2452 Résultats
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Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle(...)
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Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle(...)
Titre:
Paul Hutchinson: Stadt fur alle
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Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle (transl. City for All), are countless cranes, excavators, and construction signs. They are the tools that power the remaking of any city’s urban fabric – here Berlin mostly sets the example. Building pits constitute the foundation for farewells and new beginnings. Advertising banners for luxury developments vie against protest placards hanging limply on the façades of older buildings. The artist has compiled a pictorial atlas that prompts reflections on the transformation of the city and thereby gives form to the advancing gentrification, the constant feeling of threat and the increasing loss of inner-city street culture. Hutchinson’s writing complements the deft visual analysis of these processes: "The way you look at me, smiling while I’m losing my vision" is one such observation that, in conjunction with his images, opens up a space for interpretation and a probing inquiry into what urban life will mean in the future.
Paul Hutchinson: Stadt fur alle
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Paul Hutchinson’s work (b. Berlin, 1987; lives and works in Berlin) conveys an intimate and unvarnished perspective, rendering the imperfections, incidental details, and human facets of urban culture. Fleeting moments and encounters often act as a base for his critical photographic practice. The central protagonists in his most recent project, titled Stadt für Alle (transl. City for All), are countless cranes, excavators, and construction signs. They are the tools that power the remaking of any city’s urban fabric – here Berlin mostly sets the example. Building pits constitute the foundation for farewells and new beginnings. Advertising banners for luxury developments vie against protest placards hanging limply on the façades of older buildings. The artist has compiled a pictorial atlas that prompts reflections on the transformation of the city and thereby gives form to the advancing gentrification, the constant feeling of threat and the increasing loss of inner-city street culture. Hutchinson’s writing complements the deft visual analysis of these processes: "The way you look at me, smiling while I’m losing my vision" is one such observation that, in conjunction with his images, opens up a space for interpretation and a probing inquiry into what urban life will mean in the future.
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livres
livres
Publication:
septembre 2020
septembre 2020
Sujet:
Monographies photo
Monographies photo
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livres
livres
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The photographer Christine Erhard’s (b. Crailsheim, 1969; lives and works in Düsseldorf) work delves into the history of the depiction of architecture, and specifically of early-twentieth-century German modernism and constructivist and brutalist structures. Her compositions are inspired by archival research, in which she unearths photographs that typically show(...)
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The photographer Christine Erhard’s (b. Crailsheim, 1969; lives and works in Düsseldorf) work delves into the history of the depiction of architecture, and specifically of early-twentieth-century German modernism and constructivist and brutalist structures. Her compositions are inspired by archival research, in which she unearths photographs that typically show(...)
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Christine Erhard: Building images
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The photographer Christine Erhard’s (b. Crailsheim, 1969; lives and works in Düsseldorf) work delves into the history of the depiction of architecture, and specifically of early-twentieth-century German modernism and constructivist and brutalist structures. Her compositions are inspired by archival research, in which she unearths photographs that typically show architectonic spaces, modernist buildings, or cityscapes. These two-dimensional images often become models for plastic constructions, which are themselves photographed so that different levels of reflection and reality overlap. In exhibitions, Erhard arranges her pictures in installations that transpose them back into three dimensions, for a vivid experience of the dialectical interplay between depiction and physical space. The photographic image emerges in these installations as a body hovering between flat ornament, the illusion of depth, and sculptural presence.
Christine Erhard: Building images
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The photographer Christine Erhard’s (b. Crailsheim, 1969; lives and works in Düsseldorf) work delves into the history of the depiction of architecture, and specifically of early-twentieth-century German modernism and constructivist and brutalist structures. Her compositions are inspired by archival research, in which she unearths photographs that typically show architectonic spaces, modernist buildings, or cityscapes. These two-dimensional images often become models for plastic constructions, which are themselves photographed so that different levels of reflection and reality overlap. In exhibitions, Erhard arranges her pictures in installations that transpose them back into three dimensions, for a vivid experience of the dialectical interplay between depiction and physical space. The photographic image emerges in these installations as a body hovering between flat ornament, the illusion of depth, and sculptural presence.
