: O'Donnell + Tuomey
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LSD n° 03 : A DIY Issue
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Le troisième numéro de Le Signe Design, Cahiers du centre national du graphisme, s'articule autour des pratiques du Do It Yourself et s'appuie sur le travail de Gilles de Brock, designer graphique devenu fabricant de carreaux de céramique. Si la pratique du Do It Yourself est communément entendue comme relevant du bricolage, du détournement (hacking), de l'organisation(...)
LSD n° 03 : A DIY Issue
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Le troisième numéro de Le Signe Design, Cahiers du centre national du graphisme, s'articule autour des pratiques du Do It Yourself et s'appuie sur le travail de Gilles de Brock, designer graphique devenu fabricant de carreaux de céramique. Si la pratique du Do It Yourself est communément entendue comme relevant du bricolage, du détournement (hacking), de l'organisation sociétale et politique, elle est aussi prospective et patrimoniale. Patrimoniale en ce qu'elle permet, par groupes constitués, de faire revivre des savoir-faire et méthodes tendant à disparaître. Prospective, en ce qu'elle permet la création d'outils qui n'existeraient pas, mais potentiellement réalisables.
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The latest issue is now available at the bookstore.
Detail 6 2023 : Architecture and climate protection
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The latest issue is now available at the bookstore.
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En 2021, la commissaire de la 18e édition de la Biennale d'architecture de Venise Lesley Lokko créait l’African Futures Institute à Accra, capitale du Ghana, pour proposer un enseignement d’envergure internationale sur le continent africain mais surtout, dit-elle, « pour se saisir de l’espace expérimental, plus radical qu’offre l’Afrique, afin d’envisager autrement les(...)
A'A' 455 : l'architecture aujourd'hui
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En 2021, la commissaire de la 18e édition de la Biennale d'architecture de Venise Lesley Lokko créait l’African Futures Institute à Accra, capitale du Ghana, pour proposer un enseignement d’envergure internationale sur le continent africain mais surtout, dit-elle, « pour se saisir de l’espace expérimental, plus radical qu’offre l’Afrique, afin d’envisager autrement les études d’architecture dans le monde entier ». Dans une Afrique où la moyenne d’âge avoisine 20 ans, il y a « une énergie incroyable » qui représente l’occasion d’enrichir considérablement l’enseignement ainsi que la discipline et le métier en général. Ce numéro 455 propose un état des lieux de la scène architecturale contemporaine du continent africain, architectures plurielles par définition, et pose, dans un mouvement de décentrement, la question suivante : Qu’est-ce que l’Afrique apporte à l’architecture d’aujourd'hui ?
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The July/August issue of The Architectural Review celebrates the winning and commended projects of the AR New into Old awards 2023, which demonstrate the imaginative appropriation of existing structures – from innovative insertions to ambitious adaptations – that offer buildings a new lease of life. It also looks at demolition, from the obliteration of entire(...)
The architectural review 1502, June 2023
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The July/August issue of The Architectural Review celebrates the winning and commended projects of the AR New into Old awards 2023, which demonstrate the imaginative appropriation of existing structures – from innovative insertions to ambitious adaptations – that offer buildings a new lease of life. It also looks at demolition, from the obliteration of entire neighbourhoods to the buildings that should have remained standing, to ask the question: should anything ever be demolished?
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''All things infinite. Limitlessness and unending possibilities. A common thread in which the uber-talented folks who contributed to the upcoming edition of lstw found elevated inspiration. So it made perfect sense to lend our cover to three of them. Discover the works of Louka Perderizet, Rebecca Ness and Lanee Bird.''
Lez Spread the Word no. 8 : All things infinite / Toutes choses infinies
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''All things infinite. Limitlessness and unending possibilities. A common thread in which the uber-talented folks who contributed to the upcoming edition of lstw found elevated inspiration. So it made perfect sense to lend our cover to three of them. Discover the works of Louka Perderizet, Rebecca Ness and Lanee Bird.''
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C magazine 155 : Codes
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This issue expands on codes as ethical, social, political, and legal boundaries—considering them as sets of visible and invisible instructions moving within and beyond the digital imaginary. Through features, interviews, and experimental texts, artists and writers probe how developments in AI and coding are products of existing mechanics of the world, and how else codes(...)
C magazine 155 : Codes
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This issue expands on codes as ethical, social, political, and legal boundaries—considering them as sets of visible and invisible instructions moving within and beyond the digital imaginary. Through features, interviews, and experimental texts, artists and writers probe how developments in AI and coding are products of existing mechanics of the world, and how else codes are constituted. From programming languages as poetry to paranormal readings with the land against settler ideas of an inanimate wilderness, contributors ask how the material consequences of an array of codes might be re-inscribed to understand or lay form to (alternate) conditions of life.
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Exhibiting at the German Pavilion of the 18th Venice Architecture Biennale, this collaboration between the Summacumfemmer Büro Juliane Greb Collective and ARCH+ proposes a sustainable approach to architecture, prioritizing restoration and maintenance of existing buildings over the profligate use of resources in new constructions.
ARCH+ : Open for maintenance. German pavillion, 18th Venice Architecture Biennale
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Exhibiting at the German Pavilion of the 18th Venice Architecture Biennale, this collaboration between the Summacumfemmer Büro Juliane Greb Collective and ARCH+ proposes a sustainable approach to architecture, prioritizing restoration and maintenance of existing buildings over the profligate use of resources in new constructions.
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A theoretical approach to repairing society from the perils of capitalism and overconsumption This collaborative project between ARCH+, Akademie der Künste, Berlin, ETH Zurich and the University of Luxembourg proposes a vision of societal repair based on practices of care, maintenance and mending.
ARCH+ : The great repair: Politics for a society of repair, a reader
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A theoretical approach to repairing society from the perils of capitalism and overconsumption This collaborative project between ARCH+, Akademie der Künste, Berlin, ETH Zurich and the University of Luxembourg proposes a vision of societal repair based on practices of care, maintenance and mending.
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OASE 114: Optimism or bust?
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Despite climate catastrophes, increasing inequality and growing geopolitical instability, architecture remains stubbornly optimistic about the future. More than this: it usually sees itself as the discipline best capable of showing society a way out of disaster. Optimism seems to be a genuine "strategy" that strongly shapes architectural and urban design practice. We can(...)
OASE 114: Optimism or bust?
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Despite climate catastrophes, increasing inequality and growing geopolitical instability, architecture remains stubbornly optimistic about the future. More than this: it usually sees itself as the discipline best capable of showing society a way out of disaster. Optimism seems to be a genuine "strategy" that strongly shapes architectural and urban design practice. We can hardly imagine a different – and hopefully better – built future if we are not optimistic about it and believe in it ourselves. This issue of OASE focuses on the specific position of optimism in architecture and urban design. Where in the design and construction process is it hiding? In what circumstances does it rear its head? What causes it to be sidelined? How do design practices change under the yoke of optimism? How do boldly optimistic choices manifest in projects? And how persistent is this ever-good-natured optimism in the face of a fickle reality?
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