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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have(...)
Gianluca Calise : Utopia ending
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''Utopia ending'' investigates the urban transformation of London since the 2012 Olympics, and includes photographs taken between 2014 to 2019. Through images and text, including three interviews and a final essay, the author compares the current finance-driven development of the city with the post-WWII expansion based on council houses: investments in social housing have been almost entirely eradicated and the new buildings are more financial assets for global investors, rather than homes for Londoners. Gianluca Calise is an Italian photographer specialized in long-term documentary projects. His research focuses on social issues and on themes related to identity, belonging and memory. 2019 Daylight Photo Award juror’s pick, finalist at Urban Photo Awards 2018 and Charta Dummy Award 2021, his works have been published and exhibited internationally.
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom(...)
Paul Hiller: Happysad souvenirs
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''Happysad souvenirs'' is a series of photographs taken in 2018 and 2019 during Hiller’s travels through China, Japan, Singapore, Thailand, Taiwan and Vietnam. Paul Hiller, born in 1984 in Germany, is a professional photographer and artist. He first graduated as a photo lab manager and then got his diploma at the Academy of Fine Arts Munich (class of Prof. Klaus vom Bruch, new media). His photographs are not only shown in solo and group exhibitions in Germany and Europe, but they are also being displayed in many international print and online art platforms. His work is part of the so-called straight photography. He celebrates the art and the techniques of photography by shooting on analog film cameras only.
Monographies photo
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One of Jenny Matthews' first bodies of work. Starting out as a photographer, and a member of Camerawork, Matthews worked on Barry Lewis’s Coming and Going exhibition — Café Royal Books published a zine of that series, which is still available — then she was involved in setting up Format, a collective of women photographers, and after that joined Network Photographers.
Jenny Matthews: Changing world of women’s work 1978–1988
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One of Jenny Matthews' first bodies of work. Starting out as a photographer, and a member of Camerawork, Matthews worked on Barry Lewis’s Coming and Going exhibition — Café Royal Books published a zine of that series, which is still available — then she was involved in setting up Format, a collective of women photographers, and after that joined Network Photographers.
Monographies photo
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
Craig Atkinson: London, Trellick Tower
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Trellick Tower — designed by Erno Goldfinger, opened in 1972 — is a Grade II listed Brutalist tower block on Goldborne Road, London. This print and fourth edition zine is released to celebrate 50 years since the opening of Trellick Tower.
Monographies photo
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This publication stems from a collaboration with Chris Killip on five titles produced between 2016–2020. Chris suggested the series and sent dummy books from which were produced the final books.
Chris Killip: Huddersfield 1974
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This publication stems from a collaboration with Chris Killip on five titles produced between 2016–2020. Chris suggested the series and sent dummy books from which were produced the final books.
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Martin Parr: India 1984
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This title is a series of black and white images shot through Martin Parr’s travels through India in 1984.
Martin Parr: India 1984
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This title is a series of black and white images shot through Martin Parr’s travels through India in 1984.
Monographies photo
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Jim [Mortram]’s photographs somehow manage to combine the most tender beauty with a terrible sense of the obscene. There is a stark honesty here, a challenge, a disturbance, true witness and always empathy, always compassion. These are not the images of a skillful outsider cooly observing and recording, these are the howls of outrage and hymns of humanity from deep within(...)
J. A. Mortram: Small town inertia, diary entries 2
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Jim [Mortram]’s photographs somehow manage to combine the most tender beauty with a terrible sense of the obscene. There is a stark honesty here, a challenge, a disturbance, true witness and always empathy, always compassion. These are not the images of a skillful outsider cooly observing and recording, these are the howls of outrage and hymns of humanity from deep within the thick of it. (Michael Sheen)
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Paolo Monti: Procida 1972
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Cette publication réunit les images architecturales du photographe Paolo Monti sur l'île de Procida au large de Naples en 1972, présentées pour la première fois. Contrairement aux îles voisines de Capri et d'Ischia, Procida, en 1972, était encore vierge, largement épargnée par le phénomène du tourisme de masse. Ainsi, Monti, un photographe du nord qui se rendait souvent(...)
Paolo Monti: Procida 1972
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Cette publication réunit les images architecturales du photographe Paolo Monti sur l'île de Procida au large de Naples en 1972, présentées pour la première fois. Contrairement aux îles voisines de Capri et d'Ischia, Procida, en 1972, était encore vierge, largement épargnée par le phénomène du tourisme de masse. Ainsi, Monti, un photographe du nord qui se rendait souvent dans le sud pour travailler, y a passé plusieurs années à effectuer des recherches personnelles pour saisir la morphologie de l'île. Si ses photographies documentent les habitants de l'île ainsi que la relation des insulaires à la mer, c'est l'architecture qui l'intéresse le plus. Il étudie Borgo di Corricella, la ville principale de l'île, en parcourant chaque centimètre et documentant son « architecture spontanée » : le réseau presque inextricable de ses maisons, églises et escaliers. Un labyrinthe fascinant qui est la quintessence même de la Méditerranée.
Monographies photo
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he(...)
Thomas Hoepker: The way it was, Road trips USA
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Thomas Hoepker was 27 years old when he set out on his ambitious journey across the United States—one that took him from coast to coast and back again over the course of three months and resulted in thousands of photos. The year was 1963 and Hoepker had been commissioned by the German magazine Kristall to "discover" America through his camera. The photo reportages he made, published in five issues of the magazine across dozens of pages, revealed Hoepker’s complex, skeptical and sometimes melancholy view of the American everyday, in big cities, small towns and all in between. At the age of 84 and after a successful career as a photojournalist and president of Magnum Photos—he once again set out on a road trip throughout the US. This publication juxtaposes Hoepker’s color photographs from this trip with his original black-and-white images, taking us on a journey both through his changing sense of America and through time.
Monographies photo
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In 1975, curator William Jenkins noticed that a slew of American photographers possessed a similar documentarian aesthetic—direct, mostly black-and-white prints of urban landscapes, executed with an ironic, at times, critical eye—and famously dubbed this aesthetic the New Topographics. Known for his black-and-white images of the American West, Henry Wessel’s work closely(...)
Monographies photo
octobre 2022
Henry Wessel: Documentary style and beyond
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In 1975, curator William Jenkins noticed that a slew of American photographers possessed a similar documentarian aesthetic—direct, mostly black-and-white prints of urban landscapes, executed with an ironic, at times, critical eye—and famously dubbed this aesthetic the New Topographics. Known for his black-and-white images of the American West, Henry Wessel’s work closely aligns with Jensen’s description. Exploring the territory where nature and culture meet, Wessel spontaneously captured scenes from everyday life, sometimes incorporating touches of deadpan humor in the process. Unlike some of the other New Topographic photographers, however, he still paid considerable attention to form and light—unwilling to fully cede stylized interventions. This book presents a survey of the photographer’s work, compiling a selection of his most representative images. The volume also includes photographs by other great figures of American documentary photography, such as Ed Ruscha, Lee Friedlander and Diane Arbus.
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