trans magazin 44: Lore
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"Lore" as a term suggests a cumulative and collective understanding of a topic. Today, it is particularly common in gaming and serial storytelling to refer to the comprehensive background story of a fictive universe. This issue of trans magazine attempts to understand the many ways in which lore affects our present moment: the texts deal with narrated realities, logistics(...)
trans magazin 44: Lore
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"Lore" as a term suggests a cumulative and collective understanding of a topic. Today, it is particularly common in gaming and serial storytelling to refer to the comprehensive background story of a fictive universe. This issue of trans magazine attempts to understand the many ways in which lore affects our present moment: the texts deal with narrated realities, logistics of knowledge, ghosts and angels, and how the subconscious influences the built environment.
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trans magazin 45: Dirty
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Cleanliness is an obsession; dirt is a fascination. Disgust is embedded in personal and cultural systems to help us discern and navigate what could endanger our integrity as a body or society. Yet revulsion to dirtiness is more than a protective mechanism. Introducing uncleanliness in design can be revolutionary or revelatory. As architects-to-be, we are aware that our(...)
trans magazin 45: Dirty
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Cleanliness is an obsession; dirt is a fascination. Disgust is embedded in personal and cultural systems to help us discern and navigate what could endanger our integrity as a body or society. Yet revulsion to dirtiness is more than a protective mechanism. Introducing uncleanliness in design can be revolutionary or revelatory. As architects-to-be, we are aware that our practice and its history is inherently unclean. We have disowned our masters, disavowed our teachers, distanced ourselves from our rites. But becoming too aware of all the filth produced by the profession can tempt us to impose sanitary barriers and refuse to get our hands dirty.
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trans magazin 46: Spolia
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"Spolia" absorb energy from an external force and deform elastically. As archeological tools at (de)construction sites, they form hidden testaments to political dependencies, ecosystem clashes, art in galleries, even office tower elevators. Input: strange simultaneity of icons that are immediate, available, and ready to be transformed. Output: remnants reorganized to(...)
trans magazin 46: Spolia
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"Spolia" absorb energy from an external force and deform elastically. As archeological tools at (de)construction sites, they form hidden testaments to political dependencies, ecosystem clashes, art in galleries, even office tower elevators. Input: strange simultaneity of icons that are immediate, available, and ready to be transformed. Output: remnants reorganized to serve architecture and its demands. We look back to the future and ahead to the past. We persist in building, digging, finding, collecting, assembling to produce meaning.
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C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances,(...)
C magazine 160: extra life
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In this issue’s extended editorial note, Bracy Appeikumoh asks, "Was utopia, like extra lives, envisioned as a means of escaping death?" Among the haunting contradictions of living in the imperial core, whose violences seek their own immortality, to seize a different kind of “extra life” takes an extra real imagination. Across virtual game worlds, ancestral inheritances, unfinished revolutionary histories, artists’ data storage, and more, contributors to C160 reflect on extra life as a state both surplus and sacred—what persists in age-old cycles of decay.
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Azure 310
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For four decades, ''Azure'' has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
Azure 310
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For four decades, ''Azure'' has been delivering the best in architecture and design from Canada and around the world. Our 40th anniversary issue celebrates this legacy by doing what we do best: looking forward! With a focus on the digital tools that the professions are embracing now and into the future, the May/June 2025 edition delves deep into big tech.
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The April issue looks at projects—and processes—that foreground public purpose: The cover story is the new home of the Canadian Canoe Museum, in Peterborough, Ontario, designed by Unity Design Studio. The second project covered is the modernization of Montreal’s City Hall, by Beaupré Michaud et Associés, Architectes in collaboration with MU Architecture. In Winnipeg,(...)
Canadian Architect, April 2025. v.70 n.02
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The April issue looks at projects—and processes—that foreground public purpose: The cover story is the new home of the Canadian Canoe Museum, in Peterborough, Ontario, designed by Unity Design Studio. The second project covered is the modernization of Montreal’s City Hall, by Beaupré Michaud et Associés, Architectes in collaboration with MU Architecture. In Winnipeg, Lawrence Bird visits the University of Manitoba’s Desautels Concert Hall, designed by Temple Architects with Cibinel Architecture. We also travel to Niagara Falls to visit The Exchange, a small-but-mighty community hub designed by DTAH that includes a farmer’s market, artists’ studios, and a multipurpose hall that’s been used for everything from roller skating parties to drag shows.
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Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton,(...)
Paris review spring 2025
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Ludmilla Petrushevskaya on the Art of Fiction: "Don’t you know my life story by now? I don’t experience fear." Margo Jefferson on the Art of Criticism: "You can be willing to be wrong if you have enough confidence in your brain." Prose by Amie Barrodale, A. M. Homes, Marie NDiaye, Domenico Starnone, Miriam Toews, and Zheng Zhi. Poetry by Abigail Dembo, Nora Fulton, Susan Howe, D. A. Powell, Nasser Rabah, Edward Salem, and Nanna Storr-Hansen. Art by Em Kettner, Agosto Machado, and Lady Shalamar Montague; cover by Anna Weyant.
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Faire – Regarder le graphisme n° 51 – « Criez dehors » : International Library of Fashion Research
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A visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today.
Faire – Regarder le graphisme n° 51 – « Criez dehors » : International Library of Fashion Research
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A visual journey through an extensive collection of fashion ephemera housed at the International Library of Fashion Research in Oslo, the world's most comprehensive repository of specialized fashion research and contemporary fashion publications. Aude Fellay discusses the challenges facing fashion research today.
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita(...)
The Funambulist 59: Black indigeneities
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Welcome to the 59th issue of ''The Funambulist'' (May-June 2025), dedicated to Black Indigeneities. The association of these two terms will certainly appear obvious to many, while it might surprise others, depending on readers’ personal and regional imaginaries. The issue examines the Indigeneity-Blackness nexus in Melanesia —in Fiji (Mara Mahoney and Ratu Ropate Rakuita Wailutu Kama) and beyond, in Aotearoa New Zealand (Nathan Rew and Makanaka Tuwe)—in several regions of the African Continent—South Africa (Zoé Samudzi and Mpho Matheolane/Nolan Oswald Dennis), Nubia (Menna Agha), Eritrea (Semhar Haile), and the Gabonese forests (Maya Mihindou)—in the Caribbean—Guiana (Karl Joseph and Marc-Alexandre Tareau) and Haiti (Tessa Mars)—as well as in the diaspora. The cover artwork by Tessa Mars.
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Vie des arts 277
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« Vie des arts » s’épanouit de l’hiver et glisse vers le printemps avec un numéro thématique tout frais abordant la manière dont se sont liées, et se lient toujours, les disciplines de la musique et des arts dits « visuels » dans l’histoire de l’art. Électroacoustique et résonances, concerts vivants, déambulations sonores et symphonies performatives figurent dans notre(...)
Vie des arts 277
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« Vie des arts » s’épanouit de l’hiver et glisse vers le printemps avec un numéro thématique tout frais abordant la manière dont se sont liées, et se lient toujours, les disciplines de la musique et des arts dits « visuels » dans l’histoire de l’art. Électroacoustique et résonances, concerts vivants, déambulations sonores et symphonies performatives figurent dans notre dossier intitulé « Graphier le sonore » — car comment parler des sons sans aborder la façon dont ils s’écrivent dans nos têtes, sur papier, dans l’espace ou même dans l’air de nos environnements?
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