Philipp Keel: Last summer
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In ''Last summer,'' the Zurich-based artist, writer and publisher Philipp Keel (born 1968) presents new still lifes and images of incidental poetry: pictures of palms, pools and drinks, depicted in a seemingly cool and summery mood. Common to them all is Keel’s eye for details, and yet on closer inspection melancholy permeates many of his works. One of the great strengths(...)
Philipp Keel: Last summer
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In ''Last summer,'' the Zurich-based artist, writer and publisher Philipp Keel (born 1968) presents new still lifes and images of incidental poetry: pictures of palms, pools and drinks, depicted in a seemingly cool and summery mood. Common to them all is Keel’s eye for details, and yet on closer inspection melancholy permeates many of his works. One of the great strengths of Keel’s works is that they stay subtle and reserved.
Monographies photo
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize(...)
Jamey Stillings: Atacama, renewable energy and mining in the high desert of Chile
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With "Atacama", Jamey Stillings again shares his distinctive aerial perspective to examine dramatic large-scale renewable energy projects, the visual dynamic of enormous mining operations and the stark beauty of the Atacama Desert, so often scarred by human activity. Chile produces a third of the world’s copper and has the largest known lithium reserves, and we utilize these resources daily in our cars, computers and smartphones. The country’s mining industry has traditionally been dependent on imported coal, diesel and natural gas for its energy. Yet the Atacama Desert has excellent solar and wind potential: new renewable energy projects there now supply significant electricity to the northern grid, transmit power to population centers in the south, and are reducing mining’s dependence on fossil fuel. Stillings’ aesthetic interest in the human-altered landscape and concerns for environmental sustainability are principal pillars of his work. His photography elicits a critical dialogue about meeting our needs and desires while seeking equilibrium between nature and human activity. "Atacama," the latest chapter in his ongoing project "Changing perspectives," shows how photography can concurrently be a source of inspiration, motivation and information, and reminds us that a carbon-constrained future is crucial to a responsible approach to life on earth.
Monographies photo
365 degrés (d'amour)
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Suite au succès de son blog qui a fait battre le cœur des visiteurs au rythme de ses publications pendant plus de deux ans : « 365° degrees of love », la photographe Alice Khol a décidé aujourd’hui de rassembler toutes ces histoires dans un livre. L’ouvrage associe des histoires d’amour à des images : photographies, vidéos, captures d’écran, conversations Messenger,(...)
365 degrés (d'amour)
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Suite au succès de son blog qui a fait battre le cœur des visiteurs au rythme de ses publications pendant plus de deux ans : « 365° degrees of love », la photographe Alice Khol a décidé aujourd’hui de rassembler toutes ces histoires dans un livre. L’ouvrage associe des histoires d’amour à des images : photographies, vidéos, captures d’écran, conversations Messenger, Tinder. Certaines sont très courtes, d’autres, bien plus longues, certaines sont touchantes et émouvantes, d’autres définitivement décalées font rire jaune...
Monographies photo
Habana song
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Jean-Christophe Béchet est allé à Cuba en 1990, au moment où les « Balseros » essayaient d’atteindre les côtes américaines, la Floride, sur leurs radeaux de fortune. Il est revenu à la Havane vingt ans plus tard, à la mort de Fidel Castro, découvrant une ville en pleine mutation. Les voitures américaines sont toujours là mais devenues des taxis pour touristes, le long du(...)
Habana song
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Jean-Christophe Béchet est allé à Cuba en 1990, au moment où les « Balseros » essayaient d’atteindre les côtes américaines, la Floride, sur leurs radeaux de fortune. Il est revenu à la Havane vingt ans plus tard, à la mort de Fidel Castro, découvrant une ville en pleine mutation. Les voitures américaines sont toujours là mais devenues des taxis pour touristes, le long du Malecon, on rénove les bâtiments et fleurissent les bars de luxe... Le photographe s’est écarté de ce théâtre touristique, préférant se perdre dans des rues sombres, à la recherche de ces sensations cubaines : entre pauvreté et classe, ordre et anarchie. « Habana Song » est une poésie visuelle qu’il joue en noir et blanc, loin des clichés et couleurs qui identifient habituellement Cuba. Une musique qui nous accompagne tout au long de cette déambulation photographique.
Monographies photo
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Key works by acclaimed political photographer Allan Sekula, author of Fish Story. This book focuses on two bodies of work by the great American photographer Allan Sekula (1951-2013). Works from the ’90s—including ''Fish Story''—explore the impact of maritime economy on globalization, while works from the end of Sekula’s life examine 21st-century neoliberalism.
