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A ‘Pacific’ century, an Asian century or a Chinese century? On the threshold between the 20th and the 21st century, the transit from the Atlantic to the Pacific is forecasted by all; the move from America to Asia is noticed by many; and the replacement of the United States by China is feared by some: the awakening of the dragon provokes both wonder and distrust. After the(...)
AV Monografias / Monographs 109-110 (2004) : China boom, growth unlimited
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A ‘Pacific’ century, an Asian century or a Chinese century? On the threshold between the 20th and the 21st century, the transit from the Atlantic to the Pacific is forecasted by all; the move from America to Asia is noticed by many; and the replacement of the United States by China is feared by some: the awakening of the dragon provokes both wonder and distrust. After the reforms of Deng Xiaoping in 1978, in the last 25 years China has grown at a rate of 9 percent; in this period, its GNP has tripled, and the percentage of population living in cities has doubled, exceeding 40%. Fueled by exports, and backed by the postotalitarian protectionism of a single-party government, the stunning growth of China has not yet created global companies – the Sony or Hyundai that led the Japanese or Korean booms – but its large oil firms (PetroChina, Sinopec, CNOOC) try to find in several continents the energy needed by the world’s second importer; its technological companies (from Lenovo, that has purchased a division of IBM, to Huawei, that has created in Shenzhen a Silicon Valley-style campus, Doric Disney designs included) make up for scarce innovation with low labor costs; and its new breed of fancy millionaires, who build chateaux or buy French cosmetic brands, spearhead a large consumerist middle class, supplying a strong domestic demand that adds to the thrust of foreign markets. China’s unequal growth does not appear to be a large risk: the differences in income are similar to those of the US, and the contrast between the wealthy coast and the rural inland – where most upheavals have started, from Boxers to communists – is blurred as the development of Shanghai extends upriver along the Yangtze corridor, and as Hong Kong’s dynamism expands in concentric waves over the superregion of Guangdong, from that Pearl River Delta known as ‘the factory of the world’. More dangerous seem to be the weakness of the financial system, the persistence of administrative corruption and the scarcity of energy resources, the supply of which is being secured by heavy investments on the military, something that upsets its neighbors – Japan and Taiwan most of all, but also Korea and another awakening giant, India –, its competitors, and even the US, that urges its European allies to maintain the arms ban on China. On top of all this, in a country that has reached 1,300 million inhabitants in 2005, is the demographic scenario created by the single child policy and the accelerated ageing of the population, with an increasing number of 4+2+1 families, where now there are four grandparents and two parents satisfying the needs of a little emperor, but where in just 30 years a single adult will have to take care of six retirees. This huge economic and social transformation has expressed itself via an unprecedented urban explosion, shaped by titanic public works – large dams and suspended bridges, elevated highways and submarine tunnels – and with the foreseeable devastating impact on the environment and cultural heritage. The building frenzy that has attracted so many foreign architects to China – initially for technically complex or symbolically significant works, like some of the skyscrapers of Shanghai or the olympic projects in Beijing, but now more often for urban plans or conventional commercial developments – receives, according to The Economist, the added boost of a real-estate bubble that feeds on hot money placing its bets on the yuan’s revaluation. This process has turned some districts of Shanghai such as Pudong or Puxi into the most sought-after office areas in the world, and has caused in cities like Beijing an increasing decay of its architectural legacy, which barely respects World Heritage sites (The Great Wall, the Forbidden City, the Summer Palace, the Ming Imperial Tombs and the Temple of Heaven), besieged already by a unanimous tide of trivial constructions.
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Via final projects PFC 03
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A selection of 54 graduate projects from Spain's future architects are presented here, accompanied by sketches, illustrations and documentation.
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janvier 1900, Valencia
Via final projects PFC 03
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A selection of 54 graduate projects from Spain's future architects are presented here, accompanied by sketches, illustrations and documentation.
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Volume is project Archis + AMO + C-LAB + ... Can we do something by doing (almost) nothing? Can we achieve anything by doing too much? Can we do what we need to do, by doing just what is needed? How do we define doing too much, too little? How to think through doing anyway? The box contains 4 elements to examine these questions: "Volume Magazine", an A1 poster, a(...)
Volume no. 2 : doing (almost) nothing
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Volume is project Archis + AMO + C-LAB + ... Can we do something by doing (almost) nothing? Can we achieve anything by doing too much? Can we do what we need to do, by doing just what is needed? How do we define doing too much, too little? How to think through doing anyway? The box contains 4 elements to examine these questions: "Volume Magazine", an A1 poster, a research paper on 'Unknown urbanity in China' and a deck of cards cum essay.
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Featuring, amongst others, in this issue: the Casa da Música in Porto by OMA/Rem Koolhaas, office buildings and park in Barcelona by Abalos & Herreros, research & multimedia centre in Italy by Massimiliano Fuksas, Golf Club El Prat in Barcelona by Carlos Ferrater, and an interview with Bernard Tschumi.