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livres
livres
Publication:
août 2022
août 2022
Sujet:
Monographies photo
Monographies photo
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livres
livres
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has(...)
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has(...)
Titre:
Nuno Cera: My light / Minha luz
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has been published internationally, exhibited and commissioned by multiple cultural institutions and exhibition platforms."My Light / Minha Luz" is Nuno Cera’s first comprehensive monograph and focusses on recent series such as My Light, Acid Flamingo, Infinite Window, and Cosmic Debris. With contributions by Julia Albani, Susana Ventura, Jeff Wood, and Daniel Zamarbide.
Nuno Cera: My light / Minha luz
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In his work the photographer and video artist Nuno Cera (b. Beja, Portugal, 1972; lives and works in Lisbon) operates at the intersection of art and documentary to address fundamental forms of change: natural, spatial and temporal. His long-term research projects involve different agents and collaborators, including scientists, actors, writers and critics. His work has been published internationally, exhibited and commissioned by multiple cultural institutions and exhibition platforms."My Light / Minha Luz" is Nuno Cera’s first comprehensive monograph and focusses on recent series such as My Light, Acid Flamingo, Infinite Window, and Cosmic Debris. With contributions by Julia Albani, Susana Ventura, Jeff Wood, and Daniel Zamarbide.
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livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness,(...)
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness,(...)
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Virginia Turbett: Punks 1979-1983
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness, David Bowie and Duran Duran. Her other interest has been ‘'social reportage'’ photographing the final days of Billingsgate fish market, demonstrations and marches and significant musical events such as Rock Against Racism in East London’s Victoria Park.
Virginia Turbett: Punks 1979-1983
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Virginia Turbett photographed everyone from the Sex Pistols to David Bowie, working for a decade on assignments for Sounds, Smash Hits, The Face and ID. She captured the fashion music fusion of punk, new romantics, the mods and more. Famously having photographed The Clash, Blondie, Iggy Pop, Prince, U2, Andy Warhol, Frank Zappa, Nick Cave, Depeche Mode, the Jam, Madness, David Bowie and Duran Duran. Her other interest has been ‘'social reportage'’ photographing the final days of Billingsgate fish market, demonstrations and marches and significant musical events such as Rock Against Racism in East London’s Victoria Park.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Monographies photo
Monographies photo
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livres
livres
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This collection features images from Notting Hill Carnival, 1983. A snapshot of sound system culture in London over 40 years ago. These were hard times; racism was rife, work was scarce and woke wasn't even a word. The determination and passion required to express and live by your culture was crucial and dangerous. Without the dogged passion of the people that created the(...)
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Résumé:
This collection features images from Notting Hill Carnival, 1983. A snapshot of sound system culture in London over 40 years ago. These were hard times; racism was rife, work was scarce and woke wasn't even a word. The determination and passion required to express and live by your culture was crucial and dangerous. Without the dogged passion of the people that created the(...)
Titre:
Peter Anderson: Notting Hill Carnival 1983
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This collection features images from Notting Hill Carnival, 1983. A snapshot of sound system culture in London over 40 years ago. These were hard times; racism was rife, work was scarce and woke wasn't even a word. The determination and passion required to express and live by your culture was crucial and dangerous. Without the dogged passion of the people that created the dances, the carnivals and the blues parties, we would not enjoy the culture we have today. We owe the people in these images a debt of gratitude. We're pleased to share them with you.
Peter Anderson: Notting Hill Carnival 1983
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This collection features images from Notting Hill Carnival, 1983. A snapshot of sound system culture in London over 40 years ago. These were hard times; racism was rife, work was scarce and woke wasn't even a word. The determination and passion required to express and live by your culture was crucial and dangerous. Without the dogged passion of the people that created the dances, the carnivals and the blues parties, we would not enjoy the culture we have today. We owe the people in these images a debt of gratitude. We're pleased to share them with you.
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livres
livres
Publication:
février 2025
février 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Jason Fulford: Lots of lots
Jason Fulford: Lots of lots
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$41.00
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Jason Fulford’s latest book is a vibrant riff on conceptual artist Sol LeWitt’s 1977 publication PhotoGrids. Lots Of Lots transforms the seemingly quotidian objects captured by Fulford in nearly seven hundred photographs into an evocative collection of interconnected and overlapping forms. Employing a 3x3 format with nine square images on each page, the book groups(...)
