2950 Résultats
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périodiques
périodiques
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Aucune machine n’a jamais été inventée pour ralentir. Si nos outils excellent dans l’art de l’accélération, aucun n’a été conçu pour suspendre le mouvement. La « dromologie (1) » de Paul Virilio a fait de la vitesse la mesure même d’un progrès dont l’ombre portée serait l’accident. Dans la théorie de l’accélération sociale, Hartmut Rosa rappelle que le présent est une(...)
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Aucune machine n’a jamais été inventée pour ralentir. Si nos outils excellent dans l’art de l’accélération, aucun n’a été conçu pour suspendre le mouvement. La « dromologie (1) » de Paul Virilio a fait de la vitesse la mesure même d’un progrès dont l’ombre portée serait l’accident. Dans la théorie de l’accélération sociale, Hartmut Rosa rappelle que le présent est une(...)
Titre:
Plan L**** 216 : suspendre le temps
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Aucune machine n’a jamais été inventée pour ralentir. Si nos outils excellent dans l’art de l’accélération, aucun n’a été conçu pour suspendre le mouvement. La « dromologie (1) » de Paul Virilio a fait de la vitesse la mesure même d’un progrès dont l’ombre portée serait l’accident. Dans la théorie de l’accélération sociale, Hartmut Rosa rappelle que le présent est une période durant laquelle nos connaissances, nos institutions, nos techniques ou nos habitudes restent suffisamment stables pour orienter notre action. Il façonne le concept de « rétrécissement de présent », dans lequel la fragmentation de nos expériences, les obsolescences rapides nous privent du temps d’habiter les choses (2). Notre époque produit du mouvement plus vite qu’elle ne produit du sens. Se « présenter » à nouveau, un peu plus longtemps, est alors une tentative de faire sens.
Plan L**** 216 : suspendre le temps
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Aucune machine n’a jamais été inventée pour ralentir. Si nos outils excellent dans l’art de l’accélération, aucun n’a été conçu pour suspendre le mouvement. La « dromologie (1) » de Paul Virilio a fait de la vitesse la mesure même d’un progrès dont l’ombre portée serait l’accident. Dans la théorie de l’accélération sociale, Hartmut Rosa rappelle que le présent est une période durant laquelle nos connaissances, nos institutions, nos techniques ou nos habitudes restent suffisamment stables pour orienter notre action. Il façonne le concept de « rétrécissement de présent », dans lequel la fragmentation de nos expériences, les obsolescences rapides nous privent du temps d’habiter les choses (2). Notre époque produit du mouvement plus vite qu’elle ne produit du sens. Se « présenter » à nouveau, un peu plus longtemps, est alors une tentative de faire sens.
Classification:
périodiques
périodiques
Publication:
juillet 2026
juillet 2026
Sujet:
Revues
Revues
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livres
livres
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Based in Mallorca, Aulets is an architecture practice working across design, research, teaching, and action. It understands architecture as a means of making a territory habitable for a community through the resources available in a specific place. The work of Aulets therefore extends beyond constructing buildings to encompass the activation of new productive processes(...)
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Based in Mallorca, Aulets is an architecture practice working across design, research, teaching, and action. It understands architecture as a means of making a territory habitable for a community through the resources available in a specific place. The work of Aulets therefore extends beyond constructing buildings to encompass the activation of new productive processes(...)
Titre:
El croquis 235: Aulets (2003-2026)
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Based in Mallorca, Aulets is an architecture practice working across design, research, teaching, and action. It understands architecture as a means of making a territory habitable for a community through the resources available in a specific place. The work of Aulets therefore extends beyond constructing buildings to encompass the activation of new productive processes and the transformation of these practices within schools of architecture. Its activities range from regeneration of vulnerable neighbourhoods and the adaptation of public space for climate change to initiatives such as forest conservation. The magazine introduces Aulets across three sections: Earth, Stone, and Wood.
El croquis 235: Aulets (2003-2026)
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Based in Mallorca, Aulets is an architecture practice working across design, research, teaching, and action. It understands architecture as a means of making a territory habitable for a community through the resources available in a specific place. The work of Aulets therefore extends beyond constructing buildings to encompass the activation of new productive processes and the transformation of these practices within schools of architecture. Its activities range from regeneration of vulnerable neighbourhoods and the adaptation of public space for climate change to initiatives such as forest conservation. The magazine introduces Aulets across three sections: Earth, Stone, and Wood.