Allan Sekula: Collective Sisyphus
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Key works by acclaimed political photographer Allan Sekula, author of Fish Story. This book focuses on two bodies of work by the great American photographer Allan Sekula (1951-2013). Works from the ’90s—including ''Fish Story''—explore the impact of maritime economy on globalization, while works from the end of Sekula’s life examine 21st-century neoliberalism.
Monographies photo
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The complete edition of Takashi Homma's acclaimed homage reveals the connection between the graceful and intimate sequence of images depicting the girl – which is in fact not Takashi Homma's daughter but the daughter of friends of his – and the city of Tokyo. The girl, captured in various stages of growing up in everyday locations, stares serenely just beyond the camera(...)
Takashi Homma: Tokyo and my daughter
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The complete edition of Takashi Homma's acclaimed homage reveals the connection between the graceful and intimate sequence of images depicting the girl – which is in fact not Takashi Homma's daughter but the daughter of friends of his – and the city of Tokyo. The girl, captured in various stages of growing up in everyday locations, stares serenely just beyond the camera lens, unselfconscious and generally appearing more interested in the person holding the camera than the device itself: in one photograph, she peers out curiously from the backseat of a car, while in another she points her own tiny pink camera back at the photographer. Homma’s photography is imbued with a warmth and sincerity that belies his total familiarity with the subjects at hand; he documents Tokyo’s urban landscape with the same tenderness he brings to portraying the girl.
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Photographe passionné par les lieux abandonnés, Jonk a parcouru 13 pays ayant fait partie du bloc soviétique, à la recherche de ce qu’il nomme des « capsules temporelles ». De l’Allemagne de l’Est à l’Ukraine en passant par la Hongrie et la Bulgarie, il a parcouru des zones délaissées, a croisé des bâtiments désaffectés, a immortalisé des traces d’un autre temps. (...)
Goodbye Lenin: vestiges soviétiques en Europe de l'Est
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Photographe passionné par les lieux abandonnés, Jonk a parcouru 13 pays ayant fait partie du bloc soviétique, à la recherche de ce qu’il nomme des « capsules temporelles ». De l’Allemagne de l’Est à l’Ukraine en passant par la Hongrie et la Bulgarie, il a parcouru des zones délaissées, a croisé des bâtiments désaffectés, a immortalisé des traces d’un autre temps. Mines, bases militaires, théâtres, écoles, hôpitaux… sont autant de lieux dans lesquels s’incarnait le communisme soviétique. Autant d’endroits porteurs de symboles forts, de devises ouvrières, de figures politiques. Les bunkers d’un autre âge, la zone de confinement de Tchernobyl, les écoles militaires nous racontent à leur manière le XXe siècle.
Monographies photo
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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take(...)
Monographies photo
octobre 2020
Arseniy Kotov: Soviet cities: labour, life and leisure
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In recent years Russian cities have visibly changed. The architectural heritage of the Soviet period has not been fully acknowledged. As a result many unique modernist buildings have been destroyed or changed beyond recognition. Russian photographer Arseniy Kotov intends to document these buildings and their surroundings before they are lost forever. He likes to take pictures in winter, during the 'blue hour,' which occurs immediately after sunset or just before sunrise. At this time, the warm yellow colors inside apartment-block windows contrast with the twilight gloom outside. To Kotov, this atmosphere reflects the Soviet period of his imagination. His impression of this time is unashamedly idealistic: he envisages a great civilization, built on a fair society, which hopes to explore nature and conquer space. From the Baikonur Cosmodrome in the desert steppes of Kazakhstan to the grim monolithic high-rise dormitory blocks of inner-city Volgograd, Kotov captures the essence of the post-Soviet world.
Monographies photo
Bart Julius Peters: Hunt
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The black-and-white photographs of Bart Julius Peters portray a lost world of good times in grainy dolce vita scenes of improvised fun.
Bart Julius Peters: Hunt
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The black-and-white photographs of Bart Julius Peters portray a lost world of good times in grainy dolce vita scenes of improvised fun.
Monographies photo
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Selected from Guido Guidi's archive by Marcello Galvani, ''Tra l'altro'' presents 94 colour photographs made with small-format cameras between 1976 and 1981. Mostly unpublished, these images form an ideal link between two phases of Guidi's work that are already well known.
Guido Guidi: Tra l'altro, 1976-81
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Selected from Guido Guidi's archive by Marcello Galvani, ''Tra l'altro'' presents 94 colour photographs made with small-format cameras between 1976 and 1981. Mostly unpublished, these images form an ideal link between two phases of Guidi's work that are already well known.
Monographies photo