$41.00
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Résumé:
Jason Fulford’s latest book is a vibrant riff on conceptual artist Sol LeWitt’s 1977 publication PhotoGrids. Lots Of Lots transforms the seemingly quotidian objects captured by Fulford in nearly seven hundred photographs into an evocative collection of interconnected and overlapping forms. Employing a 3x3 format with nine square images on each page, the book groups(...)
Titre:
Jason Fulford: Lots of lots
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Jason Fulford’s latest book is a vibrant riff on conceptual artist Sol LeWitt’s 1977 publication PhotoGrids. Lots Of Lots transforms the seemingly quotidian objects captured by Fulford in nearly seven hundred photographs into an evocative collection of interconnected and overlapping forms. Employing a 3x3 format with nine square images on each page, the book groups subjects by idiosyncratic features such as colour palette, slogans, distinctive shadows, and geometric shape. Untethered by location, style, or time, Fulford’s collection moves between coherence and collision in reflection of the varying order and disorder of our world. An empty laundrette, a lone park bench, and a cascading waterfall find new resonance in Fulford’s wry and illuminating compositions, showing us the extant beauty among endless production and consumption.
Jason Fulford: Lots of lots
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Jason Fulford’s latest book is a vibrant riff on conceptual artist Sol LeWitt’s 1977 publication PhotoGrids. Lots Of Lots transforms the seemingly quotidian objects captured by Fulford in nearly seven hundred photographs into an evocative collection of interconnected and overlapping forms. Employing a 3x3 format with nine square images on each page, the book groups subjects by idiosyncratic features such as colour palette, slogans, distinctive shadows, and geometric shape. Untethered by location, style, or time, Fulford’s collection moves between coherence and collision in reflection of the varying order and disorder of our world. An empty laundrette, a lone park bench, and a cascading waterfall find new resonance in Fulford’s wry and illuminating compositions, showing us the extant beauty among endless production and consumption.
Classification:
livres
livres
Publication:
décembre 2024
décembre 2024
Sujet:
Monographies photo
Monographies photo
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livres
livres
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$57.95
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Le sang ne se synthétise pas, ou pas encore. Concrètement, chaque année, 119 millions de poches de sang sont collectées dans le monde, permettant de soigner et de sauver des milliers de personnes souffrant de multiples maladies, de cancers ou victimes d’hémorragie. L’acte de donner son sang gratuitement et anonymement reconstruit des existences et, autant que résistent(...)
$57.95
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Résumé:
Le sang ne se synthétise pas, ou pas encore. Concrètement, chaque année, 119 millions de poches de sang sont collectées dans le monde, permettant de soigner et de sauver des milliers de personnes souffrant de multiples maladies, de cancers ou victimes d’hémorragie. L’acte de donner son sang gratuitement et anonymement reconstruit des existences et, autant que résistent(...)
Titre:
Trois gouttes de sang comme une fleur
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Le sang ne se synthétise pas, ou pas encore. Concrètement, chaque année, 119 millions de poches de sang sont collectées dans le monde, permettant de soigner et de sauver des milliers de personnes souffrant de multiples maladies, de cancers ou victimes d’hémorragie. L’acte de donner son sang gratuitement et anonymement reconstruit des existences et, autant que résistent les coquelicots à l’emprise du béton, des vies trop fragiles sont maintenues par ces justes, éloignés des suffisances narcissiques tout autant que de l’évaluation marchande de leurs gestes. Rendre compte de cette éthique délicate et discrète des pratiques ordinaires liant le don, le soin et la gratitude, par un dialogue associant des textes et des photos, nous a semblé essentiel. « Trois gouttes de sang comme une fleur » est donc un récit à deux voix – celles d’un photographe et d’un anthropologue – mêlant le réalisme du regard à une appréhension poétique du monde. Une narration entremêlée pour reconnaître l’importance de ces « vies minuscules » sans qui nul ne serait ni soigné ni sauvé. Par une écriture photographique sensible à l’imaginaire Clément Chapillon a tendu un « fil rouge » reliant les différents acteurs du don, notamment par un dispositif d’autoportraits. Chaque personne photographiée a elle-même « pressé » le déclencheur incarnant ainsi son engagement et par ce geste partageant la solidarité d’une générosité anonyme. À partir d’entretiens réalisés avec des donneurs, des receveurs et des professionnels de santé, en questionnant sa propre expérience des soins, Yannick Jaffré a questionné les mots du don et ce que la vulnérabilité peut ajouter à l’humain.