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livres
livres
Publication:
août 2026
août 2026
Sujet:
Revues
Revues
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livres
livres
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Transparency is no longer the only horizon for glass. AV Proyectos 135 explores the contemporary possibilities of this material through seven works by Max Núñez, MVRDV, or Snøhetta, among other offices, in which blocks, slats, and undulating panels transform light and create complex atmospheres. The issue also includes a feature dedicated to AgwA, the Belgian firm that(...)
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Transparency is no longer the only horizon for glass. AV Proyectos 135 explores the contemporary possibilities of this material through seven works by Max Núñez, MVRDV, or Snøhetta, among other offices, in which blocks, slats, and undulating panels transform light and create complex atmospheres. The issue also includes a feature dedicated to AgwA, the Belgian firm that(...)
Titre:
AV Proyectos 135 : Pieles de vidrio
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Transparency is no longer the only horizon for glass. AV Proyectos 135 explores the contemporary possibilities of this material through seven works by Max Núñez, MVRDV, or Snøhetta, among other offices, in which blocks, slats, and undulating panels transform light and create complex atmospheres. The issue also includes a feature dedicated to AgwA, the Belgian firm that has developed its practice with a focus on revitalizing existing structures through precise interventions open to collective uses. Meanwhile, Ensamble Studio presents The Cloud visitors’ center in Seoul – still under construction – conceived as a habitable topography. The overview extends to the Venice Art Biennale, with its focus on minor forms and memory processes, and is rounded out by the renovation of the Louvre by Annabelle Selldorf and Studios Architecture; OMA’s Roma Continua urban plan; and the expansion of the Museum of Contemporary Art in Panama by Palma and Taller TO. The issue concludes with a selection of products and Barbara Iweins’s personal photo archive.
AV Proyectos 135 : Pieles de vidrio
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Transparency is no longer the only horizon for glass. AV Proyectos 135 explores the contemporary possibilities of this material through seven works by Max Núñez, MVRDV, or Snøhetta, among other offices, in which blocks, slats, and undulating panels transform light and create complex atmospheres. The issue also includes a feature dedicated to AgwA, the Belgian firm that has developed its practice with a focus on revitalizing existing structures through precise interventions open to collective uses. Meanwhile, Ensamble Studio presents The Cloud visitors’ center in Seoul – still under construction – conceived as a habitable topography. The overview extends to the Venice Art Biennale, with its focus on minor forms and memory processes, and is rounded out by the renovation of the Louvre by Annabelle Selldorf and Studios Architecture; OMA’s Roma Continua urban plan; and the expansion of the Museum of Contemporary Art in Panama by Palma and Taller TO. The issue concludes with a selection of products and Barbara Iweins’s personal photo archive.
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livres
livres
Publication:
juin 2026
juin 2026
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
A+U 667 26:04: BAST
A+U 667 26:04: BAST
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a+u’s April issue features BAST (Bureau Architectures Sans Titre), based in Toulouse, France. Laurent Didier, Mathieu Le Ny, and Louis Léger have structured a worker-owned cooperative to pursue a research-based approach to architecture. Instead of asserting a singular vision across the board, they inform each project with site-specific decisions and structural logic.(...)
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a+u’s April issue features BAST (Bureau Architectures Sans Titre), based in Toulouse, France. Laurent Didier, Mathieu Le Ny, and Louis Léger have structured a worker-owned cooperative to pursue a research-based approach to architecture. Instead of asserting a singular vision across the board, they inform each project with site-specific decisions and structural logic.(...)
Titre:
A+U 667 26:04: BAST
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a+u’s April issue features BAST (Bureau Architectures Sans Titre), based in Toulouse, France. Laurent Didier, Mathieu Le Ny, and Louis Léger have structured a worker-owned cooperative to pursue a research-based approach to architecture. Instead of asserting a singular vision across the board, they inform each project with site-specific decisions and structural logic. Engaging with modest programs, including the refurbishment projects M47 and E53, BAST carves out new spaces while preserving the integrity of the local vernacular building. New constructions, such as M37, present new methods to connect with the site. The 18 projects presented in this issue focus not only on the finished building, but also on the dynamism of the construction site, where constant calibrations take place between human, site, and material.
A+U 667 26:04: BAST
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a+u’s April issue features BAST (Bureau Architectures Sans Titre), based in Toulouse, France. Laurent Didier, Mathieu Le Ny, and Louis Léger have structured a worker-owned cooperative to pursue a research-based approach to architecture. Instead of asserting a singular vision across the board, they inform each project with site-specific decisions and structural logic. Engaging with modest programs, including the refurbishment projects M47 and E53, BAST carves out new spaces while preserving the integrity of the local vernacular building. New constructions, such as M37, present new methods to connect with the site. The 18 projects presented in this issue focus not only on the finished building, but also on the dynamism of the construction site, where constant calibrations take place between human, site, and material.
