2314 Résultats
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Titre:
Churches
Churches
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the(...)
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the(...)
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Churches
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the historically dominant denominations like Roman Catholicism. The buildings were never designed to be churches, and this random collection of architectural structures is the result of numerous acts of faith. Often temporary, semi-permanent or unconsecrated, they are sometimes anonymous and almost invisible. They are usually located where we would least expect to find them: in industrial estates, shopping malls, houses, garages, cinemas, above commercial properties and even pubs. Spero's work acknowledges that the divine may exist in the most unlikely places, and testifies to our enduring need to seek out a state of grace.
Churches
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The churches in this book demonstrate the diverse range of denominations and sects that form the Charismatic Evangelical movement today. Materially and architecturally, the buildings reflect a Spiritualist church movement reacting against secular Material Rationalism and consumerism. They feature none of the monumental architecture or symbols of status and power of the historically dominant denominations like Roman Catholicism. The buildings were never designed to be churches, and this random collection of architectural structures is the result of numerous acts of faith. Often temporary, semi-permanent or unconsecrated, they are sometimes anonymous and almost invisible. They are usually located where we would least expect to find them: in industrial estates, shopping malls, houses, garages, cinemas, above commercial properties and even pubs. Spero's work acknowledges that the divine may exist in the most unlikely places, and testifies to our enduring need to seek out a state of grace.
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livres
livres
Publication:
janvier 2007, Göttingen
janvier 2007, Göttingen
Sujet:
Monographies photo
Monographies photo
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livres
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$49.95
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell(...)
Sujet:
Monographies photo
Monographies photo
Publication:
septembre 2007, Montreal Kingston London Ithica
septembre 2007, Montreal Kingston London Ithica
Titre:
Seduced by modernity : The photography of Margaret Watkins
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
Seduced by modernity : The photography of Margaret Watkins
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Seduced by Modernity is the first book devoted to the life and work of Canadian-born modernist photographer Margaret Watkins. Best known for art and advertising photography executed in New York in the 1920s, Watkins was active in the Clarence White school of photography and a participant in the shift from pictorialism to modernism. Mary O'Connor and Katherine Tweedie tell the story of a dedicated artist in difficult circumstances whose working life spanned a Victorian upbringing in Hamilton, Ontario, and the witnessing of the first Soviet Five-Year Plan. The authors use feminist and historical questions as well as close readings of the photographs to relate Watkins' work to questions of gender, modernity, and visual culture. Watkins' modernism, which involved experimentation and a radical focus on form, transgressed boundaries of conventional, high-art subject matter. Her focus was daily life and her photographs, whether an exploration of the objects in her New York kitchen or the public and industrial spaces of Glasgow, Paris, Cologne, Moscow, and Leningrad in the 1930s, strike a balance between abstraction and an evocation of the everyday, offering a unique gendered perspective on modernism and modernity. Seduced by Modernity makes available for the first time an extensive representation of Watkins' work in high-quality reproduction as part of an exemplary interdisciplinary study that honours an intrepid Canadian artist who refused to be confined by borders, convention, or gender.
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livres
livres
Publication:
septembre 2007, Montreal Kingston London Ithica
septembre 2007, Montreal Kingston London Ithica
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Monographies photo
Monographies photo
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livres
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps,(...)
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps,(...)
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Spelterini photographs of a pioneer balloonist/Fotografien des ballonpioniers
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps, across the Egyptian pyramids, and past the ziggurats of the Middle East, taking breathtaking photographs of landscapes and cities from the sky. On Spelterini’s first ballooning ventures, he ferried aristocrats between Vienna, Bucharest, Athens, and other European capitals, on flights that became so famous that they were soon jam-packed with an international press corps looking for the next sensational story. Later in his life, Spelterini was the first aeronaut to succeed in the hazardous passage over the Swiss Alps, a trip then thought impossible. Eventually, he decided to bring his camera on every voyage in order to document the full panorama of international vistas he encountered. Eduard Spelterini—Photographs of A Pioneer Balloonist is the first book after 80 years to present these images of his journeys, reproduced directly from the artist’s original glass negatives. Contextualized by essays that explore both Spelterini’s life and his photographic work, the photographs featured in this volume capture the heady mix of danger and discovery that defined the early years of international air travel when balloons ruled the skies.