Trois gouttes de sang comme une fleur
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$57.95
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Résumé:
Le sang ne se synthétise pas, ou pas encore. Concrètement, chaque année, 119 millions de poches de sang sont collectées dans le monde, permettant de soigner et de sauver des milliers de personnes souffrant de multiples maladies, de cancers ou victimes d’hémorragie. L’acte de donner son sang gratuitement et anonymement reconstruit des existences et, autant que résistent les coquelicots à l’emprise du béton, des vies trop fragiles sont maintenues par ces justes, éloignés des suffisances narcissiques tout autant que de l’évaluation marchande de leurs gestes. Rendre compte de cette éthique délicate et discrète des pratiques ordinaires liant le don, le soin et la gratitude, par un dialogue associant des textes et des photos, nous a semblé essentiel. « Trois gouttes de sang comme une fleur » est donc un récit à deux voix – celles d’un photographe et d’un anthropologue – mêlant le réalisme du regard à une appréhension poétique du monde. Une narration entremêlée pour reconnaître l’importance de ces « vies minuscules » sans qui nul ne serait ni soigné ni sauvé. Par une écriture photographique sensible à l’imaginaire Clément Chapillon a tendu un « fil rouge » reliant les différents acteurs du don, notamment par un dispositif d’autoportraits. Chaque personne photographiée a elle-même « pressé » le déclencheur incarnant ainsi son engagement et par ce geste partageant la solidarité d’une générosité anonyme. À partir d’entretiens réalisés avec des donneurs, des receveurs et des professionnels de santé, en questionnant sa propre expérience des soins, Yannick Jaffré a questionné les mots du don et ce que la vulnérabilité peut ajouter à l’humain.
Classification:
livres
livres
Publication:
février 2025
février 2025
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Prix:
$58.95
(disponible en magasin)
Résumé:
Le livre présente le travail photographique d’Yveline Loiseur au sein de la cité sanitaire de Clairvivre, lieu de la réparation des corps et de réinsertion dans la vie sociale pour des personnes en situation de handicap. Labellisée "patrimoine du XXe siècle" en 2011, Clairvivre a été construite entre 1931 et 1933 par l’architecte Pierre Forestier, élève d’Auguste Perret,(...)
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Le livre présente le travail photographique d’Yveline Loiseur au sein de la cité sanitaire de Clairvivre, lieu de la réparation des corps et de réinsertion dans la vie sociale pour des personnes en situation de handicap. Labellisée "patrimoine du XXe siècle" en 2011, Clairvivre a été construite entre 1931 et 1933 par l’architecte Pierre Forestier, élève d’Auguste Perret,(...)
Titre:
Clairvivre. Une ville de clarté, de travail et de gaité
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Le livre présente le travail photographique d’Yveline Loiseur au sein de la cité sanitaire de Clairvivre, lieu de la réparation des corps et de réinsertion dans la vie sociale pour des personnes en situation de handicap. Labellisée "patrimoine du XXe siècle" en 2011, Clairvivre a été construite entre 1931 et 1933 par l’architecte Pierre Forestier, élève d’Auguste Perret, précurseur de l’architecture en béton armé, maître du Corbusier et futur architecte de la reconstruction du Havre. Tous les principes de l’architecture nouvelle et du confort moderne y sont visibles (toits terrasse, fenêtres en bandes, centrale électrique). Initialement destinée à accueillir les soldats blessés du poumon pendant la Première Guerre Mondiale et leurs familles, elle est devenue sanatorium et abrite aujourd’hui différentes structures d’aide, de formation et de vie en direction des personnes en situation de handicap.