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livres
livres
Publication:
avril 2026
avril 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With(...)
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With(...)
Titre:
Detail 7/8 2026: Solid construction
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With its double-curved canopy, the Mother-of-Pearl Museum connects two existing structures. Clad in waterproof concrete, the building lets water run quietly down its surface – as if it were always meant to. Outside, the performative detail becomes a sensory echo of the pearl mussels inside. Solid construction is associated with weight, permanence, and immobility. This issue argues otherwise. Hand-pressed bricks, wax-treated rammed earth composed of demolition material, cyclopean concrete from limestone and rubble, hemp lime as a renewable material for the future – each detail explores what masonry can do when it is rethought. Does the heaviest building material have the lightest future?
Detail 7/8 2026: Solid construction
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When Ansgar Schulz first visits Adorf, a small town in Saxony, it is raining. For centuries, freshwater pearl mussels have been fished from the Elster river here; a local heritage museum earmarked for expansion documents their rich history. Watching rainwater trace its way across the existing roofs, the architect imagines the same for the facade of the new building. With its double-curved canopy, the Mother-of-Pearl Museum connects two existing structures. Clad in waterproof concrete, the building lets water run quietly down its surface – as if it were always meant to. Outside, the performative detail becomes a sensory echo of the pearl mussels inside. Solid construction is associated with weight, permanence, and immobility. This issue argues otherwise. Hand-pressed bricks, wax-treated rammed earth composed of demolition material, cyclopean concrete from limestone and rubble, hemp lime as a renewable material for the future – each detail explores what masonry can do when it is rethought. Does the heaviest building material have the lightest future?
Classification:
périodiques
périodiques
Publication:
juillet 2026
juillet 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Noema 6: Paradigm shift
Noema 6: Paradigm shift
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we(...)
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we(...)
Titre:
Noema 6: Paradigm shift
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we recognize that the whole Earth system embeds and entangles human civilization in its habitat.
Noema 6: Paradigm shift
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When a concept that organizes our reality is replaced by an entirely different and incommensurate worldview, it is called a "paradigm shift." The theme of this edition of Noema was conceived in early 2024. At that time, we had in mind the epochal shift from the paradigm of globalization, in which markets, trade and technology cross borders, to “the Planetary,” where we recognize that the whole Earth system embeds and entangles human civilization in its habitat.
Classification:
périodiques
périodiques
Publication:
novembre 2025
novembre 2025
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Revues
Revues
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livres
livres
Titre:
e-flux Index #9
e-flux Index #9
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and(...)
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and(...)
Titre:
e-flux Index #9
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and postmodern relativism, to a more even-handed, pragmatic, and pluralist one, in the decades since. It brings together material that the various independent publishing arms of e-flux published around the theme of the often-fraught relations between theory and (artistic, architectural, pedagogic, political) practice. The second part of Index #9, ''This world, this mutilated space'', moves onto the terrain of the Forever War, examining the resilience shown by artistic communities living on its multiplying frontlines, the deepening climate war against the nonhuman world, and those displaced by these processes of destruction. As international relations "realists" like John Mearsheimer have regularly observed on the 24/7 war-pundit circuit since the illegal strike on Ayatollah Khamenei two months ago, the Iran War is a conflict which also displays no "logical sequence of thought"—which has no theory. This is a war whose aggressors (Netanyahu–Ben-Gvir and Trump–Hegseth–Rubio) seem less in hock to Carl von Clausewitz than to the instant dopaminergic kill-feed of a fifteen-year-old hooked on ''Call of Duty'' missions—with strategy configured as content, war as engagement metric.
e-flux Index #9
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This ninth issue of e-flux Index interweaves a selection of pieces published by e-flux throughout the Summer of 2025, and is divided into two parts. In six chapters that index the state of ''Art and Theory Today'', the first part revisits the primal scene of the Theory Wars—the tenor of which has changed, from an urgent ideological contest between humanist objectivity and postmodern relativism, to a more even-handed, pragmatic, and pluralist one, in the decades since. It brings together material that the various independent publishing arms of e-flux published around the theme of the often-fraught relations between theory and (artistic, architectural, pedagogic, political) practice. The second part of Index #9, ''This world, this mutilated space'', moves onto the terrain of the Forever War, examining the resilience shown by artistic communities living on its multiplying frontlines, the deepening climate war against the nonhuman world, and those displaced by these processes of destruction. As international relations "realists" like John Mearsheimer have regularly observed on the 24/7 war-pundit circuit since the illegal strike on Ayatollah Khamenei two months ago, the Iran War is a conflict which also displays no "logical sequence of thought"—which has no theory. This is a war whose aggressors (Netanyahu–Ben-Gvir and Trump–Hegseth–Rubio) seem less in hock to Carl von Clausewitz than to the instant dopaminergic kill-feed of a fifteen-year-old hooked on ''Call of Duty'' missions—with strategy configured as content, war as engagement metric.