Spelterini photographs of a pioneer balloonist/Fotografien des ballonpioniers
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Known as the “King of the Air,” the Swiss balloonist Eduard Spelterini (1852–1931) enchanted the imaginations of European royalty, military generals, wealthy patrons, and the public alike with his mastery of the most whimsical mode of travel ever invented—the gas balloon. During the course of his storied aviation career, Spelterini flew his balloons over the Swiss Alps, across the Egyptian pyramids, and past the ziggurats of the Middle East, taking breathtaking photographs of landscapes and cities from the sky. On Spelterini’s first ballooning ventures, he ferried aristocrats between Vienna, Bucharest, Athens, and other European capitals, on flights that became so famous that they were soon jam-packed with an international press corps looking for the next sensational story. Later in his life, Spelterini was the first aeronaut to succeed in the hazardous passage over the Swiss Alps, a trip then thought impossible. Eventually, he decided to bring his camera on every voyage in order to document the full panorama of international vistas he encountered. Eduard Spelterini—Photographs of A Pioneer Balloonist is the first book after 80 years to present these images of his journeys, reproduced directly from the artist’s original glass negatives. Contextualized by essays that explore both Spelterini’s life and his photographic work, the photographs featured in this volume capture the heady mix of danger and discovery that defined the early years of international air travel when balloons ruled the skies.
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livres
livres
Publication:
septembre 2007, Zurich
septembre 2007, Zurich
Sujet:
Monographies photo
Monographies photo
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livres
Titre:
Michael Reish
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in(...)
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in(...)
Titre:
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in Amsterdam and with Bernd Becher at the Kunstakademie Düsseldorf, photographs landscapes as well as industrial complexes and buildings with a large-format camera. He then digitizes the images and manipulates them subtly, erasing all allusions to a specific place and time, as well as all signs of human presence. By modifying the composition in other ways such as correcting the colors, he creates a fictional landscape, an “image” of landscape. This invented landscape can seem unbelievably real, while the real, existing landscape, on the other hand, appears unreal, removed, or imaginary. This is the first book to offer a concentrated look at the work of the Düsseldorf-based artist.
Michael Reish
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This is the first volume to provide a concentrated perspective of the work by this Düsseldorf photographer. “I see real landscape through the stencil of virtual landscape and vice-versa,” says Michael Reisch (*1964) about his disturbing works, which cannot be clearly defined as either reality or simulation. Reisch, who studied at the Gerrit Rietveld Academie in Amsterdam and with Bernd Becher at the Kunstakademie Düsseldorf, photographs landscapes as well as industrial complexes and buildings with a large-format camera. He then digitizes the images and manipulates them subtly, erasing all allusions to a specific place and time, as well as all signs of human presence. By modifying the composition in other ways such as correcting the colors, he creates a fictional landscape, an “image” of landscape. This invented landscape can seem unbelievably real, while the real, existing landscape, on the other hand, appears unreal, removed, or imaginary. This is the first book to offer a concentrated look at the work of the Düsseldorf-based artist.
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livres
livres
Publication:
octobre 2006, Ostfildern
octobre 2006, Ostfildern
Sujet:
Monographies photo
Monographies photo
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livres
Titre:
Stable vices
Stable vices
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist(...)
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist(...)
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Stable vices
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.
Stable vices
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The themes of protection, freedom and oppression appear consistently throughout Polish artist Joanna Piotrowska’s oeuvre. Through three photographic series, Stable Vices focuses on these notions to crystallise a spectrum of concerns that drive her work. One series is inspired by illustrated self-defence manuals and Psychology and Resistance by the feminist psychologist Carol Gilligan. A second series reveals precarious shelters made out of furniture and blankets, situated in domestic spaces. In a third series, Piotrowska focuses on cages and comparable spaces created for humans, drawing parallels between the lives of certain communities and animals, and the environments in which they live.
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livres
livres
Publication:
janvier 2021
janvier 2021
Sujet:
Monographies photo
Monographies photo
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livres
Titre:
Forever Saul Leiter
Forever Saul Leiter
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Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style,(...)
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Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style,(...)
Titre:
Forever Saul Leiter
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Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style, creating a unique kind of urban view; his complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. Leiter’s studio in New York’s East Village, where he lived from 1952 until his death in 2013, is now home to the Saul Leiter Foundation, which is undertaking a full-scale survey and organization of Leiter’s more than eighty thousand images with the aim of compiling his complete archive. This volume contains items discovered through this undertaking: valuable documents that reveal the secrets of Saul Leiter’s process, unpublished works, popular color works, black-and-white images that have never been published before, as well as images that hold the memories of those closest to him, taken in private. As Saul Leiter said, ''photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.''
