2469 Résultats
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been(...)
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been(...)
Titre:
Gerry Badger: it was a grey day
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been banished outside the fringes of the frame. What is left is emptiness, broken architecture, neglected parks, vacant lots, discarded things all fading under a metallic, unfeeling sky.
Gerry Badger: it was a grey day
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Photographer Gerry Badger only brought out his camera on overcast days in Berlin between 2007 and 2011. His portrait of the citys back streets and dilapidated spaces is rough, full of refuse and graffiti, and almost completely devoid of human presence. This series of images depicts the forgotten corners of a living city, full of history; a fact that has seemingly been banished outside the fringes of the frame. What is left is emptiness, broken architecture, neglected parks, vacant lots, discarded things all fading under a metallic, unfeeling sky.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
Titre:
Marco Citron: urbanism 1.01
Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and(...)
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and(...)
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Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and monumental governmental edifices comprise these sparsely populated landscapes. They challenge the viewer with their retro ambiguity. Mixing reality and fiction, “it is difficult to know whether Citron is recording some of the planning conceits of the Soviet era, or inventing them,” according to the text by Gerry Badger.
Marco Citron: urbanism 1.01
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Temporal displacement plays a key role in this attractive series of 40 colour photographs by Marco Citron. Through the use of a specific colour palette, reminiscent of postcards from the 1960s, he creates a nostalgic aura around his subject matter, the architectural landscapes of the Soviet Bloc. Housing blocks, wide plazas, highways on which only Trabants drive, and monumental governmental edifices comprise these sparsely populated landscapes. They challenge the viewer with their retro ambiguity. Mixing reality and fiction, “it is difficult to know whether Citron is recording some of the planning conceits of the Soviet era, or inventing them,” according to the text by Gerry Badger.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$140.00
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Architects’ mock-ups typically represent an abstracted, idealistic vision, and their models are generally understood as filtered interpretations of the environment, which tend toward the utopian. For this publication, conceptual artist and photographer Thomas Demand visited the untidy office of SANAA in Tokyo several times, exploring the aggregated environment he found(...)
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Résumé:
Architects’ mock-ups typically represent an abstracted, idealistic vision, and their models are generally understood as filtered interpretations of the environment, which tend toward the utopian. For this publication, conceptual artist and photographer Thomas Demand visited the untidy office of SANAA in Tokyo several times, exploring the aggregated environment he found(...)
Titre:
Thomas Demand : model studies, Koto-ku
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Architects’ mock-ups typically represent an abstracted, idealistic vision, and their models are generally understood as filtered interpretations of the environment, which tend toward the utopian. For this publication, conceptual artist and photographer Thomas Demand visited the untidy office of SANAA in Tokyo several times, exploring the aggregated environment he found there, where paper and discarded cardboard – the thought process of every project – survives in a sedimentary layering of materials. The resulting series of photographs shows an abstracted landscape of architectonic forms, devoid of human scale or reference, yet resonating with the language of creativity.
Thomas Demand : model studies, Koto-ku
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Architects’ mock-ups typically represent an abstracted, idealistic vision, and their models are generally understood as filtered interpretations of the environment, which tend toward the utopian. For this publication, conceptual artist and photographer Thomas Demand visited the untidy office of SANAA in Tokyo several times, exploring the aggregated environment he found there, where paper and discarded cardboard – the thought process of every project – survives in a sedimentary layering of materials. The resulting series of photographs shows an abstracted landscape of architectonic forms, devoid of human scale or reference, yet resonating with the language of creativity.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Pomerode
Pomerode
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For this photobook, Erik van der Weijde travelled to Pomerode, a municipality in the state of Santa Catarina, in southern Brazil. The settlement was founded by Pomeranian Germans in 1861, and is known as the most German city in Brazil, as the majority of its inhabitants are of German descent. In Pomerode, as in some other localities in southern Brazil, the German language(...)
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For this photobook, Erik van der Weijde travelled to Pomerode, a municipality in the state of Santa Catarina, in southern Brazil. The settlement was founded by Pomeranian Germans in 1861, and is known as the most German city in Brazil, as the majority of its inhabitants are of German descent. In Pomerode, as in some other localities in southern Brazil, the German language(...)
Titre:
Pomerode
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For this photobook, Erik van der Weijde travelled to Pomerode, a municipality in the state of Santa Catarina, in southern Brazil. The settlement was founded by Pomeranian Germans in 1861, and is known as the most German city in Brazil, as the majority of its inhabitants are of German descent. In Pomerode, as in some other localities in southern Brazil, the German language is not considered a foreign language, but a Brazilian linguistic regionalism. Van der Weijde is therefore able to blend together several of his recurring themes, such as German history, architecture, and contemporary Brazil, in this series of images.
