Open 12 : Freedom of culture
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The contemporary public domain, the "free" space where culture is produced and exchanged, is under pressure. The exchange and distribution of cultural products ("content" in the form of music, image or text) is easier in digital society, but increasingly hemmed in by corresponding moves towards greater regulation and control, new copyright laws and intellectual property(...)
Open 12 : Freedom of culture
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The contemporary public domain, the "free" space where culture is produced and exchanged, is under pressure. The exchange and distribution of cultural products ("content" in the form of music, image or text) is easier in digital society, but increasingly hemmed in by corresponding moves towards greater regulation and control, new copyright laws and intellectual property policy. Instead of enjoying a "free culture," we are watching the emergence of what Lawrence Lessig calls "a permission culture." Simultaneously, as an aspect of broader privatization and regulation processes, private entities are appropriating more and more of public culture, and deciding what is made available or publicly accessible. This issue of the Dutch architectural journal, Open, investigates the root causes of these developments, how they interrelate and what the implications are for the "free" production and practice of culture, as well as for the internal dynamics and balance of power in the public domain.
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AV Monographs dedicates each issue to a theme involving a city, a country, a tendency or an architect, featuring essays by prominent scholars and commentaries on built works and projects illustrated in detail.
AV 120 : casa nuestra, Iberian houses
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AV Monographs dedicates each issue to a theme involving a city, a country, a tendency or an architect, featuring essays by prominent scholars and commentaries on built works and projects illustrated in detail.
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périodiques
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Text in English / Korean
DD 22 : close to the bone_the next ENTERprise / Austria
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Text in English / Korean
périodiques
juin 2007, Seoul
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Open 11 : Hybrid Space
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Laptops in the park, Bluetooth alerts at the bar, microchips under the dog's skin: wireless technologies like WiFi, GPS, and RFID are changing public space. The world is increasingly traversed by an electronic infrastructure and overlaid with the invisible lines of swiftly evolving alternative cultural and social domains. The traditional physical and social public domain(...)
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mars 2007, Amsterdam
Open 11 : Hybrid Space
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Laptops in the park, Bluetooth alerts at the bar, microchips under the dog's skin: wireless technologies like WiFi, GPS, and RFID are changing public space. The world is increasingly traversed by an electronic infrastructure and overlaid with the invisible lines of swiftly evolving alternative cultural and social domains. The traditional physical and social public domain is being supplemented by zones, places and subcultures that transcend the local to interlink with the translocal and the global. Open 11: Hybrid Space asks, "How can individuals and groups appropriate, liberate, or sculpt this hybrid, seemingly flexible space? Where is the 'public' now, and whose spatial, cultural and political strategies will shape it?"
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Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen,(...)
Cabinet 27 : mountains
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Looming large in both geological fact and sociocultural significance, mountains promise grandeur, picturesque natural beauty, good health and the chance to literally rise above the everyday - yet they also menace our imaginations with their harsh conditions, dangerous terrain and deep sense of isolation. These multivalent moods have proved an enticement to sportsmen, scientists, poets and philosophers. Indeed, our modern notion of the "sublime" was born in the Alps - where, as the English critic John Dennis wrote in 1693, nature was revealed as not solely a "delight that is consistent with reason," but also an experience "mingled with Horrours, and sometimes almost with despair." Cabinet 27 features Brian Dillon on the Cold War fact and Faustian fiction of Germany's Brocken; Allen S. Weiss on Petrarch and the winds of Mount Ventoux; and Jeffrey Kastner on the eighteenth-century Alpine panoramas of Hans Conrad Escher von der Linth. It also features Christopher Turner on the "lunar photographs" of James Nasmyth; Viktoria Tkaczyk on scientist Robert Hooke; biologist J.S.B. Haldane on being the right size; artist projects by Casey Logan and Walead Beshty; and Peter Lamborn Wilson's examination of the alchemical properties of building materials.
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Cabinet 21 : electricity
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Electricity manifests itself in every facet of our lives--from the tiny shock received by touching a doorknob to the explosive power of a lightning strike, from the modest Hoover dustbuster to the industrial grandeur of the Hoover Dam. As a force that has given human beings seemingly unlimited power over nature and refashioned our understanding of day and night, and as a(...)
Cabinet 21 : electricity
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Electricity manifests itself in every facet of our lives--from the tiny shock received by touching a doorknob to the explosive power of a lightning strike, from the modest Hoover dustbuster to the industrial grandeur of the Hoover Dam. As a force that has given human beings seemingly unlimited power over nature and refashioned our understanding of day and night, and as a metaphor for the social currents flowing among individuals and communities, electricity has been our invisible yet ubiquitous ally in the creation of a contemporary "technological sublime." Cabinet No. 21 includes an interview with Sharon Beder on electricity and modernity in America; Margaret Wertheim on Lichtenberg figures, frozen lightning captured in acrylic blocks; Michael Sanchez on Francisco Salva's shocking proposal for an eighteenth-century human telegraphy system; an interview with Marcello Pera on how a frog triggered a decisive scientific debate between Enlightenment "electricians" Galvani and Volta; an essay on Benjamin Franklin's promotion of Ebenezer Kinnersley's electrified "magical picture"; and a firsthand account by a survivor of multiple lightning strikes. Also Tom Vanderbilt on Stasi scent samples; an interview with Sam Chwat, the foremost accent elimination coach in the United States; and artist projects by Andrea Geyer and Rachel Watson.