Forever Saul Leiter
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Saul Leiter’s painterly images evoke the flow and rhythm of life on the midcentury streets of New York in luminous color, at a time when his contemporaries were shooting in black and white. His mastery of color is displayed in unconventional cityscapes in which reflections, transparency, complex framing, and mirroring effects are married to a very personal printing style, creating a unique kind of urban view; his complex and impressionistic photographs are as much about evoking an atmosphere as nailing the decisive moment. Leiter’s studio in New York’s East Village, where he lived from 1952 until his death in 2013, is now home to the Saul Leiter Foundation, which is undertaking a full-scale survey and organization of Leiter’s more than eighty thousand images with the aim of compiling his complete archive. This volume contains items discovered through this undertaking: valuable documents that reveal the secrets of Saul Leiter’s process, unpublished works, popular color works, black-and-white images that have never been published before, as well as images that hold the memories of those closest to him, taken in private. As Saul Leiter said, ''photographs are often treated as capturing important moments, but they are really small fragments and memories of the world that never ends.''
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livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Franco Fontana : Invisible
Franco Fontana : Invisible
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Tout au long de ses soixante années de carrière, Franco Fontana a photographié ce que l’on ne voit pas, réussissant à fixer dans l’objectif une image « autre », détachée de la réalité, libérée du sujet représenté. Son travail sur la géométrie, les proportions et la composition lui a permis d’atteindre par paliers une synthèse conceptuelle qui est à la fois son langage(...)
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Tout au long de ses soixante années de carrière, Franco Fontana a photographié ce que l’on ne voit pas, réussissant à fixer dans l’objectif une image « autre », détachée de la réalité, libérée du sujet représenté. Son travail sur la géométrie, les proportions et la composition lui a permis d’atteindre par paliers une synthèse conceptuelle qui est à la fois son langage(...)
Titre:
Franco Fontana : Invisible
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Tout au long de ses soixante années de carrière, Franco Fontana a photographié ce que l’on ne voit pas, réussissant à fixer dans l’objectif une image « autre », détachée de la réalité, libérée du sujet représenté. Son travail sur la géométrie, les proportions et la composition lui a permis d’atteindre par paliers une synthèse conceptuelle qui est à la fois son langage personnel et sa manifestation formelle. Ce volume est le résultat d’une exploration minutieuse des archives de l’artiste, qui a fait émerger des clichés inédits, allant des recherches les plus expérimentales aux manifestations les plus libres de sa subjectivité, sans négliger pour autant les images iconiques qui ont rendu leur auteur célèbre dans le monde entier.
Franco Fontana : Invisible
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Tout au long de ses soixante années de carrière, Franco Fontana a photographié ce que l’on ne voit pas, réussissant à fixer dans l’objectif une image « autre », détachée de la réalité, libérée du sujet représenté. Son travail sur la géométrie, les proportions et la composition lui a permis d’atteindre par paliers une synthèse conceptuelle qui est à la fois son langage personnel et sa manifestation formelle. Ce volume est le résultat d’une exploration minutieuse des archives de l’artiste, qui a fait émerger des clichés inédits, allant des recherches les plus expérimentales aux manifestations les plus libres de sa subjectivité, sans négliger pour autant les images iconiques qui ont rendu leur auteur célèbre dans le monde entier.
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livres
livres
Publication:
janvier 2023
janvier 2023
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Robin Hinsch: Wahala
Robin Hinsch: Wahala
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The images in Wahala depict both the places in the world where raw materials are extracted from the earth for profit, and the people who make their homes there. Photographer Robin Hinsch travelled to where the human impact on the planet was particularly visible to confront the viewer with the blunt ecological and human repercussions of the global reliance on fossil fuels.
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The images in Wahala depict both the places in the world where raw materials are extracted from the earth for profit, and the people who make their homes there. Photographer Robin Hinsch travelled to where the human impact on the planet was particularly visible to confront the viewer with the blunt ecological and human repercussions of the global reliance on fossil fuels.
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Robin Hinsch: Wahala
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The images in Wahala depict both the places in the world where raw materials are extracted from the earth for profit, and the people who make their homes there. Photographer Robin Hinsch travelled to where the human impact on the planet was particularly visible to confront the viewer with the blunt ecological and human repercussions of the global reliance on fossil fuels.
Robin Hinsch: Wahala
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The images in Wahala depict both the places in the world where raw materials are extracted from the earth for profit, and the people who make their homes there. Photographer Robin Hinsch travelled to where the human impact on the planet was particularly visible to confront the viewer with the blunt ecological and human repercussions of the global reliance on fossil fuels.
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livres
livres
Publication:
mars 2023
mars 2023
Sujet:
Monographies photo
Monographies photo
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livres
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$38.95
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Résumé:
The publication cites Ed Ruscha’s iconic artist’s book ''Twentysix gasoline stations'' from 1963, and thus spans an arc from the automobile culture of the American Sixties to our own European present, questioning the direction in which we wish to shape this development. A hairdresser, an Asian market, signs upon signs, curtains, and—behind these—apartments. At first(...)