Pomerode
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For this photobook, Erik van der Weijde travelled to Pomerode, a municipality in the state of Santa Catarina, in southern Brazil. The settlement was founded by Pomeranian Germans in 1861, and is known as the most German city in Brazil, as the majority of its inhabitants are of German descent. In Pomerode, as in some other localities in southern Brazil, the German language is not considered a foreign language, but a Brazilian linguistic regionalism. Van der Weijde is therefore able to blend together several of his recurring themes, such as German history, architecture, and contemporary Brazil, in this series of images.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
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livres
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a(...)
Titre:
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
Olivo Barbieri: flippers 1977-1978
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The first series ever realised by Italian photographer Olivo Barbieri, Flippers derives from his discovery of an abandoned, derelict pinball machine factory, and marks the starting point of his observations on visualising the superficial, which would lead to his artistic engagement with the uncertainty of the world’s surface. The fragmented pinball machines act as a cultural reminder, a throwback to the flashing momentum of the 1960s and ’70s, with rock music, science fiction, movie stars, and flower power. Published in its entirety for the first time, the pinball project was a formative experience for the photographer in his early years. Includes an interview with Barbieri and Francesco Zanot.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Mold is beautiful
Mold is beautiful
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"Les moisissures sont les ennemies numéro 1 de l'univers de l'archive.'Facteurs de risques", elles sont des "agents de dégradations" contre lesquelles la lutte est de mise. Dans ce contexte, leur potentiel créatif est injustement négligé. Il est pourtant exploité depuis l'aube des temps par l'homme qui utilise le pouvoir transformant des micro-organismes pour faire son(...)
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"Les moisissures sont les ennemies numéro 1 de l'univers de l'archive.'Facteurs de risques", elles sont des "agents de dégradations" contre lesquelles la lutte est de mise. Dans ce contexte, leur potentiel créatif est injustement négligé. Il est pourtant exploité depuis l'aube des temps par l'homme qui utilise le pouvoir transformant des micro-organismes pour faire son(...)
Titre:
Mold is beautiful
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"Les moisissures sont les ennemies numéro 1 de l'univers de l'archive.'Facteurs de risques", elles sont des "agents de dégradations" contre lesquelles la lutte est de mise. Dans ce contexte, leur potentiel créatif est injustement négligé. Il est pourtant exploité depuis l'aube des temps par l'homme qui utilise le pouvoir transformant des micro-organismes pour faire son pain quotidien, son vin, sa bière et tous ses fromages. Dans un texte de 1856 voué à encourager les rechercher sur la stabilité des procédés photographiques, le chimiste Victor Regnault, premier président de la Société française de photographie, insistait sur le fait que seul le temps pourrait juger de la permanence de tel ou tel procédé photographique. De la même façon, c'est avec le temps que se déploie et prend forme l'ouvrage des moisissures. Merveilles de l'oubli, succès de la négligence et du désintérêt, ces images, abîmées par une inondation ancienne, ont été privées de la lumière du jour pendant des années. La solitude de leur confinement, ajouté au ressources organiques inhérentes à leur procédé (gélatine, fécule de pomme de terre), a fournit un terreau idéal à une prolifération créative aléatoire. Aujourd'hui offertes à la contemplation, ces images bouleversées nous rappellent combien les qualités esthétiques d'une photographie sont décidément indépendante d'une volonté artistique." -- Luce Lebart
Mold is beautiful
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"Les moisissures sont les ennemies numéro 1 de l'univers de l'archive.'Facteurs de risques", elles sont des "agents de dégradations" contre lesquelles la lutte est de mise. Dans ce contexte, leur potentiel créatif est injustement négligé. Il est pourtant exploité depuis l'aube des temps par l'homme qui utilise le pouvoir transformant des micro-organismes pour faire son pain quotidien, son vin, sa bière et tous ses fromages. Dans un texte de 1856 voué à encourager les rechercher sur la stabilité des procédés photographiques, le chimiste Victor Regnault, premier président de la Société française de photographie, insistait sur le fait que seul le temps pourrait juger de la permanence de tel ou tel procédé photographique. De la même façon, c'est avec le temps que se déploie et prend forme l'ouvrage des moisissures. Merveilles de l'oubli, succès de la négligence et du désintérêt, ces images, abîmées par une inondation ancienne, ont été privées de la lumière du jour pendant des années. La solitude de leur confinement, ajouté au ressources organiques inhérentes à leur procédé (gélatine, fécule de pomme de terre), a fournit un terreau idéal à une prolifération créative aléatoire. Aujourd'hui offertes à la contemplation, ces images bouleversées nous rappellent combien les qualités esthétiques d'une photographie sont décidément indépendante d'une volonté artistique." -- Luce Lebart
Classification:
livres
livres
Publication:
septembre 2015
septembre 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Vertige polaire
Vertige polaire
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Deux mondes aux antipodes, un vertige commun : l’infini des étendues glacées, la nature brute, les glaciers gigantesques, les climats extrêmes… Voyageant depuis des années dans ces contrées rigoureuses, Thierry Suzan y a accompagné des expéditions scientifiques, et y a rencontré les populations locales.