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Cabinet 24 : shadows
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The inherently contingent physics of shadows--never things in themselves but instead always "cast" signs of other things; tangible yet insubstantial--has long been a rich source of inspiration for thinkers and artists. From the Biblical valley where humanity is stalked by the "shadow of death" to the purported supernatural phenomenon of the shadow people, the idea has(...)
Cabinet 24 : shadows
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The inherently contingent physics of shadows--never things in themselves but instead always "cast" signs of other things; tangible yet insubstantial--has long been a rich source of inspiration for thinkers and artists. From the Biblical valley where humanity is stalked by the "shadow of death" to the purported supernatural phenomenon of the shadow people, the idea has always suggested forces of the unseen, of the Other, its relational quality evoking a sense a duality that haunts our supposedly integral identities. Cabinet 24 includes interviews with Michael Baxandall on the Enlightenment's attitude toward shadows and with Victor Stoichita on the battle between light and dark, Kris Lee on Comte de Silhouette and the rise of phrenology, Julia Bryan-Wilson on the perpetually shaded Swiss town of Rattenberg, Trevor Paglen on the secret patches from clandestine divisions of the U.S. Armed Forces and George Pendle on Otto Neurath and his Everyman informational figures. Artist projects include a portfolio of shadow drawings and an unwitting contribution by a celebrated artist secretly trailed by a private detective hired by Cabinet. Plus, Jocko Weyland on the AP archive; Tony Wood on Konstantin Melnikov's proposal for a collectivized Soviet dormitory system; Amelie Hastie on eating at the cinema and Daniel Handler on the color violet.
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périodiques
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Les travaux présentés dans ce numéro dressent des cartographies conceptuelles de territoires en redéfinition : le réseau Internet, l'environnement naturel et les axes de circulation. On ne trouvera pas ici de cartographie au sens propre; celle-ci servira plutôt de métaphore et prêtera ses outils à des investigations et des approches qui interrogent notre relation avec ces(...)
CV 76: cartographie / mapping
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Les travaux présentés dans ce numéro dressent des cartographies conceptuelles de territoires en redéfinition : le réseau Internet, l'environnement naturel et les axes de circulation. On ne trouvera pas ici de cartographie au sens propre; celle-ci servira plutôt de métaphore et prêtera ses outils à des investigations et des approches qui interrogent notre relation avec ces environnements et sont porteuses de questions éthiques. Portfolios : Joan Fontcuberta, David Maisel, Bill Vazan. Textes de Sylvain Campeau, John K. Grande. Henry Lehman et Serge Bérard.
périodiques
juillet 2007, Montréal
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périodiques
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La Gaspésie est un de ces rendez-vous qu’on renouvelle pour goûter encore à son visage maritime, un lieu où se côtoient les paysages montagneux et littoraux. Elle nous fait faire le plein d’images avec sa mer infinie et ses parcs au relief escarpé. Mais comment se vit la Gaspésie ? Hôtesse chaleureuse de milliers de vacanciers, fière marchande de ses produits de la pêche,(...)
Continuité 113 : irréductible Gaspésie
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La Gaspésie est un de ces rendez-vous qu’on renouvelle pour goûter encore à son visage maritime, un lieu où se côtoient les paysages montagneux et littoraux. Elle nous fait faire le plein d’images avec sa mer infinie et ses parcs au relief escarpé. Mais comment se vit la Gaspésie ? Hôtesse chaleureuse de milliers de vacanciers, fière marchande de ses produits de la pêche, elle n’en demeure pas moins fragile quand l’été s’endort. Quelle image lui renvoie son reflet dans l’eau ? Ses habitants bravent les vents politiques et les tourmentes administratives pour la garder belle et pittoresque, pour protéger ses phares, rescaper ses quais, sauver ses maisons typiques et raconter ses ancêtres. Mais comment sauvegarder ce patrimoine naturel et culturel quand les moyens sont trop limités ? Épris de leur pays, les Gaspésiens ont su maintenir le cap sur de minces voies de développement, toujours battants, toujours vaillants, déterminés à subsister. Comment s’écrit leur histoire, maintenant ? Continuité explore dans ce numéro ce qu’il faut de patience pour faire vivre un pays. Il nous semblait important de prolonger un peu le séjour dans ce décor de vacances privilégié afin de le rencontrer vraiment, de comprendre ses terres de l’intérieur, ses espérances et ses défis, d’entrer au cœur de ses maisons, où les familles veillent sur un héritage de pêche et une réalité unique. La Gaspésie, fière de son décor enchanteur largement fréquenté par des gens de passage aux beaux jours, multiplie les efforts et les projets novateurs pour s’offrir généreusement aux gens qui choisissent d’y rester…
périodiques
juillet 2007, Québec
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This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital(...)
Perspecta 39 Re_urbanism : Transforming capitals
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This edition of Perspecta, the oldest and most distinguished student-edited architectural journal in America, investigates the transformation of capital cities in the era of globalization. This redevelopment, renewal, and recycling of the urban landscape--termed by the editors as "Re_Urbanism"--takes place as capital cities try both to cater to an influx of global capital and to reassert their roles as symbols of national sovereignty. Re_Urbanism investigates this process from an architectural perspective. The contributors explore the various ways capital cities struggle to assert their vitality and continuing relevance, examining capitals that compete internally with their own global counterparts (Abu Dhabi vs. Dubai), capitals that must be rebuilt after periods of destruction (Belgrade and Baghdad), and capital cities that are responding to hyperbolic development (Beijing, New Delhi, Kuwait City). Some cities are examined for their impact on border politics (Washington D.C.) while others reveal mythologies parallel to their modernist origins (Brasilia).
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