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juillet 2005, Bologna
The plan 010 : architecture and technologies in detail / June 2005
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Featuring, amongst others, in this issue: the Casa da Música in Porto by OMA/Rem Koolhaas, office buildings and park in Barcelona by Abalos & Herreros, research & multimedia centre in Italy by Massimiliano Fuksas, Golf Club El Prat in Barcelona by Carlos Ferrater, and an interview with Bernard Tschumi.
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ARQ 132 août 2005
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Commentaires sur la cuvée 2005 des Prix d'excellence de l'O.A.Q.
ARQ 132 août 2005
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Commentaires sur la cuvée 2005 des Prix d'excellence de l'O.A.Q.
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NL Architects is an Amsterdam based office founded in 1997 by Pieter Bannenberg, Walter van Dijk, Kamiel Klaasse and Mark Linnenman. Their projects focus on ordinary aspects of everyday life, including the unappreciated or negative, that are enhanced or twisted in order to bring to the fore the unexpected potential of the thing that surround us. Text in English and Korean.
DD 10 : remix of reality_NL Architects / the Netherlands
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NL Architects is an Amsterdam based office founded in 1997 by Pieter Bannenberg, Walter van Dijk, Kamiel Klaasse and Mark Linnenman. Their projects focus on ordinary aspects of everyday life, including the unappreciated or negative, that are enhanced or twisted in order to bring to the fore the unexpected potential of the thing that surround us. Text in English and Korean.
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Volume no 1
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Volume no.1 : a project by Archis + AMO + C-lab. Architecture must go beyond itself, visions by Gerald Beasley, Michael Bell, Rem Koolhaas, Mark Wigley and many more. Plus 80 pages on the history of Europe and the European Union.
Volume no 1
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Volume no.1 : a project by Archis + AMO + C-lab. Architecture must go beyond itself, visions by Gerald Beasley, Michael Bell, Rem Koolhaas, Mark Wigley and many more. Plus 80 pages on the history of Europe and the European Union.
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OASE 66 investigates the expression and use of architecture in science fiction and specifically in cyberpunk (cyberfiction). Science fiction, originally a literary and later a film genre, explores the relation between scientific and technological developments and their possible social-cultural influences and effects. Understanding science fiction as the twentieth-century(...)
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juillet 2005, Rotterdam
OASE 66 : virtually here : ruimte in cyberfictie / space in cyberfiction
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OASE 66 investigates the expression and use of architecture in science fiction and specifically in cyberpunk (cyberfiction). Science fiction, originally a literary and later a film genre, explores the relation between scientific and technological developments and their possible social-cultural influences and effects. Understanding science fiction as the twentieth-century venue for imaginative extrapolations of possible futures, and cyberpunk as a subcategory of science fiction dealing specifically with the information age, they both seem to offer an interesting arena in which to compare various articulations of the future architectural environment. With contributions by Lara Schrijver, Pnina Avidar, Gül Kaçmaz Erk, M. Cristine Boyer, Neil Spiller and Sidney Eve Matrix. Design by Karel Martens & Chantal Hendriksen; Werkplaats Typografie.
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Dutch architecture of the 1990s is regarded worldwide as a success. The favourable economic and political conditions from the start of the 1990s (the 'boom' years) created an advantageous climate for unorthodox design approaches and experiments, which became the trademark of a modern form of cultural export. Since then, Dutch architecture has been known as pragmatic,(...)
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décembre 2005, Rotterdam
OASE 67 : after the party : Nederlandse architectuur 2005 / Dutch architecture 2005
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Dutch architecture of the 1990s is regarded worldwide as a success. The favourable economic and political conditions from the start of the 1990s (the 'boom' years) created an advantageous climate for unorthodox design approaches and experiments, which became the trademark of a modern form of cultural export. Since then, Dutch architecture has been known as pragmatic, self-assured and uncompromisingly modern. Four years of economic decline and market-driven politics have brought an end to the post-ideological party of the 1990s. It was replaced by the risk-avoiding behaviour of government bodies and principals. The architecture climate is now characterized by an elusive sombreness and a responsible realism. "After the party" aims to make up the balance. The collapse of the optimistic consensus of the 'polder model' has revealed contradictions between interest groups, ideas and mentalities, and has made confrontations inevitable. But the sky has cleared, and there is new space to think about architecture, public concerns and the culture of the Netherlands and Europe. This edition of OASE spurs on this debate. Design by Karel Martens & Werkplaats Typografie.
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"Verb - conditioning" investigates the potential of architectural signification. As our ability to control the production of form and the creation of environments parallels that of natural processes, architecture is not only conceived as a platform for the development of human activity, but more and more as its generator and possibly also as its limiting framework. As(...)
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août 2005, Barcelona
Verb - conditioning : the design of new atmospheres, effects and experiences
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"Verb - conditioning" investigates the potential of architectural signification. As our ability to control the production of form and the creation of environments parallels that of natural processes, architecture is not only conceived as a platform for the development of human activity, but more and more as its generator and possibly also as its limiting framework. As in other industries ranging from computer applications to car manufacturing, mass-customized theming impregnates the way buildings are conceived and used. If this trend is inevitably linked to commercial success, what are the potentials for the discipline?
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