périodiques
fillip 8
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Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia. Crossing academic, artistic, and related practices, Fillip acts as a forum for critical discussion in the contemporary arts, and situates itself as a complement and stimulus for contemporary practices and discourses.
fillip 8
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Fillip is a publication of art, culture, and ideas released three times a year by the Projectile Publishing Society from Vancouver, British Columbia. Crossing academic, artistic, and related practices, Fillip acts as a forum for critical discussion in the contemporary arts, and situates itself as a complement and stimulus for contemporary practices and discourses.
périodiques
octobre 2008, Vancouver, Seattle
A magazine #8
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Currated by Riccardo Tisci.
A magazine #8
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Currated by Riccardo Tisci.
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Faire – Regarder le graphisme n° 30 bis – Donner corps : le specimen typographique chez Lineto
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Le Specimen chez Lineto joue des formes et des formats pour promouvoir les caractères typographiques de la fonderie : livres, posters, enveloppes, dépliants, caractères transfert, annonces presses, clips vidéos mais aussi structures gonflables et bootlegs de logotypes. Lorsque Reala publie la LL Biff en 2000, le specimen utilise la culture graffiti et ses modes de mise en(...)
Faire – Regarder le graphisme n° 30 bis – Donner corps : le specimen typographique chez Lineto
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Le Specimen chez Lineto joue des formes et des formats pour promouvoir les caractères typographiques de la fonderie : livres, posters, enveloppes, dépliants, caractères transfert, annonces presses, clips vidéos mais aussi structures gonflables et bootlegs de logotypes. Lorsque Reala publie la LL Biff en 2000, le specimen utilise la culture graffiti et ses modes de mise en circulation, proposant une double référence : « Medium is the message », « Style is the message ». La citation chez Lineto est une forme qui permet de diffuser le catalogue typographique en empruntant à divers champs culturels : « Ignorance of your own culture is not considered cool ! ».
Revues
$36.95
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Anniversary issue celebrating Mousse's 20th anniversary. In 2006, the year Mousse Magazine was founded in Milan, a few of us were meandering through 2666, the last novel by Roberto Bolan~o, a tour de force across many hundreds of pages and several books that is impossible to summarize or put to a chronology, and yet composing a stunning picture, like the intricate fruit,(...)
Mousse 96, 2006-2026: A visual record
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Anniversary issue celebrating Mousse's 20th anniversary. In 2006, the year Mousse Magazine was founded in Milan, a few of us were meandering through 2666, the last novel by Roberto Bolan~o, a tour de force across many hundreds of pages and several books that is impossible to summarize or put to a chronology, and yet composing a stunning picture, like the intricate fruit, flower, and vegetable paintings of Giuseppe Arcimboldo (who features in 2666 as a character). It suggested an act of reading as collective practice: "Reading is like thinking, like praying, like talking to a friend, like expressing your ideas, like listening to other people's ideas, like listening to music, like looking at the view, like taking a walk on the beach," Bolan~o says.
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The Plant issue 24
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''Insects buzzing, birds tweeting, the sound of your breath.'' Featuring: Saskia De Brauw, Angela Hill, Alexandra Gordienko, Rainer Judd, Blommers & Schumm, Ferdi Sibbel, Adrianna Glaviano, Osma Harvilahti, Matthew McLean, Martyn Cross, Martin Bruno, Jonathan Monk, Olga Prader, Clara Balzary, Bruno Amadi, Jeremy Liebman, Marcelo Gomes, Jo Metson Scott, Olga de la(...)
The Plant issue 24
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''Insects buzzing, birds tweeting, the sound of your breath.'' Featuring: Saskia De Brauw, Angela Hill, Alexandra Gordienko, Rainer Judd, Blommers & Schumm, Ferdi Sibbel, Adrianna Glaviano, Osma Harvilahti, Matthew McLean, Martyn Cross, Martin Bruno, Jonathan Monk, Olga Prader, Clara Balzary, Bruno Amadi, Jeremy Liebman, Marcelo Gomes, Jo Metson Scott, Olga de la Iglesia, Annelie Brujin, Gemma Janes, Takuhito Kawashima, Deo Suveera and Pamela Dimitrov, AiHeMei, TIWA Select, Stella Berkofsky, Matthew McLean, Rosy Head, Alex McIntosh, Frederik Bille Brahe, François Gravel... and many more!