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livres
livres
Publication:
août 2026
août 2026
Sujet:
Revues
Revues
Classification:
périodiques
périodiques
Titre:
Paris Review summer 2026
Paris Review summer 2026
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle.(...)
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle.(...)
Titre:
Paris Review summer 2026
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.” Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao. Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My. Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.
Paris Review summer 2026
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Harryette Mullen on the Art of Poetry: “I knew I would exhaust myself as subject matter, but I could take something and turn it upside down, inside out, add a few doodads, and that way it would become inexhaustible.” Yan Lianke on the Art of Fiction: “I personally didn’t think there was anything anti-war in writing about how an individual might be terrified of battle. I was really writing about my own fear.” Prose by Lucy Ellmann, Chad Fore, Daisy Hildyard, Chigozie Obioma, Daniel Saldaña París, and Shuang Xuetao. Poetry by Zain Baweja, Jean Day, Hannah Piette, Frederick Seidel, Shamsher Bahadur Singh, Katana Smith, and Tran Hang My. Art by Hadi Falapishi, Andrew Kuo, and Hannah Tishkoff; cover by Alex Da Corte.
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périodiques
périodiques
Publication:
août 2026
août 2026
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Nouveau Projet 33
Nouveau Projet 33
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les(...)
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les(...)
Titre:
Nouveau Projet 33
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les liens du sang révèlent, et qu’est-ce qu’ils occultent? Un essai de Frédérique Lévesque sur la quête qui l’a emmenée jusqu’en Basse-Côte-Nord pour retracer les propriétaires d’une cassette de vacances familiales qu’elle a retrouvé sur un trottoir montréalais. Un portrait par Nicolas Charette du Franco-Américain indépendantiste Rémi Francœur, figure de la survivance francophone en Amérique.
Nouveau Projet 33
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Un grand reportage de Julien Lamoureux sur les thérapies psychédéliques, de la Colombie-Britannique au Québec. Un reportage de Diane Bérard sur l’altruisme immobilier: les gestes de ces personnes qui renoncent au profit pour donner la chance au prochain. Une enquête intime de Samuel Mercier sur la famille qu’il a retrouvée grâce à un test génétique. Qu’est-ce que les liens du sang révèlent, et qu’est-ce qu’ils occultent? Un essai de Frédérique Lévesque sur la quête qui l’a emmenée jusqu’en Basse-Côte-Nord pour retracer les propriétaires d’une cassette de vacances familiales qu’elle a retrouvé sur un trottoir montréalais. Un portrait par Nicolas Charette du Franco-Américain indépendantiste Rémi Francœur, figure de la survivance francophone en Amérique.
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livres
livres
Publication:
août 2026
août 2026
Sujet:
Revues
Revues
Classification:
livres
livres
Titre:
Vie des arts 281
Vie des arts 281
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les(...)
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les(...)
Titre:
Vie des arts 281
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À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les dynamiques créatives et les rapports de pouvoir à deux. Que se passe-t-il lorsque la création devient une affaire de deux ? Être à deux soulève des questions essentielles quant aux modes d’existence et aux processus créatifs que le duo implique.
Vie des arts 281
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(disponible en magasin)
Résumé:
À l’occasion de son 70e anniversaire, Vie des arts célèbre ce qui lui a permis de traverser les décennies : les rencontres, les échanges, le partage et les liens qui composent sa communauté. Ce dossier invite à réfléchir aux diverses formes du duo et à examiner les mécanismes qui permettent de se détourner du « je » et de son engrenage égocentrique pour interroger les dynamiques créatives et les rapports de pouvoir à deux. Que se passe-t-il lorsque la création devient une affaire de deux ? Être à deux soulève des questions essentielles quant aux modes d’existence et aux processus créatifs que le duo implique.
Classification:
livres
livres
Publication:
septembre 2026
septembre 2026
Sujet:
Revues
Revues