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Deux mondes aux antipodes, un vertige commun : l’infini des étendues glacées, la nature brute, les glaciers gigantesques, les climats extrêmes… Voyageant depuis des années dans ces contrées rigoureuses, Thierry Suzan y a accompagné des expéditions scientifiques, et y a rencontré les populations locales.
Titre:
Vertige polaire
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Deux mondes aux antipodes, un vertige commun : l’infini des étendues glacées, la nature brute, les glaciers gigantesques, les climats extrêmes… Voyageant depuis des années dans ces contrées rigoureuses, Thierry Suzan y a accompagné des expéditions scientifiques, et y a rencontré les populations locales.
Vertige polaire
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Deux mondes aux antipodes, un vertige commun : l’infini des étendues glacées, la nature brute, les glaciers gigantesques, les climats extrêmes… Voyageant depuis des années dans ces contrées rigoureuses, Thierry Suzan y a accompagné des expéditions scientifiques, et y a rencontré les populations locales.
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livres
livres
Publication:
octobre 2015
octobre 2015
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$48.95
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In the 1930s, German photographer Werner Mantz was commissioned to produce an extensive series of photographs documenting the Limburg coal mines. From his studio in Maastricht, he photographed major works of industry and technology in the Dutch province, including commissions to document the regional network of roads and various state mines. Forgotten for a time, the(...)
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Résumé:
In the 1930s, German photographer Werner Mantz was commissioned to produce an extensive series of photographs documenting the Limburg coal mines. From his studio in Maastricht, he photographed major works of industry and technology in the Dutch province, including commissions to document the regional network of roads and various state mines. Forgotten for a time, the(...)
Titre:
Werner Mantz: on coal mining in Limburg
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In the 1930s, German photographer Werner Mantz was commissioned to produce an extensive series of photographs documenting the Limburg coal mines. From his studio in Maastricht, he photographed major works of industry and technology in the Dutch province, including commissions to document the regional network of roads and various state mines. Forgotten for a time, the legacy of this work, done in the style of New Objectivity, re-emerged in the 1970s and has since been thoroughly researched. Presented here as an important historical document, his photos depict a glorious industrial era which we can now look back upon from a different perspective.
Werner Mantz: on coal mining in Limburg
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In the 1930s, German photographer Werner Mantz was commissioned to produce an extensive series of photographs documenting the Limburg coal mines. From his studio in Maastricht, he photographed major works of industry and technology in the Dutch province, including commissions to document the regional network of roads and various state mines. Forgotten for a time, the legacy of this work, done in the style of New Objectivity, re-emerged in the 1970s and has since been thoroughly researched. Presented here as an important historical document, his photos depict a glorious industrial era which we can now look back upon from a different perspective.
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livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Hiroshi Sugimoto: seascapes
Hiroshi Sugimoto: seascapes
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Water and air. So very commonplace are these substances, they hardly attract attentionand yet they vouchsafe our very existence. The beginnings of life are shrouded in myth: Let there water and air. Living phenomena spontaneously generated from water and air in the presence of light, though that could just as easily suggest random coincidence as a Deity.(...)
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Water and air. So very commonplace are these substances, they hardly attract attentionand yet they vouchsafe our very existence. The beginnings of life are shrouded in myth: Let there water and air. Living phenomena spontaneously generated from water and air in the presence of light, though that could just as easily suggest random coincidence as a Deity.(...)
Titre:
Hiroshi Sugimoto: seascapes
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Water and air. So very commonplace are these substances, they hardly attract attentionand yet they vouchsafe our very existence. The beginnings of life are shrouded in myth: Let there water and air. Living phenomena spontaneously generated from water and air in the presence of light, though that could just as easily suggest random coincidence as a Deity. Let's just say that there happened to be a planet with water and air in our solar system, and moreover at precisely the right distance from the sun for the temperatures required to coax forth life. While hardly inconceivable that at least one such planet should exist in the vast reaches of universe, we search in vain for another similar example.
Hiroshi Sugimoto: seascapes
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Water and air. So very commonplace are these substances, they hardly attract attentionand yet they vouchsafe our very existence. The beginnings of life are shrouded in myth: Let there water and air. Living phenomena spontaneously generated from water and air in the presence of light, though that could just as easily suggest random coincidence as a Deity. Let's just say that there happened to be a planet with water and air in our solar system, and moreover at precisely the right distance from the sun for the temperatures required to coax forth life. While hardly inconceivable that at least one such planet should exist in the vast reaches of universe, we search in vain for another similar example.
Classification:
livres
livres
Publication:
novembre 2015
novembre 2015
Sujet:
Monographies photo
Monographies photo