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The Plant issue 25
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This 25th issue for Spring/Summer 2026 takes inspiration from the cherry blossom’s arrival, embracing the sense of renewal and possibility that accompanies the changing season. As the team writes, ‘'these pages capture the turning point: the moments when green creeps back into the city, when gardens call to be explored, when the restless buzz of new adventures tempts you(...)
The Plant issue 25
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This 25th issue for Spring/Summer 2026 takes inspiration from the cherry blossom’s arrival, embracing the sense of renewal and possibility that accompanies the changing season. As the team writes, ‘'these pages capture the turning point: the moments when green creeps back into the city, when gardens call to be explored, when the restless buzz of new adventures tempts you to take unexplored paths.'’ More pictorial than ever, flowers abound in this issue: Federico Torra documents flowers emerging against moody '‘just-after winter'’ skies while Peter Jordanov captures the vibrant florals of Tuscany accompanied by a Botanical glossary. Elsewhere, readers are invited on a walk through the grounds of Fondation Beyeler with their Botanical Curator Rahel Kesselring.
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Real Review 18 spring 2026
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Perennially popular at the magCulture shop, this ingeniously formatted magazine concerns architecture (and life) in its broadest sense: '‘What it means to live today'’. This Spring 2026 issue of Real Review is dedicated to ‘Pretending the World’, with Nishant Choksi’s signature cover design, depicting a slipping mask, reinforcing the message that power and performance are(...)
Real Review 18 spring 2026
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Perennially popular at the magCulture shop, this ingeniously formatted magazine concerns architecture (and life) in its broadest sense: '‘What it means to live today'’. This Spring 2026 issue of Real Review is dedicated to ‘Pretending the World’, with Nishant Choksi’s signature cover design, depicting a slipping mask, reinforcing the message that power and performance are inextricably bound—both in the exercise of political authority, and the mobilisation of the masses: '‘To pretend means to ‘lay claim’—to stretch forward and take hold of what we want, as if it already existed, or were already ours. To pretend is thus to call forth another reality and create truth through the power of conviction alone. It is fashionable to ridicule performative gestures as ineffective posturing. Yet this is literally the only way new societies come into being.’'
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Pica 17p0 : Déconstruction
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Déconstruction est née du désir de questionner le monde qui nous entoure. Alors que le passé ne nous convient plus, que le paysage politique est incertain et que de nouveaux récits commencent à émerger, il nous était impossible de ne pas saisir cette occasion de cristalliser ce monde en mouvance dans cette nouvelle édition.
Pica 17p0 : Déconstruction
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Déconstruction est née du désir de questionner le monde qui nous entoure. Alors que le passé ne nous convient plus, que le paysage politique est incertain et que de nouveaux récits commencent à émerger, il nous était impossible de ne pas saisir cette occasion de cristalliser ce monde en mouvance dans cette nouvelle édition.
Revues
$50.00
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London evokes many imaginaries and ideas. This thematic issue investigates the residential project as a critical juncture, a concurrence of opportunities to challenge convention. With its rich architectural heritage, immense physicality, and multilayered history, architects working in London must grapple with financial constraints amid the economic promotion of private(...)
A+U 666 26:03: Living in London
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London evokes many imaginaries and ideas. This thematic issue investigates the residential project as a critical juncture, a concurrence of opportunities to challenge convention. With its rich architectural heritage, immense physicality, and multilayered history, architects working in London must grapple with financial constraints amid the economic promotion of private development. Guest-edited by Andrew Clancy and Marwa el Mubark, the projects presented here revisit typical architectural programmes. Through diverse approaches and ranging from terrace house and warehouse renovations to adaptive reuse, all contribute to the complexity and enduring fascination of this city.
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AV Monographs 283: Bruther
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Bruther (Stéphanie Bru and Alexandre Theriot) emerged from a frugal France that, after the Great Recession, was demanding in its approaches and austere in its means. The distinctiveness of their buildings has remained unchanged, largely thanks to exposed installations, ingenious furniture, and sparse use of colour textiles. Bruther combines culture and technique, without(...)
AV Monographs 283: Bruther
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$90.00
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Bruther (Stéphanie Bru and Alexandre Theriot) emerged from a frugal France that, after the Great Recession, was demanding in its approaches and austere in its means. The distinctiveness of their buildings has remained unchanged, largely thanks to exposed installations, ingenious furniture, and sparse use of colour textiles. Bruther combines culture and technique, without compromising its environmental awareness. This issue features fifteen works, from an early proposal for a low-carbon house, through key works such as the multipurpose buildings in Saint-Blaise and Caen and the residences in Paris and Palaiseau, and culminating with their latest projects, like Frame media centre in Brussels.
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