Clairvivre. Une ville de clarté, de travail et de gaité
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Le livre présente le travail photographique d’Yveline Loiseur au sein de la cité sanitaire de Clairvivre, lieu de la réparation des corps et de réinsertion dans la vie sociale pour des personnes en situation de handicap. Labellisée "patrimoine du XXe siècle" en 2011, Clairvivre a été construite entre 1931 et 1933 par l’architecte Pierre Forestier, élève d’Auguste Perret, précurseur de l’architecture en béton armé, maître du Corbusier et futur architecte de la reconstruction du Havre. Tous les principes de l’architecture nouvelle et du confort moderne y sont visibles (toits terrasse, fenêtres en bandes, centrale électrique). Initialement destinée à accueillir les soldats blessés du poumon pendant la Première Guerre Mondiale et leurs familles, elle est devenue sanatorium et abrite aujourd’hui différentes structures d’aide, de formation et de vie en direction des personnes en situation de handicap.
Classification:
livres
livres
Publication:
juillet 2024
juillet 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
John Lehr: The last things
John Lehr: The last things
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"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
$168.95
(disponible en magasin)
Résumé:
"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation,(...)
Titre:
John Lehr: The last things
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$168.95
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Résumé:
"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
John Lehr: The last things
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$168.95
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Résumé:
"The last things" explores the artifacts of an American archeological present. The work in this series depicts vernacular forms of architecture, signage, images, and objects that were hastily made in a rush for attention, or abandoned in place after their usefulness had expired. Lehr posits them as symptomatic symbols of the repetitive cycles of decline, rehabilitation, violence, and mourning that are woven into the fabric of contemporary American life. These light-drenched photographs vividly describe a nation speaking through the language of capitalism. Words and images repeat and contradict throughout the work, reflecting emphatic pleas and shifting priorities. At other times, language breaks down completely, giving way to pictographic forms that are both primitive and utterly contemporary. Flaking paint morphs into JPEG vinyl printouts and LED displays, blurring the line between commercial speech and individual expression. Embedded in the work is a belief in the power and absurdity of objects that—like a body—bear the traces of collective experience. In its distilled and emphatic sequencing "The last things" reads as a prose poem and a cryptic cipher about a country at the brink of a tipping point.
Classification:
livres
livres
Publication:
novembre 2024
novembre 2024
Sujet:
Monographies photo
Monographies photo
Classification:
livres
livres
Titre:
Two pipes fourteen locations
Two pipes fourteen locations
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Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty(...)
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Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty(...)
Titre:
Two pipes fourteen locations
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Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty (19'). Cut, the other has variable length. The distance between them is invariably eight centimeters (3''). Whether outdoors, in an exhibition space, or on a piece of paper, the Two Poles and Two Lines will accompany the Two Pipes in this tensioning of space. The book, "Two pipes fourteen locations", opens with a plate of captions. It provides information on the dimensions and location of the pieces. The very first photograph reproduced in the book is a close-up shot. The image is cropped. It foreshadows the photographic work that the artist Peter Downsbrough would develop over several decades.
Two pipes fourteen locations
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(disponible en magasin)
Résumé:
Published in 1974 by Norman Fisher in New York, "Two pipes fourteen locations" is the very first book created by Peter Downsbrough using photographs. In sixty-three images, from various perspectives, the artist documents fourteen of his Two Pipes. Each sculpture consists of two standard steel pipes planted vertically. One has an above-ground height of five meters fifty (19'). Cut, the other has variable length. The distance between them is invariably eight centimeters (3''). Whether outdoors, in an exhibition space, or on a piece of paper, the Two Poles and Two Lines will accompany the Two Pipes in this tensioning of space. The book, "Two pipes fourteen locations", opens with a plate of captions. It provides information on the dimensions and location of the pieces. The very first photograph reproduced in the book is a close-up shot. The image is cropped. It foreshadows the photographic work that the artist Peter Downsbrough would develop over several decades.
Classification:
livres
livres
Publication:
avril 2024
avril 2024
Sujet:
Monographies photo
Monographies photo