$38.95
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The publication cites Ed Ruscha’s iconic artist’s book ''Twentysix gasoline stations'' from 1963, and thus spans an arc from the automobile culture of the American Sixties to our own European present, questioning the direction in which we wish to shape this development. A hairdresser, an Asian market, signs upon signs, curtains, and—behind these—apartments. At first(...)
Titre:
Otto Hainzl: Twentysix houses along Waldeggstrasse
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The publication cites Ed Ruscha’s iconic artist’s book ''Twentysix gasoline stations'' from 1963, and thus spans an arc from the automobile culture of the American Sixties to our own European present, questioning the direction in which we wish to shape this development. A hairdresser, an Asian market, signs upon signs, curtains, and—behind these—apartments. At first glance, a street like any other, but something irritates. Finally, you realize that the images depict only vacancies. The buildings on Waldeggstrasse have been unoccupied for ten years, and it will be almost another ten years before the “gap” is closed to form an inner-city expressway axis. The images by the Austrian photo artist Otto Hainzl link the dramaturgy of social life with questions about urban development concepts.
Otto Hainzl: Twentysix houses along Waldeggstrasse
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The publication cites Ed Ruscha’s iconic artist’s book ''Twentysix gasoline stations'' from 1963, and thus spans an arc from the automobile culture of the American Sixties to our own European present, questioning the direction in which we wish to shape this development. A hairdresser, an Asian market, signs upon signs, curtains, and—behind these—apartments. At first glance, a street like any other, but something irritates. Finally, you realize that the images depict only vacancies. The buildings on Waldeggstrasse have been unoccupied for ten years, and it will be almost another ten years before the “gap” is closed to form an inner-city expressway axis. The images by the Austrian photo artist Otto Hainzl link the dramaturgy of social life with questions about urban development concepts.
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livres
livres
Publication:
juin 2023
juin 2023
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Martin Bogren : Metropolia
Martin Bogren : Metropolia
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Errance dans une cité imaginaire, « Metropolia » invite le lecteur à une déambulation onirique ponctuée de rencontres énigmatiques. L’espace urbain s’appréhende par fragments, se devine au fil des silhouettes qu’on y croise. Brumes, grains explosés, lumières parfois saturées, nuances de gris, couleurs monochromes jouant avec des bleus froids ou des orangés chauds, chez(...)
$85.95
(disponible en magasin)
Résumé:
Errance dans une cité imaginaire, « Metropolia » invite le lecteur à une déambulation onirique ponctuée de rencontres énigmatiques. L’espace urbain s’appréhende par fragments, se devine au fil des silhouettes qu’on y croise. Brumes, grains explosés, lumières parfois saturées, nuances de gris, couleurs monochromes jouant avec des bleus froids ou des orangés chauds, chez(...)
Titre:
Martin Bogren : Metropolia
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Errance dans une cité imaginaire, « Metropolia » invite le lecteur à une déambulation onirique ponctuée de rencontres énigmatiques. L’espace urbain s’appréhende par fragments, se devine au fil des silhouettes qu’on y croise. Brumes, grains explosés, lumières parfois saturées, nuances de gris, couleurs monochromes jouant avec des bleus froids ou des orangés chauds, chez Bogren l’expérience visuelle se fait sensible. Il fait intervenir pour la première fois des photographies en couleur qui viennent ponctuer le noir et blanc. Saisir l’intimité, dire le fragile, donner à voir l’impermanence des choses : l’univers visuel de Martin Bogren révèle l’illusion du monde. Ses images captent sur leur surface un réel qui se dissout mais que l’art du photographe a su saisir in extremis, à la dérobée.
Martin Bogren : Metropolia
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(disponible en magasin)
Résumé:
Errance dans une cité imaginaire, « Metropolia » invite le lecteur à une déambulation onirique ponctuée de rencontres énigmatiques. L’espace urbain s’appréhende par fragments, se devine au fil des silhouettes qu’on y croise. Brumes, grains explosés, lumières parfois saturées, nuances de gris, couleurs monochromes jouant avec des bleus froids ou des orangés chauds, chez Bogren l’expérience visuelle se fait sensible. Il fait intervenir pour la première fois des photographies en couleur qui viennent ponctuer le noir et blanc. Saisir l’intimité, dire le fragile, donner à voir l’impermanence des choses : l’univers visuel de Martin Bogren révèle l’illusion du monde. Ses images captent sur leur surface un réel qui se dissout mais que l’art du photographe a su saisir in extremis, à la dérobée.
Classification:
livres
livres
Publication:
février 2023
février 2023
Sujet:
Monographies photo
Monographies photo
