2G 52: Sauerbruch Hutton
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Sauerbruch Hutton is a practice founded by Matthias Sauerbruch and Louisa Hutton with its main offices in Berlin and London. Active as an independent concern for upwards of twenty years, they have developed a personal language that is essentially characterised by two evident features: the free, sinuous forms of some of their buildings and a bold, emphatic use of colour.
2G 52: Sauerbruch Hutton
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Sauerbruch Hutton is a practice founded by Matthias Sauerbruch and Louisa Hutton with its main offices in Berlin and London. Active as an independent concern for upwards of twenty years, they have developed a personal language that is essentially characterised by two evident features: the free, sinuous forms of some of their buildings and a bold, emphatic use of colour.
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The aim of publishing projects and works of this nature, especially in these times of crisis, is to bring to the forefront those interventions that, with a limited budget for their execution, use imagination and reason to reinvent our landscapes; to highlight interventions which emerge from the shadows of multi-million projects to show us that there is another way to work(...)
Paisea: Landscape architecture review 012: Low cost
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The aim of publishing projects and works of this nature, especially in these times of crisis, is to bring to the forefront those interventions that, with a limited budget for their execution, use imagination and reason to reinvent our landscapes; to highlight interventions which emerge from the shadows of multi-million projects to show us that there is another way to work on landscape.
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Haruka Sugita, Tokyo Pistol, So Hashizume, Yuma Harada (UMA / design farm), Hiroshi Iguchi, Koh Chihara, Akira Sasaki, Kenjiro Harigai (ANSWR), Shun Kawakami (artless), Yoshio Nakano, Yuri Suyama, SKKY / iTohen, Semitransparent Design, Midori Kawano, GraphersRock, Yoshimitsu Sakoda (1057)
Idea 339: Privately public, publicly private
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Haruka Sugita, Tokyo Pistol, So Hashizume, Yuma Harada (UMA / design farm), Hiroshi Iguchi, Koh Chihara, Akira Sasaki, Kenjiro Harigai (ANSWR), Shun Kawakami (artless), Yoshio Nakano, Yuri Suyama, SKKY / iTohen, Semitransparent Design, Midori Kawano, GraphersRock, Yoshimitsu Sakoda (1057)
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Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design(...)
Idea 340: Forms of practice
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A number of young designers in Europe and America are attempting to develop their own paths in exploring graphic design through innovative small-scale practices. Many of the designers featured here were born in the 1970s and 1980s, coming of age in commercial practice in the digital environment. The majority of those featured operate within the sphere of graphic design production from the approach of a more personal practice, inflecting their work with nuanced, idiosyncratic conceptual and formal approaches. While widely varied due to cultural context and social/environmental differences, all have a kinship in unique approaches to developing formal options for clients. The use of the word "option" as applied here is perhaps the most relevant key point for the latest wave of graphic design from abroad- perhaps the "solution" as an end result of graphic design as a process is a dead methodology. What are instead offered are graphic "options" in lieu of "solutions"- inquiries answered with inquiries, questions answered with questions. The work featured offers playful, tentative answers instead of cold, hard end results.
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Topos 70: Sustainability
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Topos 70 presents exemplary issues on sustainability in city and landscape. What does sustainability mean when it comes to landscape matters? There are classifications and certifications for buildings such as Breeam, Green Star, DGNB or LEED. But ist seems to be even more challenging to qualify landscapes. The US Sustainable Sites Initiative is such an attempt, others(...)
Topos 70: Sustainability
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Topos 70 presents exemplary issues on sustainability in city and landscape. What does sustainability mean when it comes to landscape matters? There are classifications and certifications for buildings such as Breeam, Green Star, DGNB or LEED. But ist seems to be even more challenging to qualify landscapes. The US Sustainable Sites Initiative is such an attempt, others will follow. This Topos issue presents some outstanding projects in this respects and debates the the sustainability criteria.
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2G 53: Cecilia Puga
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This number of 2G brings together seventeen buildings and projects by the Chilean architect, including the exemplary House in Bahía Azul, in which the classic icon of the section of a house is manipulated, pivoted and transformed to produce a sense of strangeness in relation to its environment.
2G 53: Cecilia Puga
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This number of 2G brings together seventeen buildings and projects by the Chilean architect, including the exemplary House in Bahía Azul, in which the classic icon of the section of a house is manipulated, pivoted and transformed to produce a sense of strangeness in relation to its environment.
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The Sienese shredder issue 4
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The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a(...)
The Sienese shredder issue 4
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The good ship Shredder embarks upon its fourth voyage into uncharted waters with another rich trove: specially designed portfolios by Martin Wilner and Arne Svenson; Lawrence Weschler on the surfeit of Christlike imagery in contemporary art; a previously unpublished sketchbook by Joan Mitchell; Kurt Schwitters works on paper including early letterhead designs and a reproduction of a rare “Ursonate” print; a portfolio of Valentine Hugo's quirky surrealism; Fred Mann's interview with English tenor John Mark Ainsley; National Book Award winner Mark Doty's meditation on Walt Whitman's tomb; Rochelle Gurstein's rediscovery of the mysterious Venus de' Medici; the kinky side of Swiss Renaissance master Urs Graf's drawings; Luise Kruger's folksy fabric works; a new Shredder-only story by Allan Gurganus; Wilson Bentley's microscopic photographs of snowflakes; Frances Richard on Duchamp and Gordon Matta-Clark; a large selection of R. Crumb's little-known portrait spools; and a CD of accordionist Guy Klucevsek's early work.
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Entering the world of professional architectural photography, Exit 36 focuses on works commissioned by architects, construction companies or specialised publications, and in turn form an essential means of showcasing contemporary architecture. Photographic portfolios from 17 practitioners are presented, including works from Jordi Bernadó, Hélène Binet, Richard Glover,(...)
Exit 36: Architecture, the professional view
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Entering the world of professional architectural photography, Exit 36 focuses on works commissioned by architects, construction companies or specialised publications, and in turn form an essential means of showcasing contemporary architecture. Photographic portfolios from 17 practitioners are presented, including works from Jordi Bernadó, Hélène Binet, Richard Glover, Josef Hoflehner, Christobal Palma, Balthazar Korab, Julius Shulman and Hisao Suzuki.
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Grey room 39
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Special Issue: Walter Benjamin's Media Tactics: Optics, Perception, and the Work of Art. Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns.
Grey room 39
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Special Issue: Walter Benjamin's Media Tactics: Optics, Perception, and the Work of Art. Grey Room brings together scholarly and theoretical articles from the fields of architecture, art, media, and politics to forge a cross-disciplinary discourse uniquely relevant to contemporary concerns.
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Cette livraison est consacrée à la valorisation des métiers du déchet, à saisir les conditions d'acceptabilité d'espaces de déchetterie dans la ville et à penser le recyclage dès le processus de conception des oeuvres. Des architectes, des urbanistes et des artistes donnent leurs points de vue et font part de leurs expériences et créations.
L'esprit des matériaux, architecture et philosophie numéro 2- Recyclage et urbanité
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Cette livraison est consacrée à la valorisation des métiers du déchet, à saisir les conditions d'acceptabilité d'espaces de déchetterie dans la ville et à penser le recyclage dès le processus de conception des oeuvres. Des architectes, des urbanistes et des artistes donnent leurs points de vue et font part de leurs expériences et créations